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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The Fields of the Dead
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The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.15 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.67 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
The Leaves of the Fall
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.8 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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The Leaves of the Fall
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John van Gulik
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SheetMusicPlus
Dies Irae: In Flanders fields from Eternal Light: A Requiem (Downloadable)
Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Di…
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Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Digital Download SKU: MQ.56-0054-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. Instrument part. 13 pages. Duration 5 minutes, 36 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0054-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0054-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement has no soprano part, it is soloist above and ATB below, giving a rich, dark quality to the music. The tenors and basses (divisi) begin this movement, declaiming “Dies irae, dies illa.†Two soloists begin in the “Flanders fields†text above. There is an option for three soloists as the piece evolves. (Soprano, tenor and baritone, the composer gives some options for this.) Soon the choir takes up the poem, yet the Latin text occasionally appears and continues, moving toward a climax on the text “We are the Dead, Short days ago We lived.†As the music descends from the high point, the English poem continues, with the choir very softly commenting “Dies irae†as the movement ends. Duration 5:36.
$3.35
3.01 €
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Howard Goodall
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Dies Irae: In Flanders fields from Eternal Light: A Requiem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Fields of the Dead
Harpe
Composed by Ashton Renaud. Classical. Score. 1 pages. Ashton Renaud #736824. Publish…
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Composed by Ashton Renaud. Classical. Score. 1 pages. Ashton Renaud #736824. Published by Ashton Renaud
$2.99
2.69 €
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Harpe
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Ashton Renaud
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The Fields of the Dead
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Ashton Renaud
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SheetMusicPlus
Drummer Boy of Shiloh. A Beautiful Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.23135 Composed by Will S. Hays. Battlefi…
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Piano and voice - Digital Download SKU: LV.23135 Composed by Will S. Hays. Battlefields, Soldiers, War casualties, Prayer, Patriotism, Mothers & children, Grief, Civil war--Confederate. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23135). Drummer Boy of Shiloh. A Beautiful Ballad. Written and Composed by Will S. Hays. Published 1865 by D.P. Faulds, 223 Main St. in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Battlefields, Soldiers, War casualties, Prayer, Patriotism, Mothers & children, Grief, Civil war--Confederate. First line reads On Shiloh's dark and bloody ground the dead and wounded lay.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.39 €
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Piano, Voix
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Will S
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Drummer Boy of Shiloh. A Beautiful Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Barbara Allen for piccolo and orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.39 €
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
Barbara Allen for piccolo and orchestra (mp3)
Piccolo - Level 4 - Digital Download SKU: A0.1470561 By Reinhold Behringer. By Trad…
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Piccolo - Level 4 - Digital Download SKU: A0.1470561 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Full Performance. Duration 300. David Warin Solomons #1048224. Published by David Warin Solomons (A0.1470561). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town, where I was born,There was a fair maid dwellin',Made ev'ry youth cry Well-a-day!Her name was Barb'ra Allen.All in the merry month of MayWhen green buds they were swellin',Young Jemmy Grove on his death-bed layFor love of Barb'ra Allen.Then slowly, slowly she came up,And slowly she came nigh him,And all she said when there she cameYoung man, I think you're dying.As she was walking o'er the fieldsShe heard the dead-bell knellin',And ev'ry stroke the dead-bell gaveCried Woe to Barb'ra Allen!When he was dead and laid in graveHer heart was struck with sorrow.O mother, mother, make my bed,For I shall die tomorrow.Farewell, she said, ye virgins all,And shun the fault I fell in;Henceforth take warning by the fallOf cruel Barb'ra Allen..
$5.00
4.5 €
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
Nature Morte
Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - Digital Download SKU: A…
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Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - Digital Download SKU: A0.1080531 Composed by William Brenner. Classical,Contemporary. Score and parts. 31 pages. William Brenner #684755. Published by William Brenner (A0.1080531). Nature Morte | by William Brenner (Still life) For quartet: Clarinet in Bb, Horn in F, Viola and Xylophone This is my final project for my 2nd semester in college. I hope you enjoy it! The piece explores complex musical writing and technical elements. My goal was to explore this kind of composition while following my typical way of writing music: expressing a story or an image through music. -------------------------------------------------------------------------------------------------------------------- Program note: Many times throughout history, cycles and elements of nature like birth, death and, of course, love have been extremely rich sources of inspiration for composers. However, even though it has been the main subject of many musical works in the past, it is still pretty rare for nature to be represented as a cycle used when describing humankind. Therefore, the goal of the piece Nature Morte is to not only show the cycle of life present in nature, but also address the cohabitation of death and life within this same cycle. Paintings by Jan Wijnants like Le repos des chasseurs aux faucons et Paysage avec bovins sur une route de campagne wonderfully illustrates this phenomena. This dutch painter often uses dead trees and big tree stumps in his work, which symbolizes typical fields and landscapes from the 17th century. This demonstration of coexistence between life and death, as well as this idea of cycles within life in nature, are the main sources of inspiration for this piece. Given that the idea of life and death within nature is inspired by motionless elements in visual art, it explains the chosen title: Nature morte (which could translate as “Still lifeâ€).
$16.99
15.28 €
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William Brenner
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Nature Morte
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William Brenner
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SheetMusicPlus
12 Evocations (for Piano solo)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionist…
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Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
23.37 €
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Piano seul
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Requiem por los hijos del cañaveral
Chorale SATB
Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.1209310 Composed by…
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Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.1209310 Composed by Samuel Robles. Classical,Contemporary,Latin,Sacred. Octavo. 13 pages. Samuel Robles #807425. Published by Samuel Robles (A0.1209310). This award-winning composition is a setting of the introit from the mass for the dead, written as a homage to field workers, particularly seasonal workers on Panamanian sugarcane fields. Inspired by Panamanian folk rhythms, the piece features vibrant harmonies and an energetic percussion accompaniment. The work is suitable for professional, community or school choirs. Ideal for Latin American-themed programs or any occasion, Requiem por los hijos del cañaveral is a powerful and unique addition to any choral organization's repertoire. Includes full score and a separate percussion part. Robles' Requiem was awarded the Roque Cordero National Composition Prize in 2018.
$2.99
2.69 €
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Chorale SATB
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Samuel Robles
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Requiem por los hijos del cañaveral
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Samuel Robles
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SheetMusicPlus
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Compositeurs
Mentions légales
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Version intégrale
