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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Boat
Non classifié
261
Piano & claviers
Piano seul
310
Piano, Voix
152
Piano Facile
91
Piano, Voix et Guitare
85
Accordéon
22
Piano grosses notes
13
Instruments en Do
12
Orgue
6
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
56
Guitare notes et tablatures
41
Ukulele
23
Guitare
17
Paroles et Accords
6
Mandoline
4
Guitare (partie séparée)
3
Dulcimer
3
Basse electrique
3
Banjo
2
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
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Voix
Chorale SATB
111
Chorale 3 parties
31
Chorale 2 parties
30
Chorale TTBB
22
Chorale SSAA
18
Chorale Unison
7
Voix Alto, Piano
5
Chorale
5
Voix haute
3
Voix Soprano, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix duo
2
Voix seule
2
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix basse, Piano
1
Pack Instrumental pour Chorale
1
+ 12 instrumentations
Retracter
Vents
Clarinette et Piano
20
Flûte traversière et Piano
18
3 Clarinettes (trio)
17
Saxophone (partie séparée)
17
Flûte traversière
14
2 Flûtes traversières (duo)
14
Saxophone Tenor et Piano
13
Saxophone Alto et Piano
12
3 Saxophones (trio)
12
Quatuor de Saxophones: 4 saxophones
11
Clarinette (partie séparée)
11
Trio de Flûtes: 3 flûtes
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Hautbois, Piano (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Tenor
8
Ocarina
7
Harmonica
7
Saxophone Alto
7
2 Clarinettes (duo)
7
Hautbois (partie séparée)
6
2 Saxophones (duo)
6
Flûte à bec Soprano
5
Clarinette
5
Flute (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Hautbois, Clarinette, Basson
4
Flûte à bec Alto
4
Flûte, Hautbois, Basson
4
Ensemble de Clarinettes
3
Ensemble de saxophones
3
Saxophone Soprano et Piano
3
Ensemble de Flûtes
3
Flûte, Clarinette (duo)
3
2 Flûte à bec (duo)
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette et Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Clarinette Basse, Piano
1
Flûte, Harpe et Violoncelle
1
Hautbois, Flûte
1
Flûte à Bec
1
Flûte, Violon et Violoncelle
1
Clarinette, trompette et piano
1
Hautbois, Clarinette (duo)
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Basson et Piano
1
Instruments en Mib
1
Flûte, trombone et piano
1
3 Flûtes à bec (trio)
1
+ 51 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trombone et Piano
11
Trombone (partie séparée)
10
Trompette, Piano
10
Trompette
9
Cor et Piano
9
Trompette (partie séparée)
8
Trombone
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor (partie séparée)
6
Tuba (partie séparée)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trio de Cuivres
3
Cor
2
Euphonium, Piano (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 4 trompettes
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Cor, Trompette, Trombone (trio)
1
3 Cors (trio)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
2 Trompettes (duo)
1
+ 23 instrumentations
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Cordes
Harpe
37
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
20
Alto, Piano
18
Violoncelle, Piano
14
Violon
10
2 Violons (duo)
9
Violoncelle
9
2 Harpes (duo)
7
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Alto seul
5
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
2 Violoncelles (duo)
4
2 Altos (duo)
3
Violon, Alto (duo)
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Alto (partie séparée)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Violon, Guitare (duo)
1
Harpe, Flûte (duo)
1
Harpe et Piano
1
Trio à Cordes: 2 violons, alto
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Ensemble Jazz
20
Orchestre à Cordes
18
Orchestre
12
Ensemble de cuivres
11
Cloches
11
Orchestre de chambre
10
Percussion (partie séparée)
5
Jazz combo
3
Batterie (partie séparée)
3
Ensemble de Percussions
2
Percussion
2
Marimba
2
Fanfare
1
Timbales (partie séparée)
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
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DIDGERIDOO
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The Boat
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Dance to Your Daddy (When the Boat Comes In) SSAA
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Chorale SSAA
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Folklorique/Traditionel
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Traditional
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Debbie Warren
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Dance to Your Daddy
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #...
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Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
$1.99
The Dreaming Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Publis...
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Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital ...
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Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditiona...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
Together We Can Change the World
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Chorale SSAA
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FACILE
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Lois J Henrickson
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Lois J Henrickson (Lytingale)
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Together We Can Change the Wor
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Lytingale Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporar...
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Choral Choir,Choral (SSAA) - Level 2 - SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing. This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able   to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,    the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.   Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones  Who get things done.We are the ones  Who make it run.We are the ones  Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).
$1.99
Michael Row The Boat Ashore
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Piano Facile
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DÉBUTANT
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Anny Adam and Mike Hannickel
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Antje Günther
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Michael Row The Boat Ashore
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Antje Guenther
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1090512 Composed by Anny Adam and Mike Hannickel. Arranged by Antje Günther. Children,Classical,Instructional,Rock,Sac...
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Easy Piano - Level 1 - SKU: A0.1090512 Composed by Anny Adam and Mike Hannickel. Arranged by Antje Günther. Children,Classical,Instructional,Rock,Sacred. Score. 1 pages. Antje Guenther #694692. Published by Antje Guenther (A0.1090512). This is a VERY EASY arrangement for piano with fingerings! Das ist ein SEHR LEICHTES Arrangement für Klavier, mit Fingersätzen!
$6.99
Sit Down You're Rockin' The Boat
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Orchestre d'harmonie
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FACILE
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Guys And Dolls Cast
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John Ivor Holland
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Sit Down You're Rockin' The Bo
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1394389 By Guys And Dolls Cast. By Frank Loesser. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/...
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Concert Band - Level 2 - SKU: A0.1394389 By Guys And Dolls Cast. By Frank Loesser. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. 74 pages. John Ivor Holland #977871. Published by John Ivor Holland (A0.1394389). Sit Down, You're Rockin' the Boat is a song written by Frank Loesser and introduced in the Broadway musical, 'Guys and Dolls', which opened at the 46th Street Theatre on November 24, 1950. In the context of the show, gambler Nicely-Nicely Johnson invents a dream about being saved from hell in order to bring together the members of the prayer meeting. It was originally performed on stage by Stubby Kaye who later reprised his role as Nicely-Nicely Johnson in the 1953 London production, as well as the 1955 film version. In popular culture, the song was performed in the pilot episode of the show 'Glee' in 2009, and then redone in the season 3 finale, Goodbye as well as making appearances on various TV shows and films. When performed on-stage, it's usual that this is the song that gets multiple encores, so get ready to potentially play it several times in a concert!
$49.99
Mississippi Boat Race
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Piano, Voix
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Our Pilot
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Mississippi Boat Race
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.14975 Boating, Contests, New Orleans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libra...
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Piano and voice - SKU: LV.14975 Boating, Contests, New Orleans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14975). Mississippi Boat Race. By Our Pilot. Published 1856 by H. Pilcher & Sons, 91 Fourth Street in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Boating, Contests, New Orleans. First line reads Some boats are fast and others slow, Stern wheel boats on the Ohio.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Song of the Volga Boatmen
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Piano seul
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INTERMÉDIAIRE
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Russian Folk
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Paul Taylor
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Song of the Volga Boatmen
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1407293 Composed by Russian Folk. Arranged by Paul Taylor. Folk,Historic,Multicultural,Standards,World. Score. 2 pages. P...
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Piano Solo - Level 3 - SKU: A0.1407293 Composed by Russian Folk. Arranged by Paul Taylor. Folk,Historic,Multicultural,Standards,World. Score. 2 pages. Paul Taylor #989970. Published by Paul Taylor (A0.1407293). This popular work song from Russian folk history has been used to depict hard work in movies, cartoons and plays. Here it is presented for the early intermediate pianist. The sailors on the boat can be heard singing their song of work, very softly as the boat approaches the people on the land. As the boat gets closer, the dynamics increase in intensity and as the boat passes away, the dynamics decrease to reflect the passing of the ship. Some pedalling and phrasing suggestions are given as well.
$1.99
Michael, Row the Boat Ashore, in 3 keys! (Michael Row the Boat Ashore) (big letter notation)
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Piano, Voix
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DÉBUTANT
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Gospel Spirituel
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Musique Sacrée
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Dennis Frayne
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Dennis Frayne
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Michael, Row the Boat Ashore,
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.879214 Composed by Dennis Frayne. Arranged by Dennis Frayne. Folk,Holiday,Patriotic,Spiritual,Standards. Score. 4 ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.879214 Composed by Dennis Frayne. Arranged by Dennis Frayne. Folk,Holiday,Patriotic,Spiritual,Standards. Score. 4 pages. Presto! It's Music Magic Publishing #6022305. Published by Presto! It's Music Magic Publishing (A0.879214). Michael, Row the Boat Ashore is an African-American Spiritual, written by slaves when they were fighting for and winning their freedom from slavery during the American Civil War. This song has been written here three times, each with the same melody, but each using notes from a different scale. Musicians refer to songs using different scales as being in different keys. First, the song is written using notes from the C Major Scale. Second, the song is written using notes from the D Major Scale. Third, the song is written using notes from the E Major Scale. When we write the same song using notes from different scales, or in different keys, we call that transposing the music. When a song transitions from one key to another key, we call that a key change, or a modulation. Includes lyrics and solfege syllables. Written using letter names, perfect for students who are learning to navigate the piano keyboard prior to reading standard music notation.
$3.99
Skye Boat Song - Outlander Main Title Theme - for Choir SSATB and Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Scottish Folk Song
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Flavio Regis Cunha
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Skye Boat Song - Outlander Mai
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Flavio Regis Cunha
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest,Early Music,Festival,Film/TV,Instructional,Wedding. 9 pages. Flavio Regis Cunha #1062384. Published by Flavio Regis Cunha (A0.1485320). Skye Boat Song - Outlander Main Title Theme - for SSATB and Piano AccompanimentArtist Traditional Scottish FolksongComposer Traditional Scottish FolksongArranger Flavio Regis CunhaDescriptionDo you want to bring a bit of Scotland to your choir? Look no further than our sheet music of Skye Boat Song - from Outlander Main Title Theme - for SSA and Piano Accompaniment. Perfect for churches, school choirs, and professional SSA ensembles, this traditional Scottish folksong is full of energy and history. With this sheet music, you can add a unique flavor to your performance and transport your choir to the highlands! Stop searching for the right song and get ready to take your choir on an unforgettable musical journey. Get your sheet music now and experience the rich culture of Scotland in no time.This arrangement, featuring a solo Soprano and SSA choir with Piano accompaniment, reharmonizes the traditional folk song with a contemporary twist. This arrangement would work well for any a cappella high school, college, or community choir looking for modern arrangements of traditional folk songs.Level: Intermediate.Format: OctavoSize: 9 pages.Engraved with Urtext Kappelmeister FontsDuration: 2:30 min.NotesSkye Boat Song is one of my favoryte folk songs from the British Isles. Skye refers to the Island of Skye, a large island off the northwest coast os Scotland. There are several texts to this song; all refer, more or less, to an uprising of Scottish dissidents against the English is 1745-46. After their defeat, they fled to the Island of Skye. The text used here by the poet Robert Louis Stevenson. Scholars attribute the first half of the melody to an old se chantey and suspect thea the second half may have benn written by Annie MacLeod. ARRANGEMENT DETAILSVoicing SSATB Choir and Piano AccompanimentDifficulty IntermediateGENRE DETAILS Genres A Cappella, Classical, Film/TV, Holiday, Wedding.
$2.99
Sailboats at Sunset
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Piano seul
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DÉBUTANT
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Contemporain
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Elizabeth Borowsky
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Sailboats at Sunset
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1212790 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 4 pages. Piano Prodigies #810038. Pub...
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Piano Solo - Level 1 - SKU: A0.1212790 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 4 pages. Piano Prodigies #810038. Published by Piano Prodigies (A0.1212790). It's a beautiful afternoon in late August—warm and breezy with just a few clouds in the sky—and you have enjoyed the afternoon relaxing at a lakeshore park. Off in the distance, you see several sailboats. As the sun begins to set, they make their way to shore, their white sails glistening between the golden waves and the orange, red, purple, and pink hues of the sky. The boats skim over the gentle waves, and you marvel at their effortless and magical journey across the water.
$7.00
Melodies of the Spirit - Harp I
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Afro-American Songs and George
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Serena O’Meara
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Melodies of the Spirit - Harp
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361623. Published by O'Meara Music (A0.803906). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal harps. Dynamics are clearly marked.Â
$5.00
Melodies of the Spirit - Harp II
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2 Harpes (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Afro-American Songs and George
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Serena O’Meara
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Melodies of the Spirit - Harp
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O'Meara Music
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SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk...
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Instrumental Duet,Lever Harp - Level 3 - SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361625. Published by O'Meara Music (A0.803904). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal Harps. Dynamics are clearly marked.Â
$5.00
The Frog in the Bog from Emily! (Downloadable)
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Voix Mezzo-Soprano, Piano
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Gwyneth W
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The Frog in the Bog from Emily
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - D...
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Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8460-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8460-3E). English.The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant, and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond.In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly.Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World); the shimmering moonlight (The Moon and the Sea); a frog croaking in a bog (The Frog in the Bog); hopeful birds hopping about (Hope with Feathers); the boat of passion riding the waves and then settling into its mooring (Passion); the ship's cannon firing in celebration (Joy); and the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul. Duration: 14:00.
$5.00
The Maltese Boatman's Song
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Chorale SATB
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L
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The Maltese Boatman's Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.11735 Arranged by L. Devereaux. Rowboats, Cityscapes, Sailboats, Native dress, Occupations, Fishermen, ...
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Piano and voice (solo and SATB chorus) - SKU: LV.11735 Arranged by L. Devereaux. Rowboats, Cityscapes, Sailboats, Native dress, Occupations, Fishermen, Sailors, Homecomings, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11735). The Maltese Boatman's Song, arranged for One, Two, or Three Voices. With an Accompaniment for the Piano Forte by L. Devereaux. Published [n.d.] by E.S. Mesier in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Rowboats, Cityscapes, Sailboats, Native dress, Occupations, Fishermen, Sailors, Homecomings, Happiness. First line reads See, Brothers see, how the night comes on, slowly sinks the setting sun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Row Row Row The Boat
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Piano Facile
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DÉBUTANT
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Traditional
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Raymond Fenech
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Row Row Row The Boat
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Raymond Fenech
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.760468 Composed by Traditional. Arranged by Raymond Fenech. Children,Holiday,Instructional,Multicultural,Traditional,Worl...
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Easy Piano - Level 1 - SKU: A0.760468 Composed by Traditional. Arranged by Raymond Fenech. Children,Holiday,Instructional,Multicultural,Traditional,World. Score. 4 pages. Raymond Fenech #3904295. Published by Raymond Fenech (A0.760468). Row Row Row The Boat is an English language nursery rhyme and a popular children's song. It can also be an action nursery rhyme, whose singers sit opposite one another and row forwards and backwards with joined hands. Row Row Row The Boatis arranged for Easy Piano. The Level is Easy and the duration is approximately 0.30 minutes.
$1.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
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Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
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Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Good Bye My Little Lady. Boat Song
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Chorale SATB
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J
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Good Bye My Little Lady. Boat
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4772 Composed by J.C. Macy. Farewells, Love, Sailors. Lester S. Levy Collection. 4 pages. Published by ...
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Piano and voice (solo and SATB chorus) - SKU: LV.4772 Composed by J.C. Macy. Farewells, Love, Sailors. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4772). Good Bye My Little Lady. Boat Song. Words by M.C.J. Music by J.C. Macy. Published 1885 by C.H. Ditson & Co., 867 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Farewells, Love, Sailors. First line reads The boats are pushing from the shore, Good bye, my little lady!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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