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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The Flautist
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Together
Flûte traversière et Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU:…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.992198 Composed by Kassidy-Rose McMahon. Contemporary,Instructional,Standards. Score and parts. 12 pages. Kassidy-Rose McMahon #4289165. Published by Kassidy-Rose McMahon (A0.992198). Together was composed in January 2019. This mellifluous duet in cut common time and in the blissful key of G major, has a sweet, pleasant, and amiable, nature. The pedagogical target of Together is collaboration. The performer is required to perform the work with another flautist and a pianist. The flautists must switch parts when repeating each section.
$1.99
1.83 €
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Flûte traversière et Piano
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Kassidy-Rose McMahon
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Together
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Kassidy-Rose McMahon
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SheetMusicPlus
Prelude - Hark the Glad Sound
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.925227 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.925227 Composed by Jill Elliott. Christian,Christmas. 9 pages. Daffiddle Music #4628665. Published by Daffiddle Music (A0.925227). Wachet Auf is a popular piece for the first Sunday of Advent. This Prelude, based on the old hymn tune, Bristol, is intended principally for use on the second Sunday of Advent. Our church group has always played it in the version for solo flute and string quartet, but this version for wind quintet could be useful. Please note that the flute part is the most difficult. The clarinet, oboe and horn parts are easy. The flautist and bassoonist will have to breathe where they need to: different players can make their breath last longer!
$3.99
3.66 €
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Flûte, Hautbois, Clarinette, Basson
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Jill Elliott
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Prelude - Hark the Glad Sound
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Daffiddle Music
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.54 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Songs My Mother Taught Me
Flûte traversière et Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437727 By Eileen Gilligan…
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437727 By Eileen Gilligan. By Antonin Dvorak. Arranged by Eileen Gilligan. 20th Century,Classical,Instructional,Opera,Romantic Period. Score and part. 10 pages. The Flautist #1017794. Published by The Flautist (A0.1437727). This is a version performed by William Bennett.
$9.95
9.14 €
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Flûte traversière et Piano
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Eileen Gilligan
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Eileen Gilligan
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Songs My Mother Taught Me
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The Flautist
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SheetMusicPlus
Salome Tanz (Dance of the Seven Veils)
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richa…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
27.54 €
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Flûte traversière et Piano
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Folds of the Mind
Level 4 - Digital Download SKU: A0.976920 Composed by Sabrina Pena Young. 20th Cent…
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Level 4 - Digital Download SKU: A0.976920 Composed by Sabrina Pena Young. 20th Century,Contemporary,Standards. 20 pages. Sabrina Peña Young #3425647. Published by Sabrina Peña Young (A0.976920). Dramatic 21st century work for Flute and Percussion Ensemble. The work truly allows the flautist to shine within a complex texture of percussion, rhythm, melody, and spoken word. Within the work each player has both a musical and theatrical role as they play with spatial relationship and sound in this intricate, rhythmic, melodic work composed by an award-winning composer. For the advanced high school, college, or professional ensemble. Includes spoken text parts. A truly experimental experience for audience and performers, unforgettable and musical. Ideal for live performance. Feel free to contact composer directly about any performance questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.26 €
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Sabrina Pena Young
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Folds of the Mind
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Sabrina Peña Young
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Swingin' to the Fishin' Hole
2 Flûtes traversières (duo)
Flute Duet Flute - Level 4 - Digital Download SKU: A0.906643 Composed by Dr. Buddy …
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.906643 Composed by Dr. Buddy Clements. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 20 pages. Happy Tuba Music Publishing #6012893. Published by Happy Tuba Music Publishing (A0.906643). A fun Flute Duet meant to be entertaining but also provide ample opportunity to showcase the considerable talents of the two performers through the use of various styles, extended ranges and extended techniques. In other words, just because its entertaining, its still a serious piece! This composition was inspired by Earl Hagen’s iconic theme from the Andy Griffith Show. I would like to express my heartfelt thanks to Flautist Extraordinaire, the incredible Sara Andon for her input and inspiration. Written with the Advanced Intermediate to Advanced Flautists in mind. This audio file does not actually replicate the extended technique precisely.
$10.00
9.18 €
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2 Flûtes traversières (duo)
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Dr
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Swingin' to the Fishin' Hole
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Happy Tuba Music Publishing
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SheetMusicPlus
The Grass is growing in the field of ash - for wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.576522 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.576522 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. 21 pages. David Warin Solomons #31933. Published by David Warin Solomons (A0.576522). This is one of several arrangements of my tune The grass is growing in the field of ash, specially requested by the flautist Lisa Hedley for her wind quintet (The Emerald wind quintet). The pdf file contains score and parts. The sound sample is an electronic preview. The piece was originally conceived as a 60s style folk vocal duet on this poem by Mark Haviland: The grass is growing in the field of ash Come look come see with the passing of each day the green grows stronger than the grey Various versions of the music are now available: flute quartet, 2 flutes (or 2 recorders) and guitar, 2 altos and guitar, flute, oboe & piano, flute, cor anglais & piano, flute choir and this wind quintet version.
$16.00
14.69 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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David Warin Solomons
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The Grass is growing in the field of ash - for wind quintet
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David Warin Solomons
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SheetMusicPlus
The Grass is growing in the field of ash - for flute, oboe and string trio
Small Ensemble,Strings Flute,Oboe - Level 3 - Digital Download SKU: A0.579571 Compo…
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Small Ensemble,Strings Flute,Oboe - Level 3 - Digital Download SKU: A0.579571 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and parts. 15 pages. David Warin Solomons #3088429. Published by David Warin Solomons (A0.579571). This is one of several arrangements of my tune The grass is growing in the field of ash, specially requested by the flautist Nancy Schafer for a concert in aid of the Syrian refugees.
$15.00
13.77 €
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David Warin Solomons
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The Grass is growing in the field of ash - for flute, oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Furgary (Cello and Piano - First Theme Only Arrangement)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1297036 By Geraldine Green. By Ger…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1297036 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 12 pages. Geraldine (Denny) Green at Oakmountmusic #887158. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297036). ALL PURCHASES COME WITH SCORE AND PARTSDuration – Approx. 8/9 minutesAbout The PieceFurgary was written in October 2019 at the request of Flautist Gary Woolf for his junior music school orchestra, the Banda Di Musica, for whom I have written many pieces. It was originally scored for a trio of soloists (flute, cello and piano) and string orchestra, like a kind of concerto grosso. In this form there are two school orchestra arrangements;No. 1 – School Arrangement – Solo flute, cello and piano, Violins 1,2&3, cellos 1&2No. 2 – Standard Arrangement – Solo flute, cello and piano, Violins 1&2, violas, cellos and basses.There are also two further arrangements;No. 3 – Cello and piano – First theme onlyNo. 4 – Violin and Piano – First theme only.
$5.00
4.59 €
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Violoncelle, Piano
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Geraldine Green
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Geraldine Green
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Furgary
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Geraldine
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SheetMusicPlus
Furgary (Violin and Piano - First Theme Only Arrangement)
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1297037 By Geraldine Green. By Ge…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1297037 By Geraldine Green. By Geraldine (Denny)Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 12 pages. Geraldine (Denny) Green at Oakmountmusic #887160. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297037). ALL PURCHASES COME WITH SCORE AND PARTSDuration – Approx. 8/9 minutesAbout The PieceFurgary was written in October 2019 at the request of Flautist Gary Woolf for his junior music school orchestra, the Banda Di Musica, for whom I have written many pieces. It was originally scored for a trio of soloists (flute, cello and piano) and string orchestra, like a kind of concerto grosso. In this form there are two school orchestra arrangements;No. 1 – School Arrangement – Solo flute, cello and piano, Violins 1,2&3, cellos 1&2No. 2 – Standard Arrangement – Solo flute, cello and piano, Violins 1&2, violas, cellos and basses.There are also two further arrangements;No. 3 – Cello and piano – First theme onlyNo. 4 – Violin and Piano – First theme only.
$5.00
4.59 €
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Violon et Piano
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Geraldine Green
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Geraldine Green
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Furgary
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Geraldine
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SheetMusicPlus
Symphony No. 104 - Allegro from the 1st movement
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph H…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atlas Nash #3663237. Published by Atlas Nash (A0.1031107). This is a lively arrangement of the Allegro theme taken from the 1st movement of Haydn's Symphony No. 104 - one of Haydn's London symphonies. The allegro is arranged here for flute and piano, but can easily be played on violin or other instruments suited to the range. The range of the flute part is from C-sharp5 (octave above middle C), to a high E (E6) - a range that would approximately suite a flautist at Grade 3 level - upper end of easy/beginner. The piano accompaniment has been arranged to be at the higher end of easy - with some more complex elements including octave and running quaver passages. Dynamics and articulation have been added in as a guide only. This download includes a score and separate flute part. The original work was written in 1795 while Haydn was living in London and was premiered to great acclaim. It remains a popular choice today for concerts around the world. This arrangement could work nicely alongside an arrangement of the second movement - or as part of a medley of short pieces in a concert. The expected duration of the piece is likely to be between 1.5 to 2 minutes long, though the arrangement can be played at a tempo suiting the individual performer. Some professional performances of this work would be more in the range of one minute only! I hope you enjoy this arrangement and I'd welcome any feedback by email to franmatt100@gmail.com.
$1.99
1.83 €
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Flûte traversière et Piano
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Franz Joseph Haydn
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F Matthews
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Symphony No. 104 - Allegro from the 1st movement
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Atlas Nash
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SheetMusicPlus
Tolkien Song: The Ent and the Entwife
Small Ensemble Flute,Harp,High Voice,Piano Accompaniment - Level 2 - Digital Download S…
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Small Ensemble Flute,Harp,High Voice,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1007137 Composed by Charles McCreery. 20th Century,Celtic,Children,Contemporary. Score and parts. 15 pages. St Maur Music #3567425. Published by St Maur Music (A0.1007137). This is one of a series of songs for children, with words by J.R.R. Tolkien. The vocal line is intended to be sung by two solo soprano voices, taking alternate verses, until the final verse, where they form a duet. Alternatively, the piece can be taken as an opportunity for two solo flautists, taking alternating verses, until the final verse. In either case the accompaniment can be taken, either by a harp, or by a piano. ‘Charles McCreerys beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ - Samantha Gillogly, violinist and composer A comment on Charles McCreery’s collection of Tolkien songs: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved.’ - Dr Julia Gasper, LGSM
$7.00
6.43 €
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Charles McCreery
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Tolkien Song: The Ent and the Entwife
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St Maur Music
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SheetMusicPlus
The Burton Quadrille's
Piano seul
Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lest…
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Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7806). The Burton Quadrille's. (1) Charles Dimple (Leap Year); (2) Breach of promise); (3) Aminadab Sleek (Serious Family); (4) Mr. Pillicoddy; (5) Mr. Timothy Toodl. Composed and Arranged for the Piano Forte by Henry Tissington, Flautist at Burtons Theatre, Chamber St. Published 1850 by Jollie, 300 Broadway in New York. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano seul
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Henry Tissington
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(2) Breach of promise)
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The Burton Quadrille's
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Joy to the World
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1087143 Composed by G. F. Han…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1087143 Composed by G. F. Handel. Arranged by Katie Gabriel. Baroque,Christmas,Holiday,Sacred,Traditional. Score. 4 pages. Katie Gabriel #691344. Published by Katie Gabriel (A0.1087143). This arrangement of Joy to the World has a relatively advanced first part with an easier second part. This makes it nicer for beginner and more advanced flautists to play together. One of these parts can easily be played by a violin, too, since neither part is too high and it is in the easy key of G. This arrangement is suitable for Christmas concerts/recitals and religious services.
$2.50
2.3 €
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2 Flûtes traversières (duo)
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G
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Katie Gabriel
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Joy to the World
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Katie Gabriel
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SheetMusicPlus
Solos for the Advancing Flautist, Volume 1
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1404894 Composed by Carl Maria von…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1404894 Composed by Carl Maria von Weber, Elisabeth von Herzogenberg, Fanny Cecile Mendelssohn, Jacques Offenbach, Josephine Lang, and Robert Schumann. Arranged by Josh Trentadue. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 28 pages. T.U.X. People's Music #987925. Published by T.U.X. People's Music (A0.1404894). Curated for the advancing flautist, this carefully compiled collection of early German Romantic works provides newly engraved arrangements of popular and new favorites, including Schumann, Mendelssohn-Hensel, von Weber, and more!Table of Contents:Eight Klavierstücke - II, von Herzogenberg (ME)Eight Klavierstücke - IV, von Herzogenberg (ME)Theme in E-flat Major, Schumann (M)Three Melodies, Op. 4 - II, Mendelssohn-Hensel (M)Excerpt from “Danse Infernaleâ€, Lang (MA)Andantino con moto, Op. 4, von Weber (MA)Can-Can, Offenbach (A).
$19.99
18.36 €
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Flûte traversière et Piano
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Carl Maria von Weber, Elisabeth von Herzogenberg, Fanny Cecile Mendelssohn, Jacques Offenbach, Josephine Lang, and Robert Schumann
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Josh Trentadue
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Solos for the Advancing Flautist, Volume 1
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T.U.X. People's Music
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SheetMusicPlus
Encouragement for young flautists
2 Flûtes traversières (duo)
2 flutes - intermediate - Digital Download SKU: S9.Q49829 50 progressive and rec…
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2 flutes - intermediate - Digital Download SKU: S9.Q49829 50 progressive and recreational Duos for 2 Flutes. Composed by Charles Keller. This edition: performance score. Downloadable, Performance score. Op. 62. Schott Music - Digital #Q49829. Published by Schott Music - Digital (S9.Q49829). These duets, composed in 1855 are intended to help students to progress – technically and especially musically in carefully designed stages. Starting with the octave g’-g’’, students acquire a solid musical foundation before progressing to a wide range of pieces in different styles and characters which in turn provide them with the motivation for further study.
$17.99
16.52 €
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2 Flûtes traversières (duo)
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Charles Keller
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Encouragement for young flautists
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Schott Music - Digital
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SheetMusicPlus
Encouragement for young flautists
2 Flûtes traversières (duo)
2 flutes - easy - Digital Download SKU: S9.Q3156 50 progressive and recreatifs D…
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2 flutes - easy - Digital Download SKU: S9.Q3156 50 progressive and recreatifs Duos in 2 volumes. Composed by Charles Keller. This edition: performance score. Downloadable, Performance score. Volume op. 62, Op Band 1. Schott Music - Digital #Q3156. Published by Schott Music - Digital (S9.Q3156). These duets, composed in 1855 are intended to help students to progress - technically and especially musically in carefully designed stages. Starting with the octave g'-g'', students acquire a solid musical foundation before progressing to a wide range of pieces in different styles and characters which in turn provide them with the motivation for further study.
$17.99
16.52 €
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2 Flûtes traversières (duo)
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Charles Keller
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Encouragement for young flautists
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Schott Music - Digital
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SheetMusicPlus
The Lockdown Waltz
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.995874 Composed by Matthew Victor …
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Flute,Piano - Level 5 - Digital Download SKU: A0.995874 Composed by Matthew Victor Reid. Classical,Jazz,Standards. Score and part. 16 pages. Playing with Fire Entertainment #5711795. Published by Playing with Fire Entertainment (A0.995874). A jazz waltz for an experienced flautist and pianist, written when the world was told to stay at home!
$4.99
4.58 €
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Flûte traversière et Piano
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Matthew Victor Reid
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The Lockdown Waltz
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Playing with Fire Entertainment
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SheetMusicPlus
Six Sketches
Flûte traversière et Piano
Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM448 Composed by Geoff …
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Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM448 Composed by Geoff Warren. Flute and Piano. Score and part. 30 pages. Forton Music - Digital #FM448. Published by Forton Music - Digital (F2.FM448). ISBN 9790570483471.I wrote these pieces towards the end of summer 2014 at the request of various flautist colleagues who were telling me I should get back to writing for flute and piano. Five of the six pieces are dedicated to musician colleagues; all flautists except Walter the percussionist. The sixth is to myself, perhaps a portait of the artist as a young boy. These compositions, however, are not really meant to be portaits, just pieces dedicated to people I work with, and to some extent inspired by how I see them, so I have called them Sketches. The Sketches offer short expositions of themes which I hope will be enjoyable to play and to listen to. They offer some technical challenges for the flautist but are mostly in a 'medium difficulty' range, in attractive jazz/pop styles.
$12.95
11.89 €
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Flûte traversière et Piano
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Geoff Warren
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Six Sketches
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Forton Music - Digital
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SheetMusicPlus
The Paris Prelude
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.816701 Composed by Guy Bunce. 20th Century,C…
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Flute,Piano - Digital Download SKU: A0.816701 Composed by Guy Bunce. 20th Century,Contemporary,Standards. Score and part. 11 pages. Enigma Music #4897931. Published by Enigma Music (A0.816701). The Paris Prelude was written in February 1999 for Louise Bunce (née Taylor). Its main theme is simple, a descending scale representing the romantic Paris and its atmosphere.​The piece would be an ideal teaching or concert piece for a flautist of around Grade Vii standard.A complete performance can be heard at: https://www.guybunce.co.uk/the-paris-prelude.html
$3.99
3.66 €
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Flûte traversière et Piano
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Guy Bunce
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The Paris Prelude
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Enigma Music
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SheetMusicPlus
Beneath the Veil
Flûte traversière
Flute Solo,Soprano Flute - Level 5 - Digital Download SKU: A0.1399334 By Kim Reilly…
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Flute Solo,Soprano Flute - Level 5 - Digital Download SKU: A0.1399334 By Kim Reilly. By Matthew Sear. Arranged by Matthew Sear. 21st Century,Classical,Contemporary,Contest,Festival. Individual part. 4 pages. Matthew Seat #982618. Published by Matthew Seat (A0.1399334). Beneath the Veil is a piece inspired by what lays beneath the world we live in and how there are in effect, two worlds - the seen and the unseen. Like it's subject matter the pieces alludes to tonality, but is written in an atonal/a ambigous style.The piece is an excellent piece especially for undergadaute flautists looking for a contempoary solo piece for an end of year recital.
$5.99
5.5 €
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Flûte traversière
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Kim Reilly
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Matthew Sear
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Beneath the Veil
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Matthew Seat
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SheetMusicPlus
Let's Toot Clarinet Theory Workbook
Flûte traversière
Flute Solo - Level 1 - Digital Download SKU: A0.1163019 Composed by Evelyn Talbot. …
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Flute Solo - Level 1 - Digital Download SKU: A0.1163019 Composed by Evelyn Talbot. Classical,Instructional. Individual part. 66 pages. Let's Toot Studios #763372. Published by Let's Toot Studios (A0.1163019). The fun didn’t stop for just brass! Let’s Toot Flute Theory Book provides flautists with the same fun, silly, and interactive experience. Reading notes, quirks of the instrument, and understanding basic music theory to intermediate concepts is a blast and simplified for players with this book.
$19.99
18.36 €
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Flûte traversière
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Evelyn Talbot
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Let's Toot Clarinet Theory Workbook
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Let's Toot Studios
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SheetMusicPlus
The First Nowell (The First Noel) ; a shmooshy jazz arrangement with original solo for Bb Clarinet &
Clarinette et Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.761522 Composed by Chris Lawry …
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.761522 Composed by Chris Lawry Keri Degg. Christmas,Jazz. Score and part. 8 pages. Masquerade Music #6078517. Published by Masquerade Music (A0.761522). A wonderfully sentimental arrangement for Bb Clarinet and Piano (which includes a section that is a beautiful original solo) that simply oozes Christmas/Holiday season). Expertly written by Composer/Pianist/Orchestrator Chris Lawry, and Keri Degg (Composer/Saxophonist/Clarinettist/Flautist) this is a very accessible piece (the clarinet part is around grade 3-4 standard; so easy enough to play with limited practice time!), but also lends itself to instrumental soloing/noodling if wished. This is one of five new Christmas pieces for 2018, and forms part of the 'Christmas Jazz Volume 1 - Clarinet edition' collection (also includes; Silent Night, Hark The Herald, God Rest Ye Merry Gentlemen, and I Saw Three Ships). Also available as separates (and as a collection) on Sheet Music Plus. The pieces are also available in Eb Saxophone, Flute, and Bb Saxophone variations. Contact us (details on the sheet music) to access your free demonstration, and backing tracks.
$3.99
3.66 €
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Clarinette et Piano
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Chris Lawry Keri Degg
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The First Nowell
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Masquerade Music
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SheetMusicPlus
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