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Vous avez sélectionné:
The Gentle Giant
Partitions à imprimer
29 partitions trouvées
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The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): Solo String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0001568_SBS Solo String Bass
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String Orchestra - Digital Download SKU: AX.00-PC-0001568_SBS Solo String Bass. Composed by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001568_SBS. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001568_SBS). UPC: 038081324777.Following up on the hugely successful bass feature, Bass-ically Bluegrass, the composer has written a gorgeous lyric solo for your young bass players! The perfect level to feature the young bass section or soloist, the easy solo bass part uses 1st through 3rd position with a momentary move into 4th position. This lush setting for soloist and string orchestra will be a big hit with your bass section. Written by a bass player for bass players and their teachers! (2:20)Correlates with String Explorer Book Two, Unit 2.Concert/Contest.
$5.99
5.52 €
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Orchestre à Cordes
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Bob Phillips
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The Gentle Giant
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0001568_VN1 1st Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0001568_VN1 1st Violin. Composed by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001568_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001568_VN1). UPC: 038081324777.Following up on the hugely successful bass feature, Bass-ically Bluegrass, the composer has written a gorgeous lyric solo for your young bass players! The perfect level to feature the young bass section or soloist, the easy solo bass part uses 1st through 3rd position with a momentary move into 4th position. This lush setting for soloist and string orchestra will be a big hit with your bass section. Written by a bass player for bass players and their teachers! (2:20)Correlates with String Explorer Book Two, Unit 2.Concert/Contest.
$5.99
5.52 €
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Violon (partie séparée)
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Bob Phillips
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The Gentle Giant
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): Piano Accompaniment
Accompagnement Piano
String Orchestra - Digital Download SKU: AX.00-PC-0001568_K Piano Accompaniment
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String Orchestra - Digital Download SKU: AX.00-PC-0001568_K Piano Accompaniment. Composed by Bob Phillips. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001568_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001568_K). UPC: 038081324777.Following up on the hugely successful bass feature, Bass-ically Bluegrass, the composer has written a gorgeous lyric solo for your young bass players! The perfect level to feature the young bass section or soloist, the easy solo bass part uses 1st through 3rd position with a momentary move into 4th position. This lush setting for soloist and string orchestra will be a big hit with your bass section. Written by a bass player for bass players and their teachers! (2:20)Correlates with String Explorer Book Two, Unit 2.Concert/Contest.
$5.99
5.52 €
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Accompagnement Piano
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Bob Phillips
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The Gentle Giant
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Carnival of the Animals - 4. Tortoises
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.948109 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 11 pages. Sam Bateman #3121453. Published by Sam Bateman (A0.948109). Tortoises, the ever-so-slow gentle giants of the sauropsid family. How they appear so majestic and profound, yet overwhelmingly burdened. And nothing can express this better than a Camille Saint-Saëns composition for piano and strings - but now you can purchase your very own copy of this piece for piano and sax quartet for just 7 US dollars!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$6.99
6.44 €
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals - 4. Tortoises
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Sam Bateman
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SheetMusicPlus
The Giant Christmas Book for Cellists - Solos and Duets
Violoncelle (partie séparée)
Cello Solo - Level 2 - Digital Download SKU: A0.1088249 Composed by traditional, va…
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Cello Solo - Level 2 - Digital Download SKU: A0.1088249 Composed by traditional, various. Arranged by Clara Obsidian. Christmas,Holiday,Traditional. Individual part. 43 pages. Clara Obsidian #692500. Published by Clara Obsidian (A0.1088249). The Giant Christmas Book for Cellists - A collection of 45 Holiday Tunes for Beginner to Intermediate Cello. From popular pieces like 'Jingle Bells' to traditional tunes ' Gower Wassail', this book definitely has you covered for the holiday season! Be it gigs, classes, concerts or just at home celebrations, look no further for the festivity! Contents include: We Wish You a Merry Christmas Hark! The Herald Angels Sing Good King Wenceslas (Gentle Mary Laid her Child) What Child is This? (Greensleeves) Gower Wassail Nowell Sing We We Three Kings of the Orient Are Jesu, Joy of Man's Desiring In Duldi Jubilo Frosty the Snowman and many more! Also available! A Cellist's Christmas: A Collection of 18 Traditional and Popular Tunes (Also available for Viola) The Christmas Book: A String Quartet Collection (Inspired by various artistes) Christmas for Cellists: 15 Traditional Tunes for Solo and Duet Cello [Volumes 1, 2 and 3].
$19.99
18.43 €
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Violoncelle (partie séparée)
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traditional, various
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Clara Obsidian
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The Giant Christmas Book for Cellists - Solos and Duets
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Clara Obsidian
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SheetMusicPlus
The Gentle Giant (Sound Innovations Soloist, String Bass)
Solo & Small Ensemble - Digital Download SKU: AX.00-PS-0016661 Composed by Bob Phil…
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Solo & Small Ensemble - Digital Download SKU: AX.00-PS-0016661 Composed by Bob Phillips. Instructional. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0016661. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0016661).
$3.99
3.68 €
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Bob Phillips
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The Gentle Giant
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.91 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.61 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Galaxies
Orchestre à Cordes
String Orchestra - Digital Download SKU: IZ.OMW226 Composed by Joel Pau. Score and …
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String Orchestra - Digital Download SKU: IZ.OMW226 Composed by Joel Pau. Score and Parts. 40 pages. Imagine Music - Digital #OMW226. Published by Imagine Music - Digital (IZ.OMW226). 9 x 12 inches.The Woolly Mammoth March was inspired by the long extinct giant creatures that once roamed this Earth. Starting with a brass fanfare, much of the music is heavy, demonstrating the size and weight of the mammoths. Later, a contrasting softer section shows the more gentle side of this mammal. The work closes with thunderous stomping. In the last bars of the piece (49-56) the musicians are encouraged to stomp in the shown rhythm when playing sustained notes (if possible).
$50.00
46.09 €
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Orchestre à Cordes
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Joel Pau
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The Galaxies
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Imagine Music - Digital
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SheetMusicPlus
Goldfish Songs for solo flute/alto flute
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.918681 Composed by Jenni Brandon. C…
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Flute Solo - Level 4 - Digital Download SKU: A0.918681 Composed by Jenni Brandon. Contemporary. Individual part. 7 pages. Jenni Brandon Music #5709163. Published by Jenni Brandon Music (A0.918681). Goldfish Songs for solo flute (optional alto flute) (JB 117) by Jenni Brandon. These four solo movements tell of four different types of fancy goldfish, including Pearlscale, Celestial, Ryukin, and Lionhead. The final movement can be played either with flute or alto flute. Recording found on Song of California: Music for Winds and Piano by Jenni Brandon, Jenni Brandon Music. Duration 7:30I. Pearlscale: A flash in the sunlight II. Celestial: Looking heavenward…III. Ryukin: BelaIV. Lionhead: The gentle giantProgramming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
$12.00
11.06 €
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Flûte traversière
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Jenni Brandon
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Goldfish Songs for solo flute/alto flute
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Jenni Brandon Music
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SheetMusicPlus
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felic…
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Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99
9.21 €
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Piano seul
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
Solos for Contrabassoon
Contrabassoon and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM203 Ar…
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Contrabassoon and Piano - Intermediate-Advanced - Digital Download SKU: F2.FM203 Arranged by Robert Rainford. Score and part. 42 pages. Forton Music - Digital #FM203. Published by Forton Music - Digital (F2.FM203). ISBN 9790570481026.Contrabassoon and Piano. A selection of pieces from all periods and genres showcasing the gentle giant of the woodwind department. Contents include: 'Arise ye Subterranean Winds' - Purcell. 'O Isis and Osiris' and 'In these Sacred Halls' from Mozart's Magic Flute 'In the Hall of the Mountain King' from Peer Gynt Suite by Grieg 'Der Alte Brummbar' - Fucik. 'The Elephant' - Saint-Saens 'Beauty and the Beast' THE standard orchestral solo by Ravel, and 'The Policeman's Song' by Sullivan. Suitable for players of intermediate and above standard, an unrivalled chance for this mighty instrument to show off!
$12.95
11.94 €
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Robert Rainford
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Solos for Contrabassoon
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Forton Music - Digital
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.21 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.21 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.21 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.21 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.21 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
I'm Turning Around
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.507606 By Gentle Giant. By Derek Shulm…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.507606 By Gentle Giant. By Derek Shulman, Derek Victor Shulman, Kerry Churchill Minnear, Kerry Minnear, and Ray Shulman. Arranged by Biegler. Contemporary. Score. 3 pages. Biegler #4760329. Published by Biegler (A0.507606). Scored for piano with the vocal line played in the right hand/treble clef.The improvisation section has been left open with the changes provided.An ending has been provided in lieu of the fade out.
$4.99
4.6 €
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Piano, Voix
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Gentle Giant
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Biegler
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I'm Turning Around
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Biegler
#
SheetMusicPlus
Blue Whale: Wind Quintet and Piano
Hautbois, Piano (duo)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 3 - Digital Download SKU:…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1077100 Composed by Fiona Hickie. Classical,Multicultural,World. Score and parts. 11 pages. Fiona Alice Hickie #681253. Published by Fiona Alice Hickie (A0.1077100). A beautiful piece of music dedicated to the blue whale. It is written for wind quintet and piano. Gentle giants beneath the sea, Is it you I see floating free? Keep safe and well for ever more, Swimming freely between distant shores.
$13.99
12.9 €
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Hautbois, Piano (duo)
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Fiona Hickie
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Blue Whale: Wind Quintet and Piano
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Fiona Alice Hickie
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SheetMusicPlus
Bob Phillips: The Gentle Giant (Sound Innovations Soloist, String Bass) - chamber ensemble
Instantly printable sheet music by Bob Phillips for chamber ensemble of EASY/MEDIUM skill …
(+)
Instantly printable sheet music by Bob Phillips for chamber ensemble of EASY/MEDIUM skill level. / instructional
$7.97
7.35 €
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Bob Phillips
#
Virtualsheetmusic
Bob Phillips: The Gentle Giant - string orchestra (full score)
Orchestre à Cordes
Instantly printable sheet music by Bob Phillips for string orchestra (full score) of EASY/…
(+)
Instantly printable sheet music by Bob Phillips for string orchestra (full score) of EASY/MEDIUM skill level. / instructional
$10.99
10.13 €
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Orchestre à Cordes
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Bob Phillips
#
Virtualsheetmusic
Bob Phillips: The Gentle Giant (COMPLETE) - string orchestra
Orchestre à Cordes
Instantly printable sheet music by Bob Phillips for string orchestra of EASY/MEDIUM skill …
(+)
Instantly printable sheet music by Bob Phillips for string orchestra of EASY/MEDIUM skill level. / instructional
$49.99
46.08 €
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Orchestre à Cordes
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Bob Phillips
#
Virtualsheetmusic
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): String Bass
Contrebasse (partie séparée)
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred M…
(+)
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.52 €
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Contrebasse (partie séparée)
#
Bob Phillips
#
The Gentle Giant
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): Cello
Violoncelle (partie séparée)
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred M…
(+)
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.52 €
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Violoncelle (partie séparée)
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Bob Phillips
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The Gentle Giant
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Alfred Music. Digital Sheet Music
#
SheetMusicPlus
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): Viola
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred M…
(+)
By Bob Phillips. For String Orchestra. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.52 €
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Bob Phillips
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The Gentle Giant
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
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