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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Last Chorale: Score
Non classifié
20
Piano & claviers
Orgue
7
Piano seul
4
Guitares
Guitare
1
Voix
Chorale SATB
175
Chorale 3 parties
57
Chorale 2 parties
26
Chorale Unison
16
Chorale TTBB
15
Chorale SSAA
8
Chorale
3
Chorale SSAATTBB
3
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
7
Quintette de Saxophone: 5 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Flûtes : 4 flûtes
4
3 Saxophones (trio)
4
Flûte traversière et Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais, Piano
1
Saxophone Alto et Piano
1
Ensemble de Hautbois
1
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Baryton, Piano
1
Quatuor de Flûtes à bec
1
Saxophone Tenor et Piano
1
3 Clarinettes (trio)
1
4 Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Guitare
1
Clarinette et Piano
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
Trio de Flûtes: 3 flûtes
1
+ 20 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 trompettes
2
Trompette, Piano
2
Ensemble de Trombones
2
Cor anglais, Piano
1
4 Euphoniums
1
Trombone et Piano
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Contrebasse, Piano (duo)
1
Alto, Piano
1
2 Altos (duo)
1
Violoncelle, Piano
1
Violon et Piano
1
+ 1 instrumentations
Retracter
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Ensemble de cuivres
7
Orchestre d'harmonie
3
Orchestre de chambre
2
Orchestre à Cordes
2
Orchestre
1
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DOBRO - GUI…
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FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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The Last Chorale: Score
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Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
#
AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Carol of the Wise Men
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Chorale SATB
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FACILE
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie R...
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Choral Choir (SATB) - Level 2 - SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
The Red Wheelbarrow
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rich Campbell
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The Red Wheelbarrow
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Pay The Band Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1225939 Composed by Rich Campbell. 21st Century. Octavo. 12 pages. Pay The Band Music #821977. Published by Pay ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1225939 Composed by Rich Campbell. 21st Century. Octavo. 12 pages. Pay The Band Music #821977. Published by Pay The Band Music (A0.1225939). Composers Note: “The Red Wheelbarrow,†an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line.The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text, which helped to set a relaxed atmosphere for the rest of our concert. It was exactly the opener we needed!-Trevor F. ShawArtistic Director, Inversion Ensemble.
$2.75
Seven Meditations on the Last Words of Christ
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Reis Luke Aquino
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Seven Meditations on the Last
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Reis Luke Aquino
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.943136 Composed by Reis Luke Aquino. Christian,Contemporary,Easter,Sacred. Octavo. 23 pages. Reis Luke Aquino #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.943136 Composed by Reis Luke Aquino. Christian,Contemporary,Easter,Sacred. Octavo. 23 pages. Reis Luke Aquino #4320921. Published by Reis Luke Aquino (A0.943136). This piece was conceptualized for the Holy Innocents Episcopal Church (Baguio City, Philippines) for the Good Friday service. The text comes from a set of short poems by Ms. Nava Faith Bawayan evoking short personal impressions and reflections on each of the traditional last seven words of Christ. The music are short musical impressions in a semi-contemporary (avant-garde) style, scored for an SATB choir, Tenor and Soprano Soloists and Piano. It features call and response passages between the soloists and the choir, short canons, and easy chord clusters for certain effects. The composer has considered these especially for choirs who are immersed in the Hymn singing tradition but are expanding into a more contemporary style of music.1. Father Forgive them2. You will be with me in Paradise.3. Woman, Behold your son!4. My God, my God, Why have you forsaken me?5. I Thirst6. It is Finished7. Father into your handsVideos here:https://www.facebook.com/hiecchoir/videos/1866208853398362/https://www.facebook.com/hiecchoir/videos/1866283680057546/https://www.facebook.com/watch/?v=1866289593390288https://www.facebook.com/watch/?v=1866294370056477
$9.99
Hope of the World 06: On the Road to Bethlehem
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World 06: On the R
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.847874 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.847874 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #454566. Published by Stephen R Dalrymple (A0.847874). Hope of the World 06: On the Road to Bethlehemoriginal song for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023♫ based on Genesis 35, Jeremiah 36, Matthew 2♫ This prophecy alludes to Rachel’s death near Bethlehem. Rachel dies in bitterness. Jeremiah prophecies the grief of the mothers of Jerusalem will experience at the sack of Jerusalem by Nebuchadnezzar and personifies it as Rachel weeping. A third use of the metaphor is the mothers whose babies are destroyed at Herod the Great’s command. ♫ Coventry Carol is 1 of 3 songs belonging to Pageant of the Shearmen and Tailors, a Coventry Mystery play of the nativity. The only surviving copy of the play (and the song) is dated 1534. The text of Coventry Carol expresses horror of the murder of the innocents by Herod.♫ To balance the darkness and grief of the music, the composer has concluded the song with a reminder of how God intervened to protect His Son and the redemption of mankind.♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
The Last Chorale: Score
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Orchestre à Cordes
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Classique
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Johann Sebastian Bach
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Bob Lipton
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The Last Chorale: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.98-DST6339S Composed by Johann Sebastian Bach. Arranged by Bob Lipton. Score. 8 pages. Alfred Music - Digital Sheet Music #98...
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String Orchestra - SKU: AX.98-DST6339S Composed by Johann Sebastian Bach. Arranged by Bob Lipton. Score. 8 pages. Alfred Music - Digital Sheet Music #98-DST6339S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6339S). UPC: 674398232574.
$5.00
As I Out Rode This Enderes Night (The Coventry Shepherds Carol)
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Sandra Milliken
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As I Out Rode This Enderes Nig
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17...
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Choral Choir (SATB) - Level 3 - SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17 pages. Sandra Milliken #3691909. Published by Sandra Milliken (A0.774721). As I Out Rode This Enderes Night is a companion carol to the well-known and very popular Lully, Lullay, also known as the Coventry Carol. Both carols were part of the Pageant of the Shearmen and Tailors. The pageant was a mystery play regularly performed in the English city of Coventry from the early 15th Century until around the middle of the 16th Century. The Pageant also included a third carol beginning with the line Down from Heaven, from Heaven so High.The mystery plays of medieval Europe were traditionally created and performed by craft guilds based in the larger cities. These mystery plays focused on the representation of stories from the Bible, told in the local vernacular rather than in Latin. They told of subjects such as the Creation, the Nativity, the Passion and the Last Judgment.The Pageant of the Shearmen and Tailors depicted the Christmas story, covering events from the Annunciation through to the Massacre of the Innocents. Lully, Lullay refers to the latter event in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. As I Out Rode and Down from Heaven referred to the angel’s announcement, to shepherds in the fields near Bethlehem, concerning the birth of the Christ child and the subsequent visit by the shepherds to the manger, where they found the baby with Mary and Joseph.Today, the two shepherds’ songs are often combined into a single carol with the title As I Out Rode This Enderes Night or The Coventry Shepherds Carol.This new SATB-with-descant arrangement (the original was scored for treble, tenor and bass) incorporates an additional three verses, the lyrics of which are an adaptation of the dialogue from the pageant that came between the two songs of the shepherds.
$2.20
Breathe Low
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
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Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
Take This Bread, Take This Cup – Maundy Thursday Communion Anthem
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Chorale 3 parties
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Musique Sacrée
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Edward David Zeliff
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Take This Bread, Take This Cup
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Edward David Zeliff
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792021. Published b...
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Choral Choir (SAB) - SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792021. Published by Edward David Zeliff (A0.888276). This short but poignant Communion anthem was written for and first performed in a Maundy Thursday service. The choir being not a large one, with no tenors, the voices designated are SAB and accompanied by piano. The piano writing integrates the accompaniment into the texture and the lyrical setting of the text. This piece is designed to be practical, easy to learn, and rewarding to sing, all of which is accomplished without sacrificing artistic integrity or writing down for the choral forces. Rather, the unison/octave writing at the beginning and the return of that sonority for the third section are coloristic devices to reinforce the text. The middle section makes full use of the capabilities and ranges of the three-part mixed choir format. The musical setting underscores the Hope of Redemption on the Eve of the Crucifixion at the Last Supper. The piece is equally suitable for any Communion Sunday throughout the Church year.
$2.00
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
Herzliebster Jesu From the St. Matthew Passion (Bm)
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu From t
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324265 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1324265 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912463. Published by Müller Publishing company (A0.1324265). Herzliebster Jesu  From the St. Matthew Passion (Bm)Explore the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Carefully arranged for choirs, this musical treasure in B minor enables your ensemble to delve into the emotional depths of the composition effortlessly.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourself in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all choir members.**Tailored for Lower Voices:** This score is thoughtfully adapted for choirs with lower voices, providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among choir members, promoting efficient and collaborative preparation.**Ideal for Choral Performance:** Tuned in B minor, the score creates an optimal sonic environment for choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
Herzliebster Jesu from St. Matthew Passion - for Men's Choir (Am)
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Chorale TTBB
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Alex E
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Herzliebster Jesu from St. Mat
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred....
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1324266 Composed by Johann Sebastian Bach. Arranged by Alex E. Advent,Baroque,Classical,Religious,Sacred. 3 pages. Müller Publishing company #912464. Published by Müller Publishing company (A0.1324266). Herzliebster Jesu from St. Matthew Passion - for Men's Choir (A minor)Delve into the profound beauty of Herzliebster Jesu from the St. Matthew Passion with this high-resolution digital score. Specially crafted for male choirs in A minor, this musical gem enables your ensemble to explore the emotional depths of this composition with ease.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all male choir members.**Tailored for Lower Voices (TTBB):** This score is thoughtfully adapted for male choirs with lower voices (Tenor 1, Tenor 2, Baritone, Bass), providing a comfortable vocal range for each member to delve into the harmonies, enhancing accessibility and enjoyment.**Deep Emotional Atmosphere:** Herzliebster Jesu is renowned for its profound emotional resonance. Feel the intensity of passion and savor the beauty of melodies as your male choir breathes life into this masterpiece.**Convenient Digital Format:** Bid farewell to concerns about lost or damaged physical scores. The digital score's versatility facilitates easy sharing among male choir members, promoting efficient and collaborative preparation.**Ideal for Male Choral Performance:** Tuned in A minor, the score creates an optimal sonic environment for male choirs, allowing voices to harmonize powerfully and leaving a lasting impression on the audience.**Deep Musical Exploration:** Enable your male choir to explore the emotional nuances of St. Matthew's work with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enrich your male choral repertoire with the magnificent digital score of Herzliebster Jesu from the St. Matthew Passion. Elevate the expressiveness and musical quality of your male choir. Purchase now and embark on a unique emotional journey through the pages of this classical masterpiece.
$1.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Last Words Orchestra Score and Instrument Parts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael Myrick
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Last Words Orchestra Score and
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHA...
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Choral Choir (SATB) - Level 3 - SKU: A0.765565 Composed by Michael Myrick. Easter,Sacred. Octavo. 228 pages. MICHAEL MYRICK #2998963. Published by MICHAEL MYRICK (A0.765565). Last Words begins on the day of the crucifixion, the heart of the passion story. The last statements Jesus makes are set to music to bring worshipers to a closer understanding of His sacrifice. The cantata takes the listener from sorrow to heartbreak as Christ looks down from the cross and speaks. This is a deeply moving service your choir and congregation will never forget. BREATHTAKING!CONTENTSPreludeI. Woman Behold Your SonII. Father, Forgive ThemIII. ParadiseIV. My God, Why?V. I ThirstVI. Father into Your HandsVII. It Is FinishedVIII. KyrieSCORE, ALL ORCHESTRA PARTS ARE INCLUDED WITH THIS PURCHASEVideo Promotional: https://youtu.be/jvKOh2oP8xUChoir / Keyboard edition is also available from SMP. S0.187873 Last Words SATB and Keyboard
$100.00
Shall We Gather at the River (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Albert L
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Shall We Gather at the River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi, organ, flute, full orchestra - Medium - SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsworth Lowry, and ...
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SATB choir divisi, organ, flute, full orchestra - Medium - SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsworth Lowry, and Stephen Johnson. All Saints/All Souls, Easter Season, Funeral. 17 pages. MorningStar Music Publishers - Digital Sheet Music #50-6061-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6061-E). This arrangement combines the talents of two very gifted composers. The anthem is set in a gentle, folk-like way with a substantial organ accompaniment and a lyrical flute obbligato. It culminates with a stately treatment of the last stanza and chorus and then ends slowly and expressively. A full orchestration of the accompaniment is also available.
$2.85
Sure of the sky, sure of the sun/Des Himmels sicher, der Sonne sicher (Downloadable Choral Score)
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Chorale SATB
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Howard Goodall
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Sure of the sky, sure of the s
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi and piano or brass quintet - Moderately Difficult - SKU: MQ.56-0017-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishe...
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SATB choir divisi and piano or brass quintet - Moderately Difficult - SKU: MQ.56-0017-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0017-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0017-E). English, German.Setting both English and German texts, Sure of the Sky, Sure of the Sun – Des Himmels sicher, der Sonne sicher is a haunting and moving reflection on the futility of war. The 5-minute piece for SATB choir and brass was premiered at one of the UK’s three main World War I centenary commemoration events on August 4, 2014. It was launched by the London Symphony Chorus, Schleswig-Holstein Festival Chor and Coldstream Guards, at a twilight event attended by the Duke and Duchess of Cambridge, Prince Harry, and a number of world leaders, all gathered together in the tiny woodland cemetery of St Symphorien near Mons, Belgium – the resting place for the first and last British, and the last Commonwealth, soldiers to die on the Western Front.The texts are “May, 1915†by Charlotte Mew (1869-1928) and “To a Missing Friend†by Goldfeld, a German Jewish soldier killed in action, the poem was discovered by Jewish military historian, Peter C Appelbaum. Duration: 5:00Instrumental Parts include: B-flat Cornet, B-flat Flugelhorn, E-flat Tenor Horn/French Horn in F, Euphonium, Tuba .
$3.35
Hildegard von Bingen: Ordo Virtutum (latine), Order of the Virtues (in English), Ordre des Vertus (
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Chorale Unison
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INTERMÉDIAIRE
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Classique
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Hildegard Von Bingen
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Zoltan Paulinyi
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Hildegard von Bingen: Ordo Vir
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Zoltan Paulinyi
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.966252 Composed by Hildegard Von Bingen. Arranged by Zoltan Paulinyi. Classical. Octavo. 60 pages. Zoltan Paul...
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Choral Choir (Unison) - Level 3 - SKU: A0.966252 Composed by Hildegard Von Bingen. Arranged by Zoltan Paulinyi. Classical. Octavo. 60 pages. Zoltan Paulinyi #6327455. Published by Zoltan Paulinyi (A0.966252). This books publishes the original Latin text translated into English, French and Portuguese with some performing instructions added by the translator. It includes the facsimile of the full score manuscript. This new edition is revised by the Schola Cantorum of Brasilia. The Order of the Virtues, opera written in the 12nd century, transcends music by bringing together literature, philosophy, theology and spirituality in a single art piece. Dr Zoltan Paulinyi presents his translations next to the Latin text to maintain the words’ correspondence to bring the reader closer to the author's original message and facilitate musical and theatrical production. The Order of the Virtues remains one of the most engaging philosophical themes of the last millennium. Saint Hildegard elegantly presented the questioning through this sublime and solemn opera, inspiring hundreds of intellectuals after her, like Saint Thomas Aquinas, to seek more complete answers.
$19.00
Hope of the World 12: Your King Comes Riding - original song for SATB choir by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hope of the World 12: Your Kin
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.818371 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacr...
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Choral Choir (SATB) - Level 3 - SKU: A0.818371 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Octavo. 32 pages. Stephen R Dalrymple #6709745. Published by Stephen R Dalrymple (A0.818371). Hope of the World: 12 Your King Comes Riding original song for SATB choir and piano by Stephen R Dalrymple (with optional parts for Shofar or Trumpet)   sequenced by the composer music © 1999 Stephen R Dalrymple recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple based on Zechariah 9, Psalm 118, and Matthew 21 ♫ Many of the predictions of Zechariah are futuristic, looking far ahead in history. There was no king of Judah in Zechariah’s day. The former exiles who had returned to Judah were under the authority of the Persians. Any king would have to be authorized by the higher secular authority. But Zechariah foresees a king who will enter Jerusalem, riding on a donkey. ♫ The choice of the animal here is important. The donkey is the beast of burden of the common man. (Analogous to an economic or dilapidated automobile.) Horses were primarily used by soldiers; something like a victor riding into town in a tank. Mules (Jewish law forbade the breeding of hybrid animals) were the choice of the wealthy. In Judea, they were evidently imported. David had Solomon ride into Jerusalem on his mule (something like a sports car.) But Zechariah sees Messiah will presenting Himself as king riding the transportation of the common person. On Psalm Sunday, about a week before Jesus’ death, the crowds quoted Zechariah 9 and Psalm 118 as Jesus offered Himself to the nation as king. ♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion. ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) optional shofur part 4) optional trumpet part 5)full score for 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$2.00
Let's Raise Up A Cheer SATB score
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Chorale SATB
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Elzbieta Ambrose
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Let's Raise Up A Cheer SATB sc
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Elizabeth
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1002445 Composed by Elzbieta Ambrose. A Cappella. Octavo. 5 pages. Elizabeth (Elzbieta) Ambrose #6455823. Published by Eli...
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Choral Choir (SATB) - SKU: A0.1002445 Composed by Elzbieta Ambrose. A Cappella. Octavo. 5 pages. Elizabeth (Elzbieta) Ambrose #6455823. Published by Elizabeth (Elzbieta) Ambrose (A0.1002445). The full score with the piano accompaniment is also available (Item Number: SO.1076373). This is SATB score only.‘Let’s Raise up a Cheer’ will work as a cappella or use with the full score with the piano accompaniment. This music was influenced by the 2020 pandemic. The words by Barbara Roberts express the gratitude to all the hard-working devoted people who restlessly risk their life to help others. The experience of the pandemic will live with us for ever and the music reflects the sincerity of the situation. Arrangement for SATB is suitable to all the choirs, any age. This music will make a strong impact on the listener and the tune will stay in our minds for evermore, like the last word of this composition. The melody is in soprano voice, the other voices enhance the melody line and are easy to learn.
$1.99
Across the Borders - SSAA a capella
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Chorale SSAA
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Chandra Grover
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Across the Borders - SSAA a ca
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Chandra Grover
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SheetMusicPlus
Voice, Choir, Female SSAA Tenor, Lead, Baritone, Bass - Intermediate - Digital Download Composed by Chandra Grover. Arranged by Chandra Grover and PrimeTim...
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Voice, Choir, Female SSAA Tenor, Lead, Baritone, Bass - Intermediate - Digital Download Composed by Chandra Grover. Arranged by Chandra Grover and PrimeTime Quartet. Modern, World. Score. 7 pages. Published by Chandra Grover
A Song of Hope
A new female barbershop arrangement of Across the Borders. Since the release of Across the Borders by Felixstowe Harmonies in April during the lockdown of 2020, the song has become the focus of an exciting collaborative project between Felixstowe Harmonies and PrimeTime Quartet.
The chorus has an uplifting message of solidarity, of friends uniting and how singing has the power to lift hearts across the borders of our world.
The audio is of the last chorus and the tag.
$2.99
Rise At The Last Trumpet Call (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Christian contemporain
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Stephen DeCesare
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Rise At The Last Trumpet Call
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.621438 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. Octavo. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.621438 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #3560781. Published by Exultet Music (A0.621438). The Advent poem by Christina Rossetti is scored to a new melody that utilizes a narrator that reads the beginning part of the poem (underscored) which after a certain point, is taken over by a Soprano Solo and is later joined by an SATB choir. Scored for Soprano Solo, SATB, with Piano accompaniment. Accessible and appropriate for any church or concert setting. Featured in the Christmas musical Love Came Down At Christmas which is available on this site.
$3.99
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The Last Chorale: Score
