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FLUTE
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FLUTE DE PA…
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MANDOLINE
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PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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Vendeurs (tous)
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Note4Piano
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Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
23981
PIANO & CLAVIERS
Piano, Voix
21010
Piano seul
18918
Piano Facile
5803
Piano, Voix et Guitare
4992
Orgue
2019
Instruments en Do
1267
1 Piano, 4 mains
653
Accompagnement Piano
604
Accordéon
326
Piano grosses notes
325
Piano Trio: piano, violon, violoncelle
297
2 Pianos, 4 mains
197
Piano Quatuor: piano, violon, alto, violoncelle
138
Piano (partie séparée)
121
Piano Quatuor: piano, 2 violons, violoncelle
70
Piano Quintette: piano, 2 violons, alto, violoncelle
63
Orgue, Trompette (duo)
48
Orgue, Piano (duo)
42
Clavecin
31
Clavier
25
Ligne De Mélodie, Piano
19
Instrument seul et Orgue
13
1 Piano, 6 mains
10
2 Pianos, 8 mains
9
Ensemble d'Accordéons
6
Accordéon, Voix
4
2 Accordéons
3
Accordéon et Orchestre
3
Orgue, Voix
2
Concertina
1
Tous Les Instruments
1
Orgue et Orchestre
1
Accordéon, Corde(s)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
2564
Ligne De Mélodie, (Paroles) et Accords
2177
Guitare
1801
Ukulele
699
Basse electrique
677
Mandoline
632
Paroles et Accords
459
2 Guitares (duo)
236
Guitare (partie séparée)
147
4 Guitares (Quatuor)
94
Piano, Guitare (duo)
83
Dulcimer
64
Banjo
56
Ensemble de guitares
36
3 Guitares (trio)
32
Basse électrique (partie séparée)
30
Mandoline, Guitare (duo)
20
Guitare, Violon, Violoncelle (trio)
16
Ukulele Baryton
15
Mandoline, Piano (duo)
14
Ensemble de Ukulélés
11
Partitions De Groupes
10
2 Ukuleles
8
Dobro
7
2 Mandolines (duo)
6
2 Dulcimers (duo)
6
Luth
4
Guitare, Quatuor à cordes
3
Guitare Pedal Steel
2
Guitare, Flûte, Clarinette
2
2 Guitares et Orchestre
1
Cithare
1
Bouzouki
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
6837
Chorale 3 parties
2521
Chorale 2 parties
2413
Chorale TTBB
1345
Chorale Unison
1094
Voix duo, Piano
825
Chorale SSAA
721
Voix duo
390
Voix seule
372
Chorale
184
Voix Soprano, Piano
180
Voix haute
150
Voix Tenor, Piano
117
Voix Baryton, Piano
103
Voix Alto, Piano
92
Voix moyenne, Piano
71
Voix basse, Piano
37
Chorale SSAATTBB
36
Voix Tenor
23
Voix Mezzo-Soprano, Piano
22
Chorale SSATB
19
Chorale SSATTB
13
Voix Soprano
13
Soli, choeur mixte et accompagnement
11
Voix basse
10
Chorale SSAB a cappella
9
Voix, Guitare
9
Voix Soprano, Orchestre
4
Chorale SSAB, Piano
4
Chorale SSAATB
3
Chorale SATBB
3
Male Voice
1
Voix Moyenne
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
2764
Quatuor de Saxophones: 4 saxophones
1895
2 Saxophones (duo)
1749
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1737
Clarinette et Piano
1664
Flûte traversière
1521
Clarinette
1389
Hautbois, Piano (duo)
1358
Saxophone Alto et Piano
1249
Flûte, Hautbois, Clarinette, Basson
1248
Saxophone (partie séparée)
1205
Quatuor de Clarinettes: 4 clarinettes
1174
Saxophone Alto
996
2 Flûtes traversières (duo)
993
2 Clarinettes (duo)
934
Saxophone Tenor et Piano
895
Saxophone Tenor
806
Saxophone Soprano et Piano
767
Quintette de Saxophone: 5 saxophones
674
Quatuor de Flûtes : 4 flûtes
591
Hautbois (partie séparée)
548
Saxophone
525
3 Saxophones (trio)
465
Flûte, Clarinette (duo)
449
Saxophone, Clarinette (duo)
440
Clarinette (partie séparée)
428
Clarinette, Violon (duo)
359
Ensemble de Clarinettes
358
Saxophone Baryton, Piano
339
3 Clarinettes (trio)
336
2 Hautbois (duo)
331
Ensemble de saxophones
327
Quintette de Clarinettes: 5 clarinettes
279
Clarinette, Trompette (duo)
264
Hautbois, Basson (duo)
260
Flûte et Guitare
250
Trio de Flûtes: 3 flûtes
249
Ensemble de Flûtes
240
Cor anglais, Piano
236
Flûte, Violon
231
Hautbois, Clarinette (duo)
231
Flute (partie séparée)
202
2 Flûte à bec (duo)
190
Flûte à Bec
188
Clarinette et Alto
172
Hautbois
165
Flûte, Saxophone (duo)
162
Hautbois, Flûte
159
Flûte à bec Soprano
150
Flûte, Alto (duo)
148
Quintette de Flûte : 5 flûtes
145
Flûte, Trompette (duo)
133
Clarinette Basse, Piano
131
Clarinette, Guitare (duo)
115
Quatuor de Flûtes à bec
111
Saxophone Soprano
108
Flûte, Hautbois, Clarinette (trio)
107
Clarinette, Basson (duo)
99
Flûte, Clarinette et Basson
94
Flûte, Violoncelle
87
Hautbois, Clarinette, Basson (trio d'anches)
80
Flûte, Hautbois (duo)
77
Flûte à bec Alto
76
2 Flûtes traversières, Piano
71
Ocarina
71
Flûte, Hautbois, Basson
63
Clarinette, Violoncelle (duo)
60
Cor Anglais
56
Flûte, Violon, Piano
55
Flûte à bec Soprano, Piano
54
Instruments en Mib
54
Saxophone Baryton
53
Hautbois, Violoncelle
42
Ensemble De Flûte à bec
40
5 Flûtes à bec
38
Flûte, Violoncelle, Piano (trio)
36
Flûte, Clarinette, Piano (trio)
35
2 Clarinettes, Piano
35
Clarinette, Harpe (duo)
34
3 Flûtes à bec (trio)
33
Flûte à bec Tenor
32
3 Hautbois
32
Flûte, Violon et Violoncelle
31
Hautbois, violon (duo)
31
Clarinette Basse
31
Harmonica
29
Flûte à bec Alto, Piano
29
Flûte, Basson et Piano
29
Hautbois, Guitare (duo)
28
Flûte, Trombone (duo)
26
Clarinette, Trombone (duo)
26
2 Saxophones, Piano
26
Flûte, Clarinette, Cor, Basson (Quartet)
24
Piccolo
23
Saxophone et Orgue
21
Piccolo, Piano
20
Flute, harpe et violon
19
Cor anglais, Guitare (duo)
18
Saxophone et Guitare
18
Flûte, Clarinette, Violon (trio)
18
Flûte à Bec, Piano
17
Hautbois et alto (duo)
17
4 Hautbois
16
Clarinette, Violoncelle, Piano (trio)
15
Saxophone et Harpe
15
Flûte, Hautbois, Piano (trio)
14
2 Clarinettes, Basson
13
Hautbois, Harpe
12
Flûte à bec, Guitare (duo)
11
Flûte traversière, Orgue (duo)
11
Flûte, Hautbois, Violon
11
Flûte, Alto et Piano
10
Flûte, Harpe et Violoncelle
9
Flûte irlandaise
9
Saxophone et Piano
8
2 Cors Anglais Et Pianoforte
8
Flûte à bec Alto, Basse continue
8
Flûte, Violon, Violoncelle et Piano
8
Saxophone, Basson (duo)
7
Flûte et Trio à cordes
7
Hautbois, Violin, Alto et Violoncelle (Quatuor)
7
Flûte, trombone et piano
7
Clarinette, Alto et Piano (trio)
6
Clarinette, Basson, Piano (trio)
6
Ensemble de Hautbois
6
Clarinette, trompette et piano
5
Flûte, Tuba (duo)
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Clarinette, Orgue
5
Flûte, alto et harpe
5
Flûte de Pan
4
Hautbois, Clarinette et Piano (Trio)
4
Hautbois, trombone (duo)
4
Hautbois, Violon, Piano
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Guitare
4
Clarinette, Contrebasse (duo)
3
Clarinette, Orchestre
3
Clarinette, Tuba
3
Cornemuse
3
Ensemble à vent
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte traversière, Basse continue
2
2 Flûtes à bec, Piano
2
Saxophone et violoncelle
2
Harmonica, Piano
2
Flûte et Quatuor à Cordes
2
Hautbois, Violoncelle et Piano
2
Hautbois, Basson et Piano
2
Cor anglais et Harpe (duo)
2
2 Flûtes, Basse continue
1
2 Hautbois et Cor anglais
1
Flûte, Guitare, Piano
1
Hautbois, Trompette (duo)
1
Hautbois et Orchestre
1
Flute, alto, violoncelle et guitare
1
Flûte traversière, Orchestre
1
Saxophone, Violon (duo)
1
Flûte à bec Soprano, Basse continue
1
2 Hautbois, 2 Cors et 2 Bassons
1
2 Flûtes à bec, Guitare
1
Flûte à bec, Harpe
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1795
Trompette
1553
Trombone et Piano
1161
Trompette, Piano
1122
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1018
Trombone
1003
Cor et Piano
823
Cor
735
Trompette (partie séparée)
700
Trombone (partie séparée)
607
Quatuor de Cuivres: 2 trompettes, Cor, trombone
467
2 Trompettes (duo)
460
2 Trombones (duo)
452
Tuba et Piano
431
Tuba
380
Quatuor de Cuivres
350
Trompette, Saxophone (duo)
331
Trompette, Trombone (duo)
323
Quatuor de cuivres: 4 trombones
296
Euphonium, Piano (duo)
257
Quatuor de cuivres: 4 cors
240
Cor anglais, Piano
236
Cor (partie séparée)
226
2 Cors (duo)
215
Ensemble de Trombones
207
Tuba (partie séparée)
135
Ensemble de Trompettes
132
Trompette, Cor (duo)
113
Euphonium
105
2 Euphoniums et 2 Tubas
73
3 Trombones (trio)
72
2 Tubas (duo)
65
Bass Clef Instruments
62
Ensemble de Cors
57
Trio de Cuivres
56
Instruments en Sib
56
Cor Anglais
56
Quatuor de cuivres: 4 trompettes
54
Euphonium, Tuba (duo)
40
3 Trompettes (trio)
32
4 Tubas
32
Tuba et Orgue
29
Trombone basse
28
Trombone, Cor (duo)
22
Tuba ou Euphonium ou Saxhorn
22
Trombone basse et Piano
21
2 Euphoniums (duo)
19
Cor anglais, Guitare (duo)
18
Cor, Violoncelle (duo)
18
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
17
Trombone, Orgue
16
Quatuor de cuivres: 2 trompettes, 2 trombones
15
Trompette, Trombone, Piano
15
Trompette, Basson (duo)
14
Trompette, Violoncelle (duo)
14
Cor et Harpe
13
Cor, Tuba (duo)
13
3 Cors (trio)
13
Trompette, violon (duo)
12
3 Tubas (trio)
12
Trombone, Violon (duo)
12
Cor et Basson (duo)
9
2 Cors Anglais Et Pianoforte
8
Trompette, Harpe
8
3 Euphoniums
7
2 Trompettes, Clavier (piano ou orgue)
7
2 Trombones, Piano
7
Cornet A Pistons
6
Trompette et Guitare
6
Cor et Orgue
5
Trombone et orchestre
5
Trompette, Violoncelle et Piano
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, violoncelle (duo)
3
Instruments en Fa
3
2 Cors, Piano
2
Cor, Trompette, Trombone (trio)
2
Clarinette, Cor (duo)
2
Cor, Orchestre
2
Cor anglais et Harpe (duo)
2
Trompette, Euphonium (duo)
2
Bugle
1
Cornet et Piano
1
4 Euphoniums
1
Cornet et orchestre
1
Trombone, Alto (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Orchestre
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4746
Violon et Piano
3302
Violoncelle, Piano
2195
Violon
1964
Alto, Piano
1557
Violoncelle
1391
Violon, Violoncelle (duo)
1024
Harpe
1004
Alto seul
931
2 Violons (duo)
859
Trio à Cordes: violon, alto, violoncelle
713
2 Violoncelles (duo)
616
Violon, Alto (duo)
509
Violon (partie séparée)
460
2 Altos (duo)
451
Contrebasse, Piano (duo)
403
Quintette à cordes: 2 violons, alto, violoncelle, basse
402
Contre Basse
332
Trio à Cordes: 2 violons, violoncelle
328
Alto (partie séparée)
292
Contrebasse (partie séparée)
270
4 Violoncelles
198
Violon, Guitare (duo)
185
Alto, Violoncelle (duo)
167
Trio à cordes: 3 violins
147
Piano Trio: Violon, Alto, Piano
137
Violoncelle (partie séparée)
131
2 Harpes (duo)
109
Trio à Cordes: 3 violoncelles
104
Quatuor à cordes: 4 violons
98
Violoncelle , Guitare (duo)
90
2 Contrebasses (duo)
82
Harpe, Flûte (duo)
62
Quatuor à cordes : 4 altos
62
Harpe, Violon (duo)
61
Alto, Guitare (duo)
57
Violon, Basson (duo)
42
Trio à Cordes: 2 violons, alto
42
Violoncelle, Contrebasse (duo)
39
Trio à cordes: 3 altos
38
Trio à cordes
26
Harpe, Violoncelle (duo)
25
Alto et Basson
25
Harpe et mandoline
23
Quintette à cordes: 2 violons, 2 altos, violoncelle
22
Harpe, Voix
21
Ensemble de Violons
21
Ensemble d'Altos
20
2 Violons, Piano
19
Alto et Harpe
17
4 Contrebasses
17
Violon, Orgue
16
2 Violoncelles, Piano
15
Flûte, Contrebasse (duo)
11
Violoncelle, Orgue
11
Violon, Clarinette, Piano (trio)
11
Ensemble de Violoncelles
10
Violoncelle, Orchestre
10
Harpe, Violon, Violoncelle
8
Harpe (partie séparée)
7
Harpe, Trombone (duo)
7
Violon, Basse continue
7
Harpe et Piano
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Autoharp
4
3 Contrebasses
4
Violon, Tuba (duo)
4
2 Altos, Piano
4
Violon, Violoncelle, Clarinette
3
Alto, Orgue
3
3 Harpes
1
Violoncelle, Basse continue
1
Violon, Contrebasse (duo)
1
Alto et orchestre
1
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5490
Orchestre
2108
Orchestre à Cordes
2068
Ensemble de cuivres
1121
Ensemble Jazz
897
Cloches
866
Orchestre de chambre
741
Fanfare
393
Percussion (partie séparée)
344
Batterie
320
Batterie (partie séparée)
193
Jazz combo
168
Ensemble de Percussions
156
Percussion
110
Marimba
77
Vibraphone
54
Xylophone
50
Xylophone, Piano
39
Timbales (partie séparée)
27
Timbales
21
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Piano et Orchestre
13
Quintette à Vent
12
Orchestre, Violon
12
Ensemble d'École
10
Quintette de Cuivres: autres combinaisons
8
Instrumentation Flexible
6
2 Xylophones
5
Vibraphone (partie séparée)
4
Quatuor à Vent : 4 instruments à vents
4
Big band
3
Caisse Claire
3
Marimba, Piano (duo)
3
Bongos
2
Voix et Orchestre
1
Conga
1
Xylophone ou Marimba ou Vibraphone
1
Cajon
1
2 Marimbas
1
3 Marimbas
1
Vibraphone et Marimba
1
Marimba et Orgue
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
145
Théorie de la musique
4
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Lady Hammond's Alman
Mandoline, Guitare (duo)
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Digital Download SKU: A0.1017679
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Digital Download SKU: A0.1017679 Composed by John Dowland. Arranged by Gordon Jackson. Celtic,Classical,Folk,Irish,Multicultural,Renaissance,World. Score and parts. 2 pages. Gordon Jackson #6437115. Published by Gordon Jackson (A0.1017679). Lady Hammond’s Alman(Lady Laiton’s Alman)I first came across a tune called Lady Hammond’s Alman in a book of country dances. It comprised just a melody. As I played it on mandolin I was adding plenty of double stops, and I wrote these down. I then added a bass line. Later, I discovered the piece to be a composition of the Elizabethan lutenist, John Dowland. Later still, I found the piece under the name, Lady Laiton’s Alman, but I have retained the Lady Hammond title simply because that is how I first encountered it!An alman (aka almand, almand, allemande etc) is a dance in duple time. Thoinot Arbeau, in his Orchesography of 1589, states that ‘The Alman is a simple, rather sedate dance, familiar to the Germans, and, I believe, one of our oldest since we are descended from them.’ (‘Allemande’ means ‘German’ in French.)
$4.99
4.48 €
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Mandoline, Guitare (duo)
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John Dowland
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Gordon Jackson
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Lady Hammond's Alman
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Gordon Jackson
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SheetMusicPlus
Theory and Improvisation for the Modern Mandolinist, Volume 1
Mandoline
Mandolin - Intermediate - Digital Download Building a Foundation. Composed by Tommy N…
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Mandolin - Intermediate - Digital Download Building a Foundation. Composed by Tommy Norris. Jazz. E-book and online audio. 80 pages. Mel Bay Publications - Digital Sheet Music #30617MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117785.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts.A Volume 1, Building a Foundation, only requires that the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter to practice. Whether you play bluegrass, rock, pop or jazz, this book will take your solos to the next level.A Includes access to online audio.
$17.99
16.15 €
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Mandoline
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Tommy Norris
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Theory and Improvisation for the Modern Mandolinist, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Theory and Improvisation for the Modern Mandolinist, Volume 2
Mandoline
Jazz and Beyond. Composed by Tommy Norris. Technique, Theory and Reference. Style. E…
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Jazz and Beyond. Composed by Tommy Norris. Technique, Theory and Reference. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30618MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118430.<br> <br> Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 2, Jazz and Beyond will expand your knowledge of theory by teaching you advanced chords, scales, and progressions. Sample solos and progressions are included at the end of each chapter to practice with the recordings. When finished with this book, you should feel confident improvising over any chord progression, and have a great understanding of jazz theory and how it applies to the mandolin. Includes access to online audio.
$22.99
20.64 €
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Mandoline
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Tommy Norris
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Theory and Improvisation for the Modern Mandolinist, Volume 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Suite in D Minor for Two Mandolins
Mandoline
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.28 €
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
J. S. Bach Mandolin Duets
2 Mandolines (duo)
Mandolin - Beginning- Intermediate - Digital Download Composed by John Holenko. Solo…
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Mandolin - Beginning- Intermediate - Digital Download Composed by John Holenko. Solos and Duets. Style. E- book. 72 pages. Mel Bay Publications - Digital Sheet Music #30613EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117471.<br> <br> These mandolin duet arrangements of the music of J. S. Bach are drawn from several sources. Most are arrangements of keyboard pieces from The Anna Magdalena Notebook, English and French Suites, Two-Part Inventions, and some miscellaneous keyboard pieces. Some of these are duet arrangements of music originally intended for solo violin or lute. The duets range in difficulty from easy to advanced. While these are arrangements for two mandolins, any two concert pitch instruments can play them.
$17.99
16.15 €
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2 Mandolines (duo)
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John Holenko
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J. S. Bach Mandolin Duets
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Guide to Non-Jazz Improvisation: Mandolin Edition
Mandoline
Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pag…
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Composed by Dick Weissman. Country. Acoustic Music. E- book and online audio. 128 pages. Mel Bay Publications - Digital Sheet Music #20829BCDEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652421.<br> <br> The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including;* Blues* Country* American folk * Latin-American* World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures)* New Age* Classical * Folk-RockIn short, the books are an encyclopedia of virtually every musical style, excluding jazz. Includes access to online audio.
$19.99
17.95 €
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Mandoline
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Dick Weissman
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A Guide to Non-Jazz Improvisation: Mandolin Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fröhlicher Landmann - R. Schumann
Mandoline
Mandolin - Level 2 - Digital Download SKU: A0.1347746 Composed by R. Schumann. Arra…
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Mandolin - Level 2 - Digital Download SKU: A0.1347746 Composed by R. Schumann. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 3 pages. Songbooks.info #932558. Published by songbooks.info (A0.1347746). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
$2.22
1.99 €
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Mandoline
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R
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songbooks
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Fröhlicher Landmann - R. Schumann
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songbooks.info
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SheetMusicPlus
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Marti…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Clarinette et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Cor et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Marti…
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E-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Clarinette
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin…
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Trompette
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Martin Luther
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James M
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Luther: Out of the Depths for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Tuba & Piano
Tuba et Piano
Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. A…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Tuba et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Tuba & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Bassoon & Piano
2 Bassons (duo)
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710…
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Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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2 Bassons (duo)
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Marti…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Saxophone Tenor et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Saxophone Soprano et Piano
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Martin Luther
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James M
#
Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Saxophone Alto et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Martin Luther
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James M
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Luther: Out of the Depths for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. A…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548719 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411753. Published by jmsgu3 (A0.548719). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Hautbois, Piano (duo)
#
Martin Luther
#
James M
#
Luther: Out of the Depths for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin L…
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English Horn,Piano - Level 1 - Digital Download SKU: A0.548716 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
#
Cor anglais, Piano
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Martin Luther
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James M
#
Luther: Out of the Depths for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luthe…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Trombone et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. …
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Flute,Piano - Level 1 - Digital Download SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Flûte traversière et Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Alto Flute & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.4 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
#
SheetMusicPlus
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