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Vous avez sélectionné:
That Popular Boy In My English Class
Partitions à imprimer
3 partitions trouvées
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That Popular Boy In My English Class
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Piano seul
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Wayne Bethanis
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Wayne Bethanis
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That Popular Boy In My English
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King Tut Sound
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SheetMusicPlus
Instrumental Solo,Keyboard - SKU: A0.1435215 By Wayne Bethanis. By Wayne Bethanis. Arranged by Wayne Bethanis. Contemporary,New Age. Individual part. 7 ...
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Instrumental Solo,Keyboard - SKU: A0.1435215 By Wayne Bethanis. By Wayne Bethanis. Arranged by Wayne Bethanis. Contemporary,New Age. Individual part. 7 pages. King Tut Sound #995238. Published by King Tut Sound (A0.1435215).
$3.50
Moonrhymes (for 3 violins, viola and piano)
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Piano Trio: Violon, Alto, Piano
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AVANCÉ
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Gilad Cohen
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Moonrhymes
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Gilad Cohen
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SheetMusicPlus
Piano,Viola,Violin - Level 5 - SKU: A0.1205111 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 217 pages. Gilad Cohen #803298. Published by Gil...
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Piano,Viola,Violin - Level 5 - SKU: A0.1205111 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 217 pages. Gilad Cohen #803298. Published by Gilad Cohen (A0.1205111). Written with the theme of family in mind, Moonrhymes is based on nursery rhymes from different cultures. The piece is comprised of three movements (, in addition to an introduction and a finale, all played without a break): each of them focuses on a traditional song from a different origin: the English-Irish “Danny Boy,†the Latin “A La Nanita Nana,†and the Israeli-Yiddish “Numi Numi.† While such tunes have been sung as lullabies for many years, their lyrics are often more bleak than what might seem appropriate for bedtime. My treatment of these melodies takes them thus to mysterious, reflective, and dark places, using folk elements from various cultures. Moonrhymes plays with the question of what rhyming could mean in instrumental music.  Literal rhymes feature similarities in sound between words: the endings of rhyming words usually sound identical, while the beginnings are different.  Likewise, the themes of the piece are very similar to the original tunes, but each carries a significant musical difference in pitch, rhythm etc.  Additionally, many moments in the piece “rhyme†with one another:  Accompaniment figurations reoccur while supporting different tunes (such as a repeated arrpegiated minor-7th chord), sounds and textures repeat through the piece (such as “glassy†chordsin the violins using harmonics), and musical themes float again and again into the surface (such as the melody of “Rock-a-bye Baby,†another popular lullaby that features disturbing lyrics and serves as a transition between the movements).In the finale, all tunes—and cultures—join together: The Yiddish-based “Numi Numiâ€, with its Phyrygian mode, is heard in the bass and provides the foundation for “Danny Boy†an its iconic English-American useof the pentatonic scale, while also supporting figurations from both “Nanita†(featuring a highly-embellished minor-scale Spanish melody) and “Rock-a-bye Baby†(whose sweet melody is disguised under darker harmonies).
$20.00
Puccini: O Mio Babbino Caro - for Piano Solo (from the Opera "Gianni Schicchi")
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Piano Facile
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FACILE
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Giacomo Puccini
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Flavio Regis Cunha
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Puccini: O Mio Babbino Caro -
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Flavio Regis Cunha
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1140479 By Giacomo Puccini. By Giacomo Puccini. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,...
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Easy Piano - Level 2 - SKU: A0.1140479 By Giacomo Puccini. By Giacomo Puccini. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Opera,Wedding. Score. 4 pages. Flavio Regis Cunha #740715. Published by Flavio Regis Cunha (A0.1140479). O mio babbino caro (Oh my dear Papaâ€) is a soprano aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano.It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence.It provides the only set-piece in the through-composed opera. Florence Easton as Lauretta at the world premiere of Gianni Schicchi, 14 December 1918 The aria was first performed at the premiere of Gianni Schicchi on 14 December 1918 at the Metropolitan Opera in New York by the popular Edwardian English soprano Florence Easton. It has been sung by many sopranos.Dame Joan Hammond won a Gold Record in 1969 for 1 million sold copies of this aria. The aria is frequently performed in concerts and as an encore in recitals by many popular and crossover singers. Intermediate level
$4.99
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That Popular Boy In My English Class
