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The Cornet's Reel
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Crtitères actifs :
The Cornet's Reel
Partitions à imprimer
4 partitions trouvées
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The Cornet's Reel
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Graham Hamilton
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The Cornet's Reel
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1440684 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 21 pages. Hambone Music #1020662. Published by Hambone Music (A0.1440684). A high-energy, fun piece of music! Arranged for concert/school/symphonic/ brass bands of an intermediate level. A classic Scottish reel (similar to an Irish jig) sees a group of dancers getting together and starting to dance. It starts of quite stable and well controlled but as the energy (and whisky consumption!) increases the dance becomes increasingly frantic, with trombone glissandos providing bagpipe like drone-effects until the final movement where the tempo reaches 260bpm!! The dance finishes abruptly with everyone collapses in a big heap. The cornet's reel on the Thursday night of the Peebles Beltane Festival is one of the highlights of the week and something everyone loves to come along and watch. The crowds cheer and egg-on our principles to ever-increasing speed as they spin, ever faster during the reel.
$29.99
The Cornet's Reel
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Orchestre d'harmonie
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FACILE
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Graham Hamilton
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Hambone Music
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The Cornet's Reel
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Hambone Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1438479 By Graham Hamilton. By Graham Hamilton. Arranged by Hambone Music. Celtic,Contemporary,Contest,Festival,Holiday...
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Concert Band - Level 2 - SKU: A0.1438479 By Graham Hamilton. By Graham Hamilton. Arranged by Hambone Music. Celtic,Contemporary,Contest,Festival,Holiday,Irish,Traditional. 85 pages. Hambone Music #1018499. Published by Hambone Music (A0.1438479). A high-energy, fun piece of music!Arranged for concert/school/symphonic bands of an intermediate level.A classic Scottish reel (similar to an Irish jig) sees a group of dancers getting together and starting to dance. It starts of quite stable and well controlled but as the energy (and whisky consumption!) increases the dance becomes increasingly frantic, with trombone glissandos providing bagpipe like drone-effects until the final movement where the tempo reaches 260bpm!! The dance finishes abruptly with everyone collapses in a big heap.
$29.99
The Wise Maid (Irish Reel). Brass band arrangement.
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Traditional Irish Reel
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Rhodri Tomos
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The Wise Maid
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RT Music Ltd
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.864946 Composed by Traditional Irish Reel. Arranged by Rhodri Tomos. Classical,Folk. Brass Band. 36 pages. RT Music Ltd #2179. Published by RT Music Ltd (A0.864946). This is a fun brass band arrangement of a traditional yet challenging Irish reel that gives all sections of the band a chance to shine. The principal cornet and woodblock begin the reel, gently joined by the tutti cornets, band accompaniment and percussion. The cornets are rewarded with a break, as the melody in the second verse is taken by the Euphonium and Baritone sections, who are then joined by the flugel and horns. Then the baton goes to the xylophone who brings along more percussion friends into the reel. Who’s left? Just the basses, trombones and soprano! Can they help each other out to deliver the penultimate verse? If so, the whole band can bring the reel together to a spectacular close!
$24.99
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
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