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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
18.09 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
90.67 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.11 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99
14.5 €
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Mother's Cry
Small Ensemble Harpsichord,High Voice,Piano - Level 3 - Digital Download SKU: A0.942061…
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Small Ensemble Harpsichord,High Voice,Piano - Level 3 - Digital Download SKU: A0.942061 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Holiday,World. Score and parts. 9 pages. Silver Sickle Publications #4744621. Published by Silver Sickle Publications (A0.942061). The Mother's CrySong for Mezzo Soprano and Harpsichord or Piano. Text in Greek, authentic traditional folk songs.Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$6.99
6.34 €
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Apostolos Paraskevas
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The Mother's Cry
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Silver Sickle Publications
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SheetMusicPlus
The Spirit of the Lord - for Cantor and Congregation
Orgue
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By …
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Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
4.52 €
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Orgue
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Dr
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Dr
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The Spirit of the Lord - for Cantor and Congregation
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School Sisters of St. Francis
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SheetMusicPlus
Rush Time
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.942072
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.942072 Composed by Apostolos Paraskevas. Contemporary,Standards,World. Score and parts. 16 pages. Silver Sickle Publications #4767925. Published by Silver Sickle Publications (A0.942072). Rush Time was composed for two pianos in 2001 after a commission by the Rivers School in Music in Massachusetts, U.S.A. An exciting and friendly for performers and audiences work by Apostolos Paraskevas. Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$8.99
8.15 €
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Apostolos Paraskevas
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Rush Time
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Silver Sickle Publications
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.35 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
A Dance In TripleTime
Chorale SSAA
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Ros…
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$12.99
11.78 €
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Chorale SSAA
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.44 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.44 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
The Spirit of the Lord
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / …
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
1.8 €
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Just in Time for Christmas: An Original Christmas Musical for Children and Teens
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills. By Joanna C Mills. Arranged by Joanna C Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #412246. Published by Joanna Mills Music (A0.805209). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Just in Time for Christmas features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (some with an optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Full script • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.52 €
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Chorale 2 parties
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Joanna C Mills
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Joanna C Mills
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Just in Time for Christmas: An Original Christmas Musical for Children and Teens
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Joanna Mills Music
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SheetMusicPlus
The Shadow of the Falling Lead - Score Only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskev…
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
22.67 €
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Orchestre à Cordes
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Apostolos Paraskevas
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The Shadow of the Falling Lead - Score Only
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Silver Sickle Publications
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SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.52 €
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Chorale 2 parties
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
A Dance In TripleTime
Chorale SSAA
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Ros…
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
1.8 €
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Chorale SSAA
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
The Grim Reaper's Suite
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apost…
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Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.942081 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,Romantic Period,World. Score and parts. 40 pages. Silver Sickle Publications #4887663. Published by Silver Sickle Publications (A0.942081). The Grim Reaper’s Suite consists of five humorous and at the same dark pieces for five guitars to celebrate the humanity of the Grim Reaper. Two of these pieces are the well-known tune of Happy Birthday in two different and witty variations. The work was conceived to be performed live during the projection of a film by Apostolos Paraskevas called I Finally Did It. The work was premiered in 2009 by an array of well-known soloists at the Iserlohn Guitar Festival in Germany. Duration: approx. 10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music
$12.99
11.78 €
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Apostolos Paraskevas
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The Grim Reaper's Suite
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Silver Sickle Publications
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SATB Chorus Piano, Theme from The Snow Queen, A
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James Nathaniel Holland. Holiday,Love,Wedding. Octavo. 9 pages. James Nathaniel Holland #3369827. Published by James Nathaniel Holland (A0.730415). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged here for close harmonies for SATB Chorus (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$4.50
4.08 €
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Chorale SATB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for Low Voice Piano, Theme from The Snow Queen, A B
Voix basse
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730412 Composed by James …
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730412 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. 8 pages. James Nathaniel Holland #3369751. Published by James Nathaniel Holland (A0.730412). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original key for low voice, piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$4.95
4.49 €
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Voix basse
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.74 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
Symphony of Spring
Piano seul
Piano Solo - Late Intermediate - Digital Download SKU: F0.W9278 Composed by Kevin C…
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Piano Solo - Late Intermediate - Digital Download SKU: F0.W9278 Composed by Kevin Costley. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9278. Published by The FJH Music Company - Digital (F0.W9278). UPC: 674398219742.In the key of E flat major and 4/4 time, this early advanced piano solo is expressively written to depict the different temperaments of springtime weather. From the opening single-note legato line portraying the gentle side of spring, to the next section that develops the RH into playing octaves and octave chords that reproduce the sounds of crashing thunder, students and teachers will enjoy the varying musical descriptions in this springtime symphony. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95
2.67 €
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Piano seul
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Kevin Costley
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Symphony of Spring
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The FJH Music Company - Digital
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SheetMusicPlus
Just in Time for Christmas: An Original Christmas Musical for Children and Teens
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781387 Composed by Joann…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781387 Composed by Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #5990835. Published by Joanna Mills Music (A0.781387). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries.
$4.99
4.52 €
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Chorale Unison
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Joanna Mills
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Joanna Mills
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Just in Time for Christmas: An Original Christmas Musical for Children and Teens
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Joanna Mills Music
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, no. 12 Che fiero costume
Instrumental Duet Instrumental Duet,Piano,Voice - Level 2 - Digital Download SKU: A0.98…
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Instrumental Duet Instrumental Duet,Piano,Voice - Level 2 - Digital Download SKU: A0.981198 Composed by Judith Cloud. Contemporary,Instructional. Score and parts. 4 pages. Judith Cloud #6591243. Published by Judith Cloud (A0.981198). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.The complete volume is available from Classical Vocal Reprints (www.classicalvocalrep.com)Model #5273
$4.99
4.52 €
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Judith Cloud
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24 Italian Songs and Arias for 21st-Century Singers, no. 12 Che fiero costume
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Judith Cloud
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SheetMusicPlus
No. 12 Che fiero costume Accompaniment mp3
Piano seul
Piano Solo - Digital Download SKU: A0.981256 Composed by Judith Cloud. Contemporary…
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Piano Solo - Digital Download SKU: A0.981256 Composed by Judith Cloud. Contemporary. Score. 3 pages. Judith Cloud #6860343. Published by Judith Cloud (A0.981256). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$3.99
3.62 €
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Piano seul
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Judith Cloud
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No. 12 Che fiero costume Accompaniment mp3
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Judith Cloud
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SheetMusicPlus
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