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The Jungle King March
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Vous avez sélectionné:
The Jungle King March
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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The Jungle King March & Two Step
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Piano seul
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Joseph Fejer
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Joseph Fejer
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The Jungle King March & Tw
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.13017 Composed by Joseph Fejer. Theodore Roosevelt, Lions. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University She...
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Piano - SKU: LV.13017 Composed by Joseph Fejer. Theodore Roosevelt, Lions. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13017). The Jungle King March & Two Step. By Joseph Fejer. Published 1911 by in n.p. Composition of sectional with piano instrumentation. Subject headings for this piece include Theodore Roosevelt, Lions. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Jungle King - March and Two-Step
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Piano seul
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Patriotique
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Joseph Fejer
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The Jungle King - March and Tw
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Smithsonian Institution
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SheetMusicPlus
Piano solo - SKU: S8.AC0300-1000256 Respectfully Dedicated to Theodore Roosevelt on his 52nd Birthday. Composed by Joseph Fejer. From the Sam DeV...
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Piano solo - SKU: S8.AC0300-1000256 Respectfully Dedicated to Theodore Roosevelt on his 52nd Birthday. Composed by Joseph Fejer. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 5.2: Politics and Political Movements - Politicians and Political Figures, Box 12, Folder OO, Archives Center, National Museum of American History, Smithsonian Institution. Patriotic. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000256). Sheet music published in 1911 by Ted Snyder Co. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
$5.99
Jungle Bell Rock, Christmas Music with Attitude for Band
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Fanfare
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INTERMÉDIAIRE
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Noël
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W
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Michael Maschmeier
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Jungle Bell Rock, Christmas Mu
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Warrior Musician LLC
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1350765 Composed by W. A Rose, S. Adler, D. Mckagan, I. Stradlin', Slash, J. Pierpont & D. Johnson. Arranged by Michae...
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Marching Band - Level 3 - SKU: A0.1350765 Composed by W. A Rose, S. Adler, D. Mckagan, I. Stradlin', Slash, J. Pierpont & D. Johnson. Arranged by Michael Maschmeier. Christmas,Comedy,Holiday,Rock. 39 pages. Warrior Musician LLC #935590. Published by Warrior Musician LLC (A0.1350765). JUNGLE Bell Rock. A new, fun, Christmas song mash-up with attitude. This crowd-pleaser will have your audience trying to place the Welcome to the Jungle opening that combines with Jingle Bells. It's fast-paced start then blends into Rocking Around the Christmas Tree that keeps the background of the Guns N' Roses favorite pumping. The amusing marching and pep band style makes it versatile for multiple performance opportunities. You could even insert it into a holiday concert for the 'something different,' foot-tapper your concert needs.
$49.99
Royal March of the Lion: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPEH1 (wp) 1st Horn in E-flat. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical....
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Concert Band - SKU: AX.00-PC-0014345_WPEH1 (wp) 1st Horn in E-flat. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPEH1). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Cl...
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Concert Band - SKU: AX.00-PC-0014345_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPTN1BC). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical....
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Concert Band - SKU: AX.00-PC-0014345_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPTBBTC). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) Baritone T.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPBTC1 (wp) Baritone T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. Wor...
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Concert Band - SKU: AX.00-PC-0014345_WPBTC1 (wp) Baritone T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPBTC1). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) E-flat Tuba B.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical....
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Concert Band - SKU: AX.00-PC-0014345_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPTBEBC). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPTBETC (wp) E-flat Tuba T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical....
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Concert Band - SKU: AX.00-PC-0014345_WPTBETC (wp) E-flat Tuba T.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPTBETC). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Royal March of the Lion: (wp) B-flat Tuba B.C.
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Orchestre d'harmonie
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Classique
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Camille Saint-Saëns
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Michael Story
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Royal March of the Lion:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014345_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical....
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Concert Band - SKU: AX.00-PC-0014345_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Camille Saint-Saëns. Arranged by Michael Story. Classical. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014345_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014345_WPTBBBC). UPC: 038081389431.Crafting a charming beginning transcription of this march from Saint-Sean's Carnival of the Animals, Michael Story has captured the grandeur of the king of the jungle. The work is majestic and descriptive with a fanfare-like opening. Make your beginners sound impressive with this dynamic scoring!
$3.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
King of the Forest. March Two-Step
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Piano seul
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Abe Losch
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King of the Forest. March Two-
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Abe Losch. Lions, Jungles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10725). - - - Johns Ho...
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Composed by Abe Losch. Lions, Jungles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10725). - - - Johns Hopkins University Sheridan Libraries
$5.99
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The Jungle King March 
