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The Bat-Cat-Hat-Flat Song
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Vous avez sélectionné:
The Bat-Cat-Hat-Flat Song
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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The Bat-Cat-Hat-Flat Song
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Piano seul
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DÉBUTANT
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Satish Bhakta
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The Bat-Cat-Hat-Flat Song
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Solo - Early Elementary - SKU: F0.S4167 Composed by Satish Bhakta. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company ...
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Piano Solo - Early Elementary - SKU: F0.S4167 Composed by Satish Bhakta. Sheet Music. Spotlight Solo Sheets. Solo Sheet. 3 pages. The FJH Music Company - Digital #S4167. Published by The FJH Music Company - Digital (F0.S4167). UPC: 674398225279.A clever introduction to using flats, this early elementary-level piece is also a study in dynamics, as each verse is played a little louder reaching a solid forte at the end. Cute and creative lyrics create a natural phrasing, and the optional teacher duet accompaniment lends support and makes it twice the fun! About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.50
The Bat-Cat-Hat-Flat Song
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Piano seul
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Satish Bhakta
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The Bat-Cat-Hat-Flat Song
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano - SKU: AX.98-DS4167 Composed by Satish Bhakta. 3 pages. Alfred Music - Digital Sheet Music #98-DS4167. Published by Alfred Music - Digital Sheet M...
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Piano - SKU: AX.98-DS4167 Composed by Satish Bhakta. 3 pages. Alfred Music - Digital Sheet Music #98-DS4167. Published by Alfred Music - Digital Sheet Music (AX.98-DS4167). UPC: 674398225279.
$2.50
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
Magnificat (Battmann)
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Various
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Dico
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Magnificat
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Dico Ferreira
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SheetMusicPlus
Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Percussion,Piano,Violin,Voice - Level 3 - SKU: A0.513304 By Various. By Jacques-Louis Battm...
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Small Ensemble B-Flat Trumpet,Cello,Clarinet,Flute,Horn,Oboe,Percussion,Piano,Violin,Voice - Level 3 - SKU: A0.513304 By Various. By Jacques-Louis Battmann. Arranged by Dico. Praise & Worship,Romantic Period,Sacred,Wedding. Score and parts. 22 pages. Dico Ferreira #124069. Published by Dico Ferreira (A0.513304). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MAGNIFICAT (Battmann) - Can be played without voice solo too. Woodwinds can be mixed. Brasses, don't.- Voice & piano- Part 1: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Part 2: Trumpet (Clarinet | Flute | Oboe | Horn in F)- Percussion- Piano- Violin- Cello
$22.00
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
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The Bat-Cat-Hat-Flat Song
