English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
91
Partitions
Numériques
1 387
Librairie
Musicale
402
Matériel
de Musique
74
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
593
PIANO & CLAVIERS
Piano seul
23
Piano, Voix
10
Instruments en Do
9
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Facile
3
1 Piano, 4 mains
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue
1
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Piano, Guitare (duo)
1
Basse electrique
1
VOIX
Chorale SATB
31
Chorale 3 parties
5
Chorale 2 parties
5
Chorale SSAA
2
Voix duo, Piano
2
Voix haute
1
Chorale TTBB
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Flûtes : 4 flûtes
11
Hautbois, Piano (duo)
7
Flûte traversière et Piano
6
Trio de Flûtes: 3 flûtes
6
2 Saxophones (duo)
5
Saxophone Tenor et Piano
5
Clarinette et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Saxophone, Clarinette (duo)
3
Saxophone Soprano et Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Hautbois, Basson (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Alto
1
Flûte, Violon
1
Hautbois, Basson et Piano
1
Ensemble de Flûtes
1
Clarinette
1
Ensemble de Clarinettes
1
Hautbois, Flûte
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Contrebasse (duo)
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Alto (duo)
1
Quintette de Flûte : 5 flûtes
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
3
Cor et Piano
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Instrumentations suivantes
Retracter
CORDES
Contrebasse, Piano (duo)
182
Quintette à cordes: 2 violons, alto, violoncelle, basse
68
Contre Basse
46
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
17
Violoncelle, Contrebasse (duo)
14
2 Contrebasses (duo)
11
Violoncelle, Piano
4
Alto, Piano
4
Violon
3
4 Contrebasses
2
2 Violoncelles (duo)
2
2 Altos (duo)
1
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Harpe
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
66
Orchestre à Cordes
44
Orchestre d'harmonie
39
Orchestre de chambre
17
Ensemble Jazz
12
Jazz combo
7
Ensemble d'École
5
Ensemble de Percussions
2
Cloches
1
Orchestre, Violon
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
The Can Can for Double Bass and Piano
Partitions à imprimer
1 387 partitions trouvées
<
1
26
51
....
1376
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
(+)
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.3 €
#
Contre Basse
#
Thomas Oboe Lee
#
I told him That is great
#
Toccata for Double Bass and Piano
#
Thomas Oboe Lee
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.33 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
The Can Can for Double Bass and Piano
Contrebasse, Piano (duo)
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - Digital Download SKU:…
(+)
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.557686 Composed by Jacques Offenbach. Arranged by David Burndrett. Contemporary. Score and parts. 5 pages. David Burndrett #436233. Published by David Burndrett (A0.557686). This works well as a concert piece or just for fun! Download includes the score and both of the parts.
$4.95
4.61 €
#
Contrebasse, Piano (duo)
#
Jacques Offenbach
#
David Burndrett
#
The Can Can for Double Bass and Piano
#
David Burndrett
#
SheetMusicPlus
Bass and Piano String Sampler
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged …
(+)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Robin Kay Deverich
#
Bass and Piano String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
Bass String Sampler
Contre Basse
Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Ka…
(+)
Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
4.64 €
#
Contre Basse
#
Robin Kay Deverich
#
Bass String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405002 Composed…
(+)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405002 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988038. Published by Iury Cardoso (A0.1405002). Easy DOUBLE BASS/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and double bass part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass and pianoeasy green sleeves sheet musicgreensleeves for double bass and pianogreen sleeves string bass and piano sheet musicgreen sleeves beautiful double bass with pianobeautiful double bass and piano green sleevesgreen sleeves beautiful arrangement for double bass and pianogreen sleeves easy double bass pianoeasy double bass chamber musiceasy string bass and piano for beginnersbeautiful double bass with piano sheet musiceasy double basseasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bass and pianogreen sleaves arrangement for easy double bass pianoclassic sheet music for string bass piano.
$3.99
3.71 €
#
Contrebasse, Piano (duo)
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
#
Iury Cardoso
#
SheetMusicPlus
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405004 Composed…
(+)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405004 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988040. Published by Iury Cardoso (A0.1405004). Easy DOUBLE BASS/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and double bass part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass and pianoeasy green sleeves sheet musicgreensleeves for double bass and pianogreen sleeves string bass and piano sheet musicgreen sleeves beautiful double bass with pianobeautiful double bass and piano green sleevesgreen sleeves beautiful arrangement for double bass and pianogreen sleeves easy double bass pianoeasy double bass chamber musiceasy string bass and piano for beginnersbeautiful double bass with piano sheet musiceasy double basseasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bass and pianogreen sleaves arrangement for easy double bass pianoclassic sheet music for string bass piano.
$3.99
3.71 €
#
Contrebasse, Piano (duo)
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
#
Iury Cardoso
#
SheetMusicPlus
Morning Mood by Grieg for Double Bass and Piano
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1412122 Composed…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1412122 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994360. Published by Glauco Fernandes (A0.1412122). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.51 €
#
Contrebasse, Piano (duo)
#
Edvard Grieg
#
Glauco Fernandes
#
Morning Mood by Grieg for Double Bass and Piano
#
Glauco Fernandes
#
SheetMusicPlus
Morning Mood by Grieg for Double Bass and Piano with Chords
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1412120 Composed…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1412120 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Score and part. 4 pages. Glauco Fernandes #994359. Published by Glauco Fernandes (A0.1412120). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$6.99
6.51 €
#
Contrebasse, Piano (duo)
#
Edvard Grieg
#
Glauco Fernandes
#
Morning Mood by Grieg for Double Bass and Piano with Chords
#
Glauco Fernandes
#
SheetMusicPlus
Bach - Arioso from Cantata BWV 156 for Double Bass and Piano
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1349690 Composed…
(+)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1349690 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934460. Published by SCORE EDITIONS (A0.1349690). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Double Bass and Piano by Harry Walker.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Johann Sebastian Bach
#
Harry Walker
#
Bach - Arioso from Cantata BWV 156 for Double Bass and Piano
#
SCORE EDITIONS
#
SheetMusicPlus
"Spring" (La Primavera) by Vivaldi - Easy version for DOUBLE BASS and PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1375773 Composed…
(+)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1375773 Composed by Antonio Vivaldi. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Multicultural,Traditional,World. Score and part. 5 pages. Iury Cardoso #960321. Published by Iury Cardoso (A0.1375773). Easy DOUBLE BASS/PIANO arrangement of the piece: Spring (La Primavera) by Antonio Vivaldi(Score and DOUBLE BASS part: 5 pages)This arrangement of the first movement of Vivaldi's Spring presents new colors, musical textures and adaptation solutions to transform the original music into an easy version for DOUBLE BASS and PIANO, considering the characteristics of these instruments and allowing students to have a fun experience in chamber music.Get the sheet music for Vivaldiâ??s â??Springâ? now and invite a friend to play this masterpiece with you!This arrangement is also a version for teacher/student duet (the students can be accompanied by their teacher playing the piano. The piano parts can be played on piano or electronic keyboard). On this website there is a version of this same arrangement WITHOUT the chords and WITHOUT the PIANO.There are also easy versions for TRIOS and STRING QUARTET/QUINTET (with and without piano)See more arrangements by Iury Cardoso, thank you so much!spring vivaldi easy double bass and pianospring vivaldi sheet music double bass soloeasy beginner double bass piano springspring vivaldi easy double bass sheet musicspring vivaldi double bass piano dueteasy beginner chamber music double bassstring bass and piano for beginnerseasy string bass classical sheet musiceasy pianoteacher student duetvivaldi sheet music for double bassspring vivaldi easy arrangement for double bass with pianospring easy string bass sheet musiceasy double bass vivaldimusic scorebaroque sheet music for double bass and pianodouble bass solostring bass solo.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Antonio Vivaldi
#
Iury Cardoso
#
"Spring"
#
Iury Cardoso
#
SheetMusicPlus
A Thousand Years (for Double Bass and Piano)
Contrebasse, Piano (duo)
Piano Accompaniment, Double Bass - Intermediate - Digital Download By Christina Perri…
(+)
Piano Accompaniment, Double Bass - Intermediate - Digital Download By Christina Perri. Arranged by Harry Walker. Score, Set of Parts. 8 pages. Published by SCORE EDITIONS
"A Thousand Years" is a song recorded by American singer and songwriter Christina Perri, and written by Perri and David Hodges, for The Twilight Saga: Breaking Dawn – Part 1. The song was released as a digital download on October 18, 2011, worldwide, and serves as the second single for the movie. In this version, the composition was arranged for Double Bass and Piano by Harry Walker.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Christina Perri
#
A Thousand Years
#
SheetMusicPlus
Tremor-for double bass and piano
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.1025533 Composed…
(+)
Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.1025533 Composed by Douglas Knehans. 20th Century,Contemporary. Score and part. 21 pages. Armadillo Edition #4824135. Published by Armadillo Edition (A0.1025533). An advanced concert work for solo double bass and piano. At the suggestion of my colleague, pianist Tricia Dawn Williams, I started work on a piece for double bass and piano for a special concert she had planned in Malta with bassist Gjorgji Cincievski.Upon beginning work on the piece I had a bit of difficulty reconciling the huge sonority and weight of tone the instrument with the piano. The more I pondered this issue, the more it pointed to thinking about the sound of the instruments in a slightly different way from other instruments. The double bass has a spectrum of sound that ranges from so low one can almost feel it more than hear it, to a quite nasal, somewhat sweet ‘head voice’ in the upper range.Because of this, the notion of some earthen, eruptive sound took hold in my imagination and this led also to the conception of many of the features of the work: vibrant low trills and fast syncopated rhythms all offset by a central slow section that is the still moments between two eruptive outer sections.I completed the work in Cincinnati, Ohio between September and December, 2012 and it has since been played in Malta, the USA and Australia by Gjorgji Cincievski and Robert Nairn.
$27.00
25.13 €
#
Contrebasse, Piano (duo)
#
Douglas Knehans
#
Tremor-for double bass and piano
#
Armadillo Edition
#
SheetMusicPlus
Hamacando a las mellizas [piano solo]
Piano seul
Easy Piano - Level 1 - Digital Download SKU: A0.596609 Composed by Juan MarÃa So…
(+)
Easy Piano - Level 1 - Digital Download SKU: A0.596609 Composed by Juan MarÃa Solare. Blues,Film/TV,Instructional,Jazz,Latin. Score. 4 pages. Juan Maria Solare #6098889. Published by Juan Maria Solare (A0.596609). Juan MarÃa Solare: Hamacando a las mellizas (Swinging Twins or Swinging the twins) a children blues for piano This work was born -precisely- rocking (swinging) my twins Laura and Alma, as an improvised melody that accompanied their activity (or rather mine). From there to write it down there was only one step. As a second theme, it seemed appropriate to invert the melody, since twinhood implies a certain specular symmetry. Hamacando a las mellizas has the traditional structure of the twelve-bar blues, and a merry, innocent and carefree character. Hamacando a las mellizas was composed in Bremen (Germany) between June 21 and 23, 2020. Shortly afterwards, adaptations for a variety of instrumental combinations were written, such as - alto saxophone, double bass and piano (*) - clarinet, double bass and piano - violin and piano - clarinet quartet (*) find this version in Spotify, Apple Music etc. from 1 January 2021. * JMS *Juan MarÃa Solare: Hamacando a las mellizasblues infantil para pianoEsta obra surgió -precisamente- hamacando (columpiando) a mis mellizas Laura y Alma, como una melodÃa improvisada que acompañaba su actividad (o más bien la mÃa). De allà a anotarla hubo un solo paso. Como segundo tema me pareció adecuado invertir la melodÃa, puesto que el mellizismo implica cierta simetrÃa especular.Hamacando a las mellizas tiene la estructura tradicional del blues de doce compases, y un carácter alegre, inocente y despreocupado.Hamacando a las mellizas fue compuesta en Bremen (Alemania) entre el 21 y el 23 de junio de 2020. Poco después surgieron adaptaciones para variedad de combinaciones instrumentales, tales como- saxofón alto, contrabajo y piano (*)- clarinete, contrabajo y piano- violÃn y piano- cuarteto de clarinetes (*) hallen esta versión en Spotify, Apple Music etc. desde el 1 de enero de 2021.
$2.50
2.33 €
#
Piano seul
#
Juan MarÃa Solare
#
Hamacando a las mellizas [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
(+)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.31 €
#
Nathan Petitpas - Dots and Beams
#
Pitch Only - Bass Clef
#
Dots and Beams
#
SheetMusicPlus
Eye Of The Tiger
2 Pianos, 8 mains
By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Susan Staples Bell. Contest…
(+)
By Survivor. By Jim Peterik and Frank Sullivan. Arranged by Susan Staples Bell. Contest, Festival, Film/TV, Instructional, Rock, Video Game. Score. 26 pages. Susan Staples Mast Bell #646687. Published by Susan Staples Mast Bell
Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP?Eye of the Tiger? is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it?s an all time favorite. Here?s a fresh new arrangement, that?s sure to please! Perfect for group lessons, recitals or just plain fun.Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix and match parts: Pianist 3 and 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don?t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own.FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharingIn this Multi Level Piano Ensemble, you?ll find:All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation.Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals.Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals.Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands.Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat.Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don?t worry, if you don?t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with.This arrangement is available in 5 versions:Multi Level Piano EnsembleEasy SoloLate Elementary Solo Intermediate DuetIntermediate SoloSusan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight.This is a Single Use License.Eye of the Tiger, from Rocky IIIMulti Level Piano EnsembleBy Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAPTime length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun!There?s so much more to discover!For special SALE and FREE items check out:https://www.susanstaplesbellmusic.com/Check out other compositions by Susan Staples Bell available on Sheet Music Plus:https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375Also, selected pieces are now available on JW Pepper for a print option: https://www.jwpepper.com/myscore/SusanStaplesBellSusan Bell Youtube: Like, Subscribe and Hit the Notification Bell!https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycgFollow me on Facebook:https://www.facebook.com/SusanBellPianoStudio.Compositions.
$24.99
23.26 €
#
2 Pianos, 8 mains
#
Survivor
#
Eye Of The Tiger
#
Susan Staples Mast Bell
#
SheetMusicPlus
Canon by Pachelbel - Double Bass & Piano and Chord Notation
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1371390 By Johan…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1371390 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. Score and part. 5 pages. Glauco Fernandes #955607. Published by Glauco Fernandes (A0.1371390). Embark on a journey into the sublime grandeur of classical music with the exclusive sheet music for the arrangement of Johann Pachelbel's Canon in D. This exquisitely crafted arrangement is thoughtfully designed for intermediate-level musicians, offering a captivating musical experience that serves as both an enriching challenge for those honing their skills and a valuable addition to the repertoire of professional musicians.The sheet music for Canon in D stands out for its accessible approach, providing beginner musicians with a stimulating challenge to enhance their instrument-playing abilities. Simultaneously, more experienced musicians will find in this arrangement a rare gem to enrich their repertoires, imparting a unique and engaging interpretation to Pachelbel's majestic composition.Ideal for a variety of events, this arrangement of Canon in D adds a touch of elegance to performances, particularly suitable for weddings where the classical beauty of this piece can create a truly memorable atmosphere. Whether for celebratory moments or as part of a professional repertoire, this sheet music offers a lush and sophisticated interpretation, elevating any occasion.Acquire the Canon in D sheet music now and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality, this arrangement will not only pose a stimulating challenge for burgeoning musicians but also become an indispensable piece for professionals looking to enrich and diversify their repertoires.If you're seeking more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$6.99
6.51 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Glauco Fernandes
#
Canon by Pachelbel - Double Bass & Piano and Chord Notation
#
Glauco Fernandes
#
SheetMusicPlus
Canon by Pachelbel - Double Bass & Piano
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1371391 By Johan…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1371391 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. Score and part. 5 pages. Glauco Fernandes #955608. Published by Glauco Fernandes (A0.1371391). Embark on a journey into the sublime grandeur of classical music with the exclusive sheet music for the arrangement of Johann Pachelbel's Canon in D. This exquisitely crafted arrangement is thoughtfully designed for intermediate-level musicians, offering a captivating musical experience that serves as both an enriching challenge for those honing their skills and a valuable addition to the repertoire of professional musicians.The sheet music for Canon in D stands out for its accessible approach, providing beginner musicians with a stimulating challenge to enhance their instrument-playing abilities. Simultaneously, more experienced musicians will find in this arrangement a rare gem to enrich their repertoires, imparting a unique and engaging interpretation to Pachelbel's majestic composition.Ideal for a variety of events, this arrangement of Canon in D adds a touch of elegance to performances, particularly suitable for weddings where the classical beauty of this piece can create a truly memorable atmosphere. Whether for celebratory moments or as part of a professional repertoire, this sheet music offers a lush and sophisticated interpretation, elevating any occasion.Acquire the Canon in D sheet music now and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality, this arrangement will not only pose a stimulating challenge for burgeoning musicians but also become an indispensable piece for professionals looking to enrich and diversify their repertoires.If you're seeking more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.
$6.99
6.51 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Glauco Fernandes
#
Canon by Pachelbel - Double Bass & Piano
#
Glauco Fernandes
#
SheetMusicPlus
The Can Can for Double Bass Duet
2 Contrebasses (duo)
Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1404134 Composed…
(+)
Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1404134 Composed by Jacques Offenbach. Arranged by David Burndrett. Romantic Period. 9 pages. David Burndrett #987308. Published by David Burndrett (A0.1404134). This arrangement is about three standard and upwards and works well as a concert piece or just for fun.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.I have added an optional piano part, for if required.
$4.95
4.61 €
#
2 Contrebasses (duo)
#
Jacques Offenbach
#
David Burndrett
#
The Can Can for Double Bass Duet
#
David Burndrett
#
SheetMusicPlus
2 Christmas Favourites for Double Bass and Piano (volume two)
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1306869 Composed…
(+)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1306869 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. Score and part. 14 pages. David Burndrett #896204. Published by David Burndrett (A0.1306869). No.1 We Three KingsNo.2 The Angel GabrielI have arranged these pieces so that they can be played by grade four standard players upwards!Download includes the score and both of the parts.
$5.95
5.54 €
#
Contrebasse, Piano (duo)
#
John H
#
David Burndrett
#
2 Christmas Favourites for Double Bass and Piano
#
David Burndrett
#
SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385463 Composed…
(+)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385463 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 6 pages. Iury Cardoso #969444. Published by Iury Cardoso (A0.1385463). Easy DOUBLE BASS SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and DOUBLE BASS part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon easy string  bass and piano dueteasy double bass chamber musiccanon but on the double basseasy double bass with piano baroque sheet musiceasy double basseasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for easy string bass solo with pianocanon pachelbel for solo double bassclassic sheet music for double bass and piano.
$3.99
3.71 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
#
Iury Cardoso
#
SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385464 Composed…
(+)
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1385464 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 6 pages. Iury Cardoso #969445. Published by Iury Cardoso (A0.1385464). Easy DOUBLE BASS SOLO (with PIANO) arrangement of the piece: Canon by Johann Pachelbel(Score and DOUBLE BASS part: 6 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- Advanced version available: there is also an advanced version of this arrangement on this website.See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass and pianoeasy canon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon easy string  bass and piano dueteasy double bass chamber musiccanon but on the double basseasy double bass with piano baroque sheet musiceasy double basseasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for easy string bass solo with pianocanon pachelbel for solo double bassclassic sheet music for double bass and piano.
$3.99
3.71 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO with PIANO
#
Iury Cardoso
#
SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385232 Composed…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385232 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 9 pages. Iury Cardoso #969243. Published by Iury Cardoso (A0.1385232). DOUBLE BASS SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and DOUBLE BASS part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass and pianocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon string bass and piano duetdouble bass chamber musiccanon but on the double bass canon but on the string bass string bass with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for string bass solo with pianocanon pachelbel for solo string bassclassic sheet music for double bass and piano.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
#
Iury Cardoso
#
SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385255 Composed…
(+)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.1385255 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 9 pages. Iury Cardoso #969266. Published by Iury Cardoso (A0.1385255). DOUBLE BASS SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and DOUBLE BASS part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass and pianocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass and piano sheet musiccanon string bass and piano duetdouble bass chamber musiccanon but on the double bass canon but on the string bass string bass with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for string bass solo with pianocanon pachelbel for solo string bassclassic sheet music for double bass and piano.
$5.99
5.57 €
#
Contrebasse, Piano (duo)
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO with PIANO
#
Iury Cardoso
#
SheetMusicPlus
Cello and Piano String Sampler
Violoncelle, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
(+)
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.57 €
#
Violoncelle, Piano
#
Robin Kay Deverich
#
Cello and Piano String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
<
1
26
51
....
1376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
