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The Great Commission - Violin 1
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La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.63 €
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Chorale SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
The Great Commission
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1418151 Composed by John W. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1418151 Composed by John W. Fisher. Christian,Historic,Praise & Worship,Religious,Spiritual. Score. 5 pages. John Fisher #999704. Published by John Fisher (A0.1418151). THE GREAT COMMISSION is a sermon song which highlights Acts 1:1-11 and the prophecy of Joel 2:28 from a sermon delivered by Dr. Paul de Jong at First Presbyterian Church Fort Myers, Florida on April 7, 2024. On the day before, Rev. Roger Peterson, told the congregation by phone that the sermon coming, The Great Commission, would describe a time when, The world was turned upside down. That lead me to research the tune, of that title, that I knew was played by the British at the end of the Battle of Yorktown. I used that tune to produce unison singing for a congregation with a stirring piano accompaniment.
$7.00
6.37 €
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Piano, Voix
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John W
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The Great Commission
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John Fisher
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.49 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.66 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Three Arias from the opera The Girl of the Golden West for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.792792 Composed by Giacomo Pucc…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.792792 Composed by Giacomo Puccini. Arranged by Christopher Espy. 20th Century,Opera,Romantic Period. Score and part. 11 pages. Gordon Cherry #6472391. Published by Gordon Cherry (A0.792792). The Girl of the Golden West is an opera by Giacomo Puccini premiered in 1910 at the Metropolitan Opera (conducted by Arturo Toscanini), based on the 1905 play of the same name by American author David Belasco. It is a work of great craftsmanship, deemed by the composer to be one of his greatest works. Toscanini called it a great symphonic poem. Another little tidbit....it is the first world premiere ever to be commissioned and presented by the Metropolitan Opera.The three arias:1. Minnie, Dalla mia casa son Partito, 2. Chella Mi Creda, 3. E anche to lo vorrai, Joeare beautifully arranged by Christopher Espy in a perfect register for the Trombone and will allow the performers to show off their expressive artistry.
$20.00
18.21 €
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Trombone et Piano
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Giacomo Puccini
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Christopher Espy
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Three Arias from the opera The Girl of the Golden West for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
40.97 €
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Ma Shui Long 馬水é¾
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《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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SpringAutumnmusic
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SheetMusicPlus
The Last Words of David (Downloadable)
Chorale TTBB
TTBB choir, piano or full orchestra or band (Orchestra: 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[…
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TTBB choir, piano or full orchestra or band (Orchestra: 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] -4 3 3 1 - tmp+2 - hp - str - SATB or TTBB Chorus - Band: 3[1.2.pic] 3[1.2.Eh] 6[1.2.3.acl.bcl.cbcl] 3[1.2.cbn] -2asx, tsx, bsx - 4 3 3 1 - tmp+2 - hp - db - SATB or TTBB Chorus) - Moderately Difficult - Digital Download SKU: MQ.2154-E Composed by Randall Thompson. 9 pages. E. C. Schirmer Music Company - Digital #2154-E. Published by E. C. Schirmer Music Company - Digital (MQ.2154-E). 2 Samuel 23:3-4.Commissioned and premiered in 1949 by the Boston Symphony Orchestra to honor Dr. Serge Koussevitsky for 25 years of directorship. Roaring ascending scales in the accompaniment reflect the great strength of this Old Testament text. The popularity of this anthem is surpassed only by Thompson's Alleluia.
$2.65
2.41 €
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Chorale TTBB
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Randall Thompson
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The Last Words of David
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Christmas: Songs on the White Keys - Carols for Beginners in Alpha Notation
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1138528 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1138528 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 28 pages. Elizabeth Essex #738870. Published by Elizabeth Essex (A0.1138528). The arrangements in Christmas: Songs on the White Keys are carols for piano beginners written in alpha notation. Great for new beginner piano students learning to read alpha notation in middle C position, these arrangements each have a keyboard diagram for the hand position. Some helpful reminder finger numbers are included. These songs are traditional carols and include the original, religious lyrics. Difficulty level on par with Faber My First Piano Adventures Level A, Alfred level A or Wunderkeys Primer Level 1 (the first half), etc. 22 pages, landscape. Great for beginner singers and beginner pianists of all ages. Perfect for a holiday recital. Contents:1. Jingle Bells 2. Lullay (Coventry Carol) 3. We Three Kings 4. O Come All Ye Faithful 5. Up on the Housetop 6. Dance of the Reed Flutes 7. O Christmas Tree 8. It Came Upon a Midnight Clear 9. Silent Night 10. 12 Days of Christmas 11. Joy to the World 12. Holly and the Ivy See my other arrangements: Sheet Music Press (copyrighted music available)Sheet Music Direct (copyrighted music available)Top Music Marketplace (piano studio licenses available)Teachers Pay Teachers (classroom licenses available)To commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: ElizabethMusicNArts.wordpress.com
$11.99
10.92 €
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Piano Facile
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Traditional Christmas & Folk Tunes
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Elizabeth Essex
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Christmas: Songs on the White Keys - Carols for Beginners in Alpha Notation
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Elizabeth Essex
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SheetMusicPlus
Anthem
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By …
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Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1037616 By Leonard Cohen. By Leonard Cohen. Arranged by Kerry Marsh. Folk,Jazz,Pop. Vocal Jazz Ensemble. 73 pages. Kerry Marsh #642516. Published by Kerry Marsh (A0.1037616). Important: This arrangement sold at SheetMusicPlus.com at a much lower price than the standard flat-fee range ($60 to $75) does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo 2. SkyTracks Mixer access 3. Vocal Part Tracks 4. Minus-One Tracks 5. Rhythm Track 6. Recording Stems (for those who wish to use their own Digital Audio Workstation) Leonard Cohen's moving song was transformed by the incomparable duo of Kate McGarry and Keith Ganz, and this adaptation brings the McGarry/Ganz to vocal jazz ensembles. A beautiful lyric message...There is a crack in everything, that's how the light gets in...will give your choir a great opportunity for storytelling, with some understated moments of vocal writing matched with soaring phrases to give listeners chills. Space for vocal or piano improv in the middle is followed by an a cappella breakdown feature, some gorgeous floating vocal figures, then a rousing final chorus that leads into an exciting finish for the whole group. Brief solo spots for an alto or soprano with some low notes available. Ring the bells that still can ring! Fully-notated piano and bass parts, drums Commissioned by C-Sus Voices from Sacramento State, Gaw Vang-Williams, dir. (2021)
$50.00
45.53 €
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Leonard Cohen
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Kerry Marsh
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Anthem
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Kerry Marsh
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SheetMusicPlus
And the Surface Breaks for solo cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandel…
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Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pages. Nicholas Yandell Music #715783. Published by Nicholas Yandell Music (A0.1113882). Written in 2013. Commissioned by cellist Micah Claffey and premiered by him in 2014. Studio recorded (also by Micah Claffey) in 2015. Has also been performed by Marilyn de Oliveira (Assistant Principal Cello of the Oregon Symphony) and Diane Chaplin. Duration: Around 8 minutes; one movement. Level: Great for a student recital piece; popular with college students. A rich, expressive, melodic piece written idiomatically for the cello's voice; easy for a performer to personalize. Appropriate for intermediate students, but certainly challenging enough to be of interest to professionals as well. Program Notes: This work is the third of three solo cello pieces written for Micah Claffey on pastoral/nature themes. The title refers to the surface of a body of water as one’s head breaks through after a long and strenuous swim beneath it. The core of this work is about defining the character of peace through the odyssey of a single cello’s musical voice. The peace theme starts as just a seed in the beginning; incomplete; represented by the first four notes (a pitch class: 0,4,6,7 or inverted as 0,1,3,7). The cello then plunges into tempestuous waters, but the seed is never lost throughout all the metamorphoses it goes through and all the commotion that surrounds it and this middle section becomes a time of catharsis and refinement. Finally, in the latter third of the work, the theme of peace breaks the surface in its complete form, starting out timidly, but soon climaxing to a powerful and penetrating statement and ending with a sense of relief, clarity, and renewal that exist not in spite of the tumultuous journey, but because of it. Performing Rights Organization: ASCAP Website: www.nicholasyandell.com.
$5.99
5.45 €
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Violoncelle
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Nicholas Yandell
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one movement
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And the Surface Breaks for solo cello
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Nicholas Yandell Music
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
41.88 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
War March of the Priests: E-flat Alto Saxophone
Saxophone (partie séparée)
E-flat Alto Saxophone. Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged…
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E-flat Alto Saxophone. Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Todd Stalter. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015887_AX1. Published by Alfred Music - Digital Sheet Music
Although more famous for his incidental music to A Midsummer Night's Dream, Mendelssohn was commissioned by the King of Prussia to provide music for Racine's religious drama Athalie, which includes the War March of the Priests. The march tune draws its energy from a repeating triplet figure in the introduction, and features a nice legato contrasting section. A great opportunity to teach style and nuance! (2:45)<br> Concert/Contest.Although more famous for his incidental music to A Midsummer Night's Dream, Mendelssohn was commissioned by the King of Prussia to provide music for Racine's religious drama Athalie, which includes the War March of the Priests. The march tune draws its energy from a repeating triplet figure in the introduction, and features a nice legato contrasting section. A great opportunity to teach style and nuance! (2:45)<br> Concert/Contest.
$3.00
2.73 €
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Saxophone (partie séparée)
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Felix Bartholdy Mendelssohn
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Todd Stalter
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War March of the Priests: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Mighty Fortress is Our God
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By M…
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Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
4.1 €
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Piano seul
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Stephen R Dalrymple
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A Mighty Fortress is Our God
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Stephen R Dalrymple
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
9.1 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee.…
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
9.1 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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Thomas Oboe Lee
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SheetMusicPlus
Though We Are Many (Official Hymn for the International Eucharistic Congress 2012 )
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1449758 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1449758 Composed by Bernard Sexton. Celtic,Christian,Irish,Praise & Worship. 7 pages. Trinity Music Press #1029517. Published by Trinity Music Press (A0.1449758). Official hymn commissioned for the International Eucharistic Congress 2012 and sung during the opening Mass for the Papal visit to Thailand in 2019 . Suitable for general use or as a communion song.Full score for assembly/ choir (SATB)/ keyboard and C woodwind with simplified guitar chords.Though We Are Many(Bernard Sexton)Though we are many, we are one body,We who come to share this living bread;Cup of salvation, shared among all nations,Nourishing us now and evermore.We gather in this placeRound the table of the Lord.Christ’s presence is revealedIn our communion and his Living Word.Now our communion recallsChrist’s death and resurrection.This living sacrificeIs our salvation now and evermore.And through this shared EucharistWe are the living Church.We witness to Christ’s loveHis living body active in our world.This bread unites the baptisedWho are called to this great feast.The feast, a sign of God's love,A great communion with the saints above.And when we leave here todayWith hearts renewed in joy,So nourished, we will embraceThe challenge now to live the Christian call.As Patrick prophet of oldTrod the path we tread today,So we proclaim the Good NewsAnd share the living message with joy.
$1.99
1.81 €
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Chorale SATB
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Bernard Sexton
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Though We Are Many
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Trinity Music Press
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SheetMusicPlus
Our Great Redeemer's Praise Handbells (Digital)
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.822135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.822135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. PDF. 7 pages. Celebrating Grace - Digital #822135. Published by Celebrating Grace - Digital (C6.822135). 8.5 x 11.0 inches.The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$40.00
36.42 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Handbells
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Accompaniment MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.846135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.846135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #846135. Published by Celebrating Grace - Digital (C6.846135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$14.99
13.65 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Accompaniment MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Soprano Rehearsal MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.831135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.831135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #831135. Published by Celebrating Grace - Digital (C6.831135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$2.99
2.72 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Soprano Rehearsal MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Demonstration MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.836135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.836135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #836135. Published by Celebrating Grace - Digital (C6.836135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$1.99
1.81 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Demonstration MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Split Track MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.841135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.841135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #841135. Published by Celebrating Grace - Digital (C6.841135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$14.99
13.65 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Split Track MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Bass Rehearsal MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.834135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.834135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #834135. Published by Celebrating Grace - Digital (C6.834135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$2.99
2.72 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Bass Rehearsal MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Alto Rehearsal MP3
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.832135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.832135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. MP3. Celebrating Grace - Digital #832135. Published by Celebrating Grace - Digital (C6.832135). The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$2.99
2.72 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Alto Rehearsal MP3
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Celebrating Grace - Digital
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SheetMusicPlus
Our Great Redeemer's Praise Orchestration (Digital)
SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.821135 Composed …
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SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.821135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. PDF. 42 pages. Celebrating Grace - Digital #821135. Published by Celebrating Grace - Digital (C6.821135). 8.5 x 11.0 inches.The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
$40.00
36.42 €
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Thomas Jarman LYNGHAM
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Anna Laura Page
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Our Great Redeemer's Praise Orchestration
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Celebrating Grace - Digital
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SheetMusicPlus
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