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--INSTRUMENTS--
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ALTO
AUTOHARPE
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The Call [Medium Voice]
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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The Call [Medium Voice]
Partitions à imprimer
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
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Howard Goodall
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Isaiah 66:13
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds....
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
The Center Of The Universe
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Ensemble Jazz
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AVANCÉ
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George Willson
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The Center Of The Universe
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.
$35.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Perio...
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Medium Voice,Vocal Solo - Level 5 - SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Let Me Call You Sweetheart (Vocal Solo, High-Medium Voice, Chords, Piano Accompaniment)
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Music by Leo Friedman and Word
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Cathy Stamegna
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Let Me Call You Sweetheart
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Cathy Stamegna
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.780912 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. ...
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Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.780912 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. Film/TV,Holiday,Standards,Traditional,Wedding. 6 pages. Cathy Stamegna #5774695. Published by Cathy Stamegna (A0.780912). This timeless piece from 1910 is a winner for Weddings or Anniversaries with a memorable sing-along refrain. Recorded by various artists from The Peerless Quartet (1911) to Bing Crosby and Fats Domino. Featured in numerous films and TV shows including Downton Abbey and The Murdoch Mysteries (The Artful Detective). An intermediate level piano accompaniment with chords for guitar or mallet instruments to join in. Arranger’s comments included.
$4.99
The Wexford Carol for Voice and Piano (Omnibus Edition)
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Piano, Voix
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INTERMÉDIAIRE
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Noël
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M
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M
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The Wexford Carol for Voice an
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Vocal Works
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Sc...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
$9.99
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Agnus Dei for High or Medium Voice and Organ
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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G
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A
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Agnus Dei for High or Medium V
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Adrian D Biggs
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian D Biggs #5728909. Published by Adrian D Biggs (A0.882264). Agnus dei for high or medium Solo Voice and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SAB, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Also available in piano versions
$6.00
Agnus Dei for Solo High or Medium Voice and Piano
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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G
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A
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Agnus Dei for Solo High or Med
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Adrian D Biggs
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.882256 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. 7 pages. Adrian D Biggs ...
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Vocal Solo,Voice - Level 4 - SKU: A0.882256 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. 7 pages. Adrian D Biggs #5721243. Published by Adrian D Biggs (A0.882256). Agnus dei for high or medium Solo Voice and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.
$6.00
Come, My Way, My Truth, My Life (The Call) (Vocal Solo - Medium Key)
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Piano, Voix
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FACILE
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Musique Sacrée
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Christian contemporain
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Stephen DeCesare
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Come, My Way, My Truth, My Lif
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.630748 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Score. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.630748 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Exultet Music #6475653. Published by Exultet Music (A0.630748). The tender words by George Herbert.Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all Strife: Such a Life, as killeth death. has been set to a fresh new melody and scored for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Nunc dimittis / Song of Simeon (medium key)
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Piano, Voix
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AVANCÉ
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Sergei Rachmaninoff
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Nicholas Palmer
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Nunc dimittis / Song of Simeon
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Nicholas D Palmer
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1374933 Composed by Sergei Rachmaninoff. Arranged by Nicholas Palmer. 20th Century,Classical,Religious,Sacred. Sco...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1374933 Composed by Sergei Rachmaninoff. Arranged by Nicholas Palmer. 20th Century,Classical,Religious,Sacred. Score. 2 pages. Nicholas D Palmer #959504. Published by Nicholas D Palmer (A0.1374933). Rachmaninov's beautiful All-night Vigil (aka Songs of the Church) is rarely performed because of its level of difficulty, language, and length. The music is transcendent and perfectly suited for celebrations of the Presentation of the Lord (February 2), evening prayer, and funerals. This selection, No. 5 of 15 in the work, is taken from the 1920 English translation by Winfred Douglas and is well-suited as a solo piece. The choral parts were easily translated into an accompaniment on organ, although piano can be used. The movement is transposed down a minor third and is suited for a tenor (the original solo voice called for in the work) or soprano. This arrangement is also available in Bb minor (original key) and E minor for lower voices. This piece would also work as a unison choir piece.
$4.99
I Am Calling You (Medium Voice)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Elizabeth Ragsdale
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I Am Calling You
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Elizabeth Ragsdale
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.957646 Composed by Elizabeth Ragsdale. Christian,Sacred. Score. 8 pages. Elizabeth Ragsdale #2853569. Published by...
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Piano,Vocal,Voice - Level 3 - SKU: A0.957646 Composed by Elizabeth Ragsdale. Christian,Sacred. Score. 8 pages. Elizabeth Ragsdale #2853569. Published by Elizabeth Ragsdale (A0.957646). This sacred solo, based on Psalm 130, moves through the stages of prayer: calling, waiting, watching, trusting, worshiping, and feeling loved. The final verse in triple meter builds to a dynamic ending. Duration: 4:09. Vocal range: D4–F5. Music by Elizabeth Ragsdale. Words from Psalm 130 (adapted) and by Elizabeth Ragsdale.
$4.79
Call Me Maybe
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Carly Rae Jepsen
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Amphibia Cultural Legacy
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Call Me Maybe
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percuss...
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Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Recorder,Steel Guitar,String Synthesizer,Suspended Cymbal,Treble Clef Instrument,Trombone,Trumpet,Tuba - SKU: A0.1204562 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Amphibia Cultural Legacy. Broadway,Disco,Musical/Show,New Age,Pop,Rock. Score and parts. 9 pages. Amphibia Cultural Legacy #803024. Published by Amphibia Cultural Legacy (A0.1204562). Call Me Maybe is a fun and catchy song that has played at countless parties since its debut in 2011. But have you ever heard it with additional instruments added? Amphibia Cultural Legacy took the original Carly Rae Jepsen hit and remixed it, adding drums, guitar riffs, and other elements to create an even more upbeat version that is perfect for celebrating.The new version of Call Me Maybe by Amphibia Cultural Legacy features a faster tempo than the original, making it ideal for dancing and getting your guests up. The added instruments give the song a fuller sound that will energize your partygoers from start to finish. This remix will surely be a crowd-pleaser that will keep everyone entertained throughout the night.As the end of the year approaches, many people are already looking forward to their New Year's celebrations. One key element of any successful party is the music, and Call Me Maybe by Amphibia Cultural Legacy is a perfect choice. Carly Rae Jepsen initially wrote this cover remix with additional instruments, but Amphibia's unique sound has given it new life.The song starts with a catchy beat that immediately gets people moving on the dance floor. Adding various instruments, such as trumpets and drums, adds depth to the track and makes it even more exciting. The lyrics also testify to the joyous spirit of New Year's celebrations - Before you came into my life, I missed you so bad - reminding us that we should cherish those we love during this time.
$80.00
The Old Things
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Voix moyenne, Piano
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INTERMÉDIAIRE
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Steven Mark Kohn
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The Old Things
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Medium voice and piano - Medium - SKU: MQ.9234-E Composed by Steven Mark Kohn. 22 pages. E. C. Schirmer Music Company - Digital #9234-E. Published by E....
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Medium voice and piano - Medium - SKU: MQ.9234-E Composed by Steven Mark Kohn. 22 pages. E. C. Schirmer Music Company - Digital #9234-E. Published by E. C. Schirmer Music Company - Digital (MQ.9234-E). English.“The Old Thingsâ€, a short story by Jessie Anderson Chase, was one of 81 prize winners in the collection “Short Stories from Lifeâ€, published in 1916. The author poetically explores aging, the things we care about, and in the end, what we chose to leave behind. Steven Mark Kohn crafted an original libretto out of this simple, heartfelt story. The singer becomes the voice of different characters in a charming narrative.
$17.25
Mass for Solo Voice and Organ
Medium voice, Organ
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David Bednall
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Mass for Solo Voice and Organ
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Oxford University Press Digital
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SheetMusicPlus
Medium solo voice and organ - SKU: OX.9780193550155 Composed by David Bednall. Score. 19 pages. Oxford University Press Digital #9780193550155. Publishe...
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Medium solo voice and organ - SKU: OX.9780193550155 Composed by David Bednall. Score. 19 pages. Oxford University Press Digital #9780193550155. Published by Oxford University Press Digital (OX.9780193550155). ISBN 9780193550155.For medium solo voice and organ. This mass setting, with texts in both Latin and English (Book of Common Prayer), is typical of the composer's style: musically sophisticated, with motivic solo lines and a great deal of chromaticism and continual time changes. Vocal range: C4-Gb5 (opt. A5).
$4.50
Ralph Vaughan Williams: The Call [Medium Voice] - voice & piano
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Piano, Voix
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FACILE
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Classique
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Ralph Vaughan Williams
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Virtualsheetmusic
Instantly printable sheet music by Ralph Vaughan Williams for voice & piano of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Ralph Vaughan Williams for voice & piano of EASY/MEDIUM skill level. / classical
$4.97
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Pentecost Sequence (Vocal solo - Medium Key)
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Voix moyenne, Piano
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DÉBUTANT
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Stephen DeCesare
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Pentecost Sequence
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Exultet Music
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 1 - SKU: A0.519061 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Ex...
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Medium Voice,Vocal Solo - Level 1 - SKU: A0.519061 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Exultet Music #129686. Published by Exultet Music (A0.519061). Sometimes called the Golden Sequence, is a sequence prescribed in the Roman Liturgy that is sung before the Gospel during the Pentecost Mass. Scored for a Vocal solo (with optional chords for an instrumentalist to accompany). Accessible and appropriate for any church setting.
$4.99
Poor Max! (for mezzo-soprano/alto voice and piano) (Folk/Rock)
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Chris Gordon
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Chris Gordon
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Poor Max!
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Cool Wind Music Digital
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. ...
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. 10 pages. Cool Wind Music Digital #3220995. Published by Cool Wind Music Digital (A0.841273). This is a folk/rock ballad with a twist as the 'story' it tells comes straight out of a novel by German author Günter Grass', Local Anaesthetic (1969). Phillipp (Flip) Scherbaum, a 17-year old Berlin high school student, wants to do something, anything to protest what he has been reading in newspapers has been happening to the people of Vietnam. (Remember this is 1967!) He comes up with an idea: he has a little Dachshund puppy called Max. Flip decides to burn Max right outside the most famous café in Berlin, Kempinski's (it is still there), to shock complacent Berliners into paying attention to what is happening in Vietnam. His history teacher, Eberhard (Hardy) Starusch, agrees to Flip's protest idea but draws the line firmly against killing an innocent animal. Hardy sets out to dissuade his student from carrying out this doggiecide. Instead, he resolves to steer Flip to less harmful ways of protesting. The effort drives Hardy to a lot of hard thinking and hard drinking and a lot of trips to the dentist!Poor Max is a realisation of one of Hardy's suggestions to Flip: to write and perform a protest song outside Kempinski's - and elsewhere in Berlin, too. You will not be surprised to hear that head-strong Flip rejects this suggestion but I have taken up Hardy's idea and written my own protest song for Flip. The words and the music are my own: I have not borrowed either from anyone else (except for one little phrase which I discovered I had unconsciously borrowed from Robert Schumann)!
$6.50
O My Father—High-Range Vocal Solo and Piano
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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O My Father—High-Range V
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Daniel Carter
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship...
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Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
Agnus Dei/Our Father
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Paul S
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Agnus Dei/Our Father
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Paul S. Jones
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SheetMusicPlus
Small Ensemble Flute,Low Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.871112 Composed by Paul S. Jones. Christian,Contemporary,Sacred,Wedd...
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Small Ensemble Flute,Low Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.871112 Composed by Paul S. Jones. Christian,Contemporary,Sacred,Wedding. Score and parts. 9 pages. Paul S. Jones #3926037. Published by Paul S. Jones (A0.871112). A solo for baritone or bass voice with piano accompaniment and an important flute part. Combines The Lord's Prayer text with both English and Latin text of the Agnus Dei (Lamb of God) and artistically interweaves these using new melodies. Perfect for any church service or any Christian religious occasion in any denomination. Performer should purchase two copies.
$4.50
Canons for the Church Year, Set 2 (Downloadable)
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Chorale Unison
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Michael Burkhardt
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Canons for the Church Year, Se
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Unison voices, handbells, percussion, Orff instruments, C instrument, cello/bass instrument, bassoon/English horn - Moderately Easy to Medium - SKU: MQ.50-9...
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Unison voices, handbells, percussion, Orff instruments, C instrument, cello/bass instrument, bassoon/English horn - Moderately Easy to Medium - SKU: MQ.50-9806-E Composed by Michael Burkhardt. Advent, Christ the King, Christmas, Easter, Epiphany, Lent, Pentecost, Thanksgiving, Trinity. 22 pages. MorningStar Music Publishers - Digital Sheet Music #50-9806-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9806-E). Written for 2-8 voice canons, varied instruments, Handbells: 2 octaves. Eleven canons compiled, edited, and arranged to meet needs of children's, youth, and adult choirs throughout Church Year. Useful in worship as processionals, anthems, introits, calls to worship and/or psalm refrains and as warm-up music for rehearsals or gathering songs for informal occasions. Varied instrumental accompaniments and performance plan included with each canon. Added features in Set 2 are Spiritual Emphasis, and Musicianship entries for each canon.Titles include:All Glory Be to God on HighAll Praise to Thee, My God, This NightAwake, Oh, HeartBehold, BeholdChildren, SingJubilate DeoOh, Jesus, Lord JesusPraise the Lord, You PeoplesPraise the LordSing We Now of JesusSingt dem Herren.
$3.20
Let Me Call You Sweetheart (Unison Choir, High-Medium Voices, Chords, Piano Accompaniment)
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Chorale Unison
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INTERMÉDIAIRE
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Music by Leo Friedman and Word
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Cathy Stamegna
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Let Me Call You Sweetheart
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Cathy Stamegna
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.780950 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. Film/TV...
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Choral Choir (Unison) - Level 3 - SKU: A0.780950 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. Film/TV,Holiday,Standards,Traditional,Wedding. Octavo. 6 pages. Cathy Stamegna #5797425. Published by Cathy Stamegna (A0.780950). This timeless piece from 1910 is a winner for Weddings or Anniversaries with a memorable sing-along refrain. Recorded by various artists from The Peerless Quartet (1911) to Bing Crosby and Fats Domino. Featured in numerous films and TV shows including Downton Abbey and The Murdoch Mysteries (The Artful Detective). An intermediate level piano accompaniment with chords for guitar or mallet instruments to join in. Arranger’s comments included.
$2.00
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The Call [Medium Voice]
