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IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.73 €
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Chorale SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Stories of the Early Days (accompaniment and lead sheet)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893851 Composed by David Kai. C…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (A0.893851). This song teaches the stories from the first chapters of the book of Genesis.With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to One License or CCLI.Stories of the Early Days by David Kai ©2000 (with thanks and apologies to W.A. Mozart)1. Creating, creating, a thing that God does well, God planted a garden, and everything was swellStories of the early days, people learning of God’s ways, Creating, creating, a thing that God does well.2. A garden and creatures, just when the world began, The first of the humans, according to God’s plan,Stories of the early days, people learning of God’s ways, A garden and creatures, just when the world began.3. With Noah, and fam’ly, a covenant was made, They built a great ark and his family was saved, Stories of the early days, people learning of God’s ways, With Noah, and fam’ly, a covenant was made.4. A rainbow, a rainbow, the sign God sent to show, That there was a cov’nant, there’d be a flood no more,Stories of the early days, people learning of God’s ways, A rainbow, a rainbow, the sign God sent to show.5. Oh Abram and Sarai, went to the Promised Land, God changed both their names and God changed all of their plans.Stories of the early days, people learning of God’s ways, Oh Abram and Sarai, went to the Promised Land.6. Oh Sarah, oh Sarah, though she was very old, Gave birth to her Isaac, just as she had been told,Stories of the early days, people learning of God’s ways, Oh Sarah, oh Sarah, though she was very old.7. Rebecca, Rebecca, her well of kindness showed that she was the right one, and so she chose to go,Stories of the early days, people learning of God’s ways, Rebecca, Rebecca, her well of kindness showed.8. Old Isaac, gave Jacob, the blessing that was saved for Esau, his brother, who then began to rage,Stories of the early days, people learning of God’s ways, Old Isaac, gave Jacob, the blessing that was saved.9. Oh Jacob, and Esau, they met again at last, And all was forgiven, the feud was in the past,Stories of the early days, people learning of God’s ways, Oh Jacob, and Esau, they met again at last.
$4.00
3.66 €
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Piano, Voix et Guitare
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David Kai
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by David Kai ©2000
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Stories of the Early Days
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David Kai
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SheetMusicPlus
The Last Chapter
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1280018 By Victor Birkan. By Victor…
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Piano Solo - Level 3 - Digital Download SKU: A0.1280018 By Victor Birkan. By Victor Birkan. Classical. Score. 4 pages. Victor Birkan #871438. Published by Victor Birkan (A0.1280018). Every book has a final chapter, but sometimes it's better not to know what's on the last page.Improvised lyrical piano piece.
$4.00
3.66 €
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Piano seul
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Victor Birkan
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The Last Chapter
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Victor Birkan
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SheetMusicPlus
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Wari…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00
24.68 €
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Piano, Voix et Guitare
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
The CelloWay 1
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm …
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Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
10.97 €
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Violoncelle
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
And Then We See (Arranged for Flugelhorn)
Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho…
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Flugelhorn,Piano,Violin - Level 4 - Digital Download SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.39 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
And Then We See
Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho F…
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Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
6.39 €
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Ho Fong Leong
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and Leo, a ‘cellist
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And Then We See
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Marco leong
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Hope of the World 02: A Child Will Be Born to Us
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.846542 By Stephen R…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.846542 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 25 pages. Stephen R Dalrymple #453224. Published by Stephen R Dalrymple (A0.846542). Hope of the World 02: A Child Will Be Born to Usoriginal song for SATB choir by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple♫ based on Isaiah 9:6-7♫ The end of Isaiah 8, continuing into chapter 9 predicts the horror of the Assyrian army’s invasion of Israel and Judah that would end ancient Israel and greatly threaten Judah. In the middle of this dark episode, Isaiah describes the coming Messiah. In a poetic chiasma, Isaiah describes Messiah’s authority and gives us 4 names of Messiah. Each name reveals the divine and human characteristics of Messiah. ♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This song has a dual listing. It is used both as a composition for choir and a worship song.♫ YouTube channel @DalrympleDesigns.
$2.00
1.83 €
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Chorale SATB
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Stephen R Dalrymple
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Hope of the World 02: A Child Will Be Born to Us
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Stephen R Dalrymple
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SheetMusicPlus
THROUGH HIS NAME (SATB) – 1 John 2:12-14
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.
$1.99
1.82 €
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Chorale SATB
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Michael A
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THROUGH HIS NAME
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M.A. Morizio
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SheetMusicPlus
Alleluia To The Lord Our God! (Revelation 19:1-9, 22:21)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.891023 Composed by Juan Carlos Davil…
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Choral Choir (SATB) - Digital Download SKU: A0.891023 Composed by Juan Carlos Davila. A Cappella,Christian,Praise & Worship,Sacred,Spiritual. Octavo. 19 pages. Juan C. Davila #6210477. Published by Juan C. Davila (A0.891023). This is the final composition for choir (SATB) with piano accompaniment on my 14 songs Songs From The Book Of Revelation project. Each song can be performed on its own or as a complete work. Alleluia To The Lord Our God! from Revelation chapter 19 starts with a catchy chorus before the fast paced verse that follows. It ends with a quick key change and Acappella section singing the last verse in the bible, Revelation 22:21. Thank you for listening and God bless you all.
$5.50
5.03 €
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Chorale SATB
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Juan Carlos Davila
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Alleluia To The Lord Our God!
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Juan C. Davila
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.48 €
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Piano seul
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
The Time Between Genesis 1:1 and 1:2
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
2.38 €
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Guitare
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J
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The Time Between Genesis 1:1 and 1:2
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J.S. Jacques
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SheetMusicPlus
Die Reise nach Batumi
Piano seul
Piano - Digital Download SKU: RX.9783737803298 Sheet music for piano. Compos…
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Piano - Digital Download SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298). This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!
$6.19
5.66 €
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Piano seul
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Mulo Francel, Quandro Nuevo
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Die Reise nach Batumi
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Roba Music Verlag
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SheetMusicPlus
Psalm 119 Tav
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.969526 Composed by Zachary…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.969526 Composed by Zachary Damm. A Cappella,Christian,Sacred,Standards. Octavo. 13 pages. Digital Print Publishing #36709. Published by Digital Print Publishing (A0.969526). The last eight verse section in the twenty-two octets of Psalm 119, the longest chapter of the Bible, Psalm 119 Tav appropriately finishes the theme of the Word of God. Great acappella music for services, choral groups, and piano or organ accompaniments can be easily improvised from the score. Also, look at other titles from this chapter, Psalm 119 Aleph, Bet, Gimel, and Samek or other chapters from the Psalms, Psalm 1, 2, 3, 8, 22, 23, 24, 27, 51, 93, 100, 103, 117, 121, 131, 133, 134, 137, 150.
$2.00
1.83 €
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Chorale SATB
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Zachary Damm
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Psalm 119 Tav
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Digital Print Publishing
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SheetMusicPlus
BLAINVILLE – SUITE TURQUE
Small Ensemble Cello,Double Bass,Flute,Harpsichord,Viola,Violin - Level 2 - Digital Downlo…
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Small Ensemble Cello,Double Bass,Flute,Harpsichord,Viola,Violin - Level 2 - Digital Download SKU: A0.890773 Composed by Charles Henri de Blainville. Arranged by Sneakwood Editions. Baroque. Score and parts. 17 pages. Sneakwood Editions #5321913. Published by Sneakwood Editions (A0.890773). Blainville – Suite TurqueChanson TurqueMarche des JannissairesGuideyorumDanse de chypre The PDF includes:IntroductionFacsimileArrangement for Traverso, two violins, viola, violoncello & percussion ad libitum by Javier Lupiáñez as performed by Les Esprits Animaux (Watch video!)ScorePartsBlainville – Suite Turque, performed by Les Esprits AnimauxBlainville was born in 1711 in Tours and died in Paris in 1769. In the spirit of the time Blainville was a practical musician, composer, theorist, historian and, in some way, an encyclopedist. As practical musician and composer he was cellist and it is known that he played his own compositions at the Concert Spirituel in Paris, but neither his performances nor his compositions met with outstanding success.As theorist Blainville claimed the discovery of a third mode (mode mixte) between major and minor, unfortunately his harmonic theories did not have the expected success.As historian and encyclopedist we found his work Historie générale et philologique de la musique, published in Paris in 1767. The work is in consonance with other contemporaries works such as Rousseau’s Dictonaire de Musique (1768) or the Essai sur la musique ancienne et moderne, published around 1780 by M. de Laborde and Pierre Joseph Roussier. As in these works, the work of Blainville broadly covers the musical knowledge, including theoretical-musical, stylistic, historical and ethnographic aspects. Framed in this last aspect we find a chapterdedicated to the music of the Turks. And it is in this chapter we find the musical pieces used in this arrangement.
$16.00
14.63 €
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Charles Henri de Blainville
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Sneakwood Editions
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BLAINVILLE – SUITE TURQUE
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Sneakwood Editions
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SheetMusicPlus
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
Violon et Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA…
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$7.99
7.3 €
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Violon et Piano
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7
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Flavio Regis Cunha
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SheetMusicPlus
Bring Us Rest (piano, vocal, cello)
Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.919480 Compos…
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Small Ensemble Cello,Piano,Voice - Level 3 - Digital Download SKU: A0.919480 Composed by Eleace Monet Zachary. Celtic,Christian,Sacred. Score and parts. 7 pages. Eleace Monet Zachary #3400223. Published by Eleace Monet Zachary (A0.919480). Piano, Vocal solo or duet, plus Cello Intermediate level. Contemporary spiritual with a Celtic influence. The lyrics come from Moses Chapter 7, where Enoch's vision and communication with God are written. It is a beautiful story of some of the major events on earth, such as the Flood and the coming of Jesus Christ. The most poignant part being the revelation of the sorrow of God at the loss of His children, and the promise given that Jesus Christ would come in the Last Days to bring rest to the earth.The piano accompaniment is also a story. The beginning is meant to feel like the beginnings of a light rain. As the song progresses, the clouds and rain intensifies, and then lightens until the rains clear. Other versions available: Piano/Vocal, Cello only.Length: about 3:48 www.eleacemonet.com
$3.99
3.65 €
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Eleace Monet Zachary
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www
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Bring Us Rest
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Eleace Monet Zachary
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SheetMusicPlus
GRADUATION FANFARE
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.903743 Composed by Alan Edgar. 20th Centu…
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Brass Ensemble - Digital Download SKU: A0.903743 Composed by Alan Edgar. 20th Century,Christian,Concert,Graduation. Score and parts. 11 pages. Alan Edgar Ted Moon #3053517. Published by Alan Edgar Ted Moon (A0.903743). Flexible quintet, parts for oboe, 1st and 2nd trumpet, trombone and timpani supplied. Solo oboe set against the rest in antiphony. A fanfare for a graduation ceremony is unusual in celebrating the whole assembled company: students, their supporting families, distinguished guests and the staff. Wishing to make the piece relevant to York St John's University, I considered its religious foundation and dedication to St John, the apostle. I was delighted to find reference to a Missa Brevis by Robert Hugill, which has never been performed and may never have been published: this includes an Agnus Dei. The composer very generously sent me a copy, and I have inserted a well-disguised quotation from it. Agnus Dei, Lamb of God, is taken from the Gospel of St John, Chapter 1 Verse 29. My central section is a slow peacock processional pavane, as I anticipate the parade of begowned personages. I wanted to avoid unnecessary dissonance and confusion to be created by York Minster's echo. I hoped the echo would enrich the texture rather than muddy it, therefore, I used a scale without semitones--the whole-tone scale, and the lack of rapid passage-work will also help in this acoustic. I love the antiphonal works of, for instance, Giovanni Gabrieli, which were intended for cathedrals, and Decani-Cantoris antiphony appears in, for example, Orlando Gibbons' O Clap Your Hands, which can be found in the 17th century Bing-Gostling part-books at York Minster. The Graduation Fanfare lasts about 1 minute 50 seconds.
$4.00
3.66 €
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Ensemble de cuivres
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Alan Edgar
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GRADUATION FANFARE
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Alan Edgar Ted Moon
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SheetMusicPlus
Modern Jazz Guitar Styles
Guitare
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Compose…
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Composed by Andre Bush. Technique, Theory, Reference and Rhythm. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99917BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99917BCDEB). ISBN 9781610658300. 8.75x11.75 inches.A unique book and audio package including extensive chapters on soloing, chords, rhythm and effects. With in-depth exercises on modern scale applications and intervallic choices, developing individual chord voicings, incorporating rock and funk concepts, exploring elements from world music such as odd meters and polyrhythms, and ideas for developing your own sonic textures and approach to tonal manipulation. Each section features an essay illustrating the musical history and specific innovations of modern jazz guitar masters, with insightful commentary accompanying each concept and example. The last section thoroughly analyzes studio performances of two original compositions incorporating all the above materials. Modern Jazz Guitar Styles provides the serious student or professional seeking to broaden his palette with a comprehensive overview of the current state of jazz guitar. Extensive chapters on soloing, chords, rhythm and effects In-depth exercises on modern scale applications and intervallic choices Ideas for developing your own sonic textures and approach to tonal manipulation Covers developing individual chord voicings, incorporating rock and funk concepts and exploring elements from world music Provides serious student/professional a comprehensive overview of current state of jazz guitar Includes access to online audio.
$19.99
18.28 €
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Guitare
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Andre Bush
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Modern Jazz Guitar Styles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Perish Not! Vocal Solo
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1138687 Composed by W…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1138687 Composed by Words and Music by C. Michael Perry. Arranged by C. Michael Perry. Christian,Religious,Spiritual. Score. 9 pages. Shining Sharon Music #739002. Published by Shining Sharon Music (A0.1138687). With a text inspired by Mosiah Chapter 4 in the Book of Mormon, we are being admonished by King Benjamin to live up to what Christ asks of us and we will not be found wanting at the last day. Verse 29: ... And now, O man, remember, and perish not..
$4.50
4.11 €
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Piano, Voix et Guitare
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Words and Music by C
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C
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Perish Not! Vocal Solo
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Shining Sharon Music
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SheetMusicPlus
Turning Page
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1496378 By Sleeping At Last. By Ryan Curtis O'neal. Arranged by Homco/Crinion. Film/TV,Wedding. 9 pages. Homco/Crinion #1072947. Published by Homco/Crinion (A0.1496378). Turning Page by Sleeping At Last has captured the hearts of many - and not just the Twilight Saga fans. It is a beautifully poetic piece of music, and many couples request it for their own weddings. The title suggests the turning of a page and starting a new chapter - so it definitely is the perfect wedding song! The emotional music adapts exquisitely to the lush sound of a String Quartet.
$14.99
13.7 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sleeping At Last
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Homco/Crinion
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Turning Page
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Homco/Crinion
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SheetMusicPlus
"Processional", organ with trumpet
Orgue, Trompette (duo)
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.932704 Composed by Terry M. Forsyth. Easter,Sacred,Wedding. Score and parts. 9 pages. Forsyth Publishing #6133921. Published by Forsyth Publishing (A0.932704). No two weddings take the same time to process yet as organists we oftentimes are asked to edit a composition. This processional was made for editing, complete with two episodes that either may be used. Used last part for my wedding, the whole composition is 5:25 so it's also long enough for the largest of churches. I've also used it for Palm Sunday prelude and postlude. This composition won the 1992 American Guild of Organists, Spokane chapter competition for original organ music.
$4.99
4.56 €
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Orgue, Trompette (duo)
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Terry M
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"Processional", organ with trumpet
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Forsyth Publishing
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SheetMusicPlus
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