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The Cat Came Back - C Instrument
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Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
In The Summertime (score - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861849 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861849 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 14 pages. Mark O'Connor Musik International #6203883. Published by Mark O'Connor Musik International (A0.861849). In The Summertime (score – vln, vla, cel) MO167AScore (parts available)Music by Mark O’Connor10 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together. We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167ACopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
6.86 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
In The Summertime (viola part - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861851 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861851 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203887. Published by Mark O'Connor Musik International (A0.861851). In The Summertime (viola part – vln, vla, cel) MO167CViola Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167CCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.12 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
In The Summertime (violin part - vln, vla, cel)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861850 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861850 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203885. Published by Mark O'Connor Musik International (A0.861850). In The Summertime (violin part – vln, vla, cel) MO167BViolin Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167BCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.12 €
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
In The Summertime (cello part - vln, vla, cel)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861852 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203889. Published by Mark O'Connor Musik International (A0.861852). In The Summertime (cello – vln, vla, cel) MO167DCello Part (score and parts available)Music by Mark O’Connor4 pages - 6:00 minutes in length In The Summertime is comprised of two parts, with two distinct messages. The first speaks to the space of wonderment in our lives, where good friends and experiences surround us. A time spent looking forward to the continuing joy and merrymaking of the innocence and purpose that brought us together.We then travel to where agelessness ends, where innocence no longer lingers. The bitterness within a life that begins to be complicated where it wasn¹t before starts to overwhelm the sweetness on the tongue. Still, the B-section of the piece yearns backward and forward at the same time. Tugging at the memory of what came before to find and create meaning farther on.So many of us expect life to continue to deliver its many delights, without realizing that it was the innocence and freedom, the faith in the possible that created the delightful condition of youth. After a playful frolic with the instruments dancing about in the musical forest, the A and B parts return, reminding us that unlike time that moves ever forward, the journey back to the wonder and freedom of childhood awaits us all. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorThe accompanying MP3 is of Mark O’Connor’s Appalachia Waltz Trio (touring ensemble) with Becca Albers and Mike Block, performing live in 2007 at the Aspen Music Festival. Catalogue Number MO167DCopyright © 2006 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
4.12 €
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Trio à Cordes: violon, alto, violoncelle
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Mark O'Connor
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In The Summertime
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Mark O'Connor Musik International
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SheetMusicPlus
Dan Levenson's Master Collection of Old-Time Tunes
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
Song List
: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
18.29 €
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Guitare
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Dan Levenson's Master Collection of Old-Time Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Collection: The Cat Came Back - F Instrument & Piano by Harry S. Miller - Instrumental Parts
The Cat Came Back - F Instrument & Piano Digital sheetmusic collection - instantly dow…
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The Cat Came Back - F Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: F Instrument;Piano Accompaniment -- Country~~Folk~~Educational~~Children's~~Traditional Pop~~American Popular Song
$6.95
6.36 €
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F Instrument & Piano by Harry S. Miller
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Musicnotes
Collection: The Cat Came Back - Eb Instrument & Piano by Harry S. Miller - Instrumental Parts
The Cat Came Back - Eb Instrument & Piano Digital sheetmusic collection - instantly do…
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The Cat Came Back - Eb Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Alto Saxophone;Baritone Saxophone;Eb Instrument;Piano Accompaniment -- Country~~Folk~~Educational~~Children's~~Traditional Pop~~American Popular Song
$6.95
6.36 €
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Eb Instrument & Piano by Harry S. Miller
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Musicnotes
Collection: The Cat Came Back - Bass Clef Instrument & Piano by Harry S. Miller - Instrumental Parts
The Cat Came Back - Bass Clef Instrument & Piano Digital sheetmusic collection - insta…
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The Cat Came Back - Bass Clef Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Baritone Horn;Bass Clef Instrument;Bassoon;Cello;Double Bass;Piano Accompaniment;Trombone -- Country~~Folk~~Educational~~Children's~~Traditional Pop~~American Popular Song
$6.95
6.36 €
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Bass Clef Instrument & Piano by Harry S. Miller
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Musicnotes
Collection: The Cat Came Back - Bb Instrument & Piano by Harry S. Miller - Instrumental Parts
The Cat Came Back - Bb Instrument & Piano Digital sheetmusic collection - instantly do…
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The Cat Came Back - Bb Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Bb Instrument;Clarinet;Piano Accompaniment;Soprano Saxophone;Tenor Saxophone;Trumpet -- Country~~Folk~~Educational~~Children's~~Traditional Pop~~American Popular Song
$6.95
6.36 €
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Bb Instrument & Piano by Harry S. Miller
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Musicnotes
The Cat Came Back - F Instrument by Harry S. Miller - for F Instrument
Instruments en Fa
Sheet Music for The Cat Came Back - F Instrument by Harry S. Miller arranged for F Instrum…
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Sheet Music for The Cat Came Back - F Instrument by Harry S. Miller arranged for F Instrument in Bb Major. Digital sheet music from Musicnotes. --
$2.99
2.74 €
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Instruments en Fa
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F Instrument by Harry S. Miller
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Musicnotes
The Cat Came Back - Bb Instrument by Harry S. Miller - for Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet
Instruments en Sib
Sheet Music for The Cat Came Back - Bb Instrument by Harry S. Miller arranged for Clarinet…
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Sheet Music for The Cat Came Back - Bb Instrument by Harry S. Miller arranged for Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet in F Major. Digital sheet music from Musicnotes. --
$2.99
2.74 €
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Instruments en Sib
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Bb Instrument by Harry S. Miller
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Musicnotes
The Cat Came Back - Bass Clef Instrument by Harry S. Miller - for Baritone Horn, Bassoon, Cello, Double Bass or Trombone
Bass Clef Instruments
Sheet Music for The Cat Came Back - Bass Clef Instrument by Harry S. Miller arranged for B…
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Sheet Music for The Cat Came Back - Bass Clef Instrument by Harry S. Miller arranged for Baritone Horn, Bassoon, Cello, Double Bass or Trombone in Eb Major. Digital sheet music from Musicnotes. --
$2.99
2.74 €
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Bass Clef Instruments
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Bass Clef Instrument by Harry S. Miller
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Musicnotes
The Night Window
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.58 €
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Thomas Newman
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Robert Luke Thompson
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The Night Window
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Monkspath Music
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SheetMusicPlus
The River Of Dreams
Small Ensemble Handbell,Piano,Voice - Level 4 - Digital Download SKU: A0.956202 By …
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Small Ensemble Handbell,Piano,Voice - Level 4 - Digital Download SKU: A0.956202 By Billy Joel. By Billy Joel. Arranged by Catherine McMichael. Pop,Rock. Score and parts. 20 pages. Camellia Music #5953929. Published by Camellia Music (A0.956202). Arranged for a handbell concert with a river theme, this arrangement captures the best of three worlds: tenor voice or treble instrument, piano as a backbone and 3-5 octave handbells. Very faithful to the original Billy Joel rendition, this requires good rhythmic ability from the bell choir and a fine voice or single line instrument. Rock out on the River of Dreams! Please visit www.catherinemcmichael.com for other selections. .
$5.00
4.57 €
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Billy Joel
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Catherine McMichael
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The River Of Dreams
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Camellia Music
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SheetMusicPlus
The Sophisticated Hippy
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Compo…
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
9.14 €
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Collection: The Cat Came Back - Viola & Piano by Harry S. Miller - Instrumental Parts
Alto, Piano
The Cat Came Back - Viola & Piano Digital sheetmusic collection - instantly downloadab…
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The Cat Came Back - Viola & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Piano Accompaniment;Viola -- Country~~Folk~~Educational~~Children's~~Traditional Pop~~American Popular Song
$6.95
6.36 €
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Alto, Piano
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Viola & Piano by Harry S. Miller
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Musicnotes
Gravity for Septet
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.54 €
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Ensemble de Percussions
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.5 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Suite Revelation for cello and piano
Violoncelle, Piano
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed …
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
25.61 €
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Violoncelle, Piano
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Robert M
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Suite Revelation for cello and piano
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Robert M. Greenberg
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SheetMusicPlus
Ave Maria
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arrange…
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Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum Wood #654468. Published by Calum Wood (A0.1050065). Are you a guitarist looking to accompany a singer or instrumentalist? Look no further than our new music score of the beloved classic, Ave Maria.Our score is meticulously crafted to perfectly complement any lead instrument or vocal performance, elevating your rendition to the next level. With its enchanting melody and soul-stirring harmonies, Ave Maria has been a cherished piece for centuries, and our music score captures the essence of this timeless classic.What sets our Ave Maria music score apart from the rest is the level of detail and precision we've put into its creation. Every note and dynamic is carefully notated to ensure that your performance captures the true essence of the song. Our music score will enable you to bring the emotional depth of Ave Maria to life, leaving your audience captivated and moved.Our Ave Maria music score is the perfect addition to your performance repertoire, whether you're a soloist, a choir, or a small ensemble. With its exquisite melodies and rich harmonies, it's sure to leave a lasting impression on your listeners.So don't wait any longer - order your copy of our Ave Maria music score today and take your performance to the next level!The History of the Song 'Ave Maria'The song Ave Maria is one of the most beloved and recognized pieces of classical music. It is a musical setting of the Latin prayer Hail Mary and is often performed at religious ceremonies such as weddings and funerals. The history of Ave Maria dates back several centuries and has been shaped by numerous composers and cultural influences.The origins of the prayer Hail Mary can be traced back to the Bible, where it is recorded in the Gospel of Luke. The prayer is a traditional Catholic devotional that honors the Virgin Mary, and has been an important part of Catholic liturgy and piety for centuries.The musical setting of Ave Maria that is most commonly known today was composed by the Austrian composer Franz Schubert in 1825. Schubert's version of Ave Maria was originally written as part of a song cycle titled Die schöne Müllerin (The Beautiful Miller's Wife) but it soon became popular as a standalone piece.Schubert's version of Ave Maria was written for voice and piano, and its soaring melody and gentle accompaniment captured the beauty and reverence of the prayer. Schubert's composition has been performed and recorded countless times by musicians around the world, and it remains one of his most beloved and enduring works.In addition to Schubert's version, Ave Maria has been set to music by many other composers over the years, including Johann Sebastian Bach, Charles Gounod, and Giulio Caccini. Each composer's interpretation of the prayer reflects their own unique cultural and musical influences, and has contributed to the diverse and rich history of this beloved piece of music.Today, Ave Maria remains a cherished part of religious and cultural celebrations around the world, and its timeless beauty and spiritual power continue to inspire and uplift listeners of all backgrounds and beliefs.
$1.99
1.82 €
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Guitare notes et tablatures
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F
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Calum Wood
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Ave Maria
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Calum Wood
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SheetMusicPlus
Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.39 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
The Surrey With The Fringe On Top
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various…
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sam Fettig. 20th Century,Broadway,Jazz,Musical/Show. 49 pages. Sam Fettig #1013985. Published by Sam Fettig (A0.1433756). https://www.samfettigmusic.com/JAZZ ENSEMBLE GRADE 1.5PROGRAM NOTESSurrey With the Fringe on Top is a song from the 1943 Rodgers and Hammerstein musical “Oklahoma!”. It became a standard song among jazz musicians, especially after Miles Davis recorded it. There is a wonderful version recorded by saxophonist Cannonball Adderly on his 1955 album “Cannonball Adderly With Strings”. PERFORMANCE NOTESSurrey With the Fringe on Top is a 32-bar AABA form in the key of concert B flat. In this arrangement, the A-section melody features several tongue-in-cheek grand pause moments. These are indicated by fermatas over quarter note rests. Have fun with these spots, varying the length of time you pause, which can done with a comical effect. The solo section at bar 37 is open to any player, and a set of notes is provided for improvisation. The backgrounds at 41 are to be played each time, and the solo section can be repeated as necessary for additional solos. The shout chorus at bar 47 should be played at full volume. Be sure to investigate and balance the chords among the wind instruments. The shout chorus winds down with a call and response between the brass and saxes.I hope you have fun with this classic tune!
$60.00
54.88 €
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Ensemble Jazz
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Various Artists
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Sam Fettig
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The Surrey With The Fringe On Top
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Sam Fettig
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SheetMusicPlus
Sunflower
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1436456 By Post…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1436456 By Post Malone. By Austin Richard Post, Billy Walsh, Carl Austin Rosen, Carter Lang, Khalif Brown, and Louis Bell. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 9 pages. Sarah Cellobat Chaffee #1016569. Published by Sarah Cellobat Chaffee (A0.1436456). Sunflower, performed by Post Malone and Swae Lee, was included on Post Malone's third studio album and was also released as a single from the soundtrack of Spider-Man: Into The Spider-Verse. This upbeat and uplifting song quickly became hugely popular, topping the Billboard charts and receiving two Grammy nominations -- so you can't go wrong having this one in your gig books! This Cellobat arrangement for violin and cello duet maintains the catchy melodies, laid-back groove, and cheery pop feel of the original, and you're sure to get your audience singing along. Rated advanced-intermediate for some tricky rhythms in the violin part, but overall it's more of an intermediate level, with both parts in first position the whole time; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
9.14 €
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Violon, Violoncelle (duo)
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Post Malone
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Sarah Cellobat Chaffee
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Sunflower
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Sarah Cellobat Chaffee
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SheetMusicPlus
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