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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
59
Piano Quatuor: piano, 2 violons, violoncelle
50
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1 Piano, 4 mains
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7
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7
Clarinette
5
Saxophone (partie séparée)
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2 Flûte à bec (duo)
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3
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34
2 Trombones (duo)
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Trombone et Piano
20
2 Cors (duo)
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Euphonium, Piano (duo)
17
2 Tubas (duo)
15
Cor et Piano
10
Trompette, Piano
7
Tuba et Piano
6
Trompette, violon (duo)
6
Trompette, Cor (duo)
6
Trompette, Trombone (duo)
5
Trompette
4
Euphonium
4
Cor
4
Trombone
4
Tuba
3
Trompette, Saxophone (duo)
2
Cor et Harpe
2
Trompette, Harpe
1
Trombone, Violon (duo)
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Cor anglais et Harpe (duo)
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CORDES
Violon, Violoncelle (duo)
898
2 Violons (duo)
502
Violon, Alto (duo)
362
Violon et Piano
283
Harpe, Violon (duo)
137
Piano Trio: Violon, Alto, Piano
86
Violon, Guitare (duo)
71
Violon
59
Quatuor à cordes: 2 violons, alto, violoncelle
55
2 Altos (duo)
48
2 Violoncelles (duo)
45
Alto, Piano
30
Trio à Cordes: violon, alto, violoncelle
23
Violoncelle, Piano
21
Violoncelle, Contrebasse (duo)
21
Violon, Basson (duo)
19
2 Contrebasses (duo)
18
Alto, Violoncelle (duo)
12
Contrebasse, Piano (duo)
11
Harpe, Flûte (duo)
10
Violoncelle
9
Harpe, Violoncelle (duo)
8
Alto et Harpe
8
Alto seul
6
Trio à cordes: 3 violins
5
2 Violons, Piano
5
Flûte, Contrebasse (duo)
5
Violoncelle , Guitare (duo)
4
Contre Basse
4
Violon (partie séparée)
3
Violon, Orgue
3
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Harpe
2
4 Violoncelles
2
Alto (partie séparée)
2
Violon, Tuba (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 altos
1
Harpe, Trombone (duo)
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Orgue
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
28
Orchestre à Cordes
9
Orchestre
6
Ensemble de Percussions
4
Ensemble de cuivres
1
Marimba, Piano (duo)
1
Orchestre de chambre
1
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The Can Can for Violin Duet
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5101
The Candy Cakewalk, for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.591168 Composed by David Mc…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.591168 Composed by David McKeown. Easter,Folk,Jazz,Traditional. 4 pages. David McKeown #6285029. Published by David McKeown (A0.591168). The Candy Cakewalk is a fun and original duet written by David McKeown for two Violins. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
2 Violons (duo)
#
David McKeown
#
The Candy Cakewalk, for Violin Duet
#
David McKeown
#
SheetMusicPlus
The Candy Cakewalk, for Violin and Clarinet Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591165 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285019. Published by David McKeown (A0.591165). The Candy Cakewalk is a fun and original duet written by David McKeown for one Violin and one Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
Clarinette, Violon (duo)
#
David McKeown
#
The Candy Cakewalk, for Violin and Clarinet Duet
#
David McKeown
#
SheetMusicPlus
The Candy Cakewalk, for Violin and Cello Duet
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591167 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285027. Published by David McKeown (A0.591167). The Candy Cakewalk is a fun and original duet written by David McKeown for one Violin and one Cello. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
Violon, Violoncelle (duo)
#
David McKeown
#
The Candy Cakewalk, for Violin and Cello Duet
#
David McKeown
#
SheetMusicPlus
The Candy Cakewalk, for Violin and Viola Duet
Violon, Alto (duo)
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.591166 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285023. Published by David McKeown (A0.591166). The Candy Cakewalk is a fun and original duet written by David McKeown for one Violin and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
Violon, Alto (duo)
#
David McKeown
#
The Candy Cakewalk, for Violin and Viola Duet
#
David McKeown
#
SheetMusicPlus
The Candy Cakewalk, for Clarinet and Violin Duet
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
(+)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591136 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284949. Published by David McKeown (A0.591136). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
Clarinette, Violon (duo)
#
David McKeown
#
The Candy Cakewalk, for Clarinet and Violin Duet
#
David McKeown
#
SheetMusicPlus
The Candy Cakewalk, for Flute and Violin Duet
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591144 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284967. Published by David McKeown (A0.591144). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
#
Flûte, Violon
#
David McKeown
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The Candy Cakewalk, for Flute and Violin Duet
#
David McKeown
#
SheetMusicPlus
Turkish March by Beethoven for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189313 Composed by Ludwig …
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189313 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788945. Published by Woods Only, Arrangements (A0.1189313). This arrangement adapted for violin duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
3.56 €
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2 Violons (duo)
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Violin Duet
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Woods Only, Arrangements
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SheetMusicPlus
Bach: Wachet auf for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.29 €
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Basson, Piano (duo)
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Just A Closer Walk With Thee, Gospel Hymn for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.589901 Composed by Traditio…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.589901 Composed by Traditional. Arranged by David McKeown. Contemporary,Praise & Worship,Spiritual. 4 pages. David McKeown #6131287. Published by David McKeown (A0.589901). Just a Closer Walk With Thee is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for two Violins. Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.Just a Closer Walk With Thee is simply arranged in a key and range best suited to the instruments. The melody is played, with variations, five times in 6/8 meter. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Just a Closer Walk With Thee is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Just a Closer Walk With Thee is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.56 €
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2 Violons (duo)
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Traditional
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David McKeown
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Just A Closer Walk With Thee, Gospel Hymn for Violin Duet
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David McKeown
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SheetMusicPlus
The Jellybean Jive for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.591209 Composed by David Mc…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.591209 Composed by David McKeown. Easter,Hip-Hop,Jazz,Pop,R & B. 3 pages. David McKeown #6286081. Published by David McKeown (A0.591209). The Jellybean Jive is a fun and original duet written by David McKeown for two Violins. The Jellybean Jive is one in a series of ten Easter-themed duets each written in a different American dance style. Jive originally referred to African American slang in the 1930s when Big Band Swing was the popular music of the time. The Second World War brought Swing and Lindy Hop dancing to the UK and British audiences preferred to call it Jive.The Jellybean Jive is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Jellybean Jive is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
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2 Violons (duo)
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David McKeown
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The Jellybean Jive for Violin Duet
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David McKeown
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.32 €
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
64.32 €
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
The Candy Cakewalk, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591149 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284979. Published by David McKeown (A0.591149). The Candy Cakewalk is a fun and original duet written by David McKeown for one Oboe and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
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David McKeown
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The Candy Cakewalk, for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Bach: Wachet auf for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.29 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Seba…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
22.29 €
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Euphonium, Piano (duo)
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.29 €
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Hautbois, Piano (duo)
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Intermezzo from Cavalleria Rusticana for Violin Duet in F Major
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1439037 Composed by Pietro …
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1439037 Composed by Pietro Mascagni. Arranged by Valdir Maia. 19th Century,Opera,Wedding. 4 pages. Valdir Maia #1019068. Published by Valdir Maia (A0.1439037). Intermezzo from Cavalleria Rusticana for Violin Duet in F MajorExperience the enchanting beauty of Intermezzo from Cavalleria Rusticana with our duet arrangement for two violins in F major. Perfect for musicians seeking a captivating ensemble piece, this high-quality PDF features a simplified rendition tailored for players in the first position. Dive into the graceful harmonies effortlessly, as both parts are comfortably within the reach of beginner and intermediate violinists.- Duet arrangement for two violins- Simplified rendition in F major- Both parts playable in the first position- Suitable for players of varying levels- High-quality PDF format for optimal readabilityUnlock the magic of this classical gem and elevate your duet performance. Purchase now and embark on a harmonious musical journey filled with elegance and charm!
$9.99
8.92 €
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2 Violons (duo)
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Pietro Mascagni
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Valdir Maia
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Intermezzo from Cavalleria Rusticana for Violin Duet in F Major
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Valdir Maia
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SheetMusicPlus
The Can Can for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1387567 Composed by Jacques…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1387567 Composed by Jacques Offenbach. Arranged by David Burndrett. Romantic Period. 9 pages. David Burndrett #971424. Published by David Burndrett (A0.1387567). This arrangement is about 2-3 standard and upwards and works well as a concert piece or just for fun.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.I have added an optional piano part, for added support.Download includes the score and all of the parts.
$3.99
3.56 €
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2 Violons (duo)
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Jacques Offenbach
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David Burndrett
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The Can Can for Violin Duet
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David Burndrett
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SheetMusicPlus
The Chocolate Chalypso for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.591289 Composed by David Mc…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.591289 Composed by David McKeown. Easter,Hip-Hop,Latin,Pop,R & B,Rock. 3 pages. David McKeown #6290907. Published by David McKeown (A0.591289). The Chocolate Chalypso is a fun and original duet written by David McKeown for two Violins. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
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2 Violons (duo)
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David McKeown
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The Chocolate Chalypso for Violin Duet
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David McKeown
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SheetMusicPlus
10 Rounds and Canons for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1189187 Composed by David M…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1189187 Composed by David McKeown. Chamber,Contemporary,Instructional. 11 pages. David McKeown #788808. Published by David McKeown (A0.1189187). 10 Rounds and Canons are beautiful new and original compositions by David McKeown arranged for two Violins. We all remember the fun we had singing rounds in school, and these pieces take that to the next level.  Each piece is a pure canon where the second part faithfully follows the first, and are ideal for players at early intermediate and intermediate levels. Each piece last between one and two minutes.Click the YouTube link to listen to samples of these duets played on Alto Saxophone.10 Rounds and Canons are Perfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; Beautiful pieces that are much more than just musical exercises; The titles provoke mental pictures that connect with the player’s musical imagination;  The ten titles are, Round House, Round of Applause, Plenty to go Round, Round Here, Round Peg Square Hole, Round Table, Round the Bend, Round Number, Roundabout and Round Up.There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$9.99
8.92 €
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2 Violons (duo)
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David McKeown
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10 Rounds and Canons for Violin Duet
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David McKeown
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SheetMusicPlus
Dozing in the Deck Chair for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.591589 Composed by David Mc…
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.591589 Composed by David McKeown. Children,Contemporary,Instructional,Standards. 2 pages. David McKeown #6303549. Published by David McKeown (A0.591589). Dozing in the Deck Chair is a beautiful new and original composition by David McKeown arranged for two Violins.Dozing in the Deck Chair is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Violin. Just copy and paste the title in the search box above to find it.Dozing in the Deck Chair can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Dozing in the Deck Chair isPerfect for concert performances large and small; Fully articulated to help develop that sense of style; Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.49
2.22 €
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2 Violons (duo)
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David McKeown
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Dozing in the Deck Chair for Violin Duet
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David McKeown
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SheetMusicPlus
Ode to Joy by Beethoven for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1202674 Composed by Ludwig …
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1202674 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801438. Published by Woods Only, Arrangements (A0.1202674). This arrangement adapted for violin duo was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$3.99
3.56 €
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2 Violons (duo)
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Violin Duet
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Woods Only, Arrangements
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SheetMusicPlus
The Tulip Ch'Boogie for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.591368 Composed by David Mc…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.591368 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock. 3 pages. David McKeown #6292231. Published by David McKeown (A0.591368). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for two Violins. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.67 €
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2 Violons (duo)
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David McKeown
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The Tulip Ch'Boogie for Violin Duet
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David McKeown
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SheetMusicPlus
FLOWER DUET from Lakmè, String Trio, Intermediate Level for 2 violins and cello or violin, viola and
Trio à Cordes: 2 violons, alto
String Trio Viola,Violin - Level 3 - Digital Download SKU: A0.520906 Composed by Le…
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String Trio Viola,Violin - Level 3 - Digital Download SKU: A0.520906 Composed by Leo Delibes. Arranged by Sherry Lewis Publishing. Holiday,Romantic Period,Wedding. 21 pages. Sherry Lewis Publishing #3141153. Published by Sherry Lewis Publishing (A0.520906). FLOWER DUET String Trio for 2 violins and cello or violin, viola and celloScore: 8 pagesParts: 10 pages Time: 3'45MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.81 €
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Trio à Cordes: 2 violons, alto
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Leo Delibes
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Sherry Lewis Publishing
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FLOWER DUET from Lakmè, String Trio, Intermediate Level for 2 violins and cello or violin, viola and
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Sherry Lewis Publishing
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SheetMusicPlus
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