English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Commitments
Sheetmusicplus
Non classifié
135
Piano & claviers
Piano seul
45
Piano, Voix et Guitare
30
Piano, Voix
16
Piano Facile
5
Instruments en Do
4
Orgue, Trompette (duo)
3
Orgue
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
3
Guitare notes et tablatures
1
Basse electrique
1
Voix
Chorale SATB
102
Chorale 3 parties
29
Chorale Unison
16
Chorale 2 parties
11
Chorale TTBB
7
Chorale SSAA
7
Voix Soprano, Piano
4
Voix duo, Piano
3
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale, Orgue
1
+ 6 instrumentations
Retracter
Vents
Clarinette et Piano
12
Hautbois, Piano (duo)
10
Flûte traversière et Piano
8
Quatuor de Saxophones: 4 saxophones
7
Saxophone Baryton, Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Alto et Piano
4
Saxophone Tenor et Piano
4
2 Saxophones, Piano
2
2 Flûtes traversières (duo)
2
Flûte traversière
1
Cor anglais, Piano
1
Flute, harpe et violon
1
Harmonica
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Violon
1
Saxophone Alto
1
Clarinette
1
2 Clarinettes (duo)
1
+ 16 instrumentations
Retracter
Cuivres
Cor et Piano
8
Trombone et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors (duo)
2
Trompette
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
2
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Cor anglais, Piano
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
11
Violoncelle, Piano
9
Alto, Piano
8
Quatuor à cordes: 2 violons, alto, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
2
Violon
1
Alto seul
1
Harpe
1
Violoncelle
1
Contrebasse, Piano (duo)
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Ensemble de cuivres
7
Cloches
6
Orchestre d'harmonie
5
Ensemble Jazz
3
Orchestre à Cordes
2
Batterie
1
Orchestre de chambre
1
Fanfare
1
+ 4 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
117
Partitions Numériques
649
Librairie Musicale
0
Matériel de Musique
8
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Commitments
SheetMusicPlus
Partitions à imprimer
649 partitions trouvées
<
1
26
51
....
626
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.3 €
#
Chorale SATB
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cross
#
WheatMyer Music
#
SheetMusicPlus
"The Love Song" Chamber Ensemble - from DREAMS - the love within
Flute, harpe et violon
Small Ensemble Cello,Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.883440 …
(+)
Small Ensemble Cello,Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.883440 Composed by Amy Camie. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and parts. 8 pages. Amy Camie - Universal Light Publishing #3532673. Published by Amy Camie - Universal Light Publishing (A0.883440). The 5 movements of DREAMS - the love within reflect the soundtrack to the myth Nanna and Ningal and include: The DanceThe DreamThe UnionThe Love SongThe CommitmentEach movement can be played independently of the others and are appropriate for background music, healing therapies, weddings, memorials, and meditations.These beautiful melodies were inspired by the ancient Mesopotamian myth, Nanna and Ningal, a symbolic story representing the process of bringing our subconscious dreams and desires to conscious awareness, then lovingly embracing them within ourselves to manifest them in our world..This Chamber Ensemble arrangement of The Love Song includes a Score and individual parts for Harp, Violin, Flute & Cello. May we all manifest our dreams in the light of love, AmyWebsite: www.AmyCamie.com Facebook: https://www.facebook.com/AmyCamieHarpist Twitter: https://twitter.com/AmyCamieHarp LinkedIn: https://www.linkedin.com/in/amycamie/ YouTube: BlueStarVideo: https://www.youtube.com/channel/UChZxHAHP_NVMn5ZJZ8g4UXA Performing Rights Organization: ASCAP Publishing Company: Universal Light Publishing (ASCAP)
$11.99
11.05 €
#
Flute, harpe et violon
#
Amy Camie
#
Cello
#
"The Love Song" Chamber Ensemble - from DREAMS - the love within
#
Amy Camie - Universal Light Publishing
#
SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.31 €
#
Orchestre de chambre
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cross - Orchestration
#
WheatMyer Music
#
SheetMusicPlus
The ULTIMATE Piano / Keyboard Self Tuition Book for Absolute Beginners Adults, Teenagers & Seniors!
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1277423 Composed by Martin Woodward…
(+)
Easy Piano - Level 1 - Digital Download SKU: A0.1277423 Composed by Martin Woodward. 21st Century,Instructional,Pop,Standards,Traditional. Score. 214 pages. Martin Woodward #869119. Published by Martin Woodward (A0.1277423). This is probably the most complete keyboard tutorial available for beginners with no prior experience and includes the very best from the authors four best selling books plus much more.The contents are suitable for piano and / or electronic keyboard (for Western Music - Not suitable for Asian music).Items covered include: Buying your first keyboard or piano; Reading music from scratch; Easy, effective finger exercises (with audio links) which require no reading ability; Important musical symbols; Your first tunes (with audio links) plus free links for many more; Key signatures and transposition; Major, minor, pentatonic and blues scales in keyboard and notation view, plus free links for more; Chord construction and fingering; Chord charts in keyboard view, plus free links to more; Arpeggios in keyboard and notation view; Diatonic Arpeggio exercises; Playing from a Fake Book with and without auto accompaniment; Plus more! After completing this book you should have a good basic understanding of music theory as well as a good basic playing technique, paving the way for more advanced study in your chosen field - jazz, blues, pop, classical etc.In addition there are also several valuable downloadable resources - please see the preview for further details.There is a huge amount of information in this book - please don't buy it if you are not ready for the commitment!
$15.99
14.74 €
#
Piano Facile
#
Martin Woodward
#
The ULTIMATE Piano / Keyboard Self Tuition Book for Absolute Beginners Adults, Teenagers & Seniors!
#
Martin Woodward
#
SheetMusicPlus
The Dark End Of The Street
Alto Saxophone,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.1401333 Compos…
(+)
Alto Saxophone,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.1401333 Composed by Chips Moman and Dan Penn. Arranged by Gerrit Hager. Contemporary,R & B,Soul,Wedding. 1 pages. Hagerwal #984518. Published by Hagerwal (A0.1401333). For use with a Cover Band: Horn charts (Trumpet, Alto Saxophone, Trombone) to The Dark End Of The Street, as featured in the motion picture The Commitments.Combined horn parts.Do you need horns charts for that special song, but can't find them?Email us at info@horncharts.nlhttps://horncharts.nl.
$12.99
11.98 €
#
Chips Moman and Dan Penn
#
Gerrit Hager
#
The Dark End Of The Street
#
Hagerwal
#
SheetMusicPlus
In The Midnight Hour
Level 2 - Digital Download SKU: A0.1260670 By Wilson Pickett. By Steve Cropper and …
(+)
Level 2 - Digital Download SKU: A0.1260670 By Wilson Pickett. By Steve Cropper and Wilson Pickett. Arranged by Gerrit Hager. Pop,Soul,Wedding. 6 pages. Hagerwal #853863. Published by Hagerwal (A0.1260670). For use with a Cover Band: In The Midnight Hour horn charts (Trumpet, Alto Saxophone, Trombone), as featured in The Commitments film.Combined score and separate parts.Cover BandDo you need horns charts for that special song, but can't find them?Email us at info@horncharts.nlhttps://horncharts.nl
$14.99
13.82 €
#
Wilson Pickett
#
Gerrit Hager
#
In The Midnight Hour
#
Hagerwal
#
SheetMusicPlus
I Need Thee Every Hour
Chorale SATB
Choral SATB-Digital Version - Digital Download Hymn Arrangements, General Worship, Co…
(+)
Choral SATB-Digital Version - Digital Download Hymn Arrangements, General Worship, Commitment, Jesus Christ - Savior, Prayer. Octavo. 8 pages. Hope Publishing - Digital #C6301DP. Published by Hope Publishing - Digital
Arr. Gary W. Matthews.<br> <br> Traditional hymn by Anne Hawks and Robert Lowry This hymn setting offers a new take on an old classic with close harmonies and a new meter. Shifting this hymn into 4/4 creates a pleasing and meditative feel. The setting builds to a powerful final stanza and a return to the hymn's original 3/4 meter, closing with the quiet, prayerful plea, "I need, I need, I need thee every hour!".Arr. Gary W. Matthews.<br> <br> Traditional hymn by Anne Hawks and Robert Lowry This hymn setting offers a new take on an old classic with close harmonies and a new meter. Shifting this hymn into 4/4 creates a pleasing and meditative feel. The setting builds to a powerful final stanza and a return to the hymn's original 3/4 meter, closing with the quiet, prayerful plea, "I need, I need, I need thee every hour!".
$2.95
2.72 €
#
Chorale SATB
#
I Need Thee Every Hour
#
Hope Publishing - Digital
#
SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
36.87 €
#
Mike Post and Pete Carpenter
#
Rob Bushnell
#
Theme From "the A Team"
#
RBMusic
#
SheetMusicPlus
Theme From "The A Team"
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1389038 Composed by Mike Post and…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1389038 Composed by Mike Post and Pete Carpenter. Arranged by Lorenzo Bocci. Film/TV. 112 pages. Lorenzo Bocci #972556. Published by Lorenzo Bocci (A0.1389038). THE A-TEAM From The Television Seriesfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Mike Post, Pete Carpenter. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'00''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Bass Drum, Cymb. a 2, Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. «In 1972, a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire... the A-Team.» The original main theme composed by Mike Post and Pete Carpenter was released on the vinyl LP Mike Post – Television Theme Songs and again on the Mike Post – Mike Post LP, both long out-of-print. The theme has been ranked among the best TV themes eve.Subscribe to my YouTube Channel to stay updated on new releases.
$88.00
81.13 €
#
Orchestre d'harmonie
#
Mike Post and Pete Carpenter
#
Lorenzo Bocci
#
Theme From "The A Team"
#
Lorenzo Bocci
#
SheetMusicPlus
I Then Shall Live
Handbells Choral, Handbells, Organ - Level 2 - Digital Download SKU: H1.2631DP Comp…
(+)
Handbells Choral, Handbells, Organ - Level 2 - Digital Download SKU: H1.2631DP Composed by Jean Sibelius. Arranged by Lloyd Larson. Sing & Ring Series. Hymntune, Ring & Sing, General Worship, Commitment, Discipleship, Humanity, Humility, Love, Promise, Renewal. Handbell score. 8 pages. Hope Publishing - Digital #2631DP. Published by Hope Publishing - Digital (H1.2631DP). By Gloria Gaither & Jean Sibelius. Matthew 6:9 - Matthew 6:10 - Matthew 6:11 - Matthew 6:12 - Matthew 6:13 - Matthew 6:14 - Matthew 6:15 - Matthew 18:33 - Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - M.Popular hymn by Gloria Gaither & Jean Sibelius This hymn text, written by Gloria Gaither, captures the experience of forgiveness and love with positive, resolute words of commitment, which are perfectly matched with Jean Sibelius' stirring tune Finlandia. Arranger Lloyd Larson's straightforward choral setting with piano accompaniment builds to a mighty ending, portraying the power and glory of God.
$6.25
5.76 €
#
Gloria Gaither & Jean Sibelius
#
Jean Sibelius
#
Lloyd Larson
#
I Then Shall Live
#
Hope Publishing - Digital
#
SheetMusicPlus
I Then Shall Live
Choral, Vocal Choral, Handbells, Organ - Level 2 - Digital Download SKU: H1.C5800DP…
(+)
Choral, Vocal Choral, Handbells, Organ - Level 2 - Digital Download SKU: H1.C5800DP Composed by Jean Sibelius. Arranged by Lloyd Larson. Hymntune, General Worship, Commitment, Discipleship, Humanity, Humility, Love, Promise, Renewal. Octavo. 8 pages. Hope Publishing - Digital #C5800DP. Published by Hope Publishing - Digital (H1.C5800DP). By Gloria Gaither & Jean Sibelius. Matthew 6:9 - Matthew 6:10 - Matthew 6:11 - Matthew 6:12 - Matthew 6:13 - Matthew 6:14 - Matthew 6:15 - Matthew 18:33 - Matthew 18:21 - Matthew 18:22 - Matthew 18:23 - Matthew 18:24 - Matthew 18:25 - Matthew 18:26 - Matthew 18:27 - M.Popular hymn by Gloria Gaither & Jean Sibelius This hymn text, written by Gloria Gaither, captures the experience of forgiveness and love with positive, resolute words of commitment, which are perfectly matched with Jean Sibelius' stirring tune Finlandia. Arranger Lloyd Larson's straightforward choral setting with piano accompaniment builds to a mighty ending, portraying the power and glory of God.
$2.95
2.72 €
#
Gloria Gaither & Jean Sibelius
#
Jean Sibelius
#
Lloyd Larson
#
I Then Shall Live
#
Hope Publishing - Digital
#
SheetMusicPlus
Beneath the Cross of Jesus
Chorale SATB
SATB choir - Easy SKU: LO.10-1014 Composed by Dale Wood. Choral. Sacred Anthem, Gen…
(+)
SATB choir - Easy SKU: LO.10-1014 Composed by Dale Wood. Choral. Sacred Anthem, General, Holy Week, Lent. Octavo. Sacred Music Press #10/1014. Published by Sacred Music Press (LO.10-1014). UPC: 000308022001.SATB. General or Lent. Moderately easy. The beloved hymn tune ST CHRISTOPHER is clothed in a contemplative setting filled with rich, refreshing harmonies The classic text, with its timeless words of Christian commitment, is appropriate for use throughout the year.
Song List: Beneath The Cross Of Jesus
Song List
: Beneath The Cross Of Jesus
$2.75
2.54 €
#
Chorale SATB
#
Dale Wood
#
Beneath the Cross of Jesus
#
Sacred Music Press
#
SheetMusicPlus
Take Me To The River
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.717988 By Al Green…
(+)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.717988 By Al Green. By Al Green and Mabon Hodges. Arranged by Daryl McKenzie. Contemporary,Film/TV,Pop,Rock. Score and parts. 39 pages. Daryl McKenzie #4269469. Published by Daryl McKenzie (A0.717988). Arranged in the style of the Commitments. Male Vocal (no voice part included) and Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass Guitar, Drums) in the Key of E. Playable with reduced instrumentation. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
64.52 €
#
Ensemble Jazz
#
Al Green
#
Daryl McKenzie
#
Take Me To The River
#
Daryl McKenzie
#
SheetMusicPlus
In The Midnight Hour
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - Level 3…
(+)
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717950 By Wilson Pickett. By Steve Cropper and Wilson Pickett. Arranged by Daryl McKenzie. Pop,Rock,Soul. 15 pages. Daryl McKenzie #3915603. Published by Daryl McKenzie (A0.717950). Based on the version by The Commitments. Vocal (no voice part included) and Small Band (Alto Sax, Bari Sax, 1st Trumpet, 2nd Trumpet, Trombone Piano, Guitar, Bass, Drums) Key of Eb major NOTE: No voice part included Same arrangement for Big Band also available: Search Here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$44.99
41.48 €
#
Wilson Pickett
#
Daryl McKenzie
#
In The Midnight Hour
#
Daryl McKenzie
#
SheetMusicPlus
In The Midnight Hour
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.717949 By Wilson P…
(+)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.717949 By Wilson Pickett. By Steve Cropper and Wilson Pickett. Arranged by Daryl McKenzie. Soul. Score and Parts. 24 pages. Daryl McKenzie #3915601. Published by Daryl McKenzie (A0.717949). Based on the version by The Commitments. Vocal (no voice part included) and Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of Eb major NOTE: No Voice part included Same arrangement for small band (4 -5 horns) also available: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH Â
$59.99
55.31 €
#
Ensemble Jazz
#
Wilson Pickett
#
Daryl McKenzie
#
In The Midnight Hour
#
Daryl McKenzie
#
SheetMusicPlus
In The Midnight Hour
Small Ensemble - Digital Download SKU: A0.802339 By Wilson Pickett. By Steve Croppe…
(+)
Small Ensemble - Digital Download SKU: A0.802339 By Wilson Pickett. By Steve Cropper and Wilson Pickett. Arranged by John Fleming. Folk. Score and parts. 12 pages. Flemingmusic #5988469. Published by flemingmusic (A0.802339). Four piece Brass section arrangement as per the studio recording by The Commitments.Scored for Trumpet, Tenor sax, Baritone sax, and Trombone, with substitute parts for Alto sax and Trombone.
$12.99
11.98 €
#
Wilson Pickett
#
John Fleming
#
In The Midnight Hour
#
flemingmusic
#
SheetMusicPlus
Take Me To the River
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0009204 By Al Green, Talking He…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0009204 By Al Green, Talking Heads, and The Commitments. By Al Green and Mabon Hodges. R&B/Soul. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0009204. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0009204).
$3.99
3.68 €
#
Piano, Voix et Guitare
#
Al Green, Talking Heads, and The Commitments
#
Take Me To the River
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
The Heart of Worship
Rhythm Parts - Digital Download SKU: H1.C5450RDP Composed by Chris Tomlin, Louis Gi…
(+)
Rhythm Parts - Digital Download SKU: H1.C5450RDP Composed by Chris Tomlin, Louis Giglio, and Matt Redman. Arranged by Jack Schrader. Contemporary, General Worship, Commitment, Devotion, Discipleship, Gratefulness, Worship. Rhythm Parts. 10 pages. Hope Publishing - Digital #C5450RDP. Published by Hope Publishing - Digital (H1.C5450RDP). By Chris Tomlin & Louie Giglio and Matt Redman. John 4:24 - Matthew 6:1 - Matthew 6:2 - Matthew 6:3 - Matthew 6:4 - Matthew 6:5 - Matthew 6:6 - Matthew 6:16 - Matthew 6:17 - Matthew 6:18 - Matthew 6:19 - Matthew 6:20 - Matthew 6:21 -.Medley of two contemporary praise songs by Chris Tomlin & Louie Giglio and Matt Redman These two praise songs, the mega-hit Heart of Worship by Matt Redman, and Louie Giglio's Take My Life, embody many of the same themes of heartfelt worship and commitment. The two songs flow seamlessly from one to the other in this tasteful arrangement by Jack Schrader. Rhythm parts consist of: Guitar, Bass, Synthesizer, Drums.
$34.95
32.22 €
#
Chris Tomlin & Louie Giglio and Matt Redman
#
Chris Tomlin, Louis Giglio, and Matt Redman
#
Jack Schrader
#
The Heart of Worship
#
Hope Publishing - Digital
#
SheetMusicPlus
Forever Leaning on the Arms of Jesus
Chorale SATB
SATB choir, Piano (With Optional Accompaniment MP3, Rhythm Section, SAB) - Digital Downloa…
(+)
SATB choir, Piano (With Optional Accompaniment MP3, Rhythm Section, SAB) - Digital Download SKU: LX.10-5756L Composed by Stan Pethel. Sacred Anthem. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5756L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5756L). Stan Pethel delivers this inspiring song of unwavering commitment and heartfelt praise. Written in a relaxed gospel style, this anthem is sure to uplift both your choir and congregation. The music is scored for either SAB or SATB, and optional rhythm section parts are also available.
$2.40
2.21 €
#
Chorale SATB
#
Stan Pethel
#
Forever Leaning on the Arms of Jesus
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
The Weight
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1468015 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1468015 Composed by Jacqueline Sadler. Christian,Christmas,Easter,Praise & Worship,Sacred. 3 pages. Soft Pedal Life #1046320. Published by Soft Pedal Life (A0.1468015). The Weight is composed for SATB choir and piano. Its four verses contemplate Mary's journey to motherhood and Jesus' journey to the Cross, and ask the listener to reflect on their own path to Christianity. These themes make it suitable for services of commitment, dedication, calling, vocation, promise, as well as Christmas and Easter.It has also been performed by unison choir or multiple soloists, inviting the congregation to participate in the final verse as a response of commitment. See also the Vocal Solo arrangement of this title.
$2.60
2.4 €
#
Chorale SATB
#
Jacqueline Sadler
#
The Weight
#
Soft Pedal Life
#
SheetMusicPlus
Birds Of A Feather
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1447536 By Billie Eilish. By Billie…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1447536 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Cathy Pate. 21st Century,Pop,Punk. Score. 4 pages. Aiwo Production #1027318. Published by Aiwo Production (A0.1447536). Birds of a Feather by Billie Eilish is a song about deep, enduring love and a spiritual connection that transcends lifetimes. The lyrics convey a commitment to stay together through all challenges, emphasizing loyalty and unity. The phrase birds of a feather symbolizes the strong bond and shared qualities between the lovers, highlighting their inseparable nature and destined togetherness.
$8.99
8.29 €
#
Piano seul
#
Billie Eilish
#
Cathy Pate
#
Birds Of A Feather
#
Aiwo Production
#
SheetMusicPlus
Friends in the Lord
(Choral, Orchestra) - Digital Download SKU: H1.C5064ODP Composed by Allen Pote. Pia…
(+)
(Choral, Orchestra) - Digital Download SKU: H1.C5064ODP Composed by Allen Pote. Piano Accompaniment with Optional Orchestra. Outreach, General Worship, Commitment, Confidence, Devotion, Encouragement, Faith & Faithfulness, Guidance, Promise, Trust & Unity. Set of Instrumental Parts. 28 pages. Hope Publishing - Digital #C5064ODP. Published by Hope Publishing - Digital (H1.C5064ODP). Tom S. Long.Original composition One of the centerpieces of their musical for young voices, The Rock Slinger and His Greatest Hit, Tom Long and Allen Pote have re-voiced the captivating, Friends in the Lord for SATB voices. With its vivid statement of mutual encouragement and standing together with one another at all times, the message of this anthem is especially relevant to our children and families.
$89.95
82.93 €
#
Allen Pote
#
Friends in the Lord
#
Hope Publishing - Digital
#
SheetMusicPlus
<
1
26
51
....
626
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Commitments
