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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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The Civil War: Tuba
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLARINETTE
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Crtitères actifs :
The Civil War: Tuba
Partitions à imprimer
84 partitions trouvées
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De facto Anthems of the Confederate States of America
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emm...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
Were You There?
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Tuba et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Musique Sacrée
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Traditional
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Robert Myers
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Were You There?
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WheatMyer Music
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SheetMusicPlus
Piano,Tuba - Level 4 - SKU: A0.976700 Composed by Traditional. Arranged by Robert Myers. Christian,Easter,Sacred,Spiritual. Score and part. 8 pages. Whe...
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Piano,Tuba - Level 4 - SKU: A0.976700 Composed by Traditional. Arranged by Robert Myers. Christian,Easter,Sacred,Spiritual. Score and part. 8 pages. WheatMyer Music #3494755. Published by WheatMyer Music (A0.976700). The origins of this traditional African-American spiritual likely predate the Civil War. Since its first publishing in 1899 it has become prevalent in the hymnals of nearly every American Christian denomination. Its simple lyrics and haunting melody hardly fail to strike a personal and intimate chord within Christians as they sing, Were you there when they crucified my Lord? Sometimes is causes me to tremble, tremble, tremble. Were you there when they crucified my Lord?
$7.99
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Company 6 Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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C
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Emmett Anglin
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Company 6 Quickstep by C.S. Gr
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OTBM
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.990610 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 13 pages. O...
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Brass Ensemble - Level 3 - SKU: A0.990610 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 13 pages. OTBM #3248517. Published by OTBM (A0.990610). This is a nice little march (quickstep) C.S. Grafulla wrote possibly before the American Civil War. I know he is famous for his Washington Greys but the fact is that he wrote around 20 other marches (quicksteps) The original is a piano piece I discovered through the Library of Congress. The actual original sheet music may now reside in The Duke Collection which was on loan to the LOC at the time I did this arrangement. Like many Brass Quintets the melody is mostly in the trumpets. However, the lower brass do get a piece of the melody from time to time. Probably around two minutes. 102 measures. F and B-flat major. Probably a grade 3. Highest trumpet pitch is g on the top of the staff.
$20.00
The Loyal Legion
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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The Loyal Legion
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1213465 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1213465 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #810652. Published by Matthew Nunes Music (A0.1213465). Written for the 25th anniversary of the Military Order of the Loyal Legion, a group honoring those in the Civil War. Sousa recycled some material from his operetta The Queen of Hearts for this march. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Loyal Legion was composed in 1890, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 3, No. 41.
$1.99
Livingston Guards Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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C
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Emmett Anglin
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Livingston Guards Quickstep by
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OTBM
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.990614 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 10 pages. O...
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Brass Ensemble - Level 3 - SKU: A0.990614 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 10 pages. OTBM #3362501. Published by OTBM (A0.990614). The original piece is for piano and housed in The Library of Congress. Approximate date is 1855 and there is a suggestion that Grafulla is the composer.
$15.00
Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Raymond Fenech
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Down by the Riverside - Brass
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patrioti...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95
Baba Yetu - From Video Game Civilization IV (orig. key) - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Film/TV
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Thomas Graf
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Baba Yetu - From Video Game Ci
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quintet, Brass Choir or Ensemble - Intermediate - Arranged by Thomas Graf. Score, Set of Parts....
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Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Quintet, Brass Choir or Ensemble - Intermediate - Arranged by Thomas Graf. Score, Set of Parts. 19 pages. Published by Thomas Graf - the-hit-factory.com
Baba Yetu (Our Father in Swahili) is the title number of the computer game Civilization IV. In 2011, Baba Yetu won the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s). This was the first time that music from a video game had been nominated for a Grammy Award. Great Emotion guaranteed!
Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone in C/Bb, Tuba/Bass in Bb/Eb
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$20.00
The Port Royal Civil War Series - 3-Pack of Brass Quintets
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Frederick Fennell
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Aaron Hettinga
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The Port Royal Civil War Serie
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782118 By Frederick Fennell. By Grafulla, Milburn, Rowbotham. Arranged by Aaron Hettinga. 19th Century,Cl...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782118 By Frederick Fennell. By Grafulla, Milburn, Rowbotham. Arranged by Aaron Hettinga. 19th Century,Classical,Contest,Festival,Patriotic,Traditional. 63 pages. Aaron Hettinga #6851517. Published by Aaron Hettinga (A0.782118). This Multi-pack of three arrangements includes the following titles: Parade March Palmyra Schottische Listen to the Mocking Bird Performance notes: For all entries in the Port Royal Civil War Brass Quintet series, it’s recommended to utilize instruments such as Cornets and Euphonium in place of the Trumpet and Trombone parts to more faithfully emulate the sounds of the conical-bore instruments of the period. Extra sets of 1st Trumpet parts are included, transposed for use with Eb Tpt or Bb Piccolo Tpt instead if desired. These arrangements are a great opportunity to incorporate music from the American Civil War era into your Brass Quintet’s repertoire.
$59.99
Just a Closer Walk with Thee
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Unknown
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Chris Gorman
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Just a Closer Walk with Thee
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1156334 Composed by Unknown. Arranged by Chris Gorman. 19th Century,Jazz,Praise & Worship,Traditional. Brass Band. 54 pages. Chris Gorman #756650. Published by Chris Gorman (A0.1156334). Just a Closer Walk with Thee is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, A Closer Walk is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you. The precise author of A Closer Walk is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall slaves singing as they worked in the fields a song about walking by the Lord's side..
$30.00
Listen to the Mocking Bird - Port Royal Civil War Series for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Frederick Fennell
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Aaron Hettinga
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Listen to the Mocking Bird - P
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782117 By Frederick Fennell. By Richard Milburn. Arranged by Aaron Hettinga. 19th Century,Classical,Folk,Patriotic,Traditional. 22 pages. Aaron Hettinga #6851515. Published by Aaron Hettinga (A0.782117). Richard Milburn was a 19th-century African-American composer and barber who wrote the melody for Listen to the Mocking Bird which was later set to lyrics by Alice Hawthorne, also known as Septimus Winner (1827 – 1902). The song’s extreme popularity led Gustavus Washington Ingalls (1824-1903) as bandmaster for New Hampshire’s 3th Regimental band (also known as the Port Royal Band), to contribute a spirited arrangement of Milburn’s melody for the Port Royal band books used during the American Civil War.
$24.99
Palmyra Schottische - Port Royal Civil War Series for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Frederick Fennell
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Aaron Hettinga
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Palmyra Schottische - Port Roy
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782116 By Frederick Fennell. By J. P. Rowbotham, C. S. Grafulla. Arranged by Aaron Hettinga. 19th Century...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782116 By Frederick Fennell. By J. P. Rowbotham, C. S. Grafulla. Arranged by Aaron Hettinga. 19th Century,Folk,Holiday,Patriotic,Traditional. 19 pages. Aaron Hettinga #6851497. Published by Aaron Hettinga (A0.782116). Composer Claudio S. Grafulla (1810-1880) was bandmaster for New York’s 7th Regimental band and became one of the key contributors of pieces for the Port Royal Band Books used during the American Civil War. Graffulla was responsible for the introduction at the front of J.P. Rowbotham’s Palmyra Schottische composition, originally #45 in the Port Royal Band Books, which is presented here in an arrangement for Brass Quintet. Â
$24.99
Parade March - Port Royal Civil War Series for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Frederick Fennell
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Aaron Hettinga
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Parade March - Port Royal Civi
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782113 By Frederick Fennell. By Claudio S. Grafulla. Arranged by Aaron Hettinga. 19th Century,Folk,Holida...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782113 By Frederick Fennell. By Claudio S. Grafulla. Arranged by Aaron Hettinga. 19th Century,Folk,Holiday,Patriotic,Traditional. 21 pages. Aaron Hettinga #6851475. Published by Aaron Hettinga (A0.782113). Composer Claudio S. Grafulla (1810-1880) was bandmaster for New York’s 7th Regimental band and became one of the key contributors of pieces for the Port Royal Band Books used during the American Civil War.
$24.99
Listen to the Mocking Bird
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Music by Richard Milburn
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F
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
The Civil War: Tuba
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Tuba
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Methodes
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James D
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The Civil War: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by James D. Ployhar. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by James D. Ployhar. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Ashokan Farewell (from The Civil War): Tuba
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Tuba (partie séparée)
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Methodes
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Jay Ungar
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Calvin Custer
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Ashokan Farewell
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Jay Ungar. Arranged by Calvin Custer. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Jay Ungar. Arranged by Calvin Custer. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
I Heard the Bells on Christmas Day (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Noël
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John Baptiste Calkin
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Kenneth Abeling
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I Heard the Bells on Christmas
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.514850 Composed by John Baptiste Calkin. Arranged by Kenneth Abeling. Christmas,Jazz. 18 pages. LINCOLN M...
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Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.514850 Composed by John Baptiste Calkin. Arranged by Kenneth Abeling. Christmas,Jazz. 18 pages. LINCOLN MUSIC PUBLICATIONS #3664209. Published by LINCOLN MUSIC PUBLICATIONS (A0.514850).  “I Heard the Bells on Christmas Day†based on a Civil War era poem by Henry Wadsworth Longfellow and set to music by John Baptiste Calkin, arranged here for Brass Quintet by Kenneth Abeling. This is an advanced intermediate to early advanced moderate swing version of the very popular Christmas Carol. Playing Time: 2:35. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com.
$13.99
BATTLE HYMN OF THE REPUBLIC for BRASS QUINTET/SEXTET (unaccompanied)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Glen Poehlmann
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Performance Time approx
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BATTLE HYMN OF THE REPUBLIC fo
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.806905 Arranged by Glen Poehlmann. Christian,Patriotic,Sacred. Score and parts. 16 pages. Arrangements by GPoehlmann ...
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Brass Ensemble - Level 4 - SKU: A0.806905 Arranged by Glen Poehlmann. Christian,Patriotic,Sacred. Score and parts. 16 pages. Arrangements by GPoehlmann #6129623. Published by arrangements by GPoehlmann (A0.806905). BATTLE HYMN OF THE REPUBLIC for unaccompanied BRASS QUINTET or SEXTETThis arrangement tells a story through music. Sacred program notes are included but the music will also work as a secular Civil War-era tune. Originally written as a Brass Quintet, a Trombone 2 part was added by request to create a Brass Sextet.68 measures. Performance Time approx. 3:15. Medium Difficult (grade 3+).Key: Bb - C. Meter: 4/4 - 12/8. Instrument Ranges (C4=middle C): Trumpet 1 E4 - B5 (optional D6) (written). Trumpet 2 C4 - G5 (written).Horn in F (C4 - E5 (written). Alternate parts included for Horn: Trumpet 3, Trombone 3.Trombone Bb2 - F4. Tuba Bb1 - G3. Trombone 2 (for Sextet): Ab3 - E4.
$5.00
The Vacant Chair
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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George Frederick Root
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Nathaniel Hontz
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The Vacant Chair
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TigerSong LLC
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1227607 Composed by George Frederick Root. Arranged by Nathaniel Hontz. 19th Cent...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1227607 Composed by George Frederick Root. Arranged by Nathaniel Hontz. 19th Century,March,Patriotic,Standards,Traditional. 13 pages. TigerSong LLC #823570. Published by TigerSong LLC (A0.1227607). A sentimental Union ballad from the American Civil War, remembering fallen comrades, arranged for brass quintet. Perfect for Memorial Day, 4th of July, Veterans Day, or any patriotic occasion. Includes a euphonium substitute for F horn.
$12.99
Kingdom Coming (The Year of Jubilo)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score a...
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Brass Ensemble - Level 4 - SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Ben Hur Chariot Race March
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1894, he was the manager of th
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Edward Taylor Paull
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Judith Katz
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Pub...
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Brass quintet - SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
Hold The Fort
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Philip P
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J
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Hold The Fort
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135539 Composed by Philip P. Bliss. Arranged by J. Randolph Hall. Thi...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135539 Composed by Philip P. Bliss. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards. Score and parts. 8 pages. Duration 41. J. Randolph Hall #6fraXNDshohEUSksunbHCF. Published by J. Randolph Hall (A0.1135539). Key: Bb major.Philip Paul Bliss was a 19th Century American composer and conductor born in Pennsylvania. He was also an Abolishionist and served as a Commissioned Officer in the Civil War. The hymn was inspired by both the Battle of Allatoona Pass (October 1864), as well as by Revelatio 2:25 & 3:11. Sections A and C are the verse. Section B and D are the refrain. Between B and C, there is a key modulation with the aid of an augmented sixth chord (Itallian 6th). A descant by yours truly is then added.
$4.00
David W. Solomons: The Princess' Tune for tuba quartet (2 Bb euphoniums/2 C tubas)
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4 Tubas
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David Warin Solomons
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David W. Solomons: The Princes
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Musik Fabrik Music Publishing
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - SKU: A0.533343 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 25 pages. Musik Fabrik...
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Brass Ensemble Euphonium,Tuba - SKU: A0.533343 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 25 pages. Musik Fabrik Music Publishing #2347675. Published by Musik Fabrik Music Publishing (A0.533343). Tuba and euphonium quartet inspired bymy story The Duchess' Tuneto quote:The mountaineers headed downhill for two days, with no idea where to find the first outposts of civilization, but eventually they heard a long low sound as if of a thousand snoring Yeti. There was a monastery - .... The original tune is an expansion of a short atonal melodyhanded to me on a scrap of paper 40 years ago by afellow student (known to all as The Princess).Initially it developed into a guitar solo but it has now also blossomed into a tuba quartet. In both cases, the atonal melody flowered into something more tonal and interesting.
$16.95
Lorena: A Brass Quintet Setting
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Great Locomotive Chase: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Robert W
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The Great Locomotive Chase:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014667_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert W. Smith. Instructional. World Part. 4 pages. Alfred Music...
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Concert Band - SKU: AX.00-PC-0014667_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Robert W. Smith. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014667_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014667_WPTBBTC). ISBN 9780757997471. UPC: 654979184652.Inspired by the events surrounding the railway between Atlanta and Chattanooga during the early years of the Civil War, Robert W. Smith stages the train chase complete with fascinating textures and effects. Listeners become engulfed in the vivid sounds. You can almost smell the smoke. This is an exciting original concert opener or closer. All aboard! This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, Guitar.
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The Civil War: Tuba