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--INSTRUMENTS--
ACCORDEON
ALTO
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Teri Mitti
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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CORNET
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Vous avez sélectionné:
Teri Mitti
Partitions à imprimer
13 partitions trouvées
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1
Teri Mitti
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Instruments en Do
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DÉBUTANT
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B praak, Music and words
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Arko and Manoj Muntashir
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Girish Kataria
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Teri Mitti
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Girish Kataria
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1487277 Composed by Arko and Manoj Muntashir. Arranged by Girish Kataria. Bollywood,Children,Film/TV,Hindi,Patriotic. L...
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C Instrument - Level 1 - SKU: A0.1487277 Composed by Arko and Manoj Muntashir. Arranged by Girish Kataria. Bollywood,Children,Film/TV,Hindi,Patriotic. Lead Sheet / Fake Book. 4 pages. Girish Kataria #1064251. Published by Girish Kataria (A0.1487277). Get PDF Sheet Music with the Mp3 for the famous Hindi(Bollywood) Patriotic song Teri Mitti From the Movie kesari. Sung By B praak, Music and words By Arko and Manoj Muntashir.In this lead sheet you can play fully piano instrumental for the right hand vocal melody and chords for the left hand. And on your choice instruments with the help of A B C D Notes.Sheet included full song with Intro music, vocal melody, interlude,chords and outro.
$4.99
Nunc Dimittis in F
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Chorale SATB
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Mary Lynn Place Badarak
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Nunc Dimittis in F
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Villawisteria Publications
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.987812 Composed by Mary Lynn Place Badarak. Christian,Contemporary,Sacred. Octavo. 5 pages. Villawisteria Publications #35...
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Choral Choir (SATB) - SKU: A0.987812 Composed by Mary Lynn Place Badarak. Christian,Contemporary,Sacred. Octavo. 5 pages. Villawisteria Publications #3536873. Published by Villawisteria Publications (A0.987812). Evensong anthem, with Magnificat in F by Badarak
$2.35
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Just The Way You Are
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Instruments en Do
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INTERMÉDIAIRE
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Billy Joel
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Barry McCormick
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Just The Way You Are
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B. McCormick
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1449316 By Billy Joel. By Billy Joel. Arranged by Barry McCormick. Blues,Film/TV,Jazz,Pop,Wedding. Lead Sheet / Fake Bo...
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C Instrument - Level 3 - SKU: A0.1449316 By Billy Joel. By Billy Joel. Arranged by Barry McCormick. Blues,Film/TV,Jazz,Pop,Wedding. Lead Sheet / Fake Book. 5 pages. B. McCormick #1029085. Published by B. McCormick (A0.1449316). Unleash Your Musical Potential with “Just The Way You Are” Lead Sheet by ResourcefulArrangements Step into the world of Billy Joel’s timeless classic, “Just The Way You Are,” with our comprehensive lead sheet arrangement. This product is designed to provide a seamless learning experience, featuring the notated melody with chord diagrams, a suggested strumming pattern, and a guitar chord sheet.Billy Joel’s “Just The Way You Are” has been a staple in the music industry since its release in 1977. It won two Grammy Awards for Record of the Year and Song of the Year in 1979, and our arrangement allows you to experience this iconic piece in a unique and engaging way.Our arrangement is in the key of D, with several passing modulations in the bridge. It features a wide variety of chords - 22 chord shapes in total - requiring fluency and accuracy in navigating position changes. This piece serves as an excellent tool to broaden your chordal knowledge and introduces a lot of extended harmony chords, providing practical support for music theory learning.The Da Segno markings are optional and are included to mirror the original performance with the sax solo. If there is no one to solo, you can simplify the arrangement by omitting the D.S markings and concluding the performance at the end of the third page. Why Choose This Arrangement? Comprehensive Guide: Our arrangement includes a notated melody, chord diagrams, a suggested strumming pattern, and a guitar chord sheet. Educational Value: This piece introduces a variety of extended harmony chords and helps reinforce theoretical knowledge with practice. Flexibility: The optional Da Segno markings allow you to adapt the arrangement according to your performance needs. Community Engagement: Share your performances on social media using our handle, @resourcesularrangements, and connect with our community of music enthusiasts. So why wait? Embark on your musical journey with our “Just The Way You Are” lead sheet arrangement. Remember, every note you play brings you one step closer to mastering the art of music.Note: Please ensure to tag @resourcesularrangements when sharing your performances on social media.
$3.99
Suspensión de Soledad en 3 Tiempos
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Ortiz
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Suspensión de Soledad e
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Pub...
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Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Published by William Ortiz (A0.1008988). A work for Symphony Orchestra which consists of three movements: ArmonÃa Bilingüe, Marcha and Beat Box. This is a work were rhythm takes over to articulate a contemporary and empirical sound world. It is born of my admiration of popular culture and presents no pretensions. The title signifies a suspension, an absence or a liberation from the prejudice of dogmatic elitist musical thinking and styles that have stigmatized symphonic music. The first movement generates the source material of which the whole work is based. Rhythm , the principal element of the piece, is used as a continuo, serving to connect all three movements. It is especially highlighted in the second movement which is a kind of instrumental rap. The final movement Beat Box alludes to the large portable radios, aka ghetto blasters, popular at one time in urban neighborhoods. Thus I conceive the orchestra here as a large radio were music changes from one station to another transmitting and transforming wireless sound vibrations into different moods and grooves.
$45.00
Succession Theme
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Piano seul
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INTERMÉDIAIRE
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Nicholas Britell
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A
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videos: https://www
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Succession Theme
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Allcanplay Piano Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1279425 Composed by Nicholas Britell. Arranged by A.C. Player. 21st Century,Contemporary,Film/TV. Score. 2 pages. Allcanp...
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Piano Solo - Level 3 - SKU: A0.1279425 Composed by Nicholas Britell. Arranged by A.C. Player. 21st Century,Contemporary,Film/TV. Score. 2 pages. Allcanplay Piano Music #870907. Published by Allcanplay Piano Music (A0.1279425). This Allcanplay Piano arrangement emphasizes the main Succession theme omitting less familiar passages and measures with only whole-note chords that were filled in with string and other instruments.Allcanplay is a play-by-picture system created in the early 1980s that:* Lets beginners play popular songs and develop good finger coordination before learning to read music.* Allows more experienced pianists to play songs that stretch their current note-reading ability.* Permits anyone to convert any song into picture form and improve their music reading skills in the process.Each note of a song is indicated by finger letters (e.g., T=Thumb) and timing (e.g., 1+2+) marked on stacked keyboard diagrams with rainbow-shaded octaves that make it easy to tell them apart. (See link below to “rainbowize†your keyboard to match.)Unlike lighted-key or falling-note music, Allcanplay doesn’t disappear after you play it. It's like a chord chart or guitar tablature but for every note in a song.Allcanplay Piano Music LinksFree lessons, songs, & videos: https://www.allcanplaypiano.net Rainbowize Your Keyboard: https://maxlearning.net/Piano/RainbowKeyboard.pdf To be notified of new material: https://www.facebook.com/allcanplaypiano Â
$4.99
Largo, Winter, movement 'II' from The Four Seasons
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Classique
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Antonio Vivaldi
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Andrew Milburn
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Largo, Winter, movement 'II' f
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A W Milburn
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SheetMusicPlus
Small Ensemble Bass Guitar,Ukulele - Level 3 - SKU: A0.1016394 Composed by Antonio Vivaldi. Arranged by Andrew Milburn. Baroque,Concert,Instructional,St...
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Small Ensemble Bass Guitar,Ukulele - Level 3 - SKU: A0.1016394 Composed by Antonio Vivaldi. Arranged by Andrew Milburn. Baroque,Concert,Instructional,Standards. Score and parts. 14 pages. A W Milburn #5869151. Published by A W Milburn (A0.1016394). Largo, Winter, movement 'II' from The Four SeasonsArranged for ukulele quartet or ukulele ensemble. 3 ukulele parts and 1 bass part. Duration: 2:00 minutesSheet music and TAB notation included for all parts. A technical help sheet is provided for each part to help to teach relevant technique for playing this arrangement. A basic knowledge of note names and note values is assumed in this arrangement.3 ukulele parts, any combination of concert, soprano or tenor ukuleles (tuned to G C E A), and 1 bass ukulele or bass guitar part (tuned to E A D G). Arranged to encourage progression in each players individual level. Graded levels of difficulty, from simple chords to intermediate level of finger-style performance.Can also be played as a Duet/Trio by omitting some of the parts. Works equally well as a full ensemble with multiple players on each part.Suitable for classroom music or school ukulele ensemble, starting with a simple strum-along of the chords working up to a full performance and the technical help sheets will be invaluable source of knowledge to the young ukulele player.Excellent source material if you're looking to introduce 'classical music' in an accessible way to your ukulele group. Transposed from the original key signature.
$14.00
Deja Vu
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Beyonce Featuring Jay-Z
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Aaron Bennett
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Deja Vu
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StringfulScores.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1236264 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Delisha Thomas, John Webb J...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1236264 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Delisha Thomas, John Webb Jr, Kelly Price, Makeba Riddick, Rodney Jerkins, and Shawn Carter. Arranged by Aaron Bennett. Film/TV,Funk,Hip-Hop,Pop,R & B,Wedding. 15 pages. StringfulScores.com #831728. Published by StringfulScores.com (A0.1236264). Deja Vu by Beyonce (featuring Jay-Z), as heard in Netflix's brand new season 3 of BRIDGERTON (“Queen Charlotte: A Bridgerton Storyâ€) arranged for String Quartet by Aaron Bennett. This abridged arrangement is inspired by both the original song (omitting the rapping sections) and the soundtrack cover by Mike Froudarakis and Alexander Leeming Froudakis, featuring an alternative ending for performance purposes. Get your quartet on trend with this funky new addition to the Bridgerton playlist! View all BRIDGERTON arrangements via the Stringful Scores YouTube playlist.BRIDGERTON arrangements by Aaron Bennett also available:- If I Ain't Got You (Alicia Keys) - String Quartet/Trio/Duo- I Will Always Love You (Whitney Houston) - String Quartet/Trio/Duo- Nobody Gets Me (SZA) - String Quartet/Trio- Deja Vu (Beyonce ft. Jay-Z) - String Quartet- Wrecking Ball (Miley Cyrus) - String Quartet/Trio/Duo- Sign of the Times (Harry Styles) - String Quartet/Trio   - What About Us (P!nk) - String Quartet/Trio- Dancing On My Own (Robyn) - String Duo- Material Girl (Madonna) - String Duo/Piano Trio- Wildest Dreams (Taylor Swift) - String Duo- Thank U, Next (Ariana Grande) - String Duo- Girls Like You (Maroon 5) - String Duo- In My Blood (Shawn Mendes) - String Duo- Bridgerton Theme (Kris Bowers) - String Duo (Vln/Vc, Vln/Vla & Vln Duo)/Piano TrioFor more arrangements by Aaron Bennett, visit: StringfulScores.com
$15.99
Gloria Patri (SSA version)
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Robert A
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Gloria Patri
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages....
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064405. Published by Robert A. Howard (A0.998806). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 3-part choirs of any size and most standards, including school, student, community, church and cathedral choirs. The original 4-part SATB version of this Gloria Patri is also available via Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Gloria Patri (SATB version)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Robert A
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Gloria Patri
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Rob...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064399. Published by Robert A. Howard (A0.998805). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 4-part choirs of any size and most standards, including schools, students, community, church and cathedral choirs. The work is also available in a version for SSA choir, from Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.49
Evensong (Downloadable)
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Chorale Unison
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INTERMÉDIAIRE
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Daniel Justin
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Evensong
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Unison, 2-part, and 3-part treble voices and organ - Medium - SKU: MQ.80-610-E Composed by Daniel Justin. Instrument part. 35 pages. MorningStar Music P...
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Unison, 2-part, and 3-part treble voices and organ - Medium - SKU: MQ.80-610-E Composed by Daniel Justin. Instrument part. 35 pages. MorningStar Music Publishers - Digital Sheet Music #80-610-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-610-E). English.This is a complete Evensong setting which ranges from unison and two part singing (Preces and Responses) to three part voices (Nunc Dimittis, which calls for a soloist.) The organ accompaniment is sometimes merely supportive and at other times solidly featured (in the Phos Hilaron, for one example). Despite the fact that this was written for children's choir, we think it is a useful package for anyone who wants Evensong material that will carry you through the entire service from start to finish.
$4.05
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