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Ten Etudes No.20
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1
Ten Etudes No.17
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.491351 By Dubiell De Zarraga Lago. …
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Piano Solo - Level 3 - Digital Download SKU: A0.491351 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 20 pages. Dubiell A De Zarraga lago #106890. Published by Dubiell A De Zarraga lago (A0.491351).
$2.99
2.73 €
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Piano seul
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Dubiell De Zarraga Lago
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Ten Etudes No.17
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Dubiell A De Zarraga lago
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SheetMusicPlus
Impromptu No.20 For Marimba
Marimba
Marimba Solo - Digital Download SKU: A0.955431 Composed by Neal Fitzpatrick. Arrang…
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Marimba Solo - Digital Download SKU: A0.955431 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Individual part. 7 pages. Neal Fitzpatrick Editions #6055709. Published by Neal Fitzpatrick Editions (A0.955431). This is Impromptu No.20 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.00
3.66 €
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Marimba
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Neal Fitzpatrick
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Neal Fitzpatrick
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Impromptu No.20 For Marimba
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Neal Fitzpatrick Editions
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SheetMusicPlus
Impromptu No.20 For Piano
Piano seul
Piano Solo - Digital Download SKU: A0.955411 Composed by Neal Fitzpatrick. Contempo…
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Piano Solo - Digital Download SKU: A0.955411 Composed by Neal Fitzpatrick. Contemporary,Standards,World. Score. 7 pages. Neal Fitzpatrick Editions #6021223. Published by Neal Fitzpatrick Editions (A0.955411). This is Impromptu No.20 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$1.99
1.82 €
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Piano seul
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Neal Fitzpatrick
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Impromptu No.20 For Piano
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Neal Fitzpatrick Editions
#
SheetMusicPlus
Ten Etudes No.20
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.491356 By Dubiell De Zarraga Lago. …
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Piano Solo - Level 3 - Digital Download SKU: A0.491356 By Dubiell De Zarraga Lago. By Dubiell De Zarraga Lago. 20th Century. Score. 53 pages. Dubiell A De Zarraga lago #106895. Published by Dubiell A De Zarraga lago (A0.491356).
$2.99
2.73 €
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Piano seul
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Dubiell De Zarraga Lago
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Ten Etudes No.20
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Dubiell A De Zarraga lago
#
SheetMusicPlus
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.792395 Composed by Ritt, David. …
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Trombone Solo - Level 4 - Digital Download SKU: A0.792395 Composed by Ritt, David. Arranged by Ritt, David. 20th Century,Instructional,Opera,Romantic Period. Individual part. 89 pages. Gordon Cherry #4820371. Published by Gordon Cherry (A0.792395). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years. • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets. • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper. • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).
$20.00
18.28 €
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Trombone
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Ritt, David
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Ritt, David
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Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
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Gordon Cherry
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SheetMusicPlus
Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.792342 Composed by Ritt…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.792342 Composed by Ritt, David. Classical,Opera,Romantic Period. Score. 89 pages. Gordon Cherry #4806551. Published by Gordon Cherry (A0.792342). • The Rochut/Bordogni Etudes for Trombone or Euphonium have enjoyed immense popularity over the years. • If you play the Trombone, Euphonium, or any brass instrument for that matter, you have most likely have played and listened to countless hours of them as a student or teacher in the studio or practice room. • David Ritt composed his 60 Melodious Accompaniments to compliment Rochut's edition of Book 1 (original) as duets. • Performed as duets they will be an invaluable asset to teachers and students, helping them gain insight into performing these gorgeous melodies and learning a melodious style of performing on the Trombone or Euphonium as well as intonation, rhythm and style. • Book 1 includes Etudes 1-60, the entire collection of the accompaniments to vocalises from Volume 1 of the Rochut etudes and are contained in a handsome spiral-bound book of over 80 pages using 9 x 12 full-sized Concert Style paper. • Beautifully engraved in bass clef, these accompaniments are perfectly suited for intermediate to moderately advanced performers. • The original Rochut Etudes are NOT included in this collection, just these accompaniments. • The sound clip provided is of etude No. 20 performed by David Ritt (taken from his audio CD of Nos. 1-20 which are minutely different in composition from this collection, but close enough to hear the beauty of the accompaniments).
$20.00
18.28 €
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2 Trombones (duo)
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Ritt, David
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Melodious Accompaniments to Rochut Etudes Book 1 for Trombone or Euphonium
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Gordon Cherry
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Piano Facile
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
3.65 €
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Piano Facile
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
#
SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
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Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
27.42 €
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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Ensemble Llama Music
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SheetMusicPlus
20 Impromptus For Harp Volume 1 No.1-5
Harpe
Harp - Digital Download SKU: A0.955438 Composed by Neal Fitzpatrick. Arranged by Ne…
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Harp - Digital Download SKU: A0.955438 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 18 pages. Neal Fitzpatrick Editions #6097589. Published by Neal Fitzpatrick Editions (A0.955438). This set of music for HARP is based on my Twenty Etudes For Guitar. While these pieces may in fact work as etudes for harp I have purposely renamed them. Whether or not they work as studies I will leave up to each individual harpist and harp teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is that these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined but the performer.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.
$7.00
6.4 €
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Harpe
#
Neal Fitzpatrick
#
Neal Fitzpatrick
#
20 Impromptus For Harp Volume 1 No.1-5
#
Neal Fitzpatrick Editions
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SheetMusicPlus
Studies on Chopin's Etudes
Piano seul
Piano - difficult - Digital Download SKU: S9.Q562845 Composed by Frederic Chopin. A…
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Piano - difficult - Digital Download SKU: S9.Q562845 Composed by Frederic Chopin. Arranged by Leopold Godowsky. Downloadable, Tune book. Op Band 2 No. 13-20. Musikverlag Robert Lienau - Digital #Q562845. Published by Musikverlag Robert Lienau - Digital (S9.Q562845). German • English • French.Mit diesen 53 Studien, die in souveräner Werkkenntnis auf Chopins op. 10 und op. 25 aufgebaut sind, verfolgte Godowsky einen dreifachen Zweck: die mechanischen, technischen und musikalischen Möglichkeiten des Klavierspiels zu bereichern, die eigentümliche, der polyphonen, polyrhythmischen und polydynamischen Arbeit zugängliche Natur des Instruments weiter zu entwickeln, die Möglichkeiten der Tonkoloristik zu vermehren. Von den Studien sind 22 für die linke Hand allein bestimmt. Die inhaltliche verändert neu aufgelegte Sammlung ist als vollkommene Meisterschule der Klaviertechnik weltweit berühmt.
$16.99
15.53 €
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Piano seul
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Frederic Chopin
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Leopold Godowsky
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Studies on Chopin's Etudes
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Fernando Sor: Study Op. 31, No. 20 - guitar solo
Guitare
Instantly printable sheet music by Fernando Sor for guitar solo of MEDIUM skill level. Con…
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Instantly printable sheet music by Fernando Sor for guitar solo of MEDIUM skill level. Contents: etude, etudes, studies, exercises / classical,instructional
$6.97
6.37 €
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Guitare
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Fernando Sor
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (1-36), Op.20 - COMPLETE instantly for viola solo
Alto seul
This is an exclusive transcription for viola solo of MEDIUM skill level from the original …
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This is an exclusive transcription for viola solo of MEDIUM skill level from the original composition by Heinrich Ernst Kayser. This title is available as instant sheet music download. Contents: studies,etudes,exercises,[no.1-12],studies,etudes,exercises,[no.13-26],studies,etudes,exercises,[no.27-36],study, studies,etude, etudes, exercises, study / classical,instructional
$11.99
10.96 €
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Alto seul
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (1-36), Op.20 - COMPLETE instantly for violin solo
Violon
Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skil…
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Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skill level. Contents: studies,etudes,exercises,[no.27-36],exercises,[no.13-26],exercises,[no.27-36],study, studies,etude, etudes, exercises, study / classical,instructional
$9.99
9.13 €
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Violon
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (27-36), Op.20 - Book III instantly for viola solo
Alto seul
This is an exclusive transcription for viola solo of MEDIUM skill level from the original …
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This is an exclusive transcription for viola solo of MEDIUM skill level from the original composition by Heinrich Ernst Kayser. This title is available as instant sheet music download. Contents: studies,etudes,exercises,[no.27-36],study, studies,etude, etudes, exercises, study / classical,instructional
$5.99
5.48 €
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Alto seul
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (13-26), Op.20 - Book II instantly for viola solo
Alto seul
This is an exclusive transcription for viola solo of MEDIUM skill level from the original …
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This is an exclusive transcription for viola solo of MEDIUM skill level from the original composition by Heinrich Ernst Kayser. This title is available as instant sheet music download. Contents: studies,etudes,exercises,[no.13-26],study, studies,etude, etudes, exercises, study / classical,instructional
$5.99
5.48 €
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Alto seul
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (1-12), Op.20 - Book I instantly for viola solo
Alto seul
This is an exclusive transcription for viola solo of MEDIUM skill level from the original …
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This is an exclusive transcription for viola solo of MEDIUM skill level from the original composition by Heinrich Ernst Kayser. This title is available as instant sheet music download. Contents: studies,etudes,exercises,[no.1-12],study, studies,etude, etudes, exercises, study / classical,instructional
$5.99
5.48 €
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Alto seul
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (27-36), Op.20 - Book III instantly for violin solo
Violon
Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skil…
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Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skill level. Contents: studies,etudes, exercises,[no.27-36],study, studies,etude, etudes, study / classical,instructional
$4.99
4.56 €
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Violon
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (13-26), Op.20 - Book II instantly for violin solo
Violon
Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skil…
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Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skill level. Contents: studies,etudes,exercises,[no.13-26],study, studies,etude, etudes, exercises, study / classical,instructional
$4.99
4.56 €
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Violon
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Heinrich Ernst Kayser
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Virtualsheetmusic
Heinrich Ernst Kayser: Etudes (1-12), Op.20 - Book I instantly for violin solo
Violon
Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skil…
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Instantly downloadable sheet music by Heinrich Ernst Kayser for violin solo of MEDIUM skill level. Contents: studies,etudes,exercises,[no.1-12],study, studies,etude, etudes, exercises, study / classical,instructional
$4.99
4.56 €
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Violon
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Heinrich Ernst Kayser
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Virtualsheetmusic
Sketches
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1276549 By Erik Nielsen. By Erik Ni…
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Piano Solo - Level 5 - Digital Download SKU: A0.1276549 By Erik Nielsen. By Erik Nielsen. Arranged by Erik Nielsen. 21st Century,Classical,Contemporary. Score. 20 pages. Middle Branch Music #868278. Published by Middle Branch Music (A0.1276549). Several years ago I heard some of the piano Etudes of Gyorgy Ligeti. I was very impressed with how Ligeti constructed such rich music on such a small scale and thought it would be a fun challenge for me to attempt something similar. Writing for piano has always been a challenge for me, both because of the instrument itself and because of the previous literature, which has seemed rather daunting. However, by trying to concentrate solely on the character and needs of each movement I had an easier time than I had feared and really enjoyed the process. The results bear no outward resemblance to the Ligeti works, at least not to me, but the work has its own integrity and character. By providing as “bookends†a Prologue and Epilogue that used the same material I tried to give some structure to the work as a whole. That and the way I linked the tonal centers of the successive movements provide what unity there is. For me, however, the title is accurate and I view these little pieces as miniatures, ones that gave me a lot of pleasure to write and will I hope give listeners pleasure as well.
$9.99
9.13 €
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Piano seul
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Erik Nielsen
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Erik Nielsen
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Sketches
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Middle Branch Music
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SheetMusicPlus
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