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3684
PIANO & CLAVIERS
Piano seul
3245
Piano, Voix et Guitare
1676
Piano Facile
1190
Piano, Voix
687
Piano grosses notes
254
Instruments en Do
178
Accordéon
162
1 Piano, 4 mains
141
Accompagnement Piano
94
Orgue
73
Piano (partie séparée)
38
Piano Trio: piano, violon, violoncelle
35
Piano Quatuor: piano, violon, alto, violoncelle
15
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Accordéon, Voix
9
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
4
Clavecin
4
1 Piano, 6 mains
3
Ligne De Mélodie, Piano
2
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1
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1
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1
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1
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GUITARES
Guitare notes et tablatures
1702
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1140
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800
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753
Ukulele
697
Basse electrique
505
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55
Dulcimer
53
Banjo
33
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32
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21
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20
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18
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17
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15
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9
2 Dulcimers (duo)
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1
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VOIX
Chorale SATB
1065
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283
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199
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135
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111
Chorale
79
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54
Voix duo
18
Voix haute
12
Voix Soprano, Piano
11
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5
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3
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3
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3
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3
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2
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1
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VENTS
Flûte traversière
552
Saxophone (partie séparée)
483
Clarinette
477
Saxophone Alto
456
Saxophone Tenor
325
Quatuor de Saxophones: 4 saxophones
320
2 Saxophones (duo)
273
Flûte, Hautbois, Clarinette, Basson
212
Saxophone
198
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
2 Flûtes traversières (duo)
160
2 Clarinettes (duo)
159
Quatuor de Clarinettes: 4 clarinettes
140
Flûte traversière et Piano
134
Clarinette (partie séparée)
104
Saxophone, Clarinette (duo)
101
Hautbois
99
Saxophone Alto et Piano
94
Clarinette et Piano
92
Hautbois, Piano (duo)
84
Saxophone Soprano
80
Quintette de Saxophone: 5 saxophones
74
Saxophone Tenor et Piano
74
Hautbois (partie séparée)
73
Clarinette, Violon (duo)
70
Harmonica
62
Quatuor de Flûtes : 4 flûtes
53
Flûte, Clarinette (duo)
52
Quintette de Clarinettes: 5 clarinettes
48
Ensemble de Flûtes
47
Clarinette, Trompette (duo)
43
2 Hautbois (duo)
42
Hautbois, Clarinette (duo)
41
Ocarina
39
Trio de Flûtes: 3 flûtes
39
Flute (partie séparée)
39
Hautbois, Basson (duo)
38
Flûte, Violon
37
Flûte, Saxophone (duo)
37
Hautbois, Flûte
35
Flûte à Bec
35
Ensemble de Clarinettes
33
3 Clarinettes (trio)
33
Saxophone Soprano et Piano
33
Clarinette et Alto
33
Ensemble de saxophones
29
Flûte et Guitare
29
3 Saxophones (trio)
28
Flûte, Trompette (duo)
27
Flûte, Alto (duo)
20
Saxophone Baryton, Piano
17
2 Flûte à bec (duo)
16
Instruments en Mib
14
Hautbois, Guitare (duo)
12
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette, Basson (trio d'anches)
9
Clarinette, Violoncelle (duo)
8
Saxophone et Guitare
7
Clarinette, Basson (duo)
7
Clarinette Basse, Piano
6
Flûte, Violon, Piano
6
Cor anglais, Piano
6
Clarinette Basse
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Cor Anglais
5
Ensemble De Flûte à bec
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Clarinette et Basson
5
Flûte, Hautbois (duo)
5
Flûte à bec Soprano
5
Flûte, Violon et Violoncelle
5
Saxophone Baryton
5
Flûte, Violoncelle
4
Quatuor de Flûtes à bec
4
Hautbois, Violoncelle
3
4 Hautbois
3
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto
2
Hautbois et alto (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, violon (duo)
2
Flûte, Trombone (duo)
2
Flûte et Trio à cordes
2
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Hautbois, Harpe
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Saxophone et Piano
1
Clarinette, Orgue
1
Clarinette, Tuba
1
Flûte traversière, Orgue (duo)
1
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CUIVRES
Trompette
569
Trombone
528
Cor
322
Trompette (partie séparée)
267
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
208
Quatuor de Cuivres : 2 trompettes, trombone, tuba
194
Trombone (partie séparée)
189
2 Trombones (duo)
108
2 Trompettes (duo)
97
Trompette, Piano
88
Trombone et Piano
86
Trompette, Saxophone (duo)
77
Cor (partie séparée)
66
Quatuor de Cuivres
52
Trompette, Trombone (duo)
52
Cor et Piano
48
Tuba
47
Tuba (partie séparée)
36
Tuba et Piano
36
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
2 Euphoniums et 2 Tubas
19
Quatuor de cuivres: 4 trombones
17
4 Tubas
15
Quatuor de cuivres: 4 cors
14
Instruments en Sib
13
2 Cors (duo)
10
Bass Clef Instruments
9
Trio de Cuivres
9
Euphonium, Piano (duo)
9
Cor anglais, Piano
6
3 Trompettes (trio)
5
Cor Anglais
5
Ensemble de Trombones
5
Trompette, Cor (duo)
4
Ensemble de Trompettes
3
Trompette, Tuba (duo)
3
Instruments en Fa
3
Trompette, Harpe
2
Trompette, Trombone, Piano
2
Euphonium
2
Cor et Harpe
2
Ensemble de Cors
2
Trompette et Guitare
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Tuba et Orgue
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Cornet et Piano
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
992
Violon
580
Alto seul
420
Violoncelle
380
2 Violons (duo)
231
Violon, Violoncelle (duo)
203
Violon et Piano
175
Harpe
161
Violoncelle (partie séparée)
148
Trio à Cordes: violon, alto, violoncelle
146
2 Violoncelles (duo)
145
Violoncelle, Piano
119
Alto, Piano
91
Violon, Alto (duo)
81
Violon (partie séparée)
77
Contrebasse (partie séparée)
73
Trio à Cordes: 2 violons, violoncelle
65
Alto (partie séparée)
63
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
2 Altos (duo)
54
Contre Basse
39
Contrebasse, Piano (duo)
30
Trio à cordes
24
4 Violoncelles
22
Violon, Guitare (duo)
22
2 Harpes (duo)
21
Violoncelle , Guitare (duo)
19
Alto, Violoncelle (duo)
17
Piano Trio: Violon, Alto, Piano
10
Harpe, Flûte (duo)
9
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: 2 violons, alto
6
Alto, Guitare (duo)
6
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Violon, Basson (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Violon, Contrebasse (duo)
3
2 Violons, Piano
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Alto et Basson
1
Harpe (partie séparée)
1
Violon, Orgue
1
Violon, Tuba (duo)
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
Violon, Trompette et Piano
1
2 Contrebasses (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1137
Ensemble Jazz
267
Batterie
254
Orchestre
208
Cloches
178
Orchestre à Cordes
174
Fanfare
118
Ensemble de cuivres
108
Ensemble de Percussions
102
Percussion (partie séparée)
96
Batterie (partie séparée)
84
Xylophone
55
Jazz combo
42
Orchestre de chambre
28
Percussion
16
Marimba
12
Timbales (partie séparée)
8
Vibraphone
7
Quintette à Vent
5
Caisse Claire
4
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
2
Timbales
2
2 Xylophones
2
Vibraphone et Marimba
2
Cajon
2
Vibraphone (partie séparée)
1
Bodhran
1
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DrumBeat Groove
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum.…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 21st Century,Jazz,Rock. Score. 4 pages. Tracy Dean McCallum #1052971. Published by Tracy Dean McCallum (A0.1475420). https://tracymccallum.com/The Offbeat Shuffle: A Drun Beat DisruptionThis disrupts the Drun Beat Groove by shifting the emphasis to the off-beats, creating a more playful and unpredictable feel.Tempo: Maintain the original tempo (around 100-120 BPM) to keep the foundation steady.Feel: Instead of the classic swing with a focus on the downbeat and upbeat, the Offbeat Shuffle emphasizes the backbeat (snare) and the spaces between. Think of a laid-back, almost nonchalant groove.Articulation: Keep a clean and tight sound. Ghost notes can be used sparingly for subtle accents.Groove Breakdown:Kick Drum: Play a steady pattern on the kick drum, but slightly behind the beat. This creates a sense of pushing the groove forward.Snare Drum: The snare becomes the main focus, landing primarily on the off-beats (between the kick drum hits). This creates a syncopated feel that disrupts the original swing.Hi-Hat: Instead of a steady eighth-note pattern, try a closed hi-hat on the quarter notes with open hi-hats on the off-beats. This adds a rhythmic counterpoint to the snare.Adding Variation:Fills: Introduce short, syncopated fills that land on the off-beats. These can be based on simple rolls or flams on the snare and toms.Cymbal Accents: Crash cymbals can be strategically placed on accents or at the end of phrases, adding punctuation to the groove.Overall Effect:The Offbeat Shuffle disrupts the Drun Beat Groove by creating a playful and unpredictable feel. It retains the basic tempo and keeps the groove danceable, but adds a layer of rhythmic tension and surprise. This showcases the drummer's creativity within the established framework.pen_spark tuneshare more_vert
$5.55
5.11 €
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Batterie
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Tracy Dean McCallum
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Tracy Dean McCallum
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DrumBeat Groove
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Tracy Dean McCallum
#
SheetMusicPlus
We Gather Together (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565102 By Sharon Wilson. By Folk Song and Netherlands Folk Song. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Christian,Folk,Holiday,Sacred. 10 pages. Sharon Wilson #3416477. Published by Sharon Wilson (A0.565102). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: *  chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: *  have the melody played by other instruments with a range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse * use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes*  use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.52 €
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Sharon Wilson
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We Gather Together
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Sharon Wilson
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.05 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.59 €
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Guitare
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
I Sing the Mighty Power of God (for Voice and 8-note Boomwhackers®)
Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 …
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Boomwhackers,Piano Accompaniment,Voice - Level 2 - Digital Download SKU: A0.565097 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Sacred,Traditional. 10 pages. Sharon Wilson #3409393. Published by Sharon Wilson (A0.565097). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 3 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other instruments with a chromatic scale range of middle C to the second D above such as 20-note handbells, xylophones, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.52 €
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Sharon Wilson
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Sharon Wilson
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I Sing the Mighty Power of God
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Sharon Wilson
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.83 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cell…
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String Quartet - Intermediate - Digital Download By The Beatles. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 15 pages. Published by Sarah Chaffee
Everyone loves the Beatles - and since we all get Beatles requests so often, the more in your repertoire the better! This arrangement of "Eleanor Rigby" for string quartet is one of the first charts I ever wrote, so it has a special place in my heart. Taking a Phil Spector/"Wall of Sound" type approach, this is unlike any version of Eleanor Rigby you've ever heard before; it's packed with layers of exciting harmonies, countermelodies, and melodic tradeoffs between the parts. This arrangement is as fun to play as it is to listen to, and it will be great for pop concerts, weddings, receptions, cocktail parties, solo and ensemble contests, and any other event that needs some vintage rock and roll! Intermediate-level arrangement with a handful of tied notes and first-position double stops. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "Eleanor Rigby." Crowd pleasing guaranteed. Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.64 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beatles
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Sarah Cellobat Chaffee
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Eleanor Rigby - String Quartet - Beatles arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by …
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String Quartet - Intermediate - Digital Download By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffee
"High Hopes" was released by Panic! At The Disco in 2018 as a single from their sixth studio album, "Pray For The Wicked." This upbeat, catchy song soon became a smash hit, reaching number 4 on the Billboard charts and becoming their highest-charting single of all time. This arrangement for string quartet has the exuberant energy, rich harmonic layers, driving beat, and dynamic impact of the original, and it's absolutely as much fun to play as it is to listen to! Great for parties, corporate events, solo & ensemble contests, or even weddings and receptions, it's a guaranteed crowd pleaser and you're sure to get your audience singing along. This arrangement is dedicated to a good friend of mine who was in P!ATD's string section on their "Pray For The Wicked" tour -- Kiara, it was so much fun watching you play this song with them! Rated intermediate, this chart will be playable for students and easily sightreadable for professionals. There is nothing above first position in the V2, viola, and cello parts, and only a few notes higher than that in V1. There are a few tied rhythms in but nothing too complicated.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "High Hopes." Crowd pleasing guaranteed.<br> <br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.64 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Panic! At the Disco
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Sarah Cellobat Chaffee
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High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
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Sarah Chaffee
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.67 €
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Piano, Voix et Guitare
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Offbeat in Two - Trumpet Quartet
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412055. Published by Phil Beaman (A0.844476). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trumpet Quartet; 4 Bb Trumpets. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Trumpet Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.844477 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412079. Published by Phil Beaman (A0.844477). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Clarinet Quartet. Go for it!
$7.99
7.36 €
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Quatuor de Clarinettes: 4 clarinettes
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Phil Beaman
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Offbeat in Two - Clarinet Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - French Horn Quartet
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Be…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099. Published by Phil Beaman (A0.844478). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for French Horn Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - French Horn Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.844479 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414541. Published by Phil Beaman (A0.844479). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Flute Quartet. Go for it!
$7.99
7.36 €
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Quatuor de Flûtes : 4 flûtes
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Phil Beaman
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Offbeat in Two - Flute Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Bassoon Quartet
4 Bassons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - Digital Download SKU: A0.844480 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3414545. Published by Phil Beaman (A0.844480). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Bassoon Quartet. Go for it!
$7.99
7.36 €
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4 Bassons
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Phil Beaman
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Offbeat in Two - Bassoon Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Trombone Quartet
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phi…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414557. Published by Phil Beaman (A0.844481). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trombone Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Trombone Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Baritone Horn Quartet
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Ph…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414561. Published by Phil Beaman (A0.844483). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Baritone Horn Quartet. Go for it!
$7.99
7.36 €
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Phil Beaman
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Offbeat in Two - Baritone Horn Quartet
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Phil Beaman
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SheetMusicPlus
Offbeat in Two - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.844475 Composed by Phil Beaman. 20th Century,Instructional,Jazz. 5 pages. Phil Beaman #3412051. Published by Phil Beaman (A0.844475). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Saxophone Quartet; 4 Altos or 4 Tenors, or even 4 Sopranos or 4 Baris. Go for it!
$7.99
7.36 €
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Quatuor de Saxophones: 4 saxophones
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Phil Beaman
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Offbeat in Two - Saxophone Quartet
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Phil Beaman
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.67 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Beatitude VII: Beati mites (Blessed are the meek) (Downloadable)
Chorale Unison
Solo, unison voices, cello, and organ - Moderately Easy - Digital Download SKU: MQ.56-0…
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Solo, unison voices, cello, and organ - Moderately Easy - Digital Download SKU: MQ.56-0029-E Composed by Howard Goodall. 5 pages. Duration 4 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0029-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0029-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For solo and unison voices, cello, and organ, the music has a light, ethereal feeling. The text is in Latin. Appropriately for the title, this movement has the simplest construction of any of the Beatitude pieces. An angular but comfortable vocal line is sung first by the soloist and then by an increasing number of voices. The organ and muted cello accompany with a sustained, almost cantus-firmus-like line. Peaceful, legato, and sublime. Duration 4:30Instrumentalists play from the choral score.
$2.65
2.44 €
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Chorale Unison
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Howard Goodall
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Beatitude VII: Beati mites
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.72 €
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Various
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B
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
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SheetMusicPlus
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