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--INSTRUMENTS--
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The Angel Gabriel for String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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CLARINETTE
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HARPE
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LIVRES
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ORGUE
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Vous avez sélectionné:
The Angel Gabriel for String Orchestra
Partitions à imprimer
9 partitions trouvées
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1
THE ANGEL GABRIEL for STRING QUARTET AND/OR STRING ORCHESTRA
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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HELEN MARPLE-HORVAT
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THE ANGEL GABRIEL for STRING Q
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.749200 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christmas,Classical,Sacred,Spiritual. Score and...
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String Quartet String Quartet - SKU: A0.749200 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christmas,Classical,Sacred,Spiritual. Score and parts. 13 pages. Helen Marple-Horvat #3362307. Published by Helen Marple-Horvat (A0.749200). www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol, and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune, and a short contrapuntal development section in the middle to add some interest. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. They play with lots of vibrato, few open strings, and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook, or below the performance on my Youtube Channel, and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00
The Angel Gabriel for String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Basque Traditional
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David Burndrett
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The Angel Gabriel for String O
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David Burndrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.558871 Composed by Basque Traditional. Arranged by David Burndrett. Chr...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.558871 Composed by Basque Traditional. Arranged by David Burndrett. Christmas. 14 pages. David Burndrett #6079915. Published by David Burndrett (A0.558871). This is about grade 2-3 standard upwards. As usual I have added a violin three part which is the same as the viola part, if you do not have any viola players. I have added an optional piano part.
$8.95
THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Carol
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HELEN MARPLE-HORVAT
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THE ANGEL GABRIEL FOR THREE VI
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Helen Marple-Horvat
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SheetMusicPlus
Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Wors...
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Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 15 pages. Helen Marple-Horvat #3557715. Published by Helen Marple-Horvat (A0.749209). https://www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune and a short contrapuntal development section in the middle to add some interest. The clip is from the development section. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. In this version there is a viola playing theViolin 3 part but the differences are very small. Mostly I had to put the Violin part up an octave when it went below the lowest string but otherwise the harmony is much the same. The quartet play with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00
2 Christmas Favourites for String Orchestra (volume two)
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Orchestre à Cordes
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FACILE
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Noël
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John H
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David Burndrett
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2 Christmas Favourites for Str
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David Burndrett
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1305461 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. Score and Parts. 30 pages...
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String Orchestra - Level 2 - SKU: A0.1305461 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. Score and Parts. 30 pages. David Burndrett #894906. Published by David Burndrett (A0.1305461). No.1 We Three KingsNo.2 The Angel GabrielI have arranged these pieces so that they can be played by grade four standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$9.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Rejoice Mary (tune of O Come O Come Emmanuel) - strings and piano
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Orchestre de chambre
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FACILE
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Connie Boss
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Rejoice Mary
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Publis...
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Chamber Orchestra - Level 2 - SKU: A0.801467 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #5987555. Published by Connie Boss (A0.801467). This is a song about Mary and the Angel Gabriel. It is set to the tune of O Come O Come Emmanuel, but It has a unique intro and the lyrics are changed for the verses after verse 1. You can purchase the mp3 and vocal music on here. cdboss@cvalley.net for questions. See Lyrics below:
$5.50
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
Punch Bowl
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Christopher Curtin Eldridge, C
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Zack Reaves
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Punch Bowl
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Zack Reaves
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1461391 Composed by Christopher Curtin Eldridge, Christopher Thile, Gabriel John Wi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1461391 Composed by Christopher Curtin Eldridge, Christopher Thile, Gabriel John Witcher, Greg Garrison, and Noam David Pikelny. Arranged by Zack Reaves. Chamber,Classical,Contemporary,Country,Folk. 23 pages. Zack Reaves #1040150. Published by Zack Reaves (A0.1461391). A fun and challenging string quartet version of Punch Bowl by the virtuosic and progressive bluegrass quintet Punch Brothers. This concert version is best for advanced players.Zack Reaves' arrangements have been performed by groups such as the Altius, Orchid, & Edgewood String Quartets, Range Ensemble, Rogue Lemon Collective and the Youth Orchestra Los Angeles. They have also been featured on Classic FM, Spotify's Pop Goes Classical curated playlist, as well as Candlelight Concerts by Fever.If you end up having a recording posted to social media, please feel free to tag my accounts.Instagram: @zrcelloFacebook: @ZackReavesMusicwww.ZackReaves.com.
$15.99
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The Angel Gabriel for String Orchestra
