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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's When
Non classifié
951
Piano & claviers
Piano seul
622
Piano, Voix
310
Piano, Voix et Guitare
188
Piano Facile
124
Instruments en Do
93
Orgue
34
1 Piano, 4 mains
11
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accompagnement Piano
6
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
3
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Ensemble d'Accordéons
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Guitare
75
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
16
Ukulele
10
Basse electrique
10
Paroles et Accords
4
Banjo
4
2 Guitares (duo)
3
Mandoline
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Guitare (partie séparée)
2
Ensemble de guitares
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
350
Chorale 3 parties
94
Chorale 2 parties
76
Chorale Unison
43
Chorale TTBB
35
Chorale SSAA
22
Voix duo, Piano
17
Voix Soprano, Piano
16
Voix Alto, Piano
15
Voix haute
4
Voix duo
4
Voix Baryton, Piano
4
Voix Tenor, Piano
3
Voix Soprano
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix seule
2
Chorale SSAATTBB
2
Voix basse, Piano
2
Chorale SSATTB
1
Chorale
1
Chorale SSAB, Piano
1
Pack Instrumental pour Chorale
1
Voix Tenor
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
93
Quintette de Saxophone: 5 saxophones
65
Quatuor de Saxophones: 4 saxophones
61
2 Flûtes traversières (duo)
46
2 Saxophones (duo)
46
Flûte traversière et Piano
43
Hautbois (partie séparée)
38
Flûte, Hautbois, Clarinette, Basson
31
Saxophone (partie séparée)
30
Clarinette
29
Clarinette et Piano
29
Saxophone Alto
27
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
26
2 Clarinettes (duo)
25
Hautbois, Piano (duo)
24
Flûte traversière
23
Saxophone Tenor et Piano
21
Saxophone, Clarinette (duo)
18
Quatuor de Flûtes : 4 flûtes
18
Saxophone Tenor
18
Saxophone Soprano et Piano
15
Saxophone Baryton, Piano
11
Ensemble de Clarinettes
11
Clarinette et Alto
11
Clarinette, Violon (duo)
11
Ensemble de Flûtes
10
Ensemble de saxophones
10
Hautbois, Basson (duo)
10
Harmonica
8
Flûte, Alto (duo)
8
Quatuor de Flûtes à bec
8
3 Saxophones (trio)
8
Hautbois, Clarinette (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
Hautbois, Flûte
6
Flûte et Guitare
6
Flûte à bec Soprano
6
Clarinette (partie séparée)
6
Quintette de Flûte : 5 flûtes
6
5 Flûtes à bec
5
Flute (partie séparée)
5
Flûte, Violon
5
Flûte, Violoncelle
5
2 Hautbois (duo)
5
Flûte, Saxophone (duo)
4
Clarinette Basse, Piano
4
Clarinette, Trompette (duo)
3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Flûte irlandaise
2
Trio de Flûtes: 3 flûtes
2
Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Flûtes à bec (trio)
2
Clarinette, Guitare (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Hautbois, Guitare (duo)
2
Flûte, Trompette (duo)
2
Clarinette, Basson (duo)
1
Saxophone Soprano
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec
1
2 Flûtes traversières, Piano
1
Saxophone
1
Piccolo
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Orgue
1
+ 70 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
82
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
34
Trombone et Piano
22
Cor et Piano
21
Trompette (partie séparée)
20
Trompette, Piano
20
Trombone
19
Quatuor de cuivres: 4 trombones
17
Cor
16
Trombone (partie séparée)
12
Tuba
12
Trompette, Saxophone (duo)
11
Ensemble de Trombones
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Tuba et Piano
8
2 Trompettes (duo)
8
2 Trombones (duo)
8
Cor anglais, Piano
7
Trompette, Trombone (duo)
6
Euphonium, Piano (duo)
6
Ensemble de Trompettes
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors (duo)
3
4 Tubas
2
Euphonium
2
Tuba (partie séparée)
2
Ensemble de Cors
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
2 Tubas (duo)
1
Trompette, Cor (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
47
Violon
44
Harpe
35
Violoncelle
34
Alto, Piano
30
Violon, Violoncelle (duo)
26
Violoncelle, Piano
21
2 Violons (duo)
19
Trio à Cordes: violon, alto, violoncelle
19
Violon, Alto (duo)
15
2 Harpes (duo)
10
Alto (partie séparée)
10
Alto seul
10
2 Violoncelles (duo)
9
Harpe, Voix
8
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
7
Violoncelle, Contrebasse (duo)
6
Ensemble de Violons
5
4 Violoncelles
5
Harpe, Flûte (duo)
5
Violon (partie séparée)
5
Ensemble d'Altos
5
Flûte, Contrebasse (duo)
5
Contrebasse (partie séparée)
4
Violoncelle , Guitare (duo)
3
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Violon, Guitare (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
167
Orchestre
91
Orchestre à Cordes
72
Orchestre de chambre
36
Ensemble de cuivres
36
Cloches
29
Ensemble Jazz
25
Fanfare
11
Ensemble de Percussions
10
Jazz combo
8
Percussion (partie séparée)
3
Ensemble d'École
3
Vibraphone
2
Xylophone, Piano
1
Batterie
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
2 Percussions
1
Xylophone ou Marimba ou Vibraphone
1
Batterie (partie séparée)
1
2 Xylophones
1
Marimba
1
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Retracter
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5826
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
#
Trompette (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. P...
(+)
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
#
Trompette (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. P...
(+)
Trumpet Solo - Level 4 - SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
#
Flute (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
(+)
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
#
Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Viola
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Alto (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Pub...
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Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
That's When The Music Takes Me
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Neil Sedaka
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Rebecca (Boo) de Bruin
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That's When The Music Takes Me
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,P...
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Choral Choir (SSAA) - Level 4 - SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
$1.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
That's When The Angels Rejoice
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Chorale SATB
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FACILE
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1036470 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual....
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Choral Choir (SATB) - Level 2 - SKU: A0.1036470 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual. Octavo. 18 pages. Jeff Tincher #641497. Published by Jeff Tincher (A0.1036470). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
That's When The Angels Rejoice
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1036458 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,Sacred,Spiri...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1036458 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,Sacred,Spiritual. Score. 11 pages. Jeff Tincher #641482. Published by Jeff Tincher (A0.1036458). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
That's When The Angels Rejoice
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Chorale TTBB
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FACILE
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1036472 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual....
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Choral Choir (TTBB) - Level 2 - SKU: A0.1036472 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual. Octavo. 18 pages. Jeff Tincher #641499. Published by Jeff Tincher (A0.1036472). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
That's When The Angels Rejoice
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Musique Sacrée
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1036467 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1036467 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,Sacred,Spiritual. Score and parts. 16 pages. Jeff Tincher #641493. Published by Jeff Tincher (A0.1036467). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
That's When The Angels Rejoice
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Musique Sacrée
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1036462 Composed by Larry Bry...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1036462 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,Sacred,Spiritual. 16 pages. Jeff Tincher #641486. Published by Jeff Tincher (A0.1036462). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
That's When The Angels Rejoice
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Musique Sacrée
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1036463 Composed by Larry Bryant. Arranged by Jeff Tincher. Contempor...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1036463 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Jazz,Praise & Worship,Sacred,Spiritual. 15 pages. Jeff Tincher #641488. Published by Jeff Tincher (A0.1036463). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
That's When The Angels Rejoice
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1036460 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & W...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1036460 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual. Score and parts. 15 pages. Jeff Tincher #641484. Published by Jeff Tincher (A0.1036460). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
That's When The Angels Rejoice
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Chorale SSAA
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FACILE
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Larry Bryant
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Jeff Tincher
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That's When The Angels Rejoice
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Jeff Tincher
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1036473 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual....
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Choral Choir (SSAA) - Level 2 - SKU: A0.1036473 Composed by Larry Bryant. Arranged by Jeff Tincher. Contemporary,Praise & Worship,Rock,Sacred,Spiritual. Octavo. 16 pages. Jeff Tincher #641500. Published by Jeff Tincher (A0.1036473). This is a lively arrangement of a Larry Bryant tune. In the original key from The Gaither Vocal Band's Happy Rhythm DVD. Duration = 2:45. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
He Ain't Heavy, He's My Brother
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Chorale SATB
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Pop musique
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Neil Diamond
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David Walker
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He Ain't Heavy, He's My Brothe
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Walker Press
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.799976 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by David Walker. Pop. Octavo. 7 pages. Walker Press #4109...
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Choral Choir (SATB) - SKU: A0.799976 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by David Walker. Pop. Octavo. 7 pages. Walker Press #4109649. Published by Walker Press (A0.799976). Are we willing to reach out to help a stranger? If you mean it, sing it. A hippie song? That's when it first came out, but its message was a reminder, and it continues to be a reminder to show some love to your neighbor, whoever that neighbor or person in need may be. Do we walk down the other side of the street to avoid getting involved? Or do we try to do what needs to be done? If you mean it, sing it. This product has a minimum order quantity of five copies.
$2.10
Through a Child's Eyes - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Through a Child's Eyes - an or
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
That's When The Music Takes Me (7-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Contemporain
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Neil Sedaka
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Kirby Shaw
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That's When The Music Takes Me
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.160582 By Neil Sedaka. By Neil Sedaka. Arranged by Kirby Shaw. Concert,Light Concert,Pop. Choral Instrumental Pak. 2 pages. Duration 215. Hal Le...
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SKU: HX.160582 By Neil Sedaka. By Neil Sedaka. Arranged by Kirby Shaw. Concert,Light Concert,Pop. Choral Instrumental Pak. 2 pages. Duration 215. Hal Leonard - Digital #823762. Published by Hal Leonard - Digital (HX.160582).
Digital Pack includes
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That's When The Music Takes Me - Bb Trumpet 1
That's When The Music Takes Me - Bb Trumpet 2
That's When The Music Takes Me - Tenor Sax
That's When The Music Takes Me - Trombone
That's When The Music Takes Me - Guitar
That's When The Music Takes Me - Bass
That's When The Music Takes Me - Drums
$30.00
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
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