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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Ice is Listening
Non classifié
145
Piano & claviers
Piano seul
99
Piano, Voix
78
Piano, Voix et Guitare
40
Instruments en Do
8
Piano Facile
8
2 Pianos, 4 mains
1
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare
10
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele
2
Banjo
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
21
Voix Alto, Piano
12
Chorale 3 parties
9
Chorale TTBB
4
Voix Soprano, Piano
3
Chorale 2 parties
2
Chorale SSAA
2
Voix moyenne, Piano
2
Chorale Unison
2
Voix duo, Piano
1
Voix seule
1
Chorale SSAATTBB
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière et Piano
4
Hautbois, Piano (duo)
3
Clarinette
3
Saxophone Tenor
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Tenor et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Violoncelle
1
Saxophone Alto et Piano
1
Clarinette et Piano
1
Hautbois, Basson (duo)
1
2 Saxophones (duo)
1
3 Saxophones (trio)
1
2 Flûtes traversières (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois, Basson
1
Saxophone Soprano et Piano
1
3 Clarinettes (trio)
1
3 Hautbois
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
+ 23 instrumentations
Retracter
Cuivres
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Ensemble de Trompettes
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
2
Tuba et Piano
1
Trompette
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
Cor et Piano
1
Tuba et Orgue
1
2 Trompettes (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Trio de Cuivres
1
+ 10 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
14
Quatuor à cordes: 2 violons, alto, violoncelle
13
Harpe
11
Violon et Piano
5
Violon, Violoncelle (duo)
5
Violon
4
Violoncelle
4
Contre Basse
2
Trio à cordes: 3 altos
1
Violon, Alto (duo)
1
2 Violons (duo)
1
Alto, Piano
1
Violoncelle, Piano
1
Trio à Cordes: 3 violoncelles
1
Violon, Basson (duo)
1
Trio à cordes: 3 violins
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11
Ensemble Jazz
6
Jazz combo
5
Orchestre à Cordes
4
Orchestre
4
Ensemble de cuivres
2
Fanfare
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre de chambre
1
+ 5 instrumentations
Retracter
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ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
The Ice is Listening
Partitions à imprimer
651 partitions trouvées
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The Ice is Listening
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Cecilia McDowall
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The Ice is Listening
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193572447 Composed by Cecilia McDowall. Score. 54 pages. Oxford University Press Digital #9780193572447. Published by Oxford University Pres...
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SKU: OX.9780193572447 Composed by Cecilia McDowall. Score. 54 pages. Oxford University Press Digital #9780193572447. Published by Oxford University Press Digital (OX.9780193572447). ISBN 9780193572447.For soprano solo, SATB, and piano or chamber orchestra. Setting vivid poems by Kate Wakeling, this work is a powerful exploration of the theme of ice. This is not a cantata about 'winter'; rather, it is a cantata for all time, a reminder that ice is a precious resource, something to treasure and to hope we never lose.
$14.99
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
#
Another Day
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Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
#
Sydney Stevens
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The River
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Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
#
Back to the Heart
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Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
The Theremin Play Along Book
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See description
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Tim Labor
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The Theremin Play Along Book
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Tim Labor
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SheetMusicPlus
C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classica...
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C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classical,Contemporary,Instructional,Opera. Individual part. 65 pages. Tim Labor #809664. Published by Tim Labor (A0.1212146). Patented in 1928 by Russian/Soviet television and surveillance researcher Leon Theremin, the instrument named for him is one of the world’s oldest electronic musical instruments.As a performer, the Thereminist pays some prices. They do not touch their instrument when playing, they cannot operate the device with people in range of the sensors (there are no Theremin sections in symphony orchestras), and compared to other instruments there are few teachers. Learning to play a Theremin is a lonely experience.Enter the public domain and the Digital Age, where increased online resources for listening to music on free streaming services and other platforms, form a special opportunity to jam.The Theremin Play-Along Book is a collection of twenty-eight imaginary parts for classical compositions that allow the Thereminist to solo along with existing recordings, integrate into a Western orchestral or chamber concert, or hone playing and listening skills by singing in an online shower. The volume includes selections from Puccini, Verdi, Faure, Debussy and even adaptations of Wagner's Liebestod and Rimsky-Korsakov's Flight of the Bumble Bee.
$15.99
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Price Tag
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Piano, Voix et Guitare
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FACILE
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Jessie J Featuring B
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Tabitha Beaven
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Price Tag
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1495585 By Jessie J Featuring B.O.B. By Bobby Ray Simmons, Jr., Claude Kelly, Jessica Cornish, and Lukasz G...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1495585 By Jessie J Featuring B.O.B. By Bobby Ray Simmons, Jr., Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Tabitha Beaven. 21st Century,A Cappella,Pop. Score. 5 pages. Tabitha Beaven #1072102. Published by Tabitha Beaven (A0.1495585). Part of a 'Pop Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with parts, dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and building something new - it has two different endings provided. Version 2 is a single part flow with five entry points and an finish section ('long-form round'). Rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. Group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopLayerUp or #PopRound! And if you share your group on social media, please add the hashtags and tag @tunefultabitha - would love to hear what you come up with!#PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp #VocalWarmUp #ChoirLeaders #ChoirDirectors #MusicTeacher #ChoirTeachers #MusicEducators #MusicEducation.
$5.99
Joy to the World Piano Accompaniment
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Piano, Voix
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INTERMÉDIAIRE
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Laurie Jeanne Crockett
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Joy to the World Piano Accompa
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Laurie Crockett
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.914303 Arranged by Laurie Jeanne Crockett. Christian,Christmas. Score. 1 pages. Laurie Crockett #6564541. Publishe...
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Piano,Vocal,Voice - Level 3 - SKU: A0.914303 Arranged by Laurie Jeanne Crockett. Christian,Christmas. Score. 1 pages. Laurie Crockett #6564541. Published by Laurie Crockett (A0.914303). This piano arrangement of Joy to the World has been altered from the hymn book version to facilitate ease of sight reading for the pianist, making the pianist the focus of the arrangement rather than the vocal parts. The vocal parts are still present, the score is just easier to read and perform making it a great arrangement for caroling and sing-alongs. The arrangement is at the intermediate level.Other Christmas arrangements/accompaniments on SMP arranged by Laurie Jeanne include: Deck the Halls, The First Noel, Hark! The Herald Angels Sing, Wassail Wassail ,and Jingle Bells. For the pianist interested in a unique Jingle Bells piano solo, Laurie Jeanne (ASCAP) has also composed, Jingle Bells Reflective Piano Solo.Other works on SMP by Laurie Jeanne include the pieces on the Christmas album, Christmas Past Christmas Present for piano and voice featuring arrangements of traditional European carols along with several original compositions. She also has recorded an adult contemporary instrumental album entitled, A Simple Life: Contemporary Folk Piano Meditations with all original pieces. Both albums were recorded at Subcat Studios in Syracuse, NY on their Yamaha C7 grand piano. Sheet music for all songs on, A Simple Life, is available here at SMP and, if you're in a listening mood, both albums can be streamed from Spotify or downloaded from Amazon. Laurie Jeanne is a member of ASCAP and also a regular contributor to the music library Pond5. For more information about Laurie Jeanne you can visit her website at lauriejeanne.com or youtube channel Lauriejeanne Composer. .
$3.99
Hark! The Herald Angels Sing Piano Accompaniment
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Piano, Voix
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INTERMÉDIAIRE
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Laurie Jeanne Crockett
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Hark! The Herald Angels Sing P
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Laurie Crockett
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.914308 Arranged by Laurie Jeanne Crockett. Christian,Christmas. Score. 1 pages. Laurie Crockett #6564545. Publishe...
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Piano,Vocal,Voice - Level 3 - SKU: A0.914308 Arranged by Laurie Jeanne Crockett. Christian,Christmas. Score. 1 pages. Laurie Crockett #6564545. Published by Laurie Crockett (A0.914308). This piano arrangement of Hark! The Herald Angels Sing has been altered from the hymn book version to facilitate ease of sight reading for the pianist, making the pianist the focus of the arrangement rather than the vocal parts. The vocal parts are still present, the score is just easier to read and perform making it a great arrangement for caroling and sing-alongs. The arrangement is at the intermediate level.Other Christmas arrangements/accompaniments on SMP arranged by Laurie Jeanne include: Deck the Halls, Joy to the World, The First Noel, Wassail Wassail ,and Jingle Bells. For the pianist interested in a unique Jingle Bells piano solo, Laurie Jeanne (ASCAP) has also composed, Jingle Bells Reflective Piano Solo.Other works on SMP by Laurie Jeanne include the pieces on the Christmas album, Christmas Past Christmas Present for piano and voice featuring arrangements of traditional European carols along with several original compositions. She also has recorded an adult contemporary instrumental album entitled, A Simple Life: Contemporary Folk Piano Meditations with all original pieces. Both albums were recorded at Subcat Studios in Syracuse, NY on their Yamaha C7 grand piano. Sheet music for all songs on, A Simple Life, is available here at SMP and, if you're in a listening mood, both albums can be streamed from Spotify or downloaded from Amazon. Laurie Jeanne is a member of ASCAP and also a regular contributor to the music library Pond5. For more information about Laurie Jeanne you can visit her website at lauriejeanne.com or youtube channel Lauriejeanne Composer. .
$3.99
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Justin Bieber Duet With Mariah
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
This is my Father's World Intermediate piano sheet music
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Piano seul
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INTERMÉDIAIRE
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Franklin L
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Amanda Tero
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This is my Father's World Inte
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Te...
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Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
The Volcano`s Lake
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Harpe
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FACILE
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Luis Anjos Teixeira
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The Volcano`s Lake
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Luis Anjos Teixeira
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SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
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Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
King Of The Road
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Contemporain
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...
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Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
What Is There To Say
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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E
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Dave Gingras and John E
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What Is There To Say
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1253057 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,M...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1253057 Composed by E.Y. Yip Harburg and Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #846804. Published by DAVID LEE GINGRAS (A0.1253057). What Is There to Say? is a great model of theater song writing from The Ziegfeld Follies of 1934, it’s a case of every note counting and not one false move along the way. The chief characteristic of the song is the four sets of triplets in the second phrase. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trompettes (duo)
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FACILE
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99
Te Quiero Dijiste (magic Is The Moonlight)
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Piano, Voix
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INTERMÉDIAIRE
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Comédie Musicale
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Charles Pasquale and Maria Gre
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Dave Gingras and John E
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Te Quiero Dijiste
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1250200 Composed by Charles Pasquale and Maria Grever. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1250200 Composed by Charles Pasquale and Maria Grever. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #844534. Published by DAVID LEE GINGRAS (A0.1250200). Magic Is The Moonlight is a song from 1929 with music by Maria Grever and English lyrics by Charles Pasquale. In 1944 the song was used with the original Spanish lyric in the Esther Williams film Bathing Beauty, performed by Carlos RamÃrez with the Xavier Cugat Orchestra. With an English lyric written by Charles Pasquale, the song acquired the second title, “Magic is the Moonlight.†This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this beautiful ballad something special!
$4.99
For the Beauty of the Earth
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Piano seul
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Gospel Spirituel
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Musique Sacrée
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1838, 1864, Music – Con
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Pat Holmberg
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For the Beauty of the Earth
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Patricia Tanttila Holmberg
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SheetMusicPlus
Piano - SKU: A0.1068484 Composed by 1838, 1864, Music – Conrad Kocher, and Words – Folliot S. Pierpont. Arranged by Pat Holmberg. Christia...
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Piano - SKU: A0.1068484 Composed by 1838, 1864, Music – Conrad Kocher, and Words – Folliot S. Pierpont. Arranged by Pat Holmberg. Christian,Gospel. Full Performance. Duration 126. Patricia Tanttila Holmberg #1966921. Published by Patricia Tanttila Holmberg (A0.1068484). This is a piano improvisation on this familiar Christian hymn. Either just enjoy listening, or sing along with the following words: For the beauty of the earth, For the glory of the skies For the love which from our birth ever and around us lies. Chorus: Lord of all, to Thee we raise this, our hymn of grateful praise. For the wonder of each hour of the day and of the night. Hill and vale and tree and flow’r, Sun and moon and stars of light. Repeat chorus after each verse. For the joy of ear and eye, For the heart and mind’s delight. For the mystic harmony Linking sense to sound and sight For the warmth of human love, brother, sister, parent, child Friends on earth and friends above, For all gentle thoughts and mild, For the Church that evermore Lifts her holy hands above. Off-ring up on ev’ry shore Her pure sacrifice of love. BMI www.patholmberg.com.
$1.99
Just The Way You Are
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Piano, Voix et Guitare
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FACILE
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Bruno Mars
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Tabitha Beaven
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Just The Way You Are
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048055. Published by Tabitha Beaven (A0.1470292). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with four entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time, or simple finger clicks. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99
The Nativity - Mvt. III from Rosary Sonatas, trans. for solo clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joel Denney
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The Nativity - Mvt. III from R
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Joel Denney Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individu...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1350796 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joel Denney. Baroque,Classical,Sacred. Individual part. 7 pages. Joel Denney Music #935623. Published by Joel Denney Music (A0.1350796). Originally composed for solo scordatura violin and continuo, this transcription for clarinet may be performed as an unaccompanied solo or with continuo parts available on IMSLP. The original violin part makes extensive use of double, triple, and quadruple stops, often to the extent of imitating multiple voices in counterpoint. This transcription attempts to imitate this effect through the use of grace notes and quick arpeggios. As in the original score, dynamics are not provided for the soloist, and may be freely added at the player’s discretion.Performers will immensely benefit from listening to one or more recordings of violinists performing this piece to compare interpretations and performance practices. While this transcription largely follows the interpretation given on violinist Lina Tur Bonet’s excellent recording with the Musica Alchemica ensemble, the transcription is by no means intended to exclude other interpretations. Players may change whatever ornamental and rhythmic elements they wish in order to accomplish their artistic goals. This transcription includes three options for key signature. Any of the three included versions may be played by any key/size of clarinet for unaccompanied performance. 1.   Written key of C# minor, for Clarinet in Bâ™â€”can be accompanied by the original continuo parts2.   Written key of D minor, for Clarinet in A—can be accompanied by the original continuo parts3.   Written key of B minor, for Clarinet in Bâ™ or A—only for unaccompanied performancePerformance notes, links to free IMSLP continuo parts, and links to recommended reference recordings are incuded in a separate page at the end of the PDF.©2023 Joel Denney Music. All Rights Reserved.
$2.99
Numbers of the Night
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Piano, Voix
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INTERMÉDIAIRE
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W
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Brooke Moltrum
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Numbers of the Night
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W. Spencer Germany
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.966779 Composed by W. Spencer Germany. Arranged by Brooke Moltrum. Broadway,Contemporary,Musical/Show. Score. 8 pa...
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Piano,Vocal,Voice - Level 3 - SKU: A0.966779 Composed by W. Spencer Germany. Arranged by Brooke Moltrum. Broadway,Contemporary,Musical/Show. Score. 8 pages. W. Spencer Germany #3506369. Published by W. Spencer Germany (A0.966779). Numbers of the Night is a musical theatre piece from a developing song cycle entitled Seaton Park, a view in the life of an apartment building and the stories in it.Numbers of the Night tells the story of the late night reflections on the status of her failing relationship while listening to her husband on the piano.
$2.50
Mother's Way
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Guitar,Voice - Level 3 - SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11...
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Guitar,Voice - Level 3 - SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11 pages. Geofonica Artistworks #1014688. Published by Geofonica Artistworks (A0.1434550). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
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