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2951
Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
37.28 €
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Orchestre d'harmonie
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Brett L
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Oot-kwa-tah, Dance of the Seven Sisters
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Sonata Grendel Publishing
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SheetMusicPlus
Most Importantly, Loves, a song cycle for soprano and piano
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1233352 Composed by Adrienne…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves†started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters†is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. —  Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.
$9.99
9.14 €
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Piano, Voix
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Adrienne Inglis
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Most Importantly, Loves, a song cycle for soprano and piano
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Adrienne Inglis
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SheetMusicPlus
Ice! from Songs from the High Sierra
Voix haute
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwynet…
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
6.63 €
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Voix haute
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Gwyneth W
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Ice! from Songs from the High Sierra
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.74 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
9.14 €
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Chorale SATB
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Michael A
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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M.A. Morizio
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.15 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.45 €
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Ensemble Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.45 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
The True Colors of Weedle • Vocal Selections
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by M…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... -- Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95
18.25 €
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Piano, Voix et Guitare
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Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa
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Allison Brewster Franzetti
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The True Colors of Weedle • Vocal Selections
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Shining Sharon Music
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SheetMusicPlus
The Frog in the Bog from Emily! (Downloadable)
Voix Mezzo-Soprano, Piano
Mezzo-soprano voice and piano - Medium - Digital Download SKU: MQ.8460-3E Composed …
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Mezzo-soprano voice and piano - Medium - Digital Download SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8460-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8460-3E). English.The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant, and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond.In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly.Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World); the shimmering moonlight (The Moon and the Sea); a frog croaking in a bog (The Frog in the Bog); hopeful birds hopping about (Hope with Feathers); the boat of passion riding the waves and then settling into its mooring (Passion); the ship's cannon firing in celebration (Joy); and the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul. Duration: 14:00.
$5.00
4.57 €
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Voix Mezzo-Soprano, Piano
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Gwyneth W
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The Frog in the Bog from Emily!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Letter
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909896 Composed by Christoph…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909896 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 2 pages. Christopher Benfield #6202235. Published by Christopher Benfield (A0.909896). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.The Letter is about the singer's feelings for someone, manifesting in them speaking about what they have written for them. Each phrase becomes a little more unraveled, exhibiting the singer's mental unraveling.
$2.99
2.74 €
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Piano, Voix
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Christopher Benfield
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The Letter
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Christopher Benfield
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SheetMusicPlus
The Great Cathedral
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Straw…
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Full Orchestra - Level 4 - Digital Download SKU: A0.995852 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 125 pages. Andrew Strawn #4726553. Published by Andrew Strawn (A0.995852). Dedicated to the Notre Dame Cathedral in Paris which caught fire during the writing of this piece. The Great Cathedral is a long-anticipated work. I have had the primary chorale melody for nearly a year prior to the time of publication. So it seems rather overdue to complete it. Being the first large work for orchestra I have composed in a while, it was certainly a challenge. Nevertheless, this piece has come together just as I wanted it to. Written for full orchestra, choir, harp, piano, and organ, The Great Cathedral is a colossal work. It features the principal violinist and travels through a variety of orchestrations. From a French revolution-style march, swelling chorales, fugal expositions, and dissonate sforzandos this piece transforms the primary melody across the score. I am proud to have finally completed this work and I hope you enjoy, The Great Cathedral. In the event a choir is unavailable, choir parts have been cued in the organ. The organ would then play on a reed setting.Includes a legal-sized score and a letter-sized set of parts.
$55.00
50.32 €
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Orchestre
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Andrew Strawn
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The Great Cathedral
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Andrew Strawn
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SheetMusicPlus
A Mighty Fortress is Our God
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By M…
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Piano Solo - Level 4 - Digital Download SKU: A0.818222 By Stephen R Dalrymple. By Martin Luther. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 15 pages. Stephen R Dalrymple #3070993. Published by Stephen R Dalrymple (A0.818222). A Mighty Fortress is Our God ♫ piano solo arrangement by Stephen R Dalrymple ♫ Martin Luther wrote Ein Feste Burg sometime between 1527 and 1529. (Luther published the Ninety-five Theses in 1517 and was excommunicated in 1521.) Ein Feste Burg was translated into English by Miles Coverdale in 1539 with the title, Oure God is a defence and towre. The English text most familiar to me was translated by Francis Hedge in 1853. ♫ Luther believed in the power of music. In 1558 in the Forward to Georg Rhau's Symphoniae he wrote “I truly desire that all Christians would love and regard as worthy the lovely gift of music, which is a precious, worthy, and costly treasure given to mankind by God. … next to the Word of God, the noble art of music is the greatest treasure in the world. It controls our thoughts, minds, hearts, and spirits.... Our dear fathers and prophets did not desire without reason that music be always used in the churches. Hence, we have so many songs and psalms. This precious gift has been given to man alone that he might thereby remind himself that God has created man for the express purpose of praising and extolling God.†♫ In his lifetime, Luther made 3 major contributions to the Church: the doctrine of salvation by faith alone, the belief that Scripture should be translated into the people's language (producing a translation of the Bible into German), and the birth of congregational singing. In Roman Catholic churches of his day, only the cantor and a chorus sang the mass in Latin. He was determined to restore congregational singing in German to the church. ♫ In the slides, I have featured the Citadelle Laferrière, a fortress in Northern Haiti, commissioned in 1805 by Henri Christophe and completed in 1820, following Haiti’s independence from France in 1804. ♫ music © 2010 (copyright registered in 'Rejoice Ye Pure In Heart’ collection) ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
4.12 €
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Piano seul
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Stephen R Dalrymple
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A Mighty Fortress is Our God
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Stephen R Dalrymple
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.2 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Spring from The Four Seasons
Cloches
Handbell - Level 3 - Digital Download SKU: A0.1308228 Composed by Antonio Vivaldi. …
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Handbell - Level 3 - Digital Download SKU: A0.1308228 Composed by Antonio Vivaldi. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Chamber,Classical,Wedding. Score. 6 pages. Bronze:FX #897457. Published by Bronze:FX (A0.1308228). This delightful arrangement of the first movement of The Spring is perfect for any energetic moment, regardless of season.  Its charm comes from its quick tempo and dynamic contrasts, complete with the sounds of the spring season (perhaps add a bird whistle, rainstick, props, poem, or a nature slide show). The arrangement is for 4, 5, or 6 ringers using two or three octaves of handbells (or handchimes).  Complete assignments and performance notes are enclosed, and the piece is Level 3 when played with six ringers.  This piece may also be performed by four- or six-in-hand ensembles without tables.The piece is in rondeau form, which means that it has a recurring theme (similar to a refrain) and verses that extremely differ from one another.  Rondeau form is usually explained by letters, where A equals the recurring theme, and each other letter like B or C indicate completely differing verses.  The form then looks like this: ABACADAE etcetera. Because of its consistency, both audience and performers alike will look forward to the next time that the A theme appears. Performance time:• 3 minutes.
$2.95
2.7 €
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Cloches
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Antonio Vivaldi
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The Spring from The Four Seasons
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Bronze:FX
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SheetMusicPlus
Rock of Ages with Hiding in Thee
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R…
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello   Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)   To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.   Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.   Suitable for preludes, offertories, concerts, personal meditation.   Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
4.12 €
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Stephen R Dalrymple
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Rock of Ages with Hiding in Thee
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Stephen R Dalrymple
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SheetMusicPlus
A Raggy Boogaloo
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.931693 Composed by Dr. John D. …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.931693 Composed by Dr. John D. Swan. Concert,Jazz,Ragtime. Score and parts. 26 pages. Trombacor Music #6270169. Published by Trombacor Music (A0.931693). Feature your fabulous trombone player with this jazz style quintet composed by Dr. John D. Swan. The trombone solo is accompanied by the quintet throughout. There is a jazz section for the improvising trombonist to demonstrate her/his skills. If the trombone player does not improvise, a Lead Sheet with the changes for other improvisers in the quintet to use is included. Here is another feature of this work: if no one improvises in the quintet, but you still want to feature the trombone solo, markings in the score and parts explain how to omit the jazz improvisation section and take an Optional D.S. back to letter A, and then jump to the Coda. A Raggy Boogaloo is an audience pleaser where your quintet of 2 trumpets, horn in F, trombone and tuba can perform an up tempo jazzy ragtime piece. This work fits well in school demonstration concerts, on the concert stage, or in concerts in the park when weather permits. When performed at tempo with all repeats, and the full jazz improvisation solo section, the piece is 9 minutes and 25 seconds long.
$19.95
18.25 €
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Ensemble de cuivres
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Dr
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A Raggy Boogaloo
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Trombacor Music
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SheetMusicPlus
Requiem for the Pequod
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jor…
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Concert Band - Level 4 - Digital Download SKU: A0.1303052 By Jay Jordan. By Jay Jordan. Arranged by Jay Jordan. Classical,Contemporary,Contest,Festival,Historic. Score and Parts. 105 pages. Pro Creations Music #892637. Published by Pro Creations Music (A0.1303052). Requiem for the PequodCaptain Ahab’s story of obsession, and ultimate failure at the hands of Moby Dick is, of course, a well-worn cautionary tale. The tale of the Pequod, the ship that also met its demise as a result of Ahab’s actions is, in my eyes, worth examining. Requiem for the Pequod begins with Two Bells, tolled to mark the end of the day before Ahab and his crew set sail. The minor theme, played by a solo flute, sets the mood as restful, but somewhat ominous at the same time; treatments by the brass in chorale style and then the full ensemble follow. The next three sections beginning at letter A feature up-tempo variations on the main theme (Setting Sail) followed by a lively Sailor’s Shanty at letter D, both depicting carefree life at sea. A return to a melancholy minor theme at letter E portrays the tedium of Months at Sea as the Pequod and her crew travel toward their destination, unaware of the fate that awaits them. The penultimate section beginning at letter F (Fait Awaits) depicts the culminating battle, from the stirring of Moby Dick beneath the waves to the sinking of the Pequod and the death of Ahab and the crew, save Ishmael, who recounts the tragic tale in the final section Epilogue.Â
$50.00
45.75 €
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Orchestre d'harmonie
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Jay Jordan
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Jay Jordan
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Requiem for the Pequod
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Pro Creations Music
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SheetMusicPlus
In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1257924 Composed by Edvard Grieg. A…
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Easy Piano - Level 1 - Digital Download SKU: A0.1257924 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Score. 1 pages. Darek #851159. Published by Darek (A0.1257924). In The Hall Of The Mountain King (VERY EASY PIANO) from Peer Gynt [Edvard Grieg]Simplified arrangement for beginner pianists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Simplified arrangement of music song for pianists / Very easy version for beginners/ Very easy arrangement / Letter notes. Included: Letter notes, Fingering, easy chords and video youtube tutorial.Immerse yourself in the thrilling world of classical music with our piano sheet music for In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Designed specifically for beginner pianists, this sheet music offers a very easy level of difficulty, allowing you to learn and play this iconic piece with confidence and joy.Our comprehensive package includes letter notes, fingering suggestions, easy chords, and a video YouTube tutorial, making it the perfect resource for aspiring pianists who are just starting their musical journey. With the letter notes and fingering guidance, you'll quickly become familiar with the keys and hand positions, enabling you to play this exhilarating composition with ease.In The Hall Of The Mountain King is a dramatic and powerful piece from the Romantic era, composed by the renowned Norwegian composer Edvard Grieg. Its haunting melody and energetic rhythm captivate listeners and transport them to the mythical world of Peer Gynt.With our sheet music, you'll be able to evoke the intense atmosphere of the piece, building up the tension and creating a truly immersive musical experience. The included easy chords allow you to add depth and harmony to your performance, enhancing the overall sound of the piece.We understand the importance of visual learning in music education, which is why we provide a video YouTube tutorial alongside our sheet music. This tutorial offers step-by-step guidance, demonstrating the proper techniques and nuances required to bring this masterpiece to life on the piano.By offering sheet music at a very easy level, we aim to make classical music accessible to beginners and provide a solid foundation for their musical development. The simplified arrangement of In The Hall Of The Mountain King ensures that even those with limited piano skills can experience the excitement and beauty of playing this renowned composition.Whether you're a young student, an adult beginner, or a music enthusiast, our sheet music for In The Hall Of The Mountain King is an invaluable tool for expanding your repertoire and mastering the piano. Start your musical adventure today and impress your friends and family with this thrilling piece from the Romantic era.Position yourself for success in your piano journey by choosing sheet music that matches your skill level. Our very easy level sheet music for In The Hall Of The Mountain King provides a seamless introduction to the world of classical music and enables you to develop fundamental piano techniques at your own pace.Unlock the magic of Grieg's composition and embark on a musical adventure like no other. Purchase our piano sheet music for In The Hall Of The Mountain King and let the captivating melodies transport you to the depths of the mountain kingdom. Begin your musical journey today and experience the joy of playing this iconic piece.
$2.00
1.83 €
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Piano Facile
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offering sheet music at a very easy level, we aim to make classical music accessible to beginners and provide a solid foundation for their musical development
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Edvard Grieg
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Darek
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In The Hall Of The Mountain King
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Darek
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SheetMusicPlus
A Starfish Adventure
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1357653 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1357653 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 5 pages. Suzanne Herman Music #942165. Published by Suzanne Herman Music (A0.1357653). One day, while watching the beach scenery of powdery white sand, beautiful coastal vegetation, seagulls, fish jumping, tides moving, and clouds floating, there were many beach goers looking for shells. A small group of shell seekers came strolling by when suddenly, one of them found a starfish. She picked up the starfish by one of its five legs, and the group gathered to investigate the unusual creature. Then, with great care and gentleness, she returned the starfish to its original place in the water.A Starfish Adventure, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.Suzanne Herman Links:WebsiteFacebookInstagramRegister for NewsletterYouTube Channel
$5.50
5.03 €
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Piano seul
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Suzanne Herman
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A Starfish Adventure
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Suzanne Herman Music
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SheetMusicPlus
The Letter "A"
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1401270 Composed by Joby T…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1401270 Composed by Joby Talbot and Neil Hannon. Arranged by SCMusic. Broadway,Children,Contemporary,Film/TV,Musical/Show,Pop. Score and part. 4 pages. SCMusic #984456. Published by SCMusic (A0.1401270). A sugar-sweet arrangement of 'The Letter A' from the musical movie 'Wonka', for flute and piano, in the original key. Separate flute part included in print out.
$5.25
4.8 €
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Flûte traversière et Piano
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Joby Talbot and Neil Hannon
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SCMusic
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The Letter "A"
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SCMusic
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SheetMusicPlus
The Letter "A"
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1401271 Composed by Joby Talbot and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1401271 Composed by Joby Talbot and Neil Hannon. Arranged by SCMusic. Broadway,Chamber,Children,Contemporary,Film/TV,Musical/Show. Score. 3 pages. SCMusic #984457. Published by SCMusic (A0.1401271). A sugary-sweet solo piano arrangement of 'The Letter A' from the soundtrack of the musical movie 'Wonka', for intermediate level and above.AN EASIER PIANO VERSION IS ALSO AVAILABLE HERE
$4.99
4.57 €
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Piano seul
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Joby Talbot and Neil Hannon
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SCMusic
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The Letter "A"
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SCMusic
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SheetMusicPlus
The Letter "A"
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1401272 Composed by Joby Talbot and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1401272 Composed by Joby Talbot and Neil Hannon. Arranged by SCMusic. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score. 3 pages. SCMusic #984458. Published by SCMusic (A0.1401272). An easy piano arrangement of 'The Letter A' from the soundtrack of the musical movie 'Wonka'.A MORE DIFFICULT VERSION IS AVAILABLE HERE
$4.99
4.57 €
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Piano Facile
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Joby Talbot and Neil Hannon
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SCMusic
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The Letter "A"
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SCMusic
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SheetMusicPlus
Practical and Pretty: #5 For the Beauty of the Earth - Obligato
Small Ensemble Flute Solo - Level 3 - Digital Download SKU: A0.908166 Composed by C…
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Small Ensemble Flute Solo - Level 3 - Digital Download SKU: A0.908166 Composed by Conrad Kocher. Arranged by Rebecca Maughan Cook. Folk,Holiday,Praise & Worship,Sacred. Individual part. 4 pages. Rebecca Maughan Cook #3398759. Published by Rebecca Maughan Cook (A0.908166). This series of musical obligatos is designed for my flute students and people just like them - YOU!There are 4 obligatos in this set. It is in the Key of G Major, to match with hymn 92 out of the LDS hymnal. This does not imply an endorsement by the church. The first verse (letter A ) has a harmony part that rhythmically matches up with the melody. The second verse (letter B) has a simple rhythmic gesture that goes up to high E. The third verse (letter C) is lyrical and goes up to high E. The fourth verse (letter D) goes up to a high E and is similar to Letter C but better! If you do not have an LDS hymnal, but your hymnbook has 'For the Beauty of the Earth ' in the Key of G, this should work for you.Violinists might enjoy it too. Even if you don't need to do a musical number, many flutists have a parent who can play the hymns. This lets you have a musical moment together.Practical, Pretty and Useful. Enjoy!
$1.99
1.82 €
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Conrad Kocher
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Rebecca Maughan Cook
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Practical and Pretty: #5 For the Beauty of the Earth - Obligato
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Rebecca Maughan Cook
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SheetMusicPlus
Letters from the War (score)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1022627 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Folk. Score and parts. 25 pages. J. Andres Ballesteros #2828461. Published by J. Andres Ballesteros (A0.1022627). Letters from the War, for string orchestra (Score)by J. Andrés Ballesteros (2011, ed. 2016; ASCAP)Letters from the War (2011) was commissioned by Jesse Suggs and the Northern Guilford Middle School Orchestra in the spring of 2010 and was written in commemoration of the 150th anniversary of the beginning of the American Civil War. The inspiration for the piece is drawn from a number of letters written by soldiers during the war. Some familiar tunes from that era are quoted throughout in keeping with the theme, and in the final movement, earlier parts of the piece are also quoted. Together these letters and the music depict the narrative of the war, from a building march and a mournful ballad to a joyous celebration and a triumphant finale.This piece is a 3-movement concert piece appropriate for advanced middle school or intermediate high school orchestras. The piece includes brief solos for viola and violin in the second movement.
$18.95
17.34 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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J
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Letters from the War
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J. Andres Ballesteros
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SheetMusicPlus
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