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The Bitter With The Sweet
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
The Bitter With The Sweet
Partitions à imprimer
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26
In The Summertime (score - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 4 - SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Connor Musik International #6203883. Published by Mark O'Connor Musik International (A0.861849). In The Summertime (score – vln, vla, cel) MO167AScore (parts available)Music by Mark O’Connor10 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together. We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167ACopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
In The Summertime (viola part - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203887. Published by Mark O'Connor Musik International (A0.861851). In The Summertime (viola part – vln, vla, cel) MO167CViola Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167CCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
In The Summertime (violin part - vln, vla, cel)
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203885. Published by Mark O'Connor Musik International (A0.861850). In The Summertime (violin part – vln, vla, cel) MO167BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167BCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
In The Summertime (cello part - vln, vla, cel)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 4 - SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
"Al Kol Eleh" (Over All These Things) by Naomi Shemer, arranged by Leah Ginzburg
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Piano, Voix
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DÉBUTANT
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Klezmer
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Naomi Shemer
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Leah Ginzburg
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"Al Kol Eleh"
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Leah Ginzburg
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.850225 Composed by Naomi Shemer. Arranged by Leah Ginzburg. Hanukkah,Jewish,World. Score. 4 pages. Leah Ginzburg #...
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Piano,Vocal,Voice - Level 1 - SKU: A0.850225 Composed by Naomi Shemer. Arranged by Leah Ginzburg. Hanukkah,Jewish,World. Score. 4 pages. Leah Ginzburg #6706157. Published by Leah Ginzburg (A0.850225). Al Kol Eleh composed by Naomi Shemer. Without the darkness there is no light, without the bitter we have no ability to recognize what is sweet. This song talks about accepting the bitter with the sweet – the sting with the honey. Easy arrangement for beginners by Leah Ginzburg (in C Major with name of the keys on Bass Clef.
$8.99
The Bitter With The Sweet
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Chorale SATB
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Musique Sacrée
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Charles Orr and Patricia Mock
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Bobbi Heastings
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The Bitter With The Sweet
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Hal Leonard - Digital
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SheetMusicPlus
(SATB) - SKU: HX.316335 By Charles Orr and Patricia Mock. Arranged by Bobbi Heastings. Choral. Hymn,Sacred. Choral. 8 pages. Published by Hal Leonard - ...
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(SATB) - SKU: HX.316335 By Charles Orr and Patricia Mock. Arranged by Bobbi Heastings. Choral. Hymn,Sacred. Choral. 8 pages. Published by Hal Leonard - Digital (HX.316335).
$1.90
O Tod, Wie Bitter bist Du
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Patrick Rooney
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O Tod, Wie Bitter bist Du
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Patrick Rooney
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1390239 Composed by Patrick Rooney. 21st Century,Classical,Romantic Period,Sacred. Score. 8 pages. Patrick Rooney ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1390239 Composed by Patrick Rooney. 21st Century,Classical,Romantic Period,Sacred. Score. 8 pages. Patrick Rooney #973734. Published by Patrick Rooney (A0.1390239). A setting of the German biblical text, O tod, wie bitter bist du. Performed at the University of Northern Colorado in 2012 by Kyle Griffin and Chase Loeb.German:O tod, wie bitter bist du, wenn an dich gendenket ein mensch,Der gute Tage und genug hat und ohne sorge lebet;Und dem es wohl geht in allen dingen ,und noch wohl essen mag!O Tod, wie bitter bist du.O tod, wie wohl tust du dem dürftigen, der da schwach und alt ist,der in allen sorgen steckt, und nichts bessers zu hoffen,noch zu erwarten hat! O tod, O tod, wie wohl tust du!English:O death, how bitter you are to the thoughts of a person at peace with his posses-sions, to a man undistracted and prospering in everything and still having strength to welcome a luxury.O death, how bitter you are!O death, how sweet you are to a person who is needy and lacking strength, who is in extreme old age and is anxious about everything and who is disobedient and has lost hope.O death, how sweet you are!
$2.29
Fare Thee Well (for Bb Clarinet and Piano) from "Shakespeare Miniatures"
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Clarinette et Piano
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FACILE
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Clifton Davis, ASCAP
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Fare Thee Well
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Clarinet,Piano - Level 2 - SKU: A0.927265 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Instructional,Standards. Score and part. 3 pages. Clift...
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Clarinet,Piano - Level 2 - SKU: A0.927265 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Instructional,Standards. Score and part. 3 pages. Clifton Allen Davis Music, ASCAP #5324407. Published by Clifton Allen Davis Music, ASCAP (A0.927265). A melancholy riff in 12/8 to express the bittersweetness many of us experience in relationships. Inspiried by Claudio and Hero in Shakespeare's Much Ado About Nothing. Very suitable for a performance with the others in the Shakespeare Miniatures set, or as a stand alone introduction to playing in 12/8 meter.A MP3 recording of the Piano Accompaniment for this track can be purchased here: http://www.sheetmusicplus.com/title/21814151
$3.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
The Price He Paid, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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the love of Thy pure Son, all
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Kevin G
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The Price He Paid, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.
$2.99
The Price He Paid, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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the love of Thy pure Son, all
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Kevin G
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The Price He Paid, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1073907. Published by Kevin G. Pace (A0.1497494). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid. Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.CHORUSFalsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone.CHORUS Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUS.
$2.99
Shadow veiled as the years pass
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Richard Lambert
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Shadow veiled as the years pas
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Intermediate-Advanced - SKU: F2.FM519 Composed by Richard Lambert. Flute and Piano. Score and Part. 9 pages. Forton Music - Digital #FM519. P...
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Fl. Pft. - Intermediate-Advanced - SKU: F2.FM519 Composed by Richard Lambert. Flute and Piano. Score and Part. 9 pages. Forton Music - Digital #FM519. Published by Forton Music - Digital (F2.FM519). ISBN 9790570484188.This piece is a reworking of the song 'An End' from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the flute is in constant dialogue with the piano accompaniment.
$7.95
Can You Hear The Nightingale's Sad Song?
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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Can You Hear The Nightingale's
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.573377 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Worl...
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Piano Solo - Level 4 - SKU: A0.573377 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Score. 4 pages. James M Stevens Music ASCAP #5359001. Published by James M Stevens Music ASCAP (A0.573377). Written April 3, 2020, this is an original piano composition in a lyrical, calm, and almost bitter sweet style. Today I heard a newscaster in New York City talking about how he had lived in New York 19 years and as everything is so quiet with people being off the streets because of the virus, for the first time he actually heard the beautiful sound of birds singing… but it feels sad that it took such tragedy to hear the beautiful music that is always there. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99
The Verve : Bitter Sweet Symphony (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau intermediaire) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau intermediaire) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau facile)
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Batterie
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FACILE
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau facile) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau facile) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau difficile) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau difficile) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
The Verve : Bitter Sweet Symphony (niveau débutant)
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Batterie
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DÉBUTANT
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Rock
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The Verve
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Bitter Sweet Symphony
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Tomplay
Telechargez la partition Batterie Bitter Sweet Symphony (niveau debutant) de The Verve. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Bitter Sweet Symphony (niveau debutant) de The Verve. Partition avec audio Play Along. Pop/rock
5.99€
MAGNIFICAT. Mov. 8 Esurientes. Aria for Baritone with piano accompaniment (orchestra reduction)
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Accompagnement Piano
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 8 Esurientes.
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.893956 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 14 pages. Gabriel Ruiz-Bernal #6320929. Published by G...
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Vocal Solo,Voice - SKU: A0.893956 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 14 pages. Gabriel Ruiz-Bernal #6320929. Published by Gabriel Ruiz-Bernal (A0.893956). Esurientes implevit bonis, et divites dimisit inanes (He has filled the hungry with good things and sent the rich away empty) is a darker, dramatic description of the text, sung by the baritone fully wrapped up in dense strings that blend bitter and sweet harmonic turns, as illustration of the double statement filling the hungry and sending away the rich empty.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voix
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INTERMÉDIAIRE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
The Clock: (Zegar) (Downloadable)
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Chorale 2 parties
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FACILE
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Stanley M
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The Clock:
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2-part treble choir and piano - Moderately Easy - SKU: MQ.7.0677-E Composed by Stanley M. Hoffman. Secular, Yom Ha'shoah, Children's Sabbath/Emphasis, E...
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2-part treble choir and piano - Moderately Easy - SKU: MQ.7.0677-E Composed by Stanley M. Hoffman. Secular, Yom Ha'shoah, Children's Sabbath/Emphasis, Education, 21st Century, Children. Score & instrument part. 9 pages. Galaxy Music Corporation - Digital #7.0677-E. Published by Galaxy Music Corporation - Digital (MQ.7.0677-E). English.The Clock was completed June 13, 2015. It is a bitter-sweet setting of words by Abraham (“Abramekâ€) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) as translated by Sarah Lawson and MaÅ‚gorzata Koraszewska. In addition to original music, this piece also includes a substantial amount of familiar musical quotations: Big Ben's chimes combined with the traditional melody from the Jewish High Holidays, possibly the first time those two elements have ever appeared in a piece of music simultaneously. -Stanley M. Hoffman
$2.65
My heart was rent
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Piano, Voix
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DÉBUTANT
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Melissa J Hall
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My heart was rent
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Melissa J Hall
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SheetMusicPlus
Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Scor...
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Piano and Keyboard,Vocal - Level 1 - Interactive Download SKU: A0.1305516 Composed by Melissa J Hall. This edition: Interactive Download. Christian. Score. 2 pages. Duration 103. Melissa J Hall #56IDSu1NTCeGnxxQXRuYuL. Published by Melissa J Hall (A0.1305516). Key: C major.Inspired by the story of Alma the Younger found in Alma 36:12-21. In The Book of Mormon 12 But I was racked with eternal torment, for my soul was harrowed up to the greatest degree and racked with all my sins. 13 Yea, I did remember all my sins and iniquities, for which I was tormented with the pains of hell; yea, I saw that I had rebelled against my God, and that I had not kept his holy commandments. 14 Yea, and I had murdered many of his children, or rather led them away unto destruction; yea, and in fine so great had been my iniquities, that the very thought of coming into the presence of my God did rack my soul with inexpressible horror. 15 Oh, thought I, that I could be banished and become extinct both soul and body, that I might not be brought to stand in the presence of my God, to be judged of my deeds. 16 And now, for three days and for three nights was I racked, even with the pains of a damned soul. 17 And it came to pass that as I was thus racked with torment, while I was harrowed up by the memory of my many sins, behold, I remembered also to have heard my father prophesy unto the people concerning the coming of one Jesus Christ, a Son of God, to atone for the sins of the world. 18 Now, as my mind caught hold upon this thought, I cried within my heart: O Jesus, thou Son of God, have mercy on me, who am in the gall of bitterness, and am encircled about by the everlasting chains of death. 19 And now, behold, when I thought this, I could remember my pains no more; yea, I was harrowed up by the memory of my sins no more. 20 And oh, what joy, and what marvelous light I did behold; yea, my soul was filled with joy as exceeding as was my pain! 21 Yea, I say unto you, my son, that there could be nothing so exquisite and so bitter as were my pains. Yea, and again I say unto you, my son, that on the other hand, there can be nothing so exquisite and sweet as was my joy. Alma 36:12–21 https://www.churchofjesuschrist.org/study/scriptures/bofm/alma/36?id=p12-p21&lang=eng#p12.
$3.50
Bitter with the Sweet by Carole King - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock
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Folk Rock
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Carole King
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Bitter with the Sweet
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Musicnotes
Performed by: Carole King: Bitter with the Sweet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Carole King: Bitter with the Sweet Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Pop Rock~~Singer-Songwriter~~Soft Rock
$5.79
Married Life
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Michael Giacchino
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Paul Campbell for www
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Married Life
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1476555 Composed by Michael Giacchino. Arranged by John Langley / Studio Orchestrations. Children,Classical,Comedy,Fi...
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Full Orchestra - Level 4 - SKU: A0.1476555 Composed by Michael Giacchino. Arranged by John Langley / Studio Orchestrations. Children,Classical,Comedy,Film/TV. 84 pages. Www.studio-orchestrations.com #1054065. Published by www.studio-orchestrations.com (A0.1476555). Taken from the Disney/Pixar animated movie UP, this is an arrangement that reflects the soundtrack that underlies the famous bitter sweet montage scene about Carl and Ellie Fredricksen's married life together. It is animated film making and story telling at its brilliant best and supported equally brilliantly by the subtle genius of Michael Giacchino's music scoring.This arrangement version for chamber orchestra follows and reflects the music, scoring and structure of the soundtrack to this scene, although there are a few places where alternative solo or supporting harmony lines are given to give your ensemble options. This would be a wonderful programing idea to any concert for kids, or a concert of film music or animated classics.The Youtube link shows a low res scrolling video of the score with the basic sibelius audio so you can judge whether this version would suit your event and/or ensemble.Instrumentation :Flute/PiccoloOboeClarinetBassoon2 HornsTrumpetTrombone2 Percussion[Drums/Triangle/Vibes/Glock.]PianoStringsLook out for similar arrangements and orchestrations by John Langley & Paul Campbell for www.studio-orchestrations.com.
$100.00
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The Bitter With The Sweet
