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The God of my salvation
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The God of my salvation
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1045324 Composed by Edigles Guedes.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1045324 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 19 pages. Edigles Guedes #649897. Published by Edigles Guedes (A0.1045324). This song is a study in classical music. It is ideal for advanced level piano students. Inspired by the Bible verse: “Therefore I will look unto the LORD; I will wait for the God of my salvation: my God will hear me.†(Micah 7:7 – KJV) Duration of work: 6:20 min.
$19.99
18.28 €
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Piano seul
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Edigles Guedes
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The God of my salvation
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Edigles Guedes
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SheetMusicPlus
My God will hear me
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1045325 Composed by Edigles Guedes.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1045325 Composed by Edigles Guedes. Classical,Contemporary,Instructional,Praise & Worship,Spiritual. Score. 11 pages. Edigles Guedes #649898. Published by Edigles Guedes (A0.1045325). This song is a study in classical music. It is ideal for advanced level piano students. Inspired by the Bible verse: “Therefore I will look unto the LORD; I will wait for the God of my salvation: my God will hear me.†(Micah 7:7 – KJV) Duration of work: 3:11 min.
$11.99
10.96 €
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Piano seul
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Edigles Guedes
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My God will hear me
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Edigles Guedes
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SheetMusicPlus
O God of My Salvation, Hear (Psalm 88): from Tenebrae (IV-V) (Downloadable Choral Score)
Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficu…
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Tenor voice solo, SATB choir, flute, viola, and violoncello, or piano - Moderately Difficult - Digital Download SKU: MQ.8599-E Composed by Robert Kyr. Holy Week/Three Days, 21st Century. Full score. 12 pages. E. C. Schirmer Music Company - Digital #8599-E. Published by E. C. Schirmer Music Company - Digital (MQ.8599-E). English. Psalms 88.A setting of Psalm 88 taken from the larger work Tenebrae.Tenebrae is a musical journey through the shadows of the cross. The work is divided into nine individual movements and can be performed with either instrumental trio or piano accompaniment. Staging and program suggestions are included in the full score. Part IV of the â€Life unto Life†Cycle.This work may be performed with accompaniment of either instrumental trio or piano. The complete text and suggested staging appear in the full score.Instrumental Parts include: Flute/Alto Flute, Viola, Violoncello.
$2.65
2.42 €
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Robert Kyr
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O God of My Salvation, Hear
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
O Thou God of my salvation. A new tune to a wonderful old hymn.
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994207 Composed by Harry…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994207 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4347505. Published by Harry Hicks (A0.994207). New music - by Harry Hicks, (taken from his forthcoming second book of over 400 hymns entitled Praise! 2) to an old hymn that deserves to be better known.The first book - and other compositions - are also available.
$1.99
1.82 €
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Chorale Unison
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Harry Hicks
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O Thou God of my salvation. A new tune to a wonderful old hymn.
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Harry Hicks
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.4 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.73 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.49 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
#
SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.49 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
#
SheetMusicPlus
A Talk From True God
Piano seul
Piano - Digital Download SKU: A0.1066793 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066793 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 401. THEMIS KOUTRAS #5214073. Published by THEMIS KOUTRAS (A0.1066793). This is a song that I was communicating with GOD it meaning is more then what is written here in this song it also means that when I heard that evil spirits were attacking heaven and earth and the cosmos I immediately took action and prayed to go into war against these evil spirits to defend GOD and his creation single-handed I fought this spiritual war alone and won it even though I thought that one day I will even give up my salvation that my father JESUS CHRIST might save bless heal perfect the whole cosmos I was then willing to die eternally for this course believing one day in war I will die but then I won it all the power GOD GAVE ME TO WIN IT and GOD said he will save bless heal perfect the creation all of it but will save bless heal perfect me also as he anointed me himself with his sword as KING ye true
$3.99
3.65 €
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Piano seul
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THEMIS KOUTRAS
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A Talk From True God
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THEMIS KOUTRAS
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SheetMusicPlus
Surely God Is My Salvation (Downloadable)
Chorale SATB
SATB choir, optional congregation, optional organ - Moderately Easy - Digital Download …
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SATB choir, optional congregation, optional organ - Moderately Easy - Digital Download SKU: MQ.80-710-E Composed by David M. Cherwien. Triduum/Three Days. 6 pages. MorningStar Music Publishers - Digital Sheet Music #80-710-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-710-E). This haunting, driving setting of Isaiah 12:2-6 was composed for an Easter Vigil service in 2005. The choir begins soft and low, then climbs and builds, touching a number of keys along the way and illustrating the text God is my strength and my might; God has become my salvation. A simple refrain is provided for the congregation if used liturgically. Reproducible page for congregation included.
$1.70
1.55 €
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Chorale SATB
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David M
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God has become my salvation
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Surely God Is My Salvation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
All My Longing: Psalm 138:9-11, 21-22
Chorale 2 parties
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1317598 Composed …
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1317598 Composed by Karen Beaumont. Christian,Classical,Contemporary,Lent. 3 pages. Karen Beaumont #906268. Published by Karen Beaumont (A0.1317598). Short work for two part, unacommpanied choir. Text:Lord, all my longing is known to thee,my sighing is not hdden from three.My heart throbs, my strength fails me;and the light of my eyes -- it also has gone from me.My friends and compsnions stand aloof form my plague,and my kinsmen stand afar off.Do not forsake me, O Lord!O my God, be not far from me!Make hast toe help me,O Lord, my salvation!
$1.99
1.82 €
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Chorale 2 parties
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Karen Beaumont
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All My Longing: Psalm 138:9-11, 21-22
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Karen Beaumont
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Penitent Thief, The
Alto et Harpe
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto et Harpe
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
You Are My Salvation (Lead Sheet)
Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arrang…
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Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
1.82 €
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
I Love to Tell the Story
Piano seul
Piano - Digital Download SKU: A0.1068490 Composed by 1866, 1869, Music – Wil…
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Piano - Digital Download SKU: A0.1068490 Composed by 1866, 1869, Music – William G. Fischer, and Words – A. Catherine Hankey. Arranged by Pat Holmberg. Christian,Gospel. Full Performance. Duration 159. Patricia Tanttila Holmberg #1967833. Published by Patricia Tanttila Holmberg (A0.1068490). This is a piano improvisation on this familiar Christian hymn tune. Either enjoy listening to it, or sing along with the following words: I love to tell the story of unseen things above, of Jesus and His glory, of Jesus and His love. I love to tell the story, because I know ‘tis true; it satisfies my longings as nothing else can do. Refrain: I love to tell the story, ‘twill be my theme in glory, to tell the old old story of Jesus and His love. I love to tell the story, ‘tis pleasant to repeat what seems, each time I tell it, more wonderfully sweet.. I love to tell the story, for some have never heard the message of salvation from God’s own Holy Word. Repeat refrain I love to tell the story, for those who know it best seem hungering and thirsting to hear it like the rest. And when in scenes of glory I sing the new, new song,‘Twill be the old, old story that I have loved so long. Repeat refrain BMI www.patholmberg.com.
$1.99
1.82 €
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Piano seul
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1866, 1869, Music – William G
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Pat Holmberg
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I Love to Tell the Story
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Patricia Tanttila Holmberg
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SheetMusicPlus
Searching for the Light
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1353361 By Kimberly …
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1353361 By Kimberly Joy Minarich. By Kimberly Joy Minarich. Arranged by Kimberly Joy Minarich. Christian,Singer/Songwriter,Spiritual. 11 pages. Kimberly Joy Minarich #938120. Published by Kimberly Joy Minarich (A0.1353361). Everyday, I pray with my children that “we would be a light†everywhere we go, reflecting God’s love and His light of salvation. After talking about what this means with them, I decided to write a song about exactly what this Light is and how we can find it, see it, then BE that to this world. As we walk this earth, we are all searching for our purpose and something to believe in. I hope you’ll turn your eyes upward, listen to the lyrics of this song to help guide you, then find your compass and direction as you face the Light. Jesus died on the cross for us…He wants us to spend eternity with Him, enjoy the blessings of life, and find joy! Because we live in a broken world, there will be heartache…but if we walk with Him, we can find security, purpose, and companionship like we’ve never known. Enjoy searching for the light as you take this musical journey of what it feels like to me!
$7.99
7.3 €
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Chorale 3 parties
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Kimberly Joy Minarich
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Kimberly Joy Minarich
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Searching for the Light
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Kimberly Joy Minarich
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SheetMusicPlus
God Is My Strong Salvation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.947806 Composed by Meiningen Gesang…
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Piano Solo - Level 3 - Digital Download SKU: A0.947806 Composed by Meiningen Gesangbuch, Franklin L. Sheppard. Arranged by Elizabeth Ragsdale. Christian,Sacred. Score. 9 pages. Elizabeth Ragsdale #2545065. Published by Elizabeth Ragsdale (A0.947806). Medley: God Is My Strong Salvation and This Is My Father’s World. An audience favorite, this hymn medley retains the spirit of the original music while incorporating jazz harmonies. The upbeat arrangement features dance-like rhythms, mostly in triple meter, and a rolling arpeggiated accompaniment. Duration: 5:40.
$4.79
4.38 €
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Piano seul
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Meiningen Gesangbuch, Franklin L
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Elizabeth Ragsdale
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God Is My Strong Salvation
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Elizabeth Ragsdale
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SheetMusicPlus
The David Cherwien Hymn Interpretation Series: Hymns of Glory
Orgue
Organ: 3-staff - Moderately Advanced SKU: LO.70-1485S Composed by Gilbert M. Martin…
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Organ: 3-staff - Moderately Advanced SKU: LO.70-1485S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1485S. Published by Sacred Music Press (LO.70-1485S). UPC: 000308097214.When rigorous, dynamic, and roof-raising organ music is called for, well, this is the collection. An exciting array of familiar and glorious festive hymns in dazzling settings by one of America's leading composers for organ.
Song List: Rise O Children Of Salvation All Hail The Power Of Jesus Name How Firm A Foundation A Mighty Fortress Give To Our God Immortal Praise Beautiful Savior My Hope Is Built On Nothing Less Oh Worship the King Oh What Their Joy Christ Is Made The Sure Foundation Praise To The Lord
Song List
: Rise O Children Of Salvation All Hail The Power Of Jesus Name How Firm A Foundation A Mighty Fortress Give To Our God Immortal Praise Beautiful Savior My Hope Is Built On Nothing Less Oh Worship the King Oh What Their Joy Christ Is Made The Sure Foundation Praise To The Lord
$25.00
22.86 €
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Orgue
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Gilbert M
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The David Cherwien Hymn Interpretation Series: Hymns of Glory
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Sacred Music Press
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SheetMusicPlus
God Is My Strong Salvation
Chorale SATB
SATB choir - Intermediate - Digital Download SKU: LX.10-1960L Composed by David Pax…
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SATB choir - Intermediate - Digital Download SKU: LX.10-1960L Composed by David Paxton. Exaltation Series. Sacred Anthem. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/1960L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-1960L). UPC: 000308042658. Text: James Montgomery.Vigorous organ writing sets off the equally vigorous early American folk hymn WEDLOCK in this bright anthem of praise.
$2.40
2.19 €
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Chorale SATB
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David Paxton
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God Is My Strong Salvation
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Jesus, My Lord, My God (I Love You)
Large Ensemble C Instrument,Cello,Double Bass,Flute,Guitar,Harmonica,Oboe,Piano Accompanim…
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Large Ensemble C Instrument,Cello,Double Bass,Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Recorder,Viola,Violin,Voice - Level 2 - Digital Download SKU: A0.922049 Composed by Denny Glasscock. Christian,Praise & Worship,Sacred. Score and parts. 14 pages. Denny Glasscock #6070801. Published by Denny Glasscock (A0.922049). A vocal solo piece, expressing love and appreciation of the Lord for his sacrifice and our salvation through his grace. Accompanied by a string quartet (or trio) and piano. Sheet music included: Lead Sheet with chord symbols, Full Score, Vocal + Piano accompaniment score, String Quartet score and a String Trio score. The solo may be accompanied by either all these instruments together, the string trio, the string quartet or piano. The violin part doubles the vocal, so either the trio or quartet, with or without piano, can stand alone as a instrumental piece. The lead could be played by a C treble clef instrument, accompanied by the other instruments or piano alone. The instrumental ensemble performance/accompaniment track is also available separately - see item number S0.879259.
$4.99
4.56 €
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Denny Glasscock
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Jesus, My Lord, My God
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Denny Glasscock
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SheetMusicPlus
Turn My Heart O Lord (Lead Sheet)
Piano Facile
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.835158 Composed by Cody Wein…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.835158 Composed by Cody Weinmann. Christian,Praise & Worship,Sacred. Score. 2 pages. Cody Weinmann #6088405. Published by Cody Weinmann (A0.835158). Turn My Heart, O Lord is a song of true worship to the Creator God, singing a plea to turn one's heart away from darkness and toward the light of salvation. Lead sheets like this are great for in-person or online worship services, virtual or private performances on the instrument of your choice. This gives you some of the intro music, the chords and the vocal line that you can play or sing. This is a perfect song of worship, especially during these uncertain times.
$1.99
1.82 €
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Piano Facile
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Cody Weinmann
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Turn My Heart O Lord
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Cody Weinmann
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.82 €
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Chorale SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
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