English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 239
Partitions
Numériques
19 186
Librairie
Musicale
17 401
Matériel
de Musique
9 126
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3447
PIANO & CLAVIERS
Piano, Voix et Guitare
4719
Piano, Voix
241
Piano seul
229
Piano grosses notes
146
Instruments en Do
121
Piano Facile
106
Orgue
91
Accompagnement Piano
54
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
6
Piano (partie séparée)
4
Clavier
3
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
2550
Guitare
1758
Basse electrique
562
Paroles et Accords
330
2 Guitares (duo)
215
Guitare (partie séparée)
145
Ligne De Mélodie, (Paroles) et Accords
138
4 Guitares (Quatuor)
87
Piano, Guitare (duo)
83
Ukulele
77
Mandoline
62
Ensemble de guitares
33
3 Guitares (trio)
31
Dulcimer
23
Mandoline, Guitare (duo)
20
Guitare, Violon, Violoncelle (trio)
16
Ukulele Baryton
6
Banjo
4
2 Dulcimers (duo)
3
Dobro
3
Guitare, Quatuor à cordes
3
Guitare, Flûte, Clarinette
2
2 Ukuleles
2
Guitare Pedal Steel
2
2 Guitares et Orchestre
1
Luth
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
386
Chorale 3 parties
101
Chorale Unison
82
Chorale 2 parties
74
Voix duo
33
Voix duo, Piano
32
Chorale TTBB
32
Voix seule
10
Voix, Guitare
9
Chorale SSAA
8
Voix Tenor
4
Voix moyenne, Piano
2
Chorale
1
Chorale SSATB
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Voix Soprano
1
Instrumentations suivantes
Retracter
VENTS
Flûte et Guitare
242
Clarinette, Guitare (duo)
111
Saxophone (partie séparée)
81
Saxophone Alto
50
Flûte traversière
49
2 Saxophones (duo)
42
Flûte traversière et Piano
38
Clarinette
34
Clarinette et Piano
30
Saxophone Tenor et Piano
29
Flûte, Hautbois, Clarinette, Basson
28
Hautbois, Guitare (duo)
27
Flûte à bec Soprano
25
Saxophone Alto et Piano
23
Quatuor de Clarinettes: 4 clarinettes
23
Quatuor de Saxophones: 4 saxophones
22
Hautbois (partie séparée)
20
Hautbois, Piano (duo)
19
2 Flûtes traversières (duo)
18
Saxophone et Guitare
18
Cor anglais, Guitare (duo)
18
Saxophone, Clarinette (duo)
17
Saxophone Soprano et Piano
16
2 Clarinettes (duo)
14
Cor Anglais
12
Flûte, Violon
11
Flûte à bec, Guitare (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Clarinette, Trompette (duo)
10
Flûte à bec Alto
10
3 Saxophones (trio)
9
2 Flûte à bec (duo)
8
Clarinette, Violon (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
3 Clarinettes (trio)
7
Cor anglais, Piano
6
Trio de Flûtes: 3 flûtes
6
Flûte à Bec
6
Saxophone Baryton, Piano
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Hautbois, Flûte
5
3 Flûtes à bec (trio)
5
Flûte, Trompette (duo)
5
Clarinette et Alto
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette (duo)
5
Flûte, Violon, Guitare
4
Ensemble de saxophones
4
Quintette de Saxophone: 5 saxophones
4
Flûte, Violoncelle, Guitare
4
Flûte, Alto (duo)
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Tenor
2
Hautbois
2
Flûte à bec Soprano, Piano
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Saxophone Soprano
2
Saxophone Baryton
2
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Quintette de Flûte : 5 flûtes
1
Flute, alto, violoncelle et guitare
1
Flûte de Pan
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flute, harpe et violon
1
Harmonica
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
2 Flûtes à bec, Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Guitare, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
24
Trombone
19
Cor anglais, Guitare (duo)
18
Trompette
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trombone et Piano
15
Trompette (partie séparée)
14
Cor et Piano
13
Cor Anglais
12
Trompette, Saxophone (duo)
12
Trombone (partie séparée)
9
2 Trombones (duo)
9
2 Trompettes (duo)
8
Cor
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Tuba et Piano
6
Cor anglais, Piano
6
Trompette, Trombone (duo)
6
Trompette et Guitare
6
Euphonium
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
3 Trompettes (trio)
5
Tuba
4
Euphonium, Piano (duo)
3
Ensemble de Trombones
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Trompette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
2 Cors (duo)
1
Ensemble de Tubas
1
Instrumentations suivantes
Retracter
CORDES
Violon, Guitare (duo)
176
Violon
90
Violoncelle , Guitare (duo)
84
Quatuor à cordes: 2 violons, alto, violoncelle
80
Alto, Guitare (duo)
55
Violon et Piano
54
Violon, Violoncelle (duo)
36
Alto, Piano
32
Violoncelle (partie séparée)
31
Violoncelle, Piano
29
Alto seul
23
Trio à Cordes: violon, alto, violoncelle
21
Harpe
15
2 Violons (duo)
14
Violoncelle
9
2 Altos (duo)
9
Contrebasse (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Violon (partie séparée)
9
Contre Basse
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto (partie séparée)
4
Contrebasse, Piano (duo)
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
2
Autoharp
2
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violons
1
Harpe et mandoline
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Orgue
1
Ensemble d'Altos
1
2 Violons et Basse continue
1
Quatuor à cordes: 4 violons
1
2 Harpes (duo)
1
4 Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
213
Orchestre d'harmonie
186
Orchestre
102
Jazz combo
55
Orchestre à Cordes
44
Orchestre de chambre
29
Ensemble de Percussions
16
Ensemble de cuivres
15
Batterie
12
Marimba
9
Cloches
8
Fanfare
7
Vibraphone
7
Batterie (partie séparée)
3
Ensemble d'École
3
Big band
1
Percussion (partie séparée)
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
Vous avez sélectionné:
The Guitar Man
Partitions à imprimer
19 186 partitions trouvées
<
1
26
51
....
9976
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.84 €
#
Guitare notes et tablatures
#
Frederic Chopin
#
Brian Streckfus
#
Waltz Op 69 No 2
#
Brian Streckfus
#
SheetMusicPlus
Carrickfergus for Guitar Ensemble
Ensemble de guitares
Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Compo…
(+)
Guitar Tab, Guitar Ensemble (Mixed Ability) - Intermediate - Digital Download Composed by Traditional, Ireland. Arranged by Dan Jones www.danjonesguitarist.com. Neo-Classical, World, Folk. Score, Set of Parts, Tablature. 41 pages. Published by danjonesguitarist.com
Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.<br> <br> This download contains:<br> <br> A full score<br> <br> All individual parts in notes<br> <br> All individual parts in TAB<br> <br> The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE<br> <br> This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I’ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.<br> <br> My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).<br> <br> Technical Requirements<br> <br> · Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.<br> <br> · Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.<br> <br> · Guitar5 is suitable for a player of about Grade 2 (beginner) standard.<br> <br> · Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.<br> <br> · Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.<br> <br> Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.<br> <br> Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.<br> <br> Dan Jones, March 2019
$6.95
6.41 €
#
Ensemble de guitares
#
Traditional, Ireland
#
Dan Jones www
#
Carrickfergus for Guitar Ensemble
#
danjonesguitarist.com
#
SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.84 €
#
Guitare
#
Anon
#
Keith Terrett
#
Romance Anonimo
#
Keith Terrett
#
SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.84 €
#
Guitare
#
Brian Streckfus
#
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
#
Brian Streckfus
#
SheetMusicPlus
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebasti…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
9.22 €
#
Guitare
#
Johann Sebastian Bach
#
Matthew Nace
#
bass line
#
Jesu, Joy of Man's Desiring
#
Matthew Nace
#
SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.68 €
#
Piano, Voix et Guitare
#
Lisa Waites
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
22.14 €
#
Guitare
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Spanish Dance for Classical Guitar
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1442833 Composed by C…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1442833 Composed by Catharina Josepha Sidney Pratten Edited by Keith Terrett. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score. 7 pages. Keith Terrett #1022769. Published by Keith Terrett (A0.1442833). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten. A legendary composer, virtuosa, editor and teacher ( among her pupils were the daughters of Queen Victoria!), she was born in Cologne/ Germany as Catharina Josepha Pelzer in 1824, toured as child prodigy with Giulio Regondi, married flutist and composer Robert Pratten and lived then until her death in 1895 in London.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824,[1] the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.[She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
1.84 €
#
Piano, Voix et Guitare
#
Catharina Josepha Sidney Pratten Edited by Keith Terrett
#
Keith Terrett
#
Spanish Dance for Classical Guitar
#
Keith Terrett
#
SheetMusicPlus
Achieving Guitar Artistry - Contemporary Baroque Etudes
Guitare
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by Wi…
(+)
Guitar (classical and lute) - Intermediate-Advanced - Digital Download Composed by William Bay. Achieving Guitar Artistry. Baroque. E-book. 76 pages. Mel Bay Publications - Digital Sheet Music #WBM26EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117549.<br> <br> The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.
$17.99
16.6 €
#
Guitare
#
William Bay
#
Achieving Guitar Artistry - Contemporary Baroque Etudes
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Guitar. The Praxis System. Downloadable. Op. Vol. 3. Advance Music #Q54673. Published by Advance Music
The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or ...
$23.99
22.14 €
#
Guitare
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
(+)
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.57 €
#
Guitare notes et tablatures
#
Dan Jones
#
Three Pieces for Beginner Guitarists
#
DanJonesGuitarist
#
SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitare
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
(+)
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
11.99 €
#
Guitare
#
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Christmas and Carols to download for guitar solo
Guitare
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the orig…
(+)
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
13.83 €
#
Guitare
#
Christmas and Carols to download for guitar solo
#
Virtualsheetmusic
Tanguillo de Cádiz Guitar 2
Guitare
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by T…
(+)
Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99
3.68 €
#
Guitare
#
Traditional
#
Richard Hirsch
#
Tanguillo de Cádiz Guitar 2
#
Richard Hirsch
#
SheetMusicPlus
Spanish Romance - Romanza (Solo Guitar)
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download Composed by Anonymous. Arranged …
(+)
Guitar Tab - Early Intermediate - Digital Download Composed by Anonymous. Arranged by Andrei Burdeti. Romantic Period. Individual Part, Solo Part, Tablature. 7 pages. Published by Burdeti Music Press
The famous Romanza was made popular by its inclusion in a French Movie "Les Jeux Interdits" and wrongly attributed to many guitarists. Composed by none other than "Anonymous", the earliest recording of the "Spanish Romance" originated from a cylinder recording featuring guitarists Luis and Simon Ramírez. The recording was made in Madrid sometime between 1897 and 1901.<br> <br> * This sheet music format rendition includes Tablature, Notation and a combination to accommodate for different levels of note reading.<br> * Left-hand fingerings and an alternative for playing two measures (Ossia) in the second section are included.<br> <br> • Customer Support : I respond to feedback by updating my scores to suit your needs. The score's Version History is found below. Please always download the score again to make sure you get the latest version.<br> <br> Version History:<br> 1.0 - Released score<br> 1.1 - Removed a brace that was not needed<br> 1.2 - Added Ossia and updated fingerings<br> 1.3 - Fixed margins to allow for easier printing
$2.99
2.76 €
#
Guitare notes et tablatures
#
Anonymous
#
Andrei Burdeti
#
Spanish Romance - Romanza
#
Burdeti Music Press
#
SheetMusicPlus
Tunes from 17th Century Scotland Arranged for Flatpicking Guitar
Guitare notes et tablatures
Guitar (flatpicking) - Intermediate - Digital Download Composed by Rob Mackillop. S…
(+)
Guitar (flatpicking) - Intermediate - Digital Download Composed by Rob Mackillop. Solos. Scottish. E-book and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30775MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119642.<br> <br> Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillopas spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio.
$14.99
13.83 €
#
Guitare notes et tablatures
#
Rob Mackillop
#
Tunes from 17th Century Scotland Arranged for Flatpicking Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Super Mario Bros. for Guitar Ensemble
Ensemble de guitares
Guitar, Guitar Tab, Bass Guitar - Intermediate - Digital Download By Koji Kondo. Arra…
(+)
Guitar, Guitar Tab, Bass Guitar - Intermediate - Digital Download By Koji Kondo. Arranged by Mark Cameron-Smith. Score, Set of Parts, Tablature. 33 pages. Published by Mark Cameron-Smith
This is a fun piece that your ensemble is sure to enjoy. This arrangement has been carefully transcribed and arranged in the original key to be performed by at least 2 guitars and 1 bass.<br> <br> I have provided you with both ‘notation’ and ‘notation with tablature’ parts so you have the choice to distribute the version appropriate to your needs or the performers’ reading abilities.<br> <br> Four themes (Main Theme • Underworld Theme • Underwater Theme • Starman Theme) are included in this arrangement in a variety of time signatures (4/4, 3/4, and 6/8). The original tempos are indicated although you could vary the tempo to suit your ensemble’s skill level. This is a great piece for teaching 16th note (semiquaver) rhythmic groupings and triplets. Rehearsal letters have been used to aid with rehearsals as a number of sections are repeated throughout the piece.<br> <br> In larger ensembles it might be appropriate to ask some performers to create a percussive accompaniment on their guitars, or to recreate the 8-bit effects from the game on electric guitars (there are some great examples on YouTube).
$12.99
11.99 €
#
Ensemble de guitares
#
Koji Kondo
#
Mark Cameron-Smith
#
Super Mario Bros. for Guitar Ensemble
#
Mark Cameron-Smith
#
SheetMusicPlus
Spanish Romance / Romance d'Amour / Romanza (GUITAR TAB)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259210 Composed by unk…
(+)
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259210 Composed by unknown / anonymous. Arranged by Darek. 19th Century,Classical,Folk,Romantic Period,Traditional. Tablature. 1 pages. Darek #852482. Published by Darek (A0.1259210). Spanish Romance / Romance d'Amour / Romanza (GUITAR TAB) Guitar arrangement of Spanish Romance (Romance d'Amour / Romanza). Spanish Folk Melody. Simplified arrangement for guitarists / Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. I invite you to embark on a musical journey with my collection of Spanish Romance guitar tablature. Designed for beginner-intermediate guitarists, this meticulously crafted sheet music package allows you to explore the captivating beauty of this iconic piece, also known as Romance d'Amour and Romanza. Unlocking the melodies of Spanish Romance has never been easier. With my comprehensive tablature, you'll navigate the fretboard with confidence, effortlessly recreating the enchanting music that defines this composition. The beginner-intermediate level ensures a comfortable learning experience while still providing room for growth and mastery. Within these pages, you'll find a wealth of resources to enhance your playing. Accompanying the tablature are chord diagrams that offer alternative ways to enrich your performance, allowing you to add depth and complexity to your rendition. With these chords, you'll have the freedom to personalize the piece and make it your own. To facilitate your learning journey, I have curated a YouTube tutorial exclusively for this composition. This video tutorial serves as your personal guide, providing step-by-step instructions, insightful tips, and techniques to master the intricacies of Spanish Romance. By watching and following along, you'll gain invaluable insights and refine your guitar skills. Spanish Romance originated from the romantic music era, renowned for its emotive melodies and passionate expressions. Through learning and playing this timeless piece, you'll be transported to a bygone era, where music evoked profound emotions and touched the hearts of listeners. At my online store, I prioritize your musical growth and strive to provide essential resources to support your progress. This comprehensive package includes sheet music, tablature, chords, and a tutorial video to ensure a well-rounded learning experience. With these tools at your disposal, you'll develop a deep understanding of the composition and cultivate your own unique interpretation. Whether you aspire to serenade loved ones, entertain audiences, or simply immerse yourself in the beauty of guitar music, Spanish Romance is a must-have addition to your repertoire. Let the strings of your guitar resonate with the captivating melodies, and watch as your playing flourishes and evolves. Unleash your inner musician, embrace the allure of Spanish Romance, and embark on a musical adventure like no other. Begin your journey today with my expertly crafted sheet music package, and let the soul-stirring sounds of the guitar carry you to new heights of artistic expression.
$2.00
1.85 €
#
Guitare notes et tablatures
#
watching and following along, you'll gain invaluable insights and refine your
guitar skills
#
unknown / anonymous
#
Darek
#
Spanish Romance / Romance d'Amour / Romanza
#
Darek
#
SheetMusicPlus
J. S. Bach: Sacred Songs and Arias from Schmelli's Hymnal for Voice and Guitar BWV 439-507
Voix, Guitare
Guitar - Intermediate - Digital Download Composed by Matthias Stegmann. Gospel/Sacred…
(+)
Guitar - Intermediate - Digital Download Composed by Matthias Stegmann. Gospel/Sacred. Gospel. E-book. 238 pages. Mel Bay Publications - Digital Sheet Music #30667MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119550.<br> <br> Johann Sebastian Bachas arrangements of the a69 Sacred Songsa from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachas contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the a69 Sacred Songsa offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar. Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachas figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes aScores in their Original Keys,a and stand-alone aGuitar Accompaniment,a and aBass Parts.
$22.99
21.22 €
#
Voix, Guitare
#
Matthias Stegmann
#
J. S. Bach: Sacred Songs and Arias from Schmelli's Hymnal for Voice and Guitar BWV 439-507
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Robin's Aria (guitar solo in standard notation with TAB)
Guitare notes et tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by Bradley Powell (T…
(+)
Guitar Tab - Advanced Intermediate - Digital Download Composed by Bradley Powell (The Candlelight Guitarist). Impressionistic, Post- Romantic, Jazz, Recital, New Age. Solo Part, Tablature. 6 pages. Published by Geofonica Artistworks
This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA<br> <br> COMMENTS FROM LONG-ESTABLISHED REVIEWERS...<br> Dr. Beth - Amazon.com #1 Hall of Fame reviewer<br> "Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."<br> <br> Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer<br> "The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."<br> <br> Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER<br> "Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."<br> <br> Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."<br> <br> Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.<br> "The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.<br> <br> Bob McKillop, founder and publisher, MaineFolkMusic.com<br> Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."<br> <br> Grady Harp - HALL OF FAME TOP 100 REVIEWER<br> "music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"<br> <br> ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi
$3.99
3.68 €
#
Guitare notes et tablatures
#
Bradley Powell (The Candlelight Guitarist)
#
Robin's Aria
#
Geofonica Artistworks
#
SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by A…
(+)
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
18.45 €
#
Piano, Voix et Guitare
#
An-lun Huang
#
Ballet, “THE LITTLE MATCH GIRL”, Op.24,
#
DoReMi Edition
#
SheetMusicPlus
Three Traditional Christmas Songs from Germany for Four Guitars
4 Guitares (Quatuor)
Guitar Tab, Guitar Quartet - Intermediate - Digital Download Composed by Traditional (G…
(+)
Guitar Tab, Guitar Quartet - Intermediate - Digital Download Composed by Traditional (Germany). Arranged by Dan Jones (www.danjonesguitarist.com). European, Christmas. Score, Set of Parts, Tablature. 61 pages. Published by danjonesguitarist.com
Drei Weihnachtslieder aus Deutschland - Für vier Gitarren Three ChristmasSongs from Germany - For FourGuitars Arrangiert für Gitarrenensemble der MusikschuleVierstädteDreieck von Dan Jones Arranged for the Guitar Ensemble of the VierstädteDreieckMusic School by Dan Jones www.danjonesguitarist.com (i) Aba heidschi bumbeidschi (But Go to Sleep) (ii) Es wird scho glei dumpa (It Will Soon beDark) (iii) Süßer die glocken nie klingen (The BellsNever Sounded so Sweet) For a wide variety of music for guitars, please visit Für eine große Auswahl an Musik für Gitarren besuchen Sie bitte www.danjonesguitarist.com To read of my life as a guitarist in France, you may enjoy my humorous book (in English): Wenn Sie von meinem Leben als Gitarrist in Frankreich lesen möchten, können Sie mein humorvolles Buch (auf Englisch) genießen: Extracting Goats from Jean-Claude's Kitchen
$8.95
8.26 €
#
4 Guitares (Quatuor)
#
Traditional (Germany)
#
Dan Jones (www
#
Three Traditional Christmas Songs from Germany for Four Guitars
#
danjonesguitarist.com
#
SheetMusicPlus
Mary Blane for Classical Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catha…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 5 pages. Keith Terrett #1022785. Published by Keith Terrett (A0.1444395). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824, the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
1.84 €
#
Guitare
#
Keith Terrett
#
Keith Terrett
#
Mary Blane for Classical Guitar
#
Keith Terrett
#
SheetMusicPlus
Classical Guitar Book in Open D Tuning - 45 Arrangements in DADF#AD Tuning
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download Arranged by Brent Robitaille. Ro…
(+)
Guitar Tab - Early Intermediate - Digital Download Arranged by Brent Robitaille. Romantic Period, Classical Period, Baroque Period, Renaissance, Repertoire. Solo Part, Tablature. 164 pages. Published by Brent C Robitaille
45 New Classical Guitar Arrangements in Open D Tuning<br> <br> Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.<br> <br> Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings. <br> <br> There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O’Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi. <br> <br> I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online. <br> <br> Look for the audio tracks on my website in the guitar bookssection:<br> <br> https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/<br> <br> or,<br> <br> https://brentrobitaille.com/product-category/guitar-books/<br> <br> or,<br> <br> https://brentrobitaille.com/
$18.99
17.53 €
#
Guitare notes et tablatures
#
Brent Robitaille
#
Classical Guitar Book in Open D Tuning - 45 Arrangements in DADF#AD Tuning
#
Brent C Robitaille
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
