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203
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76
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59
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50
Piano Trio: piano, violon, violoncelle
43
1 Piano, 4 mains
30
Accordéon
28
Piano Quatuor: piano, violon, alto, violoncelle
21
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20
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92
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57
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52
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28
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22
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22
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15
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13
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12
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11
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8
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4
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49
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43
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4
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4 Contrebasses
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2 Violons, Piano
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Orchestre d'harmonie
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474
Orchestre
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Ensemble Jazz
171
Ensemble de cuivres
145
Cloches
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Orchestre de chambre
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Percussion (partie séparée)
89
Batterie (partie séparée)
88
Fanfare
72
Ensemble de Percussions
39
Jazz combo
35
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21
Marimba
12
Xylophone, Piano
5
Vibraphone
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Ensemble d'École
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9976
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.57 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.74 €
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Chorale SSATTB
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.82 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.64 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
That's All: Piano Accompaniment
Piano (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_K Piano Accompaniment…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_K Piano Accompaniment. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_K). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Piano (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: Piano Accompaniment
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: E-flat Alto Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_AX1 E-flat Alto Saxophone…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_AX1 E-flat Alto Saxophone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_AX1). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Saxophone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: Guitar Chords
Guitare (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_GC Guitar Chords. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_GC Guitar Chords. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_GC). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Guitare (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: Guitar Chords
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: Drums
Batterie (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_D Drums. Composed by …
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_D Drums. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_D). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Batterie (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: E-flat Baritone Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_BTX E-flat Baritone Saxop…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_BTX E-flat Baritone Saxophone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_BTX). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Saxophone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: String Bass
Contrebasse (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_SB String Bass. Compo…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_SB String Bass. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_SB). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Contrebasse (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 2nd B-flat Tenor Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TX2 2nd B-flat Tenor Saxo…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TX2 2nd B-flat Tenor Saxophone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TX2). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Saxophone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 2nd B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: Guitar
Guitare (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_G Guitar. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_G Guitar. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_G). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Guitare (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 4th B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T4 4th B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T4 4th B-flat Trumpet. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_T4). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trompette (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 4th B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 3rd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T3 3rd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T3 3rd B-flat Trumpet. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_T3). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trompette (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 4th Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN4 4th Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN4 4th Trombone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TN4). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trombone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 2nd B-flat Trumpet
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T2 2nd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T2 2nd B-flat Trumpet. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_T2). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trombone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 2nd Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN2 2nd Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN2 2nd Trombone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TN2). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trombone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: B-flat Tenor Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TX1 B-flat Tenor Saxophon…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TX1 B-flat Tenor Saxophone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TX1). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Saxophone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 1st Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN1 1st Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN1 1st Trombone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TN1). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trombone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 3rd Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN3 3rd Trombone. Com…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_TN3 3rd Trombone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_TN3). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trombone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 2nd E-flat Alto Saxophone
Saxophone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_AX2 2nd E-flat Alto Saxop…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_AX2 2nd E-flat Alto Saxophone. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_AX2). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Saxophone (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 2nd E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
That's All: 1st B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T1 1st B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016826_T1 1st B-flat Trumpet. Composed by Alan Brandt and Bob Haymes. Arranged by Victor Lopez. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016826_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016826_T1). UPC: 038081503257.Check out Victor LA3pez 's wonderful ballad for vocal and jazz ensemble. The tempo is around 88 BPM. There are no horn solos---just vocal and ensemble with a modest brass range and easy instrumental parts. The vocal range is from low A-flat to C third space. That's All! (2:37).
$3.00
2.74 €
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Trompette (partie séparée)
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Alan Brandt and Bob Haymes
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Victor Lopez
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That's All: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
10.93 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
(+)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
#
Hautbois (partie séparée)
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and Smile"
#
Benjamin Sajo
#
SheetMusicPlus
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