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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The Flute And The Drum
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3726
Thanksgiving Medley for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Var…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.773303 Composed by Various. Arranged by Yoel Epstein. Christian,Folk,Holiday,Praise & Worship,Sacred. 32 pages. Yoel Epstein #3238781. Published by Yoel Epstein (A0.773303). I wish you the greatest pleasure playing these arrangements of traditional Thanksgiving songs. Thanksgiving is one of the most beautiful of holidays, a holiday filled with joy and music. We Gather Together to Ask the Lord's Blessing: Written in 1597 by Dutch composer Adrianus Valerius to celebrate Holland's victory over Spain, the tune was brought to American shores by the early Dutch settlers. Poet Theodore Baker wrote a new version of the lyrics in 1894, which became the standard Thanksgiving version. Over the River and Through the Wood: Lydia Maria Child, an outspoken abolitionist and advocate for Indian rights, wrote this poem in 1845. It was set to music by an unknown composer. Let All Things Now Living (The Ash Grove) This traditional Welsh melody (Llwyn Onn or The Ash Grove in Welsh) has inspired numerous lyricists to write words to the hauntingly beautiful tune. The poem by Katherine Davis, written in 1939, is the text most associated with Thanksgiving. Amazing Grace: Written by reprobate sailor John Newton in 1779. Known for his profanity, vulgarity and venery, he was imprisoned, beaten, and enslaved, before he reformed, and became a leading minister and hymn-writer. This is one of the most popular hymns ever written. This Land is Your Land: A traditional American tune, made famous by folksinger Woody Guthrie in 1940. Guthrie wrote the words as a rebuff to the song God Bless America, the huge hit by songwriter Irving Berlin. As a counter to Berlin's drum-beating patriotism, Guthrie would occasionally add politically charged verses expressing his support for communism. I hope you enjoy playing this as much as I enjoyed writing it. If you need other pieces of Americana for your ensemble, you might find them in Best-Loved American Folksongs, in two volumes, available here (volume 1) and here (volume 2). There are also arrangements of Battle Hymn of the Republic, Stars and Stripes Forever, America the Beautiful, and The Star-Spangled Banner. You can see them all and more at my composer page. I have also arranged three songs from the Holocaust, which I distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
31.51 €
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Ensemble de Flûtes
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Various
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Yoel Epstein
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Thanksgiving Medley for Flute Choir
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Yoel Epstein
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
180.13 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.01 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Tales of the Great Water
4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspend…
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4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - Digital Download SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$7.50
6.75 €
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Sandra Eithun
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Tales of the Great Water
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Chorister's Guild - Digital
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SheetMusicPlus
The Flute And The Drum (From The Battle)
1 Piano, 4 mains
Piano Duet,Piano and Keyboard - Interactive Download SKU: HX.493274 Arranged by Bra…
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Piano Duet,Piano and Keyboard - Interactive Download SKU: HX.493274 Arranged by Bradley Beckman and Carolyn True. This edition: Interactive Download,scorch. Classical. Score. 2 pages. Published by Hal Leonard - Digital (HX.493274).
$4.99
4.49 €
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1 Piano, 4 mains
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The Flute And The Drum
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Hal Leonard - Digital
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SheetMusicPlus
Tales of the Great Water (Set of Instrument Parts)
Level 3, Level 4 - Digital Download SKU: C7.CGRP56 Composed by Sandra Eithun. Gener…
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Level 3, Level 4 - Digital Download SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree and suspended cymbal. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP56. Published by Chorister's Guild - Digital (C7.CGRP56). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$11.95
10.76 €
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Sandra Eithun
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Tales of the Great Water
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Chorister's Guild - Digital
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (Flexible Band)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arran…
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Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
40.53 €
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Orchestre d'harmonie
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Various
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Randy Calistri-Yeh
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.02 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Rolling In The Deep - Flute Choir Quintet (2 Flutes; 2 Alto Flutes and Bass Flute with optional Drum Set and Tambourine)
Ensemble de Flûtes
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Drum Set, Hand Percussion, Flut…
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Drum Set, Hand Percussion, Flute Choir Quintet (2 Flutes; 2 Alto Flutes and Bass Flute with Optional Drum Set and Tambourine) - Intermediate - Digital Download By Adele. Arranged by Raymond Fenech. Set of Parts. 27 pages. Published by Raymond Fenech
"Rolling in the Deep" is a song recorded by British singer Adele for her secondstudio album, 21. It is the leadsingle and opening track on the album. The song was written by Adele and PaulEpworth. The singer herself describes it as a "dark blues-y gospeldisco tune". The largest crossoverhit in the United States from the past 25 years, "Rolling in theDeep" gained radio airplay from many different radio formats. Itwas first released on 29 November 2010 as the lead single from 21 indigital download format. The lyrics describe the emotions of a scorned lover.<br> <br> This song is arranged forFlute Choir Quintet (2 Flutes, 2 Alto Flutes and Bass Flute & Optional Drumset and Tambourine). The level is Intermediate and the duration is 3.46minutes.
$12.99
11.7 €
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Ensemble de Flûtes
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Adele
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Raymond Fenech
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Rolling In The Deep - Flute Choir Quintet
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Raymond Fenech
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.51 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.49 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Parker's Lullaby For Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Pau…
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Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734412. Published by Christian Paulson (A0.1135076). I originally wrote Parker's Lullaby for our orchestra to celebrate the birth of my first grandchild, Parker. Then I wanted to explore the sounds of the concert band with this piece...so away I went. A couple of fun things went into writing this piece originally. It had to be a lullaby, represent the anticipation of her arrival and the peacefulness of her sleeping, while contrasting her whimsical side with her bold and dramatic side. A couple of other things. The chords are rather jazzy because grandpa is a rather jazzy guy. At letter C, the drum part is grandpa being playful while the flute melody is her grandma doing the same. The ranges are comfortable allowing your band to sound full and confident. I think your horns will enjoy their heroic part in the climax. I'm very pleased with how this turned out. It was important that it kept its simplicity going from strings to band. I hope you enjoy it.
$45.00
40.53 €
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Orchestre d'harmonie
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Christian Paulson
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Parker's Lullaby For Band
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Christian Paulson
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SheetMusicPlus
Fernando
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1401306 By ABBA. By Benny Anderss…
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Concert Band - Level 2 - Digital Download SKU: A0.1401306 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Pop,Rock. 71 pages. Lorenzo Bocci #984494. Published by Lorenzo Bocci (A0.1401306). FERNANDO Featured In Mamma Mia! Here We Go Again - Performed by ABBAfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Stig Anderson, Benny Andersson, Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Pop/Rock/Musical/Film. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 4'23''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Fernando is a song written by Stig Anderson, Benny Andersson and Björn Ulvaeus, from the Swedish musical group ABBA. The song was written for their fellow group member Anni-Frid Lyngstad and was included on her 1975 album Frida ensam. The following year, Fernando was re-recorded by ABBA. It was released in March 1976 as the brand new track for the 1976 compilation album Greatest Hits, and was also included on the group's fourth studio album, Arrival, in Australia and New Zealand. The song is one of ABBA's best-selling singles of all time, with six million copies sold in 1976 alone.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
80.16 €
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Orchestre d'harmonie
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ABBA
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Stig Anderson, Benny Andersson, Bjorn Ulvaeus
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Lorenzo Bocci
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Fernando
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Lorenzo Bocci
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SheetMusicPlus
The Inner Struggles of a Man; Prelude (Little One); Little One [Chicago] (full score & set of parts)
Big band
Rock band and orchestra - Advanced - Digital Download By Chicago. Arranged by Patrick…
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Rock band and orchestra - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 186 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO on their album CHICAGO XI in 1977.<br> <br> <br> <br> INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Flugelhorn (Bb), Trombone, Fender Rhodes, Grand Piano, ElectricGuitar, Bass, Cabasa, Conga Drums, Drumset. <br> <br> FluteI, Flute II, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb), ClarinetII (Bb), Horn (F), Trombone I, Trombone II, Harp, Cymbals (crash,suspended), Chimes, Timpani, Violin I, Violin II, Viola, Cello, Contrabass. <br> <br> ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.03 €
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Big band
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Chicago
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Patrick Sheehan
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The Inner Struggles of a Man; Prelude
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Patrick Sheehan
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SheetMusicPlus
TIDINGS OF JOY (young concert band - Easy - score, parts, & license to copy)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris.…
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Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.
$31.99
28.81 €
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Orchestre d'harmonie
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Brian Harris
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Brian Harris
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TIDINGS OF JOY
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HMS Music
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SheetMusicPlus
A Little Piece Of Heaven for Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Dow…
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Flute, Woodwind Choir or Ensemble, Flute Choir - Advanced Intermediate - Digital Download By Avenged Sevenfold. Arranged by Lisa Ochoco. Score, Set of Parts. 31 pages. Published by Lisa Ochoco
Flute choir meets heavy metal!<br> <br> Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.<br> <br> If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.<br> <br> This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.<br> <br> This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!<br> <br> I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!
$17.00
15.31 €
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Ensemble de Flûtes
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Avenged Sevenfold
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Lisa Ochoco
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A Little Piece Of Heaven for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Little Big Gumbo: Flute
Flute (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017522_F1 Flute. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017522_F1 Flute. Composed by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017522_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017522_F1). UPC: 038081429311.In the Mardi Gras spirit, this swing chart is geared for an energetic performance. Optional parts for clarinet and tuba are included so there is added flexibility to make this chart even more authentic NOLA style. Lead trumpet range is to written B natural above the staff and the suggested tempo is around 200 BPM. Solo space (written) is provided for alto 1 (or clarinet), trumpet 2, and trombone 1, plus some drum cadence solos too. This title is available in SmartMusic.
$3.00
2.7 €
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Flute (partie séparée)
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Victor Lopez
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Little Big Gumbo: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Wellerman sea shanty - epic Bigband
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Tr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00
37.83 €
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Piano, Voix et Guitare
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Traditional
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Sophia Transistor
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Arrangement Contest
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Wellerman sea shanty - epic Bigband
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Sophia Transistor
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SheetMusicPlus
The Sense of a Place Will Remain
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.16 €
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Chorale SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.56 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.56 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Now And Then
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George…
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Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 73 pages. Lorenzo Bocci #951636. Published by Lorenzo Bocci (A0.1367279). NOW AND THEN The Beatlesfor Concert Band - Grade 3 - Digital Download Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
98.17 €
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Orchestre d'harmonie
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The Beatles
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Richard Starkey, John Lennon, Paul McCartney, George Harrison
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Lorenzo Bocci
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Now And Then
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Lorenzo Bocci
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SheetMusicPlus
Drummin' Man: Flute
Flute (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016171_F1 Flute. Composed by…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016171_F1 Flute. Composed by Gene Krupa and Tiny Parham. Arranged by Rich DeRosa. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016171_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016171_F1). UPC: 038081272313.A swinger to feature what else . . . the drumset! Composed by drum legend Gene Krupa and arranged by drummer/educator Rich DeRosa, this is an outstanding chart with plenty of energy!
$3.00
2.7 €
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Flute (partie séparée)
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Gene Krupa and Tiny Parham
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Rich DeRosa
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Drummin' Man: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Humility, The People Walking in Darkness Have Seen a Great Light!
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.971618 Composed by Jonathan S. La…
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Concert Band - Level 3 - Digital Download SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages. Jonathan S. Laflamme #515247. Published by Jonathan S. Laflamme (A0.971618). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$39.99
36.02 €
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Orchestre d'harmonie
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Jonathan S
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Humility, The People Walking in Darkness Have Seen a Great Light!
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Jonathan S. Laflamme
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SheetMusicPlus
CUBAN BREEZE (beginner concert band - super easy - score, parts, and license to photocopy)
Orchestre d'harmonie
Concert Band - Easy/Beginner - Digital Download Composed by Robert W. Story. Repertoi…
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Concert Band - Easy/Beginner - Digital Download Composed by Robert W. Story. Repertoire, Classroom, General Instructional, Latin. Score, Set of Parts. 26 pages. Published by Bandroom.com Publications
You'll feel the gentle tropical breeze as your beginners play this easy and contagiously hum-able tune! Simple rhythms (half-, quarter-, and a few eighth-notes) make CUBAN BREEZE an ideal piece for your concert. <br> <br> FEATURES: Easy notes, easy rhythms, repeated sections; uses rhythm instruments for color; simple, unison low brass/low woodwind parts. <br> <br> CHALLENGES: Percussion break (4 measures); tenor drum line uses a two-sixteenth/eighth-note rhythm pattern. <br> <br> KEY and RANGES: Concert B-flat major. Beginner ranges: all parts use 5 or fewer different notes. Flutes, Clarinet 1, Trumpet 1 use concert D to A; Clarinet 2 uses low G to D below staff; all others use first 5 notes of B-flat concert scale. <br> <br> INSTRUMENTATION: Flute, Oboe, Bassoon, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Tenor Drum, Bass Drum), Percussion 2 (Guiro, Maracas), Percussion 3 (Claves). <br> <br> MINIMUM INSTRUMENTATION REQUIREMENTS: At least one: Flute, Clarinet 1, Clarinet 2, Trumpet, Bass line (any low reed, saxophone, or low brass instrument), and 3 Percussionists. <br> <br> NOTE: This Digital Download document is assembled with the Trumpet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (26 pages, total), the first page to print will be the Trumpet part, followed by 8 pages of the FULL SCORE, then the remaining PARTS (16 pages), and a Site License permitting you to make multiple copies of the score and parts for use by your school.
$36.00
32.42 €
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Orchestre d'harmonie
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Robert W
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CUBAN BREEZE
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Bandroom.com Publications
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SheetMusicPlus
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