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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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AFRICAIN
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
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OPERA
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Non classifié
448
PIANO & CLAVIERS
Piano seul
255
Orgue
76
Piano Facile
23
1 Piano, 4 mains
10
Piano, Voix
5
Accompagnement Piano
5
Instruments en Do
5
Piano, Voix et Guitare
4
2 Pianos, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Clavecin
3
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Guitare
34
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Dulcimer
1
2 Guitares (duo)
1
Basse electrique
1
Mandoline, Piano (duo)
1
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VOIX
Chorale SATB
22
Chorale 3 parties
13
Chorale 2 parties
6
Chorale SSAA
2
Voix Tenor
2
Chorale Unison
2
Chorale SSATB
1
Chorale TTBB
1
Voix Baryton, Piano
1
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VENTS
2 Saxophones (duo)
102
Quatuor de Saxophones: 4 saxophones
92
2 Clarinettes (duo)
55
Saxophone, Clarinette (duo)
50
2 Flûtes traversières (duo)
41
Flûte traversière et Piano
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Saxophone Tenor et Piano
33
Clarinette, Violon (duo)
31
Clarinette, Trompette (duo)
29
Clarinette et Piano
26
Saxophone Alto et Piano
25
Flûte, Clarinette (duo)
23
Quatuor de Flûtes à bec
22
Flûte, Hautbois, Clarinette, Basson
20
2 Hautbois (duo)
19
Hautbois, Basson (duo)
19
Quatuor de Clarinettes: 4 clarinettes
19
Clarinette et Alto
19
Saxophone (partie séparée)
18
Flûte, Saxophone (duo)
17
Flûte, Violon
17
Quatuor de Flûtes : 4 flûtes
17
Hautbois, Clarinette (duo)
17
Quintette de Saxophone: 5 saxophones
16
3 Saxophones (trio)
16
Hautbois, Flûte
15
Clarinette
14
Saxophone Tenor
14
Flûte, Alto (duo)
14
Flûte et Guitare
13
Hautbois, Piano (duo)
13
Flûte traversière
12
Flûte, Trompette (duo)
11
Saxophone Baryton, Piano
8
Saxophone Soprano et Piano
8
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
6
Saxophone Alto
6
Clarinette, Guitare (duo)
5
Cor anglais, Piano
5
2 Flûte à bec (duo)
5
Clarinette Basse, Piano
5
3 Clarinettes (trio)
5
Clarinette, Basson (duo)
4
Flûte à bec Alto, Piano
4
Flûte à bec Soprano, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble de Clarinettes
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de saxophones
4
Clarinette, Harpe (duo)
3
Hautbois (partie séparée)
3
3 Flûtes à bec (trio)
3
Cor anglais et Harpe (duo)
2
Flûte et Trio à cordes
2
Hautbois
2
Flûte à bec Soprano
2
Flûte à bec Alto
2
Flûte, Clarinette et Basson
2
Cor Anglais
2
Flûte à bec Tenor
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Piccolo, Piano
1
Flûte à Bec
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Ensemble De Flûte à bec
1
2 Saxophones, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Basse continue
1
Saxophone et Guitare
1
Flûte à bec, Harpe
1
Flûte irlandaise
1
Hautbois, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
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CUIVRES
Trompette, Saxophone (duo)
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Trombones (duo)
20
Trompette, Trombone (duo)
19
Trombone et Piano
15
Cor et Piano
13
2 Trompettes (duo)
12
Trompette, Piano
12
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trombones
10
Trombone
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
8
Tuba et Piano
7
Cor anglais, Piano
5
Tuba
4
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Cor anglais et Harpe (duo)
2
Trombone basse
2
Ensemble de Trompettes
2
Cor Anglais
2
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
4 Tubas
1
Ensemble de Cors
1
Trombone, Cor (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trompettes
1
Cornet et Piano
1
2 Cors (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
34
Violon, Violoncelle (duo)
31
Violoncelle, Piano
27
2 Violoncelles (duo)
26
2 Violons (duo)
25
Violon
23
Violoncelle
21
Violon, Alto (duo)
21
2 Altos (duo)
19
Trio à Cordes: violon, alto, violoncelle
17
Harpe
13
Alto, Piano
12
Alto seul
8
Harpe, Flûte (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
3
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
3
4 Violoncelles
3
Violon (partie séparée)
3
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orchestre
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
137
Orchestre à Cordes
50
Orchestre
37
Cloches
20
Ensemble de cuivres
16
Orchestre de chambre
13
Ensemble Jazz
7
Ensemble de Percussions
4
Batterie
2
2 Xylophones
1
Xylophone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Ten Variations
Partitions à imprimer
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2951
Ten Green Bottles and Variations for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.717146 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.717146 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806729. Published by Tim Curd (A0.717146). Ten Green Bottles and Variations for Tenor Saxophone and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-tenor-saxophone-and-piano-p...
$3.99
3.64 €
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Saxophone Tenor et Piano
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Traditional
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Tim Curd
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Ten Green Bottles and Variations for Tenor Saxophone and Piano
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Tim Curd
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SheetMusicPlus
God of Grace and God of Glory for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968537 Composed by John …
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.968537 Composed by John Hughes. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 10 pages. Lawrence H Underwood #6571077. Published by Lawrence H Underwood (A0.968537). Arranged by veteran performer and music educator, Lawrence Underwood, as the thirteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of God of Grace and God of Glory takes this beloved melody through variations in style and meter, building in intensity to its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!
$5.99
5.47 €
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Saxophone Tenor et Piano
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John Hughes
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Lawrence H
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God of Grace and God of Glory for Tenor Sax
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Lawrence H Underwood
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SheetMusicPlus
Turkish March by Beethoven for Tenor Sax
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1155647 Composed by Ludw…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1155647 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755951. Published by Woods Only, Arrangements (A0.1155647). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.82 €
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Saxophone Tenor et Piano
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Pachelbel: Canon for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johan…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
30.07 €
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Saxophone Tenor et Piano
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Pop Goes the Weasel - Theme and Variations For Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.759932 Composed by Tradi…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.759932 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Traditional,World. Score and part. 18 pages. Raymond Fenech #3457477. Published by Raymond Fenech (A0.759932). Pop! Goes the Weasel is an English nursery rhyme and singing game. It has a Roud Folk Song Index number of 5249. The jack-in-the-box children’s toy often plays the melody. In this nursery rhyme two variations have been added to compliment the theme. Pop Goes the Weasel is arranged for Tenor Saxophone and Piano. The level is Advanced Intermediate and the duration is 1.36 minutes.
$3.99
3.64 €
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Saxophone Tenor et Piano
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Traditional
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Raymond Fenech
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Pop Goes the Weasel - Theme and Variations For Tenor Saxophone and Piano
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Raymond Fenech
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SheetMusicPlus
Jogo de Cartas (for Tenor Sax and Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Bran…
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
10.03 €
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Saxophone Tenor et Piano
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Czardas (Vittorio Monti) for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1455605 Composed by Vitt…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1455605 Composed by Vittorio Monti. Arranged by Harry Walker. 20th Century,Contest,Festival,Multicultural,World. Score and part. 17 pages. SCORE EDITIONS #1034700. Published by SCORE EDITIONS (A0.1455605). Vittorio Monti's Csárdás is a vibrant celebration of Hungarian musical tradition. Composed in 1904, the piece is based on the traditional csárdás dance, distinguished by its variations in tempo and intensity. From its slow, expressive introduction to its fast, dynamic conclusion, the work offers an exhilarating musical journey that displays both technical prowess and emotional depth. Monti succeeded in capturing the essence of a culture and transporting it to global audiences, making Csárdás an enduring and beloved piece in the classical repertoire. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
$5.99
5.47 €
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Saxophone Tenor et Piano
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Vittorio Monti
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Harry Walker
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Czardas
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SCORE EDITIONS
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.07 €
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Saxophone Tenor et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.51 €
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Saxophone Tenor et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.77 €
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Saxophone Tenor et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Happy Birthday with Variations
Saxophone Tenor
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1040161 By Stefan Lamml. …
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1040161 By Stefan Lamml. By Stefan Lamml. Arranged by stefan-lamml.de. Multicultural,Pop,Standards,Traditional,World. Individual part. 2 pages. Stefan Lamml #644964. Published by Stefan Lamml (A0.1040161). Tenor Sax Transcribtion and variation of Hppy Birthday. Suitable to the backingtrack an Melodie Performance by Sax master Stefan Lamml. Listen to the mp3 and have a look to the Vide. stefan-lamml.de.
$5.99
5.47 €
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Saxophone Tenor
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Stefan Lamml
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stefan-lamml
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Happy Birthday with Variations
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Stefan Lamml
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SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Tenor Sax and Piano - Advanced Lev
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.760675 Composed by FRANC…
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.760675 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5772101. Published by Raymond Fenech (A0.760675). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
4.11 €
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Saxophone Tenor et Piano
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Four Episodes (solo tenor sax)
Saxophone Tenor
Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.912916 Composed by Brando…
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Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998629. Published by Brandon Nelson (A0.912916). An ideal piece to showcase high level playing with intriguing, colorful music. Appropriate for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment. Learn more about me at bnelsonmusic.wordpress.com.
$8.99
8.2 €
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Saxophone Tenor
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Brandon Nelson
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Four Episodes
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Brandon Nelson
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SheetMusicPlus
Elgar – Nimrod (for Tenor Saxophone and Organ)
Saxophone Tenor
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Digital Download SKU: A0.77…
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Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Digital Download SKU: A0.775529 Composed by Edward Elgar. Arranged by Harry Walker. Classical,Standards. Score and parts. 5 pages. SCORE EDITIONS #5301671. Published by SCORE EDITIONS (A0.775529). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. The variations No.9 - Nimrod from Edward Elgar’s Enigma Variations, was transcribed here for Tenor Saxophone and Organ by Harry Walker.
$4.99
4.55 €
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Saxophone Tenor
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Edward Elgar
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Harry Walker
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Elgar – Nimrod
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SCORE EDITIONS
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SheetMusicPlus
Jesus Loves Me (Arrangments Level 3-5 for TENOR SAX + Written Acc) Hymn
Saxophone Tenor
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875175 Composed by Willia…
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875175 Composed by William B. Bradbury. Arranged by Dr Jerry Nelson. Christian,Folk,Latin,World. Individual part. 12 pages. Jerry Nelson #3874043. Published by Jerry Nelson (A0.875175). A simple Sunday School song in a Theme with SIX variations, transports your audience – from the Sunday School Classroom to Nashville to the Caribbean to China to Russia and back to New Orleans,with a striking big band jazz splash. Add to the sizzle – Let your audience guess where you make your stops! Improve rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432417). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).
$5.99
5.47 €
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Saxophone Tenor
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William B
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Dr Jerry Nelson
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Written
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Jesus Loves Me
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Jerry Nelson
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SheetMusicPlus
Variations Eternelles (Tenor Saxophone & Piano Performance Recording)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307300 By Paul Barker M…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307300 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Full Performance. Duration 119. Paul Barker Music #896577. Published by Paul Barker Music (A0.1307300). Performance Recording MP3 for Variations Eternelles - Tenor Saxophone & Piano.Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Tenor Saxophone and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Score and Parts are available here.Piano Accompaniment MP3 is available here.
$4.95
4.52 €
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Saxophone Tenor et Piano
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Paul Barker Music
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Piano
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Nimrod, from the Enigma Variations by Elgar, for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587735 Composed by Edwar…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587735 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833255. Published by David McKeown (A0.587735). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Tenor Saxophone and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.2 €
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Saxophone Tenor et Piano
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variations by Elgar, for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Variations Eternelles (Tenor Saxophone & Piano)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307290 By Paul Barker M…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307290 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 9 pages. Paul Barker Music #896565. Published by Paul Barker Music (A0.1307290). Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Tenor Saxophone and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Piano Accompaniment MP3 is available from www.paulbarkermusic.com and here.Level: Intermediate (UK Grade 5+ and USA 2+)Duration: 2:10Occasion: Main Concerts - Festivals - Recitals - CompetitionsInstrumentation: Tenor Saxophone & PianoAlso available for other woodwind, brass, strings, guitars and piano solo.
$5.95
5.43 €
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Saxophone Tenor et Piano
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Paul Barker Music
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
[ThompsonRO] Dream Variations (for Tenor)
Voix Tenor
Tenor Voice,Vocal Solo - Digital Download SKU: A0.953353 Composed by Richard Thomps…
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Tenor Voice,Vocal Solo - Digital Download SKU: A0.953353 Composed by Richard Thompson. Contemporary. 29 pages. American Composers Alliance Inc. #5797529. Published by American Composers Alliance Inc. (A0.953353). Five songs for tenor and piano on texts by Langston Hughes - PDF download includes score. Includes: I too sing America, The Negro speaks of Rivers, Monotony, A Black Pierrot, Dream Variations.
$13.95
12.73 €
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Voix Tenor
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Richard Thompson
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[ThompsonRO] Dream Variations
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American Composers Alliance Inc.
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SheetMusicPlus
Good King Wenceslas Theme And Variations For Solo Jazz Tenor Saxophone
Saxophone Tenor
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839402 Composed by By Joh…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839402 Composed by By John Mason Neale And Thomas Helmore Traditional. Arranged by Bobby Hesch. Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5888721. Published by Bobby Hesch (A0.839402). GOOD KING WENCESLAS THEME AND VARIATIONS!!! A CLASSICAL CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! LOTS OF TECHNIQUE, CHALLENGING. FUN TO PLAY!!! BRIGHTLY SHONE THE MOON THAT NIGHT!!! LET'S PLAY SOMETHING CLASSICAL!!! KEY OF A!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! LOW G#- HIGH E!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG: @bobbyhesch
$4.99
4.55 €
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Saxophone Tenor
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John Mason Neale And Thomas Helmore Traditional
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By John Mason Neale And Thomas Helmore Traditional
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Bobby Hesch
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Good King Wenceslas Theme And Variations For Solo Jazz Tenor Saxophone
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Bobby Hesch
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SheetMusicPlus
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