Song List:

1. Songe d'une nuit de printemps

2. Nostalgie

3. Tres guitarras

4. Jeu froid (�tude rock)

5. Le dernier souffle

6. Manhattan

7. Baile de la passion

8. Corsaires

9. Cerisier Japonais

English.

Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or

The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or ...

Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.

This download contains:

A full score

All individual parts in notes

All individual parts in TAB

The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE

This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I?ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.

My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).

Technical Requirements��

� Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.

� Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.

� Guitar5 is suitable for a player of about Grade 2 (beginner) standard.

� Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.

� Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.

Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.

Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.

Dan Jones, March 2019

?A Thousand Years? is a beautiful ballad recorded andreleased by American singer/songwriter Christina Perri in 2011.

It was used aspart of the soundtrack for the film ?Twilight Saga: Breaking Dawn ? Part 1?.

This is a very versatile arrangement with parts for intermediatelevel guitarists playing in a wide range of styles. Included in your single downloadare:

A full score (22 pages) showing all parts in notes and TAB. Please note that PARTS IN NOTES AND TAB ARE PROVIDED ONSEPARATE SHEETS allowing teachers and performers to use the notation system of their choice.

Guitar 1 part in notes and TAB

Guitar 2 part in notes and TAB

Guitar 3 part in notes and TAB

Guitar 4 part: a chordal part with some picking patterns. Thepicking patterns are shown in notes and TAB and the chords given as chordsymbols with rhythm indications throughout.

Guitar 4 part: Capo 2 is also a chordal part with some pickingpatterns. The picking patterns are shown in notes and TAB and the chords givenas chord symbols with rhythm indications throughout. This part shows transposedchords with slightly different voicing (to make the chordal part easier to play).

Guitar 5 part: a bass line with drop D tuning. The parts areprovided in notes and TAB

Guitar 5 part : provided as a bass guitar part. This is inbass clef with a 4-string bass TAB part.

The chordal part (Guitar 4) can be played by either a guitarwith a capo or one without, or both together.

Guitar 5 can be played by an ordinary guitar or a bass guitaror both.

A video with all parts being performed is shown via this page and my website: www.danjonesguitarist.com

Thank you for viewing and I hope you enjoy this arrangement of A Thousand Years.

ISBN 9781619117549.

The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

ISBN 9781513455044.

The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.

ISBN 9781513459844. 8.75x11.75 inches.

This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.

This arrangement is designed to suit the flexible requirements of modern guitar teachers teaching a huge range of instruments and styles. The parts are suitable for beginner/intermediate guitarists playing classical, steel-string folk, electric and bass guitars.

As a guitar teacher I am aware of the range of styles and learners encountered when teaching. This version of Telstar is designed to work in a wide range of performance situations. In your download you will receive:

A full director's score showing notes and TAB.
Individual parts with full fingering showing just notes.
Individual parts in TAB with rhythm stems.
Guitar 4, as well as showing a bass line includes chord symbols with suggested rhythms. These chords are optional.
Guitar 4, which is the bass line, is also provided in bass clef to be doubled by an optional bass guitar. There is fingering provided to suit that instrument.
The bass guitar part is also provided in bass guitar TAB.

The guitar parts can be played just as effectively by electric guitars.

Telstar was composed by Joe Meek and performed by The Tornados in 1962. The single reached number one in the U.S. and U.K. charts.An interesting piece of trivia for your introductions: George Bellamy, the rhythm guitarist with The Tornados is the father of Matt Bellamy, lead singer and guitarist of Muse.

Derek Hasted writes "This is a real crowd-pleaser that will suit any concert.

This arrangement is closely based on the version that the group 'Sky' played (with the electric guitar 'break') rather than the version for solo guitar. A version of my arrangement was originally performed by the Hampshire Guitar Orchestra, and the soundclip sitting alongside this score in the SheetMusicPress shop is part of a recording they made live in Concert. That soundclip features different sizes of classical guitar, but the arrangement here is for 4 ordinary guitars - or for a bigger sound, a large ensemble.

The essence of the electric guitar solo in Sky?s arrangement is captured in this arrangement in Guitar 1a, but it?s hard to play without a cutaway guitar, so there?s a second version with the solo an octave lower in Guitar 1b. The rest of the Guitar 1 parts are identical.

Both the Guitar 1 parts and the Guitar 2 part have finger positions shown on the score - this is so that all the fast runs can be slurred, which gives the melody a nice articulation and takes some of the workload away from the right hand. If you prefer to stay in one position and pluck the runs, that works well too.

I hope you enjoy this piece!"

This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Check out Derek's other arrangements - search SheetMusicPlus for Derek Hasted and you'll see the full list, all with soundclips and sample score. Derek's website at www.derek-hasted.co.uk/smp has all the arrangements grouped by "number of instruments".

Most music theory books are written from a piano perspective, but Guitar Theory Modules is written for the guitar player. You'll learn basic music theory in a series 80 bite-sized modules of 1-4 pages each. You'll learn how scales and chords are put together, and there are plenty of playing exercises so you can apply theory to the fretboard. It's best to work through Guitar Theory Modules with a teacher, but in case you are learning on your own, there is an answer section in the back so you can check your work on the written exercises. A deeper understanding of how music is put together can improve your music reading, give you ideas for writing, and help you become a more well-rounded musician. Before beginning Guitar Theory Modules, you should know how to read music in standard notation, be familiar with the concept of sharps and flats, and know (or be learning) the note names on each string up to the 12th fret. Need help? Check out www.godfreyguitarlessons.com for online lesson information.

This is a fun piece that your ensemble is sure to enjoy. This arrangement has been carefully transcribed and arranged in the original key to be performed by at least 2 guitars and 1 bass.

I have provided you with both ?notation? and ?notation with tablature? parts so you have the choice to distribute the version appropriate to your needs or the performers? reading abilities.

Four themes (Main Theme ? Underworld Theme ? Underwater Theme ? Starman Theme) are included in this arrangement in a variety of time signatures (4/4, 3/4, and 6/8). The original tempos are indicated although you could vary the tempo to suit your ensemble?s skill level. This is a great piece for teaching 16th note (semiquaver) rhythmic groupings and triplets. Rehearsal letters have been used to aid with rehearsals as a number of sections are repeated throughout the piece.

In larger ensembles it might be appropriate to ask some performers to create a percussive accompaniment on their guitars, or to recreate the 8-bit effects from the game on electric guitars (there are some great examples on YouTube).

ISBN 9781619119840.

Acclaimed fingerstyle guitarist El McMeen has arranged beautiful music for guitar from the harp, song, pipe andhymn traditions. Utilizing the evocative C-G-D-G-A-D guitartuning, the author describes the appeal of each tune presentedand notates the arrangement in detailed tablature and music. The arrangements are a result of a process of experimentation -with ornamentation and counterpoint lines playing in differentkeys and registers. Emphasis is placed on creating and preserv-ing the flow of a piece, sensitivity to accenting, and avoidingany 'jarring' elements, while at the same time following theauthor's Three-second rule (a guitarist must do something in-teresting every 3 seconds of a solo to sustain the listener'sinterest.) Each tune contains brief performance notes and, insome cases, lyrics. To aid in the performance of these songs,this book has a Low-C Chord Chart. The pieces included have very diverse origins, yet they have two common elements - they were not originally composed for the guitar and they are certain to be treasured!

ISBN 9781619119529.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitaraa.k.a., plectrum or flatpicking guitarain both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitaras capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.

Apachecomposed by Jerry Lordan, as playedby The Shadows

Arranged for Guitar Quartet by Dan Jones

Thisarrangement of Apache has been madewith real-world guitar teachers and ensembles in mind.

Perhapsour instrument?s greatest joy is the fact that it exists in so many forms andstyles of music. Some players prefer the electric guitar and read from TAB,others have a classical background and are therefore more familiar with notes;others still prefer reading from chord charts with fretboard diagrams.

Thisdownload considers all of these musicians.

Guitar1 is the main tune, as played by Hank Marvin in The iconic recording made byThe Shadows. The music is provided in both notes and TAB.

Guitar 2is a part with chords. This is given with chord symbols, fretboard diagrams andrhythm patterns.

Guitar3 is designed to include the less-experienced player. It is in open positionand the part, being easy to read, is given in notes. This is an optional part.

Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. It is in simple positions and is given in notesonly.

Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).

It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:

www.danjonesguitarist.com

Readabout my life as a guitarist working and living in rural France here:

www.danjonesauthor.com

A split screen video showing all of the parts of the arrangement being performed can be viewed anytime at www.danjonesguitarist.com.

ISBN 9781610656139.

The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist / composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillano, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of The Celebrated Spanish Retreat, a programmatic work with an unusual 'C' tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. The book features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.