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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Doubt
Non classifié
92
Piano & claviers
Piano seul
77
Piano, Voix
36
Piano, Voix et Guitare
22
Piano Facile
15
Instruments en Do
4
Orgue
4
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
Piano (partie séparée)
1
+ 7 instrumentations
Retracter
Guitares
Basse electrique
36
Guitare
9
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
2
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
12
Chorale 2 parties
5
Voix haute
4
Chorale TTBB
4
Voix moyenne, Piano
2
Voix seule
2
Chorale Unison
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Chorale SSAA
1
Voix Alto, Piano
1
Voix basse, Piano
1
Chorale SSAATTBB
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette
6
Flûte traversière
5
Saxophone (partie séparée)
5
Saxophone Alto
5
Saxophone Tenor
5
Flûte traversière et Piano
4
Clarinette (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Flute (partie séparée)
2
Saxophone Alto et Piano
2
Saxophone Baryton, Piano
2
Hautbois, Piano (duo)
2
2 Clarinettes (duo)
1
Clarinette Basse, Piano
1
2 Saxophones (duo)
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
Hautbois (partie séparée)
1
Hautbois
1
Clarinette et Alto
1
Flûte et Guitare
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Quatuor de Flûtes : 4 flûtes
1
2 Flûtes traversières (duo)
1
Saxophone Baryton
1
+ 27 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
9
Trombone (partie séparée)
8
Trompette
5
Cor (partie séparée)
5
Trombone
4
Tuba (partie séparée)
3
Tuba et Piano
2
Cor et Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
2 Trombones (duo)
1
Tuba
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Trombone et Piano
1
+ 13 instrumentations
Retracter
Cordes
Violon et Piano
11
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violoncelle
7
Violon (partie séparée)
6
Violoncelle, Piano
4
Violon
4
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
Contrebasse (partie séparée)
3
2 Violons (duo)
2
4 Violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
Contre Basse
1
Trio à cordes: 3 violins
1
2 Violoncelles (duo)
1
Alto seul
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
50
Batterie
24
Orchestre
21
Orchestre à Cordes
7
Ensemble de cuivres
6
Percussion (partie séparée)
3
Orchestre de chambre
3
Ensemble Jazz
2
Ensemble de Percussions
2
Batterie (partie séparée)
1
Fanfare
1
Jazz combo
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Vous avez sélectionné:
The Doubt
Partitions à imprimer
726 partitions trouvées
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726
Under The Sea
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Piano Facile
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DÉBUTANT
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Alan Menken and Howard Ashman
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Catherine Wilson
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Under The Sea
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933907. Published by Catherine Wilson (A0.1349167). Under the Sea from The Little Mermaid is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Just Around The Riverbend
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Piano Facile
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DÉBUTANT
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Alan Menken and Stephen Schwar
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Catherine Wilson
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Just Around The Riverbend
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/T...
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Easy Piano - Level 1 - SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933892. Published by Catherine Wilson (A0.1349152). Just Around the Riverbend from Pocahontas is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Go The Distance
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Piano Facile
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DÉBUTANT
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Michael Bolton
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Catherine Wilson
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Go The Distance
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933891. Published by Catherine Wilson (A0.1349151). Go the Distance from Hercules is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
The Promise PVG
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Piano, Voix
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INTERMÉDIAIRE
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going on a mission I was put i
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Steven H
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Ashley Ivers
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The Promise PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publis...
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Piano,Vocal,Voice - Level 3 - SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$3.99
The Promise Piano Minus Vocal
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Piano seul
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going on a mission I was put i
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Steven H
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Ashley Ivers
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The Promise Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #47...
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Piano - SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$1.99
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
By Bethesda's Pool, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Bethesda’s special pool
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred mus
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.  Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesda’s special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angel’s touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I can’t reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him o’er our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
$1.99
The Elephant
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. S...
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Euphonium,Piano - Level 3 - SKU: A0.1265066 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 10 pages. Matthew Nunes Music #857906. Published by Matthew Nunes Music (A0.1265066). Http://www.matthewnunesmusic.com/arrangements.htmlIncludes Treble Clef (TC) and Bass Clef (BC) parts. The Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
The Elephant
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Bass Trombone,Piano,Tenor Trombone - Level 3 - SKU: A0.1265065 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classic...
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Bass Trombone,Piano,Tenor Trombone - Level 3 - SKU: A0.1265065 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857905. Published by Matthew Nunes Music (A0.1265065). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
The Elephant
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Tuba et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
B-Flat Tuba,Piano - Level 3 - SKU: A0.1265067 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional....
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B-Flat Tuba,Piano - Level 3 - SKU: A0.1265067 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857907. Published by Matthew Nunes Music (A0.1265067). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
The Elephant
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructiona...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857902. Published by Matthew Nunes Music (A0.1265061). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
The Elephant
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instruc...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1265064 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857904. Published by Matthew Nunes Music (A0.1265064). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Temptation of Doubt (Level 3) - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Martyn C Adams
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Temptation of Doubt
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Martyn C Adams
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1435006 Composed by Martyn C Adams. Classical,Contemporary,Traditional. Score. 12 pages. Martyn C Adams #1015112. Publish...
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Piano Solo - Level 4 - SKU: A0.1435006 Composed by Martyn C Adams. Classical,Contemporary,Traditional. Score. 12 pages. Martyn C Adams #1015112. Published by Martyn C Adams (A0.1435006). This piece is split into 3 distinct small sections, with the first and last playing variations of the same theme, and the middle section is a more exciting, up-lifting style. The music was written to impart the feeling of doubting one self, giving in and holding back from doing something for the first time. Eventually courage is found and the challenge is confronted, ending with a confident feeling and respect for the accomplished task. Suggested finger has been added in places that may be helpful. This piece has been arranged at 3 different levelsLevel1 - Grade 2/3Level2 - Grade 4/5Level3 - Grade 6/7The first composition of Temptation of doubt was at Level2, then Level 1 & 2arrangements were created to make the music more accessible.
$3.99
Temptation of Doubt (Level 2) - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Martyn C Adams
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Temptation of Doubt
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Martyn C Adams
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1435004 Composed by Martyn C Adams. Classical,Contemporary,Traditional. Score. 8 pages. Martyn C Adams #1015110. Publishe...
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Piano Solo - Level 3 - SKU: A0.1435004 Composed by Martyn C Adams. Classical,Contemporary,Traditional. Score. 8 pages. Martyn C Adams #1015110. Published by Martyn C Adams (A0.1435004). This piece is split into 3 distinct small sections, with the first and last playing variations of the same theme, and the middle section is a more exciting, up-lifting style. The music was written to impart the feeling of doubting one self, giving in and holding back from doing something for the first time. Eventually courage is found and the challenge is confronted, ending with a confident feeling and respect for the accomplished task. Suggested finger has been added in places that may be helpful. This piece has been arranged at 3 different levelsLevel1 - Grade 2/3 (available for free - checkout www.martyncadams.com for more information)Level2 - Grade 4/5Level3 - Grade 6/7The first composition of Temptation of doubt was at Level2, then Level 1 & 2arrangements were created to make the music more accessible.
$3.99
Fantasie and Fugue on the name of " B-A-C-H "
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Orgue
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AVANCÉ
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Classique
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Franz Liszt
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Jean Guillou
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Fantasie and Fugue on the name
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. ...
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Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99
Father, Increase Our Faith - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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shelter us from sin
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Father, Increase Our Faith - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #690202. Published by Kevin G. Pace (A0.1086012). A heavenly, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Father, increase our faith in thy holy Name. Guide us to sacred space where there is no shame. When fear, our enemy, threatens calm within, Reach forth thy mighty arm; shelter us from sin. Father, increase our faith as the thorns of life Cause us to doubt thy word; keep us safe from strife. When pain disguises peace, when sore trials loom, Lend us thy constant care rising from all gloom. Father, increase our faith; turn our trust to Thee. When conflict frightens all, find us on our knees. Shield us from enemies when they come too close. Share thy protecting hands; guard us from all foes. Father, increase our faith; let us trust thy love. Give comfort endlessly ‘til we meet above. Father, we honor Thee and thy holy Son. Help us increase our faith so we can be one.
$1.99
Why Did the Savior Die For Me? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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He acknowledged pure will
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Why Did the Savior Die For Me?
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #689522. Published by Kevin G. Pace (A0.1085375). Sacred music for SATB choir with an Easter theme. Music by Kevin G. Pace. Text by Mary Ann Snowball. See text below: Why did the Savior die for me on Calvary’s mount? Why did He suffer readily with never a doubt? How could his Father bear to view as He hung with pain? Was there a cov’ring then He drew like sun over rain? The Savior died for me on Calvary’s hill. He loved his Father; He acknowledged pure will. The only purpose there was true charity. The sole intention then was His love for me. Why did the Savior suffer for a sinner like me? How could his off’ring open doors to let me go free? How could He be alone that day when blood ran like tears? Why would He bear this cross to say there are no more fears? The Savior suffered more than any will know, So He could be with me wherever I go. I’ll never be alone; His focus I’ll be. He’ll never leave His child, a sinner like me.
$1.99
Introduction, Theme and Variations
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Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variat
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bl_music
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SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
The Answer
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Voix Baryton, Piano
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AVANCÉ
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Contemporain
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Brett L
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The Answer
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grendel Publishing #72...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grendel Publishing #722023. Published by Sonata Grendel Publishing (A0.1120812). The Answer is a science-fiction song set in a universe where myriapods—a subphylum of arthropods containing millipedes and centipedes—are sentient and sapient. The song is the third song in The Pedesterra Cycle including The Calculus of Division and Interlude and the Cleansing. The songs center on a plot by the more advanced centipedes to dominate the millipedes in order to sow doubt in math and thereby divide them into factions. While the millipedes distracted, the carnivorous centipedes will eat the detritivorous—eating organic waste such as rotting wood—millipedes’ young. The Answer is a soliloquy by the charlatan leader of the Brown on Black faction described in the first song as “sustained by fear and vindication.†In the song, the sham politician betrays their allegiance to the centipedes who have aided their rise to power. The song is the third in a trilogy of songs set in this unforgiving universe of Pedesterra.
$7.60
How heavy lies the heart
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Chorale SATB
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INTERMÉDIAIRE
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David Rain
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David Rain
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How heavy lies the heart
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissa...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
$2.00
Doubt
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Piano seul
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Mary J
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Antje Günther
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Doubt
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Antje Guenther
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SheetMusicPlus
Piano Solo - SKU: A0.1086961 By Mary J. Blige. By Mary J Blige and Samuel Elliot Roman. Arranged by Antje Günther. Blues,Hip-Hop,Jazz,Pop,R & B,Rock....
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Piano Solo - SKU: A0.1086961 By Mary J. Blige. By Mary J Blige and Samuel Elliot Roman. Arranged by Antje Günther. Blues,Hip-Hop,Jazz,Pop,R & B,Rock. Score. 3 pages. Antje Guenther #691151. Published by Antje Guenther (A0.1086961). This is an arrangement for solo piano, with lyrics. Das ist ein Arrangement für solo Klavier, mit Text.
$7.99
When the World is Filled With Doubt
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Peter Spinney
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Peter Spinney
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When the World is Filled With
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Peter Spinney
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SheetMusicPlus
Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1458567 Composed by Peter Spinney. Arranged by Peter Spinney. Christian,Praise & Worship,Religious...
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Choral 2-Part Chorus,Choir,Choral - Level 2 - SKU: A0.1458567 Composed by Peter Spinney. Arranged by Peter Spinney. Christian,Praise & Worship,Religious,Sacred. 8 pages. Peter Spinney #1037497. Published by Peter Spinney (A0.1458567). A two part Choral Anthem, a Soloist or Soprano part and a unison part with accompianment, about finding strength in the Father, Son, and Holy Spirit. It begins with a hint of melancholy, asking the Father for mercy, and asking the Son for healing and salvation. Then, calling upon the Holy spirit for courage and strength, the song ends with a strong affirmation of God providing hope and strength.
$3.00
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The Doubt
