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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Duck
Non classifié
68
Piano & claviers
Piano, Voix
121
Piano seul
81
Piano Facile
42
Piano, Voix et Guitare
22
Piano grosses notes
4
Accompagnement Piano
3
Instruments en Do
3
Orgue
3
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
23
Guitare notes et tablatures
16
Guitare
3
Basse electrique
3
Guitare (partie séparée)
2
Ukulele
1
+ 1 instrumentations
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Voix
Chorale SATB
12
Chorale Unison
10
Chorale TTBB
7
Voix haute
2
Voix duo, Piano
1
Chorale 3 parties
1
Voix seule
1
Chorale
1
Chorale 2 parties
1
+ 4 instrumentations
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Vents
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9
Flûte traversière
8
Saxophone Tenor
7
Saxophone Alto
7
Clarinette
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Clarinette et Piano
5
Flûte traversière et Piano
5
Saxophone Tenor et Piano
4
Hautbois
4
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Soprano
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Soprano et Piano
2
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette (partie séparée)
1
Cor Anglais
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone Baryton
1
2 Flûtes traversières (duo)
1
3 Saxophones (trio)
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes à bec
1
2 Saxophones (duo)
1
Ensemble De Flûte à bec
1
3 Clarinettes (trio)
1
Clarinette, Trompette (duo)
1
Flute (partie séparée)
1
2 Clarinettes (duo)
1
Saxophone, Clarinette (duo)
1
Hautbois (partie séparée)
1
+ 33 instrumentations
Retracter
Cuivres
Trompette
10
Trombone (partie séparée)
6
Trombone
6
Trompette (partie séparée)
5
Cor
4
Tuba
4
Cor et Piano
3
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Piano
2
Bass Clef Instruments
2
Cor Anglais
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
Tuba (partie séparée)
1
+ 12 instrumentations
Retracter
Cordes
Violoncelle
8
Violon
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto seul
5
Violoncelle, Piano
4
2 Violons (duo)
3
Alto, Piano
3
Violon, Violoncelle (duo)
3
Contre Basse
3
Violon et Piano
3
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
2 Violoncelles (duo)
1
Ensemble de Violoncelles
1
Harpe
1
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
12
Orchestre à Cordes
9
Ensemble Jazz
9
Fanfare
6
Orchestre de chambre
2
Jazz combo
2
Ensemble de cuivres
2
Orchestre
2
Ensemble de Percussions
1
Batterie (partie séparée)
1
Cloches
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Scottish National Anthem for Brass Band Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digit…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith Terrett. Patriotic,Praise & Worship,Traditional. 10 pages. Keith Terrett #812052. Published by Keith Terrett (A0.1215186). An arrangement of the Scottish National Anthem for Brass Band Quintet. A constituent nation of the United Kingdom, Scotland lacks an official, legislated national song; in fact there are several songs in use as national songs of Scotland. The one most often considered as the unofficial national anthem (and most often presented as Scotland’s anthem at sporting matches) is Flower of Scotland, written by Roy Williamson in 1965 for the popular folk group The Corries. It was first used in a sporting match in 1974 by the Scottish national rugby team in 1974, sung by the team. When the British God Save the Queen was sung before a rugby match in 1988 to represent Scotland, and was met by derision from the crowd, Flower of Scotland was adopted as Scotland’s pregame anthem. Flower of Scotland, however, has not been adopted in any official basis as the Scottish anthem. Other popular national songs of Scotland have sometimes used as unofficial national anthems, the most common being Scotland the Brave (a traditional melody (sheet music) with lyrics writted by Cliff Hanley in 1950). Scotland the Brave was used as the Scottish anthem at the Commonwealth Games until 2010 (when it was replaced by Flower of Scotland) and is most commonly heard on the bagpipe, the Scottish national instrument. When the Scottish Parliament was opened in 1997, another national song (A Man’s A Man for A’ That by national poet Robert Burns) was used, which isn’t usually presented as a Scottish anthem. The choice of this song may have been to duck the controversy of choosing one of the previously mentioned national songs as an official regional anthem, or by using God Save the Queen (the anthem of the United Kingdom, of which Scotland is a part). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.29 €
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Keith Terrett
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Keith Terrett
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Scottish National Anthem for Brass Band Quintet
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Keith Terrett
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SheetMusicPlus
The Walk From The Path
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1212355 Composed by tyson powell.…
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Concert Band - Level 3 - Digital Download SKU: A0.1212355 Composed by tyson powell. Medieval,Sacred,Thriller. Score and Parts. 42 pages. Tyson L powell #809857. Published by Tyson L powell (A0.1212355). I wanted a song that mixed my other songs' Harmonic minor feel mixed with a chased feeling. The walk from the path is metaphoric. The music tells a story about a duck trying to escape duck hunters. The duck is helped by a bird (Piccolo). However, as the bird helps the duck, They have to cross a creek, the duck manages to make it but as the bird tries the bird is caught, the bird is in danger. The bird calls out to the Duck but the Duck can't do anything. The duck watches as the bird is killed by a duck hunter. The Duck is able to find cover and when the Duck calms down and the Hunters leave for today, The duck mourns his fellow buddy.
$29.99
27.65 €
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Orchestre d'harmonie
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tyson powell
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The Walk From The Path
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Tyson L powell
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
The Clarke Variations-bass clef edition
Bass Clef Instruments
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric…
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Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.63 €
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Bass Clef Instruments
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Eric Bolvin
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The Clarke Variations-bass clef edition
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Faded Duck Music
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SheetMusicPlus
Ducktales Theme
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1413871 Composed by Mark Mueller. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1413871 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 2 pages. Rodrigo Faleiros #995308. Published by Rodrigo Faleiros (A0.1413871). Dive into fortune with this solo piano arrangement of the iconic Ducktales Theme!KEY FEATURES: Playable Piano: A simplified arrangement designed for solo piano. Chords: Included for a complete learning experience. F Major Key: Upbeat and familiar, perfect for this adventurous tune. Enriched Harmony: Explore chords to personalize your performance. Classic Theme, New Take: Relive the Ducktales magic on the piano. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$7.99
7.37 €
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Piano seul
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Mark Mueller
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Rodrigo Faleiros
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Ducktales Theme
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Rodrigo Faleiros
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SheetMusicPlus
Ducktales Theme
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1413910 Composed by Mark Mueller. A…
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Piano Solo - Level 1 - Digital Download SKU: A0.1413910 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 2 pages. Rodrigo Faleiros #995317. Published by Rodrigo Faleiros (A0.1413910). Dive into fortune with this solo piano arrangement of the iconic Ducktales Theme! KEY FEATURES: Playable Piano: A simplified arrangement designed for solo piano. F Major Key: Upbeat and familiar, perfect for this adventurous tune. Enriched Harmony: Explore chords to personalize your performance. Classic Theme, New Take: Relive the Ducktales magic on the piano. Unleash your inner Scrooge McDuck with this exciting arrangement! Check out my other arrangements clicking here.
$7.99
7.37 €
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Piano seul
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Mark Mueller
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Rodrigo Faleiros
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Ducktales Theme
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Rodrigo Faleiros
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SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1413940 Composed by Mark Mueller. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1413940 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995327. Published by Rodrigo Faleiros (A0.1413940). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
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Mark Mueller
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Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1413937 Composed by Mark Mueller. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1413937 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995324. Published by Rodrigo Faleiros (A0.1413937). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords and Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
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Mark Mueller
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Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.1413934 Composed by Mark Mueller. A…
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Easy Piano - Level 3 - Digital Download SKU: A0.1413934 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995320. Published by Rodrigo Faleiros (A0.1413934). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1413943 Composed by Mark Mueller. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1413943 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995331. Published by Rodrigo Faleiros (A0.1413943). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.1413933 Composed by Mark Mueller. A…
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Easy Piano - Level 3 - Digital Download SKU: A0.1413933 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995319. Published by Rodrigo Faleiros (A0.1413933). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords and Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1413936 Composed by Mark Mueller. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1413936 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995323. Published by Rodrigo Faleiros (A0.1413936). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
#
Mark Mueller
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Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.1413935 Composed by Mark Mueller. A…
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Easy Piano - Level 3 - Digital Download SKU: A0.1413935 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995322. Published by Rodrigo Faleiros (A0.1413935). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
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Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1413942 Composed by Mark Mueller. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1413942 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995330. Published by Rodrigo Faleiros (A0.1413942). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
#
Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.1413932 Composed by Mark Mueller. A…
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Easy Piano - Level 3 - Digital Download SKU: A0.1413932 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995318. Published by Rodrigo Faleiros (A0.1413932). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
#
Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1413941 Composed by Mark Mueller. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1413941 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995329. Published by Rodrigo Faleiros (A0.1413941). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Chords and Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
#
Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1413939 Composed by Mark Mueller. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1413939 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995326. Published by Rodrigo Faleiros (A0.1413939). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
#
Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
#
Rodrigo Faleiros
#
SheetMusicPlus
Ducktales Theme
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1413938 Composed by Mark Mueller. A…
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Easy Piano - Level 2 - Digital Download SKU: A0.1413938 Composed by Mark Mueller. Arranged by Rodrigo Faleiros. Children,Film/TV,Pop. Score. 1 pages. Rodrigo Faleiros #995325. Published by Rodrigo Faleiros (A0.1413938). Embark on a musical quest with this easy piano arrangement of the Ducktales Theme, perfect for everyone starting to play the piano.KEY FEATURES: Easy Piano: A beginner-friendly version that’s fun to play. Fingerings: Complete with symbols and guidance for a full learning experience. F Major: An upbeat key that brings the adventure to life. Harmony Exploration: Simple chords to enhance your playing. Beloved Melody: Enjoy the timeless Ducktales tune in a fresh way. Unleash your inner Scrooge McDuck with this exciting arrangement!Check out my other arrangements clicking here.
$4.99
4.6 €
#
Piano Facile
#
Mark Mueller
#
Rodrigo Faleiros
#
Ducktales Theme
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Rodrigo Faleiros
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SheetMusicPlus
The Progressive Warm Up-Trombone Edition
Trombone
Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exe…
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Trombone, Euphonium - Advanced Intermediate - Digital Download Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.63 €
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Trombone
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The Progressive Warm Up-Trombone Edition
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
Trompette
Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.63 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
The Progressive Warm Up-Tuba Edition
Tuba
Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. …
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Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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The Progressive Warm Up-Tuba Edition
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SheetMusicPlus
The Modern Jazz Trumpet Method
Trompette
Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Jazz, Latin Jazz, Funk Jazz, Method, Etudes and Exercises. 102 pages. Published by Faded Duck Music
A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.<br> <br> Description<br> This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.<br> <br> The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!<br> <br> The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.
$19.95
18.39 €
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Trompette
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Eric Bolvin
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The Modern Jazz Trumpet Method
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Faded Duck Music
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SheetMusicPlus
The Saint-Jacome Manual
Trompette
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvi…
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Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 73 pages. Published by Faded Duck Music
The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.<br> <br> Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.<br> <br> Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.<br> <br> That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!
$16.95
15.63 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Saint-Jacome Manual
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Faded Duck Music
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SheetMusicPlus
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