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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
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The Contours
Sheetmusicplus
Non classifié
15
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7
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
The Contours
SheetMusicPlus
Partitions à imprimer
110 partitions trouvées
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101
THE DEEP for solo DOUBLE BASS
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Contre Basse
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Contemporain
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published b...
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Double Bass,String Bass Solo - SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
The Lord Bless You and Keep You (SSAB A Cappella)
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Peter Lutkin
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David Das
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The Lord Bless You and Keep Yo
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Records Room Music
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SheetMusicPlus
Choral Choir - Level 2 - SKU: A0.1045486 By Peter Lutkin. By Peter Lutkin. Arranged by David Das. Classical,Sacred,Standards,Traditional,Wedding. Octavo...
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Choral Choir - Level 2 - SKU: A0.1045486 By Peter Lutkin. By Peter Lutkin. Arranged by David Das. Classical,Sacred,Standards,Traditional,Wedding. Octavo. 6 pages. Records Room Music #650061. Published by Records Room Music (A0.1045486). This is a specially re-voiced version of Peter Lutkin's classic choral benediction The Lord Bless You and Keep You. Originally written for SATB choir, this version re-voices and redistributes parts to make it suitable for SSAB choir while preserving all of the contours and subtleties of the original. For those who may want to use this simultaneously with the original SATB version, they are fully capable of coexisting (for example, if one choir sings the SATB and a separate choir sings the SSAB at the same time). However, the soprano and alto parts of the SSAB version are not identical to the soprano and alto parts of the SATB version, so directors should instruct their singers to read from one or the other.
$2.49
Contours
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Contours
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Robert A. Howard
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SheetMusicPlus
Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard ...
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Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6348469. Published by Robert A. Howard (A0.998869). 'Contours' explores various shapes and directions of brief musical phrases, in the context of a virtuosic single-movement solo work. The piece takes the notion of improvisation, commonly associated with the saxophone, and aims to convey this through a fully notated work. Contours is cast in an overall ternary form. A fairly chromatic opening section develops a succession of short phrases, occasionally repeated by octave displacement, that are separated by notated silences. The middle section is more obviously influenced by jazz and is itself in an arch form. It is framed by a fanfare idea followed by a theme of triplet arpeggios. The apex of this central part is a jazz-like syncopated melody. This idea is repeated with its own canon, thus giving the illusion of two saxophones answering each other in contrasting octaves. The opening section then returns in full, exact in rhythm and almost exactly in inversion by pitch. The piece is accessible for the listener and is appropriate for advanced saxophonists, including students and professional players.Duration: 6 minutes 30 seconds. Registered with PRS (Performing Rights Society, UK).
$3.49
Contours II
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Orchestre
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Thomas J
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Contours II
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW224 Composed by Thomas J. Stief. Score and Parts. 62 pages. Imagine Music - Digital #OMW224. Published by Imagine Music - Digital...
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Orchestra - SKU: IZ.OMW224 Composed by Thomas J. Stief. Score and Parts. 62 pages. Imagine Music - Digital #OMW224. Published by Imagine Music - Digital (IZ.OMW224). 9 x 12 inches.March on, Friends was written to honor the memory of some longtime friends – Ed Meyers (1930-2019) and Doug Godfrey (1931-2017). These two beloved gentlemen played in the military and taught music in public schools. March On, Friends is a three-minute march and a grade level of about 3.5 in difficulty. It contains bugle calls and inverted bugle calls and is rather melodic. It is fun to play and everyone in the band gets a chance as the melody and counter melodies are shared by all the instruments.
$80.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Contours
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Orchestre
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Contemporain
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Gunther Schuller
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Contours
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Schott Music - Digital
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SheetMusicPlus
For chamber orchestra. Composed by Gunther Schuller (1925-). This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23\...
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For chamber orchestra. Composed by Gunther Schuller (1925-). This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23\' 0. Schott Music - Digital #Q40446. Published by Schott Music - Digital
$94.99
The Wellerman
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Instruments en Do
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FACILE
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Nathan Evans
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Barry McCormick
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The Wellerman
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B. McCormick
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1406658 By Nathan Evans. By Trad. Sea Shanty. Arranged by Barry McCormick. Folk,Instructional,Multicultural,Traditional...
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C Instrument - Level 2 - SKU: A0.1406658 By Nathan Evans. By Trad. Sea Shanty. Arranged by Barry McCormick. Folk,Instructional,Multicultural,Traditional,World. Lead Sheet / Fake Book. 6 pages. B. McCormick #989416. Published by B. McCormick (A0.1406658). Embark on a musical journey with our comprehensive digital sheet music package for the traditional sea shanty, “The Wellermanâ€. This package is meticulously designed to cater to both learners and teachers, providing a holistic approach to mastering this timeless piece.Our package includes a Lead Sheet, a Tabbed Lead Sheet, and a Guitar Chord Sheet, each crafted with precision and clarity. These sheets serve as a roadmap, guiding you through the melodic contours of “The Wellermanâ€, making the learning process intuitive and enjoyable.What sets our product apart is the inclusion of exclusive tips and teaching ideas. These insights, derived from experienced music educators, provide innovative strategies for learning and teaching the song. Whether you’re a beginner picking up your first instrument or a music teacher seeking fresh pedagogical approaches, our product is tailored to meet your needs.“The Wellerman†has recently seen a resurgence in popularity, thanks to social media platforms like TikTok and influencers such as Nathan Evans.  So why wait? Join the thousands of people around the world singing and playing “The Wellerman†today!
$2.99
Glory of the West
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Trompette, Piano
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AVANCÉ
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Lynn L
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Dr
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Glory of the West
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Lynn L. Petersen
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. L...
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Piano,Trumpet - Level 5 - SKU: A0.973263 Composed by Lynn L. Petersen. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Lynn L. Petersen #6886191. Published by Lynn L. Petersen (A0.973263). Glory of the West was commissioned by Dr. Zach Buie and premiered at the College of Southern Idaho on March 3, 2020. Dr. Buie requested a new work connected with or inspired by the Mountain West region. The inspiration for this piece was the song MONTANA, which I first heard at a memorial service, a great favorite of the gentleman who had passed. The song was composed in 1910 and later adopted as Montana's state song. Glory of the West is in three sections. The first, marked Rolling Along, conveys optimism and wide-open spaces. The middle Adagio section features a descending stepwise melody followed by a soaring ascending line, reminiscent of melodic contours in the refrain of the song. The final section, marked Playfully, begins with fragments of a lively and rhythmically irregular motive, and woven throughout are echoes of the ascending lines from the previous section. The score contains the Piano and C Trumpet parts in concert pitch, and a part for B-flat Trumpet is provided as an alternate.
$10.99
Contours II
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Thomas J
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Contours II
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - SKU: IZ.OMW224-S Composed by Thomas J. Stief. Score. 20 pages. Imagine Music - Digital #OMW224-S. Published by Imagine Music - Digital (IZ.O...
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Orchestra - SKU: IZ.OMW224-S Composed by Thomas J. Stief. Score. 20 pages. Imagine Music - Digital #OMW224-S. Published by Imagine Music - Digital (IZ.OMW224-S). 9 x 12 inches.The Woolly Mammoth March was inspired by the long extinct giant creatures that once roamed this Earth. Starting with a brass fanfare, much of the music is heavy, demonstrating the size and weight of the mammoths. Later, a contrasting softer section shows the more gentle side of this mammal. The work closes with thunderous stomping. In the last bars of the piece (49-56) the musicians are encouraged to stomp in the shown rhythm when playing sustained notes (if possible).
$10.00
Modal Moods
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Harpe
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INTERMÉDIAIRE
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score...
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Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99
Do You Love Me
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Chorale TTBB
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INTERMÉDIAIRE
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The Contours
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Theodore Hicks
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Do You Love Me
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Theo Hicks Music
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477106 By The Contours. By Berry Gordy Jr. Arranged by Theodore Hicks. A Cappella,Barbershop,Pop. 5...
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Choral Choir,Choral,TTBB Chorus - Level 3 - SKU: A0.1477106 By The Contours. By Berry Gordy Jr. Arranged by Theodore Hicks. A Cappella,Barbershop,Pop. 5 pages. Theo Hicks Music #1054542. Published by Theo Hicks Music (A0.1477106).
$4.50
Do You Love Me
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Chorale TTBB
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INTERMÉDIAIRE
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The Contours
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Theodore Hicks
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Do You Love Me
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Theo Hicks Music
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1359942 By The Contours. By Berry Gordy Jr. Arranged by Theodore Hicks. A Cappella,Barbershop,Pop. 5 page...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1359942 By The Contours. By Berry Gordy Jr. Arranged by Theodore Hicks. A Cappella,Barbershop,Pop. 5 pages. Theo Hicks Music #944429. Published by Theo Hicks Music (A0.1359942). For more information about my arrangements, visit my website HERE.
$4.00
Dawn in the Room for Baritone and Piano (mp3)
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Mark Rowlinson
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Dawn in the Room for Baritone
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David Warin Solomons
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SheetMusicPlus
Baritone Horn TC,Piano - Level 3 - SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contempo...
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Baritone Horn TC,Piano - Level 3 - SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
$5.00
Dawn in the Room for Baritone and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Mark Rowlinson
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Dawn in the Room for Baritone
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David Warin Solomons
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1422862 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary....
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Piano,Vocal,Voice - Level 3 - SKU: A0.1422862 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons #1004217. Published by David Warin Solomons (A0.1422862). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons.
$10.00
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
The Water Dragon_ Flute, Alto Flute, and Piano arrangement
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2 Flûtes traversières, Piano
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Contemporain
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Margaret Brandman
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The Water Dragon_ Flute, Alto
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Jazzem Enterprises
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SheetMusicPlus
Flute, Alto Flute, Piano - Composed by Margaret Brandman (1951-). Contemporary Classical, Birthday. Score. 9 pages. Published by Jazzem Enterprises...
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Flute, Alto Flute, Piano - Composed by Margaret Brandman (1951-). Contemporary Classical, Birthday. Score. 9 pages. Published by Jazzem Enterprises
The Water Dragon (Scorpio Song) from the song cycle COSMIC WHEEL OF THE ZODIAC although originally composed for voice, has been re-imagined as a chamber work for flute. alto flute and piano.
It has melodic contours which work well for flute. The composer's contemporary harmonies bring to life the imagery of the lyrics. The duration is just under two minutes. Suitable for concert performances by professionals or advanced students. The work has been performed several times in Australia and the UK. The composer is affiliated with the Australian Performing Rights Association (APRA). More information and contact details are available on the website. www.margaretbrandman.com linkedin.com/in/margaretbrandmanmusic
www.facebook.com/margaretbrandmanmusic
www.twitter.com/margbrandmusic5
www.instagram.com/margaretbrandmanmusic
You-Tube http://bit.ly/mb5music
$6.95
The Water Dragon_Two Flutes and Piano Arrangement
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2 Flûtes traversières, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Margaret Brandman
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The Water Dragon_Two Flutes an
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Jazzem Enterprises
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SheetMusicPlus
Flute duet with piano - Advanced Intermediate - Composed by Margaret Brandman (1951-). Contemporary Classical, Birthday. Score. 10 pages. Published ...
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Flute duet with piano - Advanced Intermediate - Composed by Margaret Brandman (1951-). Contemporary Classical, Birthday. Score. 10 pages. Published by Jazzem Enterprises
The Water Dragon (Scorpio Song) from the song cycle COSMIC WHEEL OF THE ZODIAC although originally composed for voice, has been re-imagined as a chamber work for two flutes and piano.
It has melodic contours which work well for flute. The composer's contemporary harmonies bring to life the imagary of the lyrics. The duration is just under two minutes. Suitable for concert performances by professionals or advanced students. The work has been performed several times in Australia and the UK. The composer is affliated with the Australian Performing Rights Association (APRA). More information and contact details are available on the website. www.margaretbrandman.com linkedin.com/in/margaretbrandmanmusic
www.facebook.com/margaretbrandmanmusic
www.twitter.com/margbrandmusic5
www.instagram.com/margaretbrandmanmusic
You-Tube http://bit.ly/mb5music
$6.95
Promenade V
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Hautbois (partie séparée)
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AVANCÉ
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Robert A
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Promenade V
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Robert A. Howard
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.998842 Composed by Robert A. Howard. Contemporary,Standards. Individual part. 3 pages. Robert A. Howard #6183569. Publishe...
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Oboe Solo - Level 5 - SKU: A0.998842 Composed by Robert A. Howard. Contemporary,Standards. Individual part. 3 pages. Robert A. Howard #6183569. Published by Robert A. Howard (A0.998842). Promenade V is the fifth and last in a series of pieces based on the set of five large steel sculptures by Anthony Caro (1996). Caro's Promenade constructions are on permanent display in Yorkshire Sculpture Park. Promenade V is flexibly scored for any solo treble clef instrument, though it was originally conceived with solo oboe in mind. The piece explores irregular rhythms and highly chromatic pitch material, having derived more general musical shapes from the contours of the aforementioned sculptures. Promenade IIa and Promenade IVa by the same composer are also available via Sheet Music Plus. The piece is technically quite demanding and therefore is best suited to higher-grade students and advanced players.
$2.99
Wilt Thou Forgive?
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Chorale SATB
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Ron Anderson
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Wilt Thou Forgive?
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Ron James Anderson
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. P...
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Choral Choir (SATB) - SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.
$2.50
This endris night
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Chorale SATB
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Z
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This endris night
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Oxford University Press Digital
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SheetMusicPlus
SATB choir & piano or organ or orchestra - SKU: OX.9780193524941 Composed by Z. Randall Stroope. Sheet music. Octavo. 8 pages. Duration 3.5'. Oxford Uni...
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SATB choir & piano or organ or orchestra - SKU: OX.9780193524941 Composed by Z. Randall Stroope. Sheet music. Octavo. 8 pages. Duration 3.5'. Oxford University Press Digital #9780193524941. Published by Oxford University Press Digital (OX.9780193524941). ISBN 9780193524941.For SATB and piano or organ or orchestra. First published in Carols for Choirs 5, this is a touching setting of the well-known fifteenth-century words. The contours of Stroope's melodic writing perfectly mirror the narrative from the manger scene, while the simple refrain highlights the Christ-child's innocence as his mother lulls him to sleep.
$3.25
Do You Love Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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The Contours
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Bridie Walker
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Do You Love Me
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Bridie Bailey
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.845345 By The Contours. By Berry Gordy Jr. Arranged by Bridie Walker. Contemporary. Score and parts. 2...
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String Quartet String Quartet - Level 3 - SKU: A0.845345 By The Contours. By Berry Gordy Jr. Arranged by Bridie Walker. Contemporary. Score and parts. 23 pages. Bridie Bailey #5040949. Published by Bridie Bailey (A0.845345). A fun arrangement for violin quartet plus easy cello. The offbeat rhythms in the melody and 'question and answer' sections in parts 1-3 make this a suitable challenge for intermediate players but beginners can join in on open strings for violin 4. The cello part is integral in this arrangement so should be played on another instrument if you don't have a cello player in your ensemble!Please note that the piano and drums that you can hear on the audio sample are not included in the sheet music, but chords can easily be found online. I hope you enjoy the arrangement. .
$12.99
Affani del pensier ( Extract from Aria antiche Vol. 1 )
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Classique
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Alessandro Parisotti
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Terry Carpenter
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Affani del pensier
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Terry Carpenter
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1347945 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter....
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1347945 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter. Baroque. 10 pages. Terry Carpenter #932759. Published by Terry Carpenter (A0.1347945). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works! I suggest you to play it at a lower tempo than Parisotti's tempo. Notice that Parisotti's version is in C minor and the orchestral version is in B minor, sounds great for strings. The guitar part is quite tricky : Handel's chiselled writing made the transcription for guitar a delicate affair, and I couldn't help stepping out of the first positions of the instrument to follow the contours of the original.Listen to Sonia Theodoridou version on the YouTube link below.On the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.Contact: carpentermusic@yahoo.com.
$4.99
Holy God, We Praise Your Name
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Cloches
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DÉBUTANT
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Bill Ingram
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Bill Ingram
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Holy God, We Praise Your Name
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Chorister's Guild - Digital
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SheetMusicPlus
2 or 3 octaves handbells - Level 1 - SKU: C7.CGB847 Composed by Bill Ingram. Arranged by Bill Ingram. General. Score. 4 pages. Chorister's Guild - Digit...
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2 or 3 octaves handbells - Level 1 - SKU: C7.CGB847 Composed by Bill Ingram. Arranged by Bill Ingram. General. Score. 4 pages. Chorister's Guild - Digital #CGB847. Published by Chorister's Guild - Digital (C7.CGB847). UPC: 749193020043.Printed in a non-traditional 4-staff format, Air in D is a creative setting of a J. S. Bach instrumental favorite. The bottom staff is for the malleted bass line, mimicking pizzicato cello. The middle two staves carry the rest of the accompaniment, played on chimes. The top staff is the melody, played by a few ringers or a solo instrument. An assignment scheme for 13 ringers is suggested. Air in D would be a lovely addition to any worship service or concert. You might want to let your ringers hear a recording of the orchestral original version, then take the opportunity to teach ringers the three functional orchestral sections (melody, bass line, and accompaniment). Such an experience can present a great moment of understanding for the group. Similarly, after hearing the contours of Bach's soaring melody sensitively shaped by violins, ringers will aspire to a higher level of musicality.
$3.95
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