Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Letter
Non classifié
548
Piano & claviers
Piano Facile
884
Piano seul
355
Piano, Voix
164
Piano, Voix et Guitare
100
Orgue
24
2 Pianos, 4 mains
23
Instruments en Do
15
1 Piano, 4 mains
6
Piano grosses notes
4
Accompagnement Piano
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
71
Guitare
43
Ligne De Mélodie, (Paroles) et Accords
24
Paroles et Accords
22
Ukulele
17
Basse electrique
5
Piano, Guitare (duo)
2
Ensemble de guitares
2
Banjo
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
2 Dulcimers (duo)
1
Mandoline
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
104
Chorale 3 parties
27
Chorale 2 parties
17
Chorale SSAA
14
Chorale Unison
11
Chorale TTBB
10
Voix Soprano, Piano
10
Voix duo, Piano
8
Voix Baryton, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix haute
3
Voix Tenor, Piano
3
Chorale
2
Voix seule
2
Voix duo
2
Voix Alto, Piano
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
Clarinette
51
Quatuor de Saxophones: 4 saxophones
47
Flûte traversière
37
Flûte, Hautbois, Clarinette, Basson
16
Flûte traversière et Piano
15
3 Saxophones (trio)
13
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
10
Quintette de Clarinettes: 5 clarinettes
10
2 Flûtes traversières (duo)
10
3 Clarinettes (trio)
9
2 Clarinettes (duo)
9
Trio de Flûtes: 3 flûtes
8
Flûte, Violon, Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Quintette de Saxophone: 5 saxophones
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
2 Saxophones (duo)
6
Saxophone Alto
6
Saxophone Tenor
5
Flûte et Guitare
5
Saxophone Soprano et Piano
5
Clarinette et Piano
5
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Flûtes
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Piano (duo)
3
Saxophone (partie séparée)
3
Saxophone Soprano
2
Flûte, Violon et Violoncelle
2
Ensemble de saxophones
2
Clarinette, Guitare (duo)
2
Clarinette Basse, Piano
2
Flûte à Bec
1
Hautbois (partie séparée)
1
Ensemble de Clarinettes
1
Flûte irlandaise
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Saxophone et Orgue
1
+ 39 instrumentations
Retracter
Cuivres
Trompette
98
Cor
34
Trombone
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de cuivres: 4 trombones
18
Trompette, Piano
15
Trombone et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Ensemble de Trombones
10
Cor et Piano
7
Quatuor de cuivres: 4 cors
5
2 Euphoniums et 2 Tubas
5
2 Trombones (duo)
5
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Euphonium, Piano (duo)
3
2 Cors (duo)
2
Tuba et Piano
2
Trombone (partie séparée)
2
Ensemble de Trompettes
1
3 Trombones (trio)
1
Tuba
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Euphonium, Tuba (duo)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
42
Violon
41
Violon et Piano
33
Harpe
32
Violoncelle
21
Violon, Violoncelle (duo)
16
Violon, Alto (duo)
14
2 Violoncelles (duo)
9
Violoncelle, Piano
9
Alto, Piano
9
Trio à Cordes: 2 violons, violoncelle
8
Alto seul
8
2 Violons (duo)
7
4 Violoncelles
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
3
Contre Basse
3
Trio à cordes: 3 violins
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
243
Orchestre
124
Ensemble Jazz
52
Orchestre à Cordes
30
Orchestre de chambre
25
Ensemble de Percussions
17
Ensemble de cuivres
12
Fanfare
11
Marimba
9
Vibraphone
9
Jazz combo
6
Cloches
4
Ensemble d'École
3
Big band
2
Xylophone, Piano
1
2 Xylophones
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
484
Partitions Numériques
4 148
Librairie Musicale
3 450
Matériel de Musique
67
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Letter
Partitions à imprimer
4 148 partitions trouvées
<
1
26
51
....
4126
Ice! from Songs from the High Sierra
#
Voix haute
#
Gwyneth W
#
Ice! from Songs from the High
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
(+)
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Oot-kwa-tah, Dance of the Seven Sisters
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brett L
#
Oot-kwa-tah, Dance of the Seve
#
Sonata Grendel Publishing
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Publish...
(+)
Concert Band - Level 4 - SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
E
#
Brendan Elliget MAGA 537
#
The Home Coming March
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
(+)
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
The True Colors of Weedle • Vocal Selections
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Music by Allison Brewster Fran
#
Allison Brewster Franzetti
#
The True Colors of Weedle &bul
#
Shining Sharon Music
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by ...
(+)
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95
The Frog in the Bog from Emily! (Downloadable)
#
Voix Mezzo-Soprano, Piano
#
Gwyneth W
#
The Frog in the Bog from Emily
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - D...
(+)
Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8460-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8460-3E). English.The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant, and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond.In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly.Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World); the shimmering moonlight (The Moon and the Sea); a frog croaking in a bog (The Frog in the Bog); hopeful birds hopping about (Hope with Feathers); the boat of passion riding the waves and then settling into its mooring (Passion); the ship's cannon firing in celebration (Joy); and the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul. Duration: 14:00.
$5.00
The Letter
#
Piano, Voix
#
AVANCÉ
#
Christopher Benfield
#
The Letter
#
Christopher Benfield
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.909896 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #...
(+)
Piano,Vocal,Voice - Level 5 - SKU: A0.909896 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202235. Published by Christopher Benfield (A0.909896). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.The Letter is about the singer's feelings for someone, manifesting in them speaking about what they have written for them. Each phrase becomes a little more unraveled, exhibiting the singer's mental unraveling.
$2.99
The Spring from The Four Seasons
#
Cloches
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
The Spring from The Four Seaso
#
Bronze:FX
#
SheetMusicPlus
Handbell - Level 3 - SKU: A0.1308228 Composed by Antonio Vivaldi. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Scor...
(+)
Handbell - Level 3 - SKU: A0.1308228 Composed by Antonio Vivaldi. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Score. 6 pages. Bronze:FX #897457. Published by Bronze:FX (A0.1308228). This delightful arrangement of the first movement of The Spring is perfect for any energetic moment, regardless of season.  Its charm comes from its quick tempo and dynamic contrasts, complete with the sounds of the spring season (perhaps add a bird whistle, rainstick, props, poem, or a nature slide show). The arrangement is for 4, 5, or 6 ringers using two or three octaves of handbells (or handchimes).  Complete assignments and performance notes are enclosed, and the piece is Level 3 when played with six ringers.  This piece may also be performed by four- or six-in-hand ensembles without tables.The piece is in rondeau form, which means that it has a recurring theme (similar to a refrain) and verses that extremely differ from one another.  Rondeau form is usually explained by letters, where A equals the recurring theme, and each other letter like B or C indicate completely differing verses.  The form then looks like this: ABACADAE etcetera. Because of its consistency, both audience and performers alike will look forward to the next time that the A theme appears. Performance time:• 3 minutes.
$2.95
The Unquiet Grave from American Death Ballads (Downloadable)
#
Voix haute
#
David Conte
#
The Unquiet Grave from America
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
(+)
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]
#
Piano Facile
#
DÉBUTANT
#
Classique
#
Halloween
#
offering sheet music at a very
#
Edvard Grieg
#
Darek
#
In The Hall Of The Mountain Ki
#
Darek
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1257924 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 1 pages. Darek #851159. Published ...
(+)
Easy Piano - Level 1 - SKU: A0.1257924 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 1 pages. Darek #851159. Published by Darek (A0.1257924). In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]Simplified arrangement for beginner pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Simplified arrangement of music song for pianists / Very easy version for beginners/ Very easy arrangement / Letter notes. Included: Letter notes, Fingering, easy chords and video youtube tutorial.Immerse yourself in the thrilling world of classical music with our piano sheet music for In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Designed specifically for beginner pianists, this sheet music offers a very easy level of difficulty, allowing you to learn and play this iconic piece with confidence and joy.Our comprehensive package includes letter notes, fingering suggestions, easy chords, and a video YouTube tutorial, making it the perfect resource for aspiring pianists who are just starting their musical journey. With the letter notes and fingering guidance, you'll quickly become familiar with the keys and hand positions, enabling you to play this exhilarating composition with ease.In The Hall Of The Mountain King is a dramatic and powerful piece from the Romantic era, composed by the renowned Norwegian composer Edvard Grieg. Its haunting melody and energetic rhythm captivate listeners and transport them to the mythical world of Peer Gynt.With our sheet music, you'll be able to evoke the intense atmosphere of the piece, building up the tension and creating a truly immersive musical experience. The included easy chords allow you to add depth and harmony to your performance, enhancing the overall sound of the piece.We understand the importance of visual learning in music education, which is why we provide a video YouTube tutorial alongside our sheet music. This tutorial offers step-by-step guidance, demonstrating the proper techniques and nuances required to bring this masterpiece to life on the piano.By offering sheet music at a very easy level, we aim to make classical music accessible to beginners and provide a solid foundation for their musical development. The simplified arrangement of In The Hall Of The Mountain King ensures that even those with limited piano skills can experience the excitement and beauty of playing this renowned composition.Whether you're a young student, an adult beginner, or a music enthusiast, our sheet music for In The Hall Of The Mountain King is an invaluable tool for expanding your repertoire and mastering the piano. Start your musical adventure today and impress your friends and family with this thrilling piece from the Romantic era.Position yourself for success in your piano journey by choosing sheet music that matches your skill level. Our very easy level sheet music for In The Hall Of The Mountain King provides a seamless introduction to the world of classical music and enables you to develop fundamental piano techniques at your own pace.Unlock the magic of Grieg's composition and embark on a musical adventure like no other. Purchase our piano sheet music for In The Hall Of The Mountain King and let the captivating melodies transport you to the depths of the mountain kingdom. Begin your musical journey today and experience the joy of playing this iconic piece.
$2.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
The Letter
#
Basse electrique
#
FACILE
#
Box Tops
#
Igor Sardi Bass
#
2) - https://www
#
The Letter
#
Igor Sardi Bass
#
SheetMusicPlus
Bass Guitar - Level 2 - SKU: A0.1271006 By Box Tops. By Wayne Carson Thompson. Arranged by Igor Sardi Bass. Blues,Funk,Hip-Hop,Jazz,Pop,R & B. Score. 5 ...
(+)
Bass Guitar - Level 2 - SKU: A0.1271006 By Box Tops. By Wayne Carson Thompson. Arranged by Igor Sardi Bass. Blues,Funk,Hip-Hop,Jazz,Pop,R & B. Score. 5 pages. Igor Sardi Bass #863395. Published by Igor Sardi Bass (A0.1271006). Joe Cocker's version with John Deacon on bass and Brian May on guitarFor version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
Letters from the War (score)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
J
#
Letters from the War
#
J. Andres Ballesteros
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1022627 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Fo...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1022627 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Folk. Score and parts. 25 pages. J. Andres Ballesteros #2828461. Published by J. Andres Ballesteros (A0.1022627). Letters from the War, for string orchestra (Score)by J. Andrés Ballesteros (2011, ed. 2016; ASCAP)Letters from the War (2011) was commissioned by Jesse Suggs and the Northern Guilford Middle School Orchestra in the spring of 2010 and was written in commemoration of the 150th anniversary of the beginning of the American Civil War. The inspiration for the piece is drawn from a number of letters written by soldiers during the war. Some familiar tunes from that era are quoted throughout in keeping with the theme, and in the final movement, earlier parts of the piece are also quoted. Together these letters and the music depict the narrative of the war, from a building march and a mournful ballad to a joyous celebration and a triumphant finale.This piece is a 3-movement concert piece appropriate for advanced middle school or intermediate high school orchestras. The piece includes brief solos for viola and violin in the second movement.
$18.95
Letters from the War (parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
J
#
Letters from the War
#
J. Andres Ballesteros
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.1022625 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Folk. Score ...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.1022625 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Folk. Score and parts. 34 pages. J. Andres Ballesteros #2835761. Published by J. Andres Ballesteros (A0.1022625). Letters from the War, for string orchestra (Parts)by J. Andrés Ballesteros (2011, ed. 2016; ASCAP)Letters from the War (2011) was commissioned by Jesse Suggs and the Northern Guilford Middle School Orchestra in the spring of 2010 and was written in commemoration of the 150th anniversary of the beginning of the American Civil War. The inspiration for the piece is drawn from a number of letters written by soldiers during the war. Some familiar tunes from that era are quoted throughout in keeping with the theme, and in the final movement, earlier parts of the piece are also quoted. Together these letters and the music depict the narrative of the war, from a building march and a mournful ballad to a joyous celebration and a triumphant finale.This piece is a 3-movement concert piece appropriate for advanced middle school or intermediate high school orchestras. The piece includes brief solos for viola and violin in the second movement.Parts details:Parts for Violin I, Violin II, Viola, Cello, Bass (34 pages)Score is available separately.Beginning intermediate level; appropriate for middle school or high school orchestras. ~8'30
$19.95
Letters from the War (score and parts)
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
J
#
Letters from the War
#
J. Andres Ballesteros
#
SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1022626 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Pa...
(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - SKU: A0.1022626 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Patriotic. Score and parts. 59 pages. J. Andres Ballesteros #2835807. Published by J. Andres Ballesteros (A0.1022626). Letters from the War, for string orchestra (score and parts)by J. Andrés Ballesteros (2011, ed. 2016; ASCAP)Letters from the War (2011) was commissioned by Jesse Suggs and the Northern Guilford Middle School Orchestra in the spring of 2010 and was written in commemoration of the 150th anniversary of the beginning of the American Civil War. The inspiration for the piece is drawn from a number of letters written by soldiers during the war. Some familiar tunes from that era are quoted throughout in keeping with the theme, and in the final movement, earlier parts of the piece are also quoted. Together these letters and the music depict the narrative of the war, from a building march and a mournful ballad to a joyous celebration and a triumphant finale.This piece is a 3-movement concert piece appropriate for advanced middle school or intermediate high school orchestras. The piece includes brief solos for viola and violin in the second movement.
$34.95
The Pink Panther
#
Contemporain
#
Henry Mancini
#
Yu-Tai Cheng
#
The Pink Panther
#
Flute Gamer Studio
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.1013083 Composed by Henry Mancini. Arranged by Yu-Tai Cheng. Contemporary. 15 pages. Flute Gamer Studio #6437155. ...
(+)
Woodwind Ensemble - Level 2 - SKU: A0.1013083 Composed by Henry Mancini. Arranged by Yu-Tai Cheng. Contemporary. 15 pages. Flute Gamer Studio #6437155. Published by Flute Gamer Studio (A0.1013083). I love the jazz dynamic of this incredible song, The Pink Panther is the most popular and attractive melodies at my time and for the children of this generation as well. So, I arrange a beatbox flute trio version with piano, it's a lot of fun and enjoy to practice it with your children!Some intruction notes: the letter fu, s, tsu are literally use the airy sound of these words to produce the special aeolien sound; and the k is the snare drum exhale sound. You could also add your B bass drum sound to a certain place where I didn't write on the score, but the teacher could definitely use of them to make a more beautiful rhythmic beatbox patterns. Find out more information about this arrangement, or if you need more instructions from me, feel free to contact me through my e-mail or my social media contact area.myrllincheng@gmail.comhttps://myrflute.comhttps://facebook.com/myrflute
$19.99
Letter to a distant lover for clarinet and guitar - live performance (mp3)
#
Clarinette, Guitare (duo)
#
INTERMÉDIAIRE
#
Contemporain
#
András Csáki and Balá
#
Letter to a distant lover for
#
David Warin Solomons
#
SheetMusicPlus
Clarinet,Guitar - Level 3 - SKU: A0.1268819 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,Contemporary. Full Performan...
(+)
Clarinet,Guitar - Level 3 - SKU: A0.1268819 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 140. David Warin Solomons #861350. Published by David Warin Solomons (A0.1268819). This is part of a project composed for a group based on the Old Kent Road in London.They provided some lyrics which I set to music for them (around 1982), but the project never took off.I never met the person to whom the letter was addressed (called Howard Nicholls apparently...)but I got the impression that he did exist and meant a great deal to the group.The words (now lost) certainly brought out a romantic theme within the project.I decided recently that this particular theme would work nicely for a simple clarinet and guitar combinationIt is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$4.50
The Sense of a Place Will Remain
#
Chorale SATB
#
Contemporain
#
Paul Burnell
#
The Sense of a Place Will Rema
#
Paul Burnell
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
(+)
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
My Letter to the World from Emily!
#
Voix Soprano, Piano
#
INTERMÉDIAIRE
#
Gwyneth W
#
My Letter to the World from Em
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano voice and piano - Medium - SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital...
(+)
Soprano voice and piano - Medium - SKU: MQ.8317-1E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-1E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.
$5.00
On the Ice, for oboes, piano, drone - Score
#
Paul Burnell
#
On the Ice, for oboes, piano,
#
Paul Burnell
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - SKU: A0.1491937 By Paul Burnell. By Paul Burnell. 21st Century,Classical,Contemporary. 6 pag...
(+)
Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - SKU: A0.1491937 By Paul Burnell. By Paul Burnell. 21st Century,Classical,Contemporary. 6 pages. Paul Burnell #1068617. Published by Paul Burnell (A0.1491937). On the Ice by Paul Burnell1 oboe version composed 19932 oboe version composed 2002This score edition created 2024First performed 31 July 1997, Paul Burnell (oboe), Patsy Moore (piano), Bretton Hall,Wakefield.Duration 3.301 or 2 Oboes, or other suitable instrumentsPianoDrone instrument - organ, synthesiser etc.If performed with one oboe, play the Oboe 2 part.Note: When first performed the drone was provided by the female members of the rear half of the audience humming f above middle c.Dynamics may be devised by the performers ad lib.The quotation from ‘Frankenstein’ given in the programme note below may be incorporated into the performance.Programme note'Frankenstein', by Mary Shelley, begins with a series of letters from a Mister R Walton to his sister in London, written whilst on board a ship travelling north from Archangel in Russia. The fourth letter begins:“So strange an accident has happened to us, that I cannot forbear recording it...Last Monday, we were nearly surrounded by ice, which closed in the ship on all sides, scarcely leaving her the sea-room in which she floated. Our situation was somewhat dangerous, especially as we were compassed round by a very thick fog. We accordingly lay to, hoping that some change would take place in the atmosphere and weather.About two o'clock the mist cleared, and we beheld, stretched out in every direction, vast and irregular plains of ice, which seemed to have no end.”.
$4.99
Letter to a distant lover for clarinet, 2 violins, viola and 2 guitars
#
David Warin Solomons
#
Letter to a distant lover for
#
David Warin Solomons
#
SheetMusicPlus
Clarinet,Guitar,Viola,Violin - Level 3 - SKU: A0.1403559 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. 19 pages. David Warin Solomon...
(+)
Clarinet,Guitar,Viola,Violin - Level 3 - SKU: A0.1403559 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. 19 pages. David Warin Solomons #986737. Published by David Warin Solomons (A0.1403559). This was originally part of a project composed for a group based on the Old Kent Road in London.They provided some lyrics which I set to music for them (around 1982), but the project never took off.I never met the person to whom the letter was addressed (called Howard Nicholls apparently...) but I got the impression that he did exist and meant a great deal to the group.The words (now lost) certainly brought out a romantic theme within the project.The pdf contains score and parts.
$11.00
Brass Band - March -So Fly the Eagles
#
Contemporain
#
Mike Lyons
#
Brass Band - March -So Fly the
#
Lyons Music Services
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767302 Composed by Mike Lyons. Contemporary. Brass Band. 58 pages. Lyons Music Services #3409907. Published by Lyons Music Services (A0.767302). An original march dedicated to The Eagley Band, with whom I have a very long associationThe opening section is quite chaotic, as the eagles flap their wings and get ready for take-off. Then they are off with a run and a leap and we hear the first theme, a martial tune in the solo euphonium, with fanfare-like interjections on the cornets. At letter B, the tune is expanded to encompass the other sections of the band. Then at letter C, a new idea is introduced which has little obbligato tweets from the soprano and repieno on the repeat.The bass solo continues the military idea with aggressive fanfare interjections over the bass melody.The trio changes style completely and should be played as lightly and delicately as possible. The leaps on baritone and trombones should be clear and well articulated but should fit into the general texture rather than stick out abruptly.At letter G, the grace notes should be played by only one player in each section to avoid sounding like clucking chickens. The grace notes should be extremely light.
$25.00
Mad World for Zither or Lap Harp
#
Harpe
#
DÉBUTANT
#
Rock
#
Adam Lambert, Tears For Fear
#
Misty Allen
#
Mad World for Zither or Lap Ha
#
Misty Allen
#
SheetMusicPlus
Harp, Zither - Easy/Beginner - By Adam Lambert, Tears For Fears. Arranged by Misty Allen. Sheet Music Single. 1 pages. Published by Misty Allen...
(+)
Harp, Zither - Easy/Beginner - By Adam Lambert, Tears For Fears. Arranged by Misty Allen. Sheet Music Single. 1 pages. Published by Misty Allen
This is an arrangement of Mad World for zither or lap harp. Just slip the sheet music under the strings and follow the notes which are connected by lines, easily showing you which strings to pluck.
This sheet music works on T.K. O'Brien Lap Harps, Music Makers, or Melody Harps. To use with a First Act instrument, you might need to trim farther inside the guidelines, and you may possibly lose a note at the beginning or end. Typical zither tuning, from bottom to top, is G A B C D E F# G A B C D E F# G..... which is the tuning I used for this particular arrangement.
Printing Instructions:
Print onto letter-sized paper. Select "Print Actual Size", and NOT "Scale to Fit". Landscape Orientation
When you're sure you have it printing correctly, you may want to print onto card stock for added durability.
$4.99
<
1
26
51
....
4126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Letter 
