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The Blue Room
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.26 €
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Easy strings (Mixed Abilities) Ensemble Pack - extra value bundle of music for classrooms and school string ensemble
Ensemble d'École
Composed by Austin Ralphson. Blues, Repertoire, Classroom, General Instructional, Te…
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Composed by Austin Ralphson. Blues, Repertoire, Classroom, General Instructional, Technique Training. Score, Set of Parts. 60 pages. Published by Austin Ralphson
Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).<br> <br> Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.<br> <br> Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.<br> <br> The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.<br> <br> This pack includes WHAT A LOVELY STROLL (a ternary piece) and I GOT THE BLUES which has scope for improvisation.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.<br> <br> Score and all parts are included here - it is the complete package with over 50 pages, and represents a huge saving on individual purchase prices.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **<br> <br> Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):<br> www.ralphsonstrings.com
$14.99
13.81 €
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Ensemble d'École
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Austin Ralphson
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Easy strings
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SheetMusicPlus
The Blue Room
Piano grosses notes
Digital Download SKU: HX.460118 This edition: scorch. Broadway,Jazz,Standards. E-Z …
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Digital Download SKU: HX.460118 This edition: scorch. Broadway,Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.460118). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.76 €
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Piano grosses notes
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The Blue Room
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Hal Leonard - Digital
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SheetMusicPlus
The Blue Room
Small Ensemble Voice - Level 3 - Digital Download SKU: A0.872238 Composed by Richar…
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Small Ensemble Voice - Level 3 - Digital Download SKU: A0.872238 Composed by Richard Rodgers. Arranged by Diane M. Clark. Barbershop. Score and parts. 4 pages. Diane M. Clark #4633937. Published by Diane M. Clark (A0.872238). Show ballad arranged in the women's barbershop style. (SSAA).
$12.99
11.97 €
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Richard Rodgers
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Diane M
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The Blue Room
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Diane M. Clark
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SheetMusicPlus
The Blue Room
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.872237 Composed by Richard…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.872237 Composed by Richard Rodgers. Arranged by Diane M. Clark. Barbershop. Octavo. 4 pages. Diane M. Clark #4633939. Published by Diane M. Clark (A0.872237). Show ballad arranged in the women's barbershop style. (SSAA).
$1.99
1.83 €
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Chorale SSAA
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Richard Rodgers
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Diane M
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The Blue Room
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Diane M. Clark
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SheetMusicPlus
The Blue Room
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871526 Composed by Richard…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871526 Composed by Richard Rodgers. Arranged by Walter Latzko. Contemporary. Octavo. 5 pages. Latzko Muzic #5215641. Published by Latzko Muzic (A0.871526). 1926 Light Swing tune by Lorenz Hart and Richard Rodgers as performed by The Buffalo Bills.
$5.99
5.52 €
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Chorale TTBB
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Richard Rodgers
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Walter Latzko
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The Blue Room
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Latzko Muzic
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SheetMusicPlus
The Blue Danube Waltz with backing track - Western Classical Music Classroom Ensemble: Keyboards
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Uku…
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - Digital Download SKU: A0.563815 Composed by Johann Strauss Jr. Arranged by Austin Ralphson. Instructional,Romantic Period,Standards. Score and parts. 21 pages. Austin Ralphson #5023367. Published by Austin Ralphson (A0.563815). As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)This arrangement of The Blue Danube enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube video above as a backing track within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all other pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.Also look out for the associated books, which offer this piece and others at a greatly reduced price.
$4.99
4.6 €
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Johann Strauss Jr
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Austin Ralphson
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The Blue Danube Waltz with backing track - Western Classical Music Classroom Ensemble: Keyboards
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Austin Ralphson
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SheetMusicPlus
Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. S…
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Composed by Austin Ralphson. Blues, Classroom, Technique Training, Latin, Recital. Score, Set of Parts. 332 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes BANANA BLUES (a 12-bar Blues piece) and CRAZY LATIN! which has additional parts for Latin percussion commonly found in the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 300 pages, and represents a huge saving on individual purchase prices.
$19.99
18.42 €
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Ensemble d'École
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Austin Ralphson
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Mixed Abilities Classroom Ensemble Pack - extra value bundle of music for classrooms and school ensembles
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Austin Ralphson
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SheetMusicPlus
Copacabana (at The Copa)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.759365 By Barry…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.759365 By Barry Manilow. By Barry Manilow. Arranged by Tim Olt. Contemporary,Rock. Score and parts. 23 pages. Olt Music #6090239. Published by Olt Music (A0.759365). Welcome to the Blue Room at the Holiday Inn! Transport your audience to the 70s nightclub scene with this iconic tune. This is arranged for string quintet with drum set. Sure to be a big hit!
$15.00
13.82 €
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Barry Manilow
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Tim Olt
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Copacabana
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Olt Music
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SheetMusicPlus
Copacabana (at The Copa)
2 Euphoniums et 2 Tubas
Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1322317 By Barry M…
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Tuba Quartet Euphonium,Tuba - Level 5 - Digital Download SKU: A0.1322317 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Tim Olt. Jazz,Latin. 14 pages. Olt Music #910665. Published by Olt Music (A0.1322317). Welcome to the Blue Room at the Holiday Inn!  Transport your audience to the 70s nightclub scene with this iconic tune. Sure to be a big hit!
$15.00
13.82 €
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2 Euphoniums et 2 Tubas
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Barry Manilow
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Tim Olt
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Copacabana
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Olt Music
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SheetMusicPlus
Copacabana (At The Copa)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.759053 By Barry Manilow. By Bar…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.759053 By Barry Manilow. By Barry Manilow. Arranged by Tim Olt. Contemporary,Rock. Score and parts. 23 pages. Olt Music #3583059. Published by Olt Music (A0.759053). Welcome to the Blue Room at the Holiday Inn! Transport your audience to the 70s nightclub scene with this iconic tune. This is arranged for brass quintet with drum set. Sure to be a big hit!
$15.00
13.82 €
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Ensemble de cuivres
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Barry Manilow
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Tim Olt
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Copacabana
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Olt Music
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SheetMusicPlus
VOLUME 2: Western Classical Music Classroom Ensemble Pack (4 pieces) with backing tracks
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Uku…
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - Digital Download SKU: A0.563837 Composed by Antonio Vivaldi, Johann Strauss Jr., Ludwig van Beethoven, and Scott Joplin. Arranged by Austin Ralphson. 20th Century,Baroque,Instructional,Romantic Period,Standards. Score and parts. 115 pages. Austin Ralphson #5044415. Published by Austin Ralphson (A0.563837). This pack contains four pieces of music and it enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided:* The Entertainer* Für Elise* The Blue Danube Waltz* Autumn from The Four Seasons (III. Allegro)As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)These arrangements enable all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube videos at the link below within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.This pack provides excellent value for money - look out for the other volumes as well!
$14.99
13.81 €
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Antonio Vivaldi, Johann Strauss Jr
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Austin Ralphson
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VOLUME 2: Western Classical Music Classroom Ensemble Pack
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Austin Ralphson
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
Ensemble d'École
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$34.99
32.25 €
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Ensemble d'École
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Welsh trad
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COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Austin Ralphson
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SheetMusicPlus
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Žūžū, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00
18.43 €
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Piano Facile
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Jolea Jensen
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Arr
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Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Jolea Jensen
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SheetMusicPlus
She Works Hard For The Money
B-Flat Trumpet,Bass Guitar,Drum Set,Electric Guitar,String Synthesizer,Tenor Saxophone - L…
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B-Flat Trumpet,Bass Guitar,Drum Set,Electric Guitar,String Synthesizer,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1267220 By Donna Summer. By Donna Summer and Michael Omartian. Arranged by Kathleen McGuire. Disco. 44 pages. Kathleen McGuire #859859. Published by Kathleen McGuire (A0.1267220). SCORE AND SET OF PARTS TO ACCOMPANY THE WOMEN'S CHORAL ARRANGEMENTA Donna Summer hit from post-disco / new wave era (1983), She Works Hard for the Money is more than a fun pop piece. The song tells a story of a hard-working blue-collar woman, based on inspiration Summer found after the 25th Annual Grammy Awards ceremony (23 Feb 1983) when she attended an after-party. She encountered a restroom attendant named Onetta Johnson (whose name is mentioned in the song) whom she found sound asleep - despite a blaring TV - exhausted from working long hours.Summer related the story in an interview: I looked at her and my heart just filled up with compassion for this lady, and I thought to myself: God, she works hard for the money, cooped up in this stinky little room all night. Then I thought about it, and I said, She works hard for the money... She works hard for the money...This is it! This is it! I know this is it! The arrangement opens with an a cappella introduction in full harmony. The melody moves between the altos and sopranos, with each part otherwise providing rhythmic support (echoing the instrumental accompaniment). The sopranos divide into 3 parts occasionally, allowing some high voices (A-flat) to shine. There are no solos in this arrangement - your women all have opportunity to sing this powerful, true story that serves more broadly as an allegory for women's rights and socioeconomic hardship. The arrangement is a show-stopper, bound to get audiences clapping and even up out of their seats! Provided: Conductor's Score and Set of Band Parts: Trumpet in B-flat, Tenor Sax, Synth (Strings), Electric Guitar, Bass Guitar, Drum Set. Provided separately: SSAA Choral Arrangement - Piano Vocal Score.
$60.00
55.29 €
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Donna Summer
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Kathleen McGuire
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She Works Hard For The Money
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Kathleen McGuire
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SheetMusicPlus
We Gather Together - Vol. 2 - Bradley Sowash
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1153721 By Bradley Sowash. By Bradl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1153721 By Bradley Sowash. By Bradley Sowash. Arranged by Bradley Sowash. Christian,Jazz,Praise & Worship,Religious,Spiritual. Score. 53 pages. Bradley Sowash #753982. Published by Bradley Sowash (A0.1153721). Best loved hymns and spirituals transformed Arranger’s description The songs in this collection represent some of the best-loved hymns and spirituals in America. Their durability is intriguing. Generations of handing down new renditions have reduced them to their essential qualities. This ‘essence’ offers a composer and musician plenty of room for interpretation and improvisation. Memorable melodies such as these make great material for variations since the listener, knowing the tune so well, can appreciate its changing directions. I also find new vitality by underpinning old songs with modern rhythmic textures: what jazz musicians call the groove. Shorter songs call for original but stylistically similar additional sections. The addition of blue notes, favorite licks, alternative harmonies and improvisations helps me reinterpret this familiar music into nearly original compositions. Having sought to make them my own, I now invite you to do the same. Publisher's description In his unique, rhythmic style, Sowash transforms some of the best-loved hymns and spiritual songs of all time into nearly original selections for solo jazz piano. Chord symbols are included to encourage improvisation and ensemble arrangements. - Augsburg Fortress.
$19.95
18.39 €
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Piano seul
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Bradley Sowash
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Bradley Sowash
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We Gather Together - Vol. 2 - Bradley Sowash
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Bradley Sowash
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SheetMusicPlus
Blueshift (Full Score and Parts)
Small Ensemble - Level 3 - Digital Download SKU: A0.972028 Composed by Keir C Crawl…
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Small Ensemble - Level 3 - Digital Download SKU: A0.972028 Composed by Keir C Crawley. 20th Century,Children,Contemporary,Instructional. Score and parts. 61 pages. Keir C Crawley #4764635. Published by Keir C Crawley (A0.972028). ‘Blueshift’ is the continuation of a number of ideas and experiences, the first of which is the need to compose exciting and challenging music for the classroom. This piece attempts to put the Key Stage 2 or 3 budding musician into the musical world of film scores and minimalism albeit minimalism with a small ‘m’. Combining moto perpetuo with contextually more adventurous accompanying harmony my aim is to move the musical learning away from the sometimes twee and undemanding into something with a little more musical bite. As such ‘Blueshift’ should be playable by students from Year 4 or 5 upwards, either in its entirety as written live or to a backing track. The title comes from the idea that as light (in this case the light of the Andromeda Galaxy) approaches a fixed point it shifts towards the blue end of the spectrum. For the purposes of both story telling and a cross-curricular link to science ‘Blueshift’ charts the journey of the Andromeda Galaxy (represented by the ever present 5-8 ostinato) towards our own Milky Way Galaxy and what happens on route.
$45.00
41.47 €
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Keir C Crawley
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Blueshift
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Keir C Crawley
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SheetMusicPlus
Blue Rooms - Score Only
Level 4 - Digital Download SKU: A0.1278759 By Rappahanock. By Michael Vinson. Arran…
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Level 4 - Digital Download SKU: A0.1278759 By Rappahanock. By Michael Vinson. Arranged by Michael Vinson. 20th Century,Chamber,Romantic Period. 21 pages. Michael Vinson #870321. Published by Michael Vinson (A0.1278759). Written for the folk chamber ensemble featuring Harp,Guitar, Violin, Cello and Flute.Ut can easily be adaptef to ensemble cohfiurations if need be. The piece was inspired by John Jeromes book Blue Rooms : Ripples Rivers and Other Waters along with R. Smetena's The Moldau from mY Father Land.
$35.00
32.26 €
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Rappahanock
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Michael Vinson
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Blue Rooms - Score Only
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Michael Vinson
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SheetMusicPlus
Nearer, My God, to Thee
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by Lowell Mason. Arranged by Adam Jensen. Blues,Christian,Jazz. Score and parts. 46 pages. Adam Jensen #35315. Published by Adam Jensen (A0.904092). The classic hymn Nearer, My God, to Thee is often used in solemn circumstances, most notably (at least according to rumor) during the sinking of the Titanic. The text, however, captures a balance between solemnity and celebration, suffering and mercy, death and new life. In adapting it for jazz big band, I found myself thinking about New Orleans jazz funeral parades, which also feature that same odd contradiction between grief and joy, through the use of the blues. I won't claim this is in any way authentic New Orleans jazz, but it does try to say some of the same things, and I hope you enjoy it. Written for standard jazz big band, with lots of room for open solos by the blues-inclined. Roughly 6 minutes, longer with additional solos. For more works, please visit http://jazzslider.org/store/composition/nmg, or follow me on Facebook at http://facebook.com/adamjensenjazz. Thanks!
$50.00
46.08 €
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Ensemble Jazz
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Lowell Mason
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Adam Jensen
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Nearer, My God, to Thee
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Adam Jensen
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
Ensemble d'École
Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Se…
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Composed by Austin Ralphson. Blues, Funk Jazz, Repertoire, Classroom, Latin. Score, Set of Parts. 707 pages. Published by Austin Ralphson
The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.
$29.99
27.64 €
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Ensemble d'École
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Austin Ralphson
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COMPLETE Mixed Abilities Classroom Ensemble Pack - mega value bundle of the whole series of music for classrooms and school ensembles
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Austin Ralphson
#
SheetMusicPlus
DE BLUE-TAIL FLY a.k.a. JIMMY CRACK CORN
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.913671 Composed by Anonymous…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.913671 Composed by Anonymous. Arranged by Clay Boland Jr. Contemporary,Folk. Score. 7 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #3531879. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913671). COMEDIC ACCOUNT OF HOW THE BLUE-TAIL FLY CAUSED THE DEATH OF OLD MASSA BY BITING HIM ON THE THIGH WHILE HE WAS RIDING ON HIS PLANTATION. THE BITE CAUSED OLD MASSA TO MAKE THE PONY GO BESERK AND THROW HIM IN A DITCHHOWEVER, THE ACCOUNT MAY ACTUALLY BE OF A PERFECT MURDER SINCE THE SERVANT IN ORDER TO HIT THE BLUE-TAIL FLY GAVE OLD. MASSA A SOLID WHACK WITH HIS BROOM WHICH CAUSED THE PONY BOLT AND THROW OLD MASSA IN DE DITCH!From FAVORITE AMERICAN FOLK SONGS, HYMNS, & SPIRITUALS OF THE 1800’S, VOL. I
$4.56
4.2 €
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Piano, Voix
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Anonymous
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Clay Boland Jr
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DE BLUE-TAIL FLY a.k.a. JIMMY CRACK CORN
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Slow Dancing In A Burning Room
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1197821 By John Mayer. By Jo…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1197821 By John Mayer. By John Mayer. Arranged by Kathleen M. LaRocque. Blues,Contemporary,Pop,Rock,Singer/Songwriter. Score. 9 pages. Kathleen Marina LaRocque #796998. Published by Kathleen Marina LaRocque (A0.1197821). A beautiful piano accompaniment to John Mayer's ballad Slow Dancing in a Burning Room. This also includes a transcription of the guitar solo, and while it looks difficult, the rhythm is up for interpretation! You can also check out these YouTube tutorials for some extra help (but there is no guarantee that they match the sheet music): Intro Verse Chorus Guitar solo Bridge & outro All parts together
$6.99
6.44 €
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Piano, Voix
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John Mayer
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Kathleen M
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Slow Dancing In A Burning Room
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Kathleen Marina LaRocque
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SheetMusicPlus
Classroom Grooves
Small Ensemble Drum Set,Hand Percussion,Multi-Percussion,Orff Instrument - Level 2 - Digit…
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Small Ensemble Drum Set,Hand Percussion,Multi-Percussion,Orff Instrument - Level 2 - Digital Download SKU: A0.844042 Composed by Don Hicks. Children,Instructional. Score and parts. 11 pages. Don Hicks #3080355. Published by Don Hicks (A0.844042). Classroom Grooves are based on basic drum rhythms. (Basic Rock, Shuffle Blues, Jazz Waltz, Train Beat and Bossa Nova) They are designed to be very flexible. Students can Beatbox individual parts. The grooves can be played with Body Percussion i.e. clap, snap, pat, stamp, click etc. They can be played on buckets and other classroom instruments. Parts can be added and subtracted. Repeat as long as you want!An MP3 of each Groove played through four times is included!And, there's plenty of room for improvisation! Have fun!
$5.99
5.52 €
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Don Hicks
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Classroom Grooves
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Don Hicks
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SheetMusicPlus
Little Blue Shoes
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.731 Composed by J…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.731 Composed by James M. Wehli. Parlors, Chimneypieces, Children's furniture, Bedrooms, Angels, Grief, Mothers & children, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.731). Little Blue Shoes. Words by Geo. P. Upton. Music by James M. Wehli. Published 1874 by John Church & Co., 66 West 4th St. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Chimneypieces, Children's furniture, Bedrooms, Angels, Grief, Mothers & children, Death. First line reads The twilight shadows darkly close around, the robin trills his evening song so sweet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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James M
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Little Blue Shoes
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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