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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Listening Hand
Non classifié
46
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Piano seul
91
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54
Piano Facile
17
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13
2 Pianos, 4 mains
3
Accordéon
1
Orgue
1
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1
Piano, Voix et Guitare
1
+ 4 instrumentations
Retracter
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Guitare
9
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1
2 Guitares (duo)
1
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1
Basse electrique
1
Voix
Voix Alto, Piano
8
Chorale SATB
7
Chorale Unison
1
Chorale 3 parties
1
Vents
Hautbois, Piano (duo)
4
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Flûte traversière et Piano
1
+ 1 instrumentations
Retracter
Cuivres
Ensemble de Trompettes
4
Trompette, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone et Piano
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 1 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
5
Harpe
4
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violon et Piano
2
Violoncelle, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Violoncelle (duo)
1
Contre Basse
1
Alto, Piano
1
Violon (partie séparée)
1
2 Violons (duo)
1
Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
9
Cloches
8
Ensemble Jazz
2
Orchestre d'harmonie
2
Orchestre
2
Piano et Orchestre
1
Conga
1
Orchestre de chambre
1
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Autres
Instruments
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
style (tous)
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ASIE
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Crtitères actifs :
The Listening Hand
Partitions à imprimer
332 partitions trouvées
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1
26
51
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326
The Bare Necessities
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Piano seul
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FACILE
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Film Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music...
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Piano Solo - Level 2 - SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
The Listening Hand
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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The Listening Hand
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to difficult - Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet music. Essential Exer...
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Piano - intermediate to difficult - Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet music. Essential Exercises. Downloadable. Op. Vol. 3. Schott Music - Digital #Q48105. Published by Schott Music - Digital
German - English - French.
The Listening Hand is a collection of exercises intended for all pianists who wish to develop their skills through 20th and 21st century music. Volume 3 focuses on rhythmic studies with examples selected from a wide range of repertoire.
$24.99
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
The Listening Hand
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Piano seul
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Catherine Vickers
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The Listening Hand
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to difficult - SKU: S9.Q41943 Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet mus...
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Piano - intermediate to difficult - SKU: S9.Q41943 Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet music. Essential Exercises. Downloadable. Op. 2. Schott Music - Digital #Q41943. Published by Schott Music - Digital (S9.Q41943). German • English • French.Catherine Vickers, winner of the Busoni Prize in 1979, has been a professor of piano at the Folkwang Hochschule Essen and the Frankfurt University of Music and Performing Arts for many years. Her instructional work 'The Listening Hand' is intended for all pianists who wish to augment their pianistic skills in the music of the 20th and 21st centuries. Volume I, published successfully a year ago, provides the fundamentals with scales, intervals and tonal systems based on the harmony of Messiaen, while Volume II contains more advanced exercises on dynamics, attack and touch and special effects. They will soon be followed by Volume III which will focus on rhythmic studies with selected examples from the widely ramified repertoire.
$24.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
This is my Father's World Intermediate piano sheet music
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Piano seul
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INTERMÉDIAIRE
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Franklin L
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Amanda Tero
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This is my Father's World Inte
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Te...
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Piano Solo - Level 3 - SKU: A0.1416950 Composed by Franklin L. Sheppard. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998539. Published by Amanda Tero (A0.1416950). Experience the heartwarming rendition of the beloved intermediate piano solo This is My Father’s World at your church service or recital. Beginning with a delicate sound and colorful chords, this arrangement smoothly evolves into a hymn infused with modern nuances, featuring lightly syncopated rhythms.This is My Father’s World intermediate piano solo encompasses several specific elements for intermediate pianists: syncopated rhythms, lush chords, fluid left-hand patterns, and a contemporary twist on a timeless hymn.My goal in creating this arrangement of This is My Father’s World was to have a reflective piano solo for worship with a modern flair. There are colorful chord choices as well as light syncopation which gives this hymn an easy-listening feel.For church services, recitals, and spring/summer music events, This is My Father’s World intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 4 piano curricula and ABRSM Level 4.The basic format of This is My Father’s World intermediate piano solo is: introduction, verse, interlude, verse/â€chorus,†interlude/modulation, verse/â€chorus,†ending.6 pages. Keys of C major and D major.Approx. 3:15 performance time. Musical Elements In This is My Father’s World Intermediate Piano Solo Sheet Music Keys of C major, D major Time signature: 4/4 Tempo: begins faster then shifts slower Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, sixteenth notes Note reading: right hand treble clef F3 to D6, left hand bass clef C2 to G4 and treble clef F3 to B4 Ledger lines (up to 3 lines) Grace notes Ties for syncopation Left hand in treble clef Left hand features similar patterns No harmonic octaves Fermata 8va Practice Tips for This is My Father’s World Piano Solo It is a good idea to treat this arrangement artistically. While the first page is a faster tempo, be sure to take your time on any held notes (you can add fermatas where there are none and it sounds great).Once the left hand arpeggios/broken chords come into play, think about playing with depth and not rushing the tempo.One trick I particularly like to do is hold the first note in a chord briefly longer than the rest. This is important for measure 36 where the right hand has a jump of 2 octaves.
$5.99
The Listening Hand
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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The Listening Hand
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Schott Music - Digital
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SheetMusicPlus
Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet music. Etüden - Übungsstücke - Studienwerke. ...
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Piano Exercises for Contemporary Music. Composed by Catherine Vickers. This edition: Sheet music. Etüden - Übungsstücke - Studienwerke. Essential Exercises. Downloadable. Op. 1. Schott Music - Digital #Q41795. Published by Schott Music - Digital
$22.99
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
Wild Animals of the World- Written for 4-hand Piano
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noel Milburn
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Wild Animals of the World- Wri
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Noel Milburn
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1024789 Composed by Noel Milburn. Children,Contemporary,World. Score. 34 pages. Noel Milburn #3687387. Pu...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1024789 Composed by Noel Milburn. Children,Contemporary,World. Score. 34 pages. Noel Milburn #3687387. Published by Noel Milburn (A0.1024789). Composed by Noel Milburn, Published by Burning Mill Press. Wild Animals of the World, suite of 3 pieces written for 4-hand Piano:Total Duration: 12'43I. Kaleidoscopic Kangaroo (3'16)II. The Lazy Lion and the Energetic Mouse (4'20)III. The Clever Old Donkey (5'07)This work explores animals from around the world in musical form and although it is written for advanced-intermediate players, children will truly enjoy listening to these pieces as they listen to jumping kangaroos, an energetic mouse foolishly playing with a lazy lion, and a clever old donkey who still has some spring in his step! This work includes the full score and parts for Piano I and Piano II which are set up in such a way that the Piano II pages are on the left and the Piano I pages are on the right to facilitate performance of the work. There is one sound clip from each movement of the suite. Enjoy!
$12.99
The Glistening Woodland Waltz
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Piano seul
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FACILE
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Kim S
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The Glistening Woodland Waltz
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.961668 Composed by Kim S. Bean. Instructional,Sacred,Standards. Score. 2 pages. Kim S. Bean #6027739. Published by Kim S....
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Piano Solo - Level 2 - SKU: A0.961668 Composed by Kim S. Bean. Instructional,Sacred,Standards. Score. 2 pages. Kim S. Bean #6027739. Published by Kim S. Bean (A0.961668). The Glistening Woodland Waltz a 2 page piece in the key of C at the early intermediate level, is the 11th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. The Glistening Woodland Waltz, with lyrics, for the winter season, is in 3/4 time, and uses a broken C chord waltz pattern in the left hand bass clef part. The right hand uses many skips and finger stretches to reach the notes that step outside of five finger positions. Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Family Gathering, Crunchy Leaves, Winter Fun Suite, and The Blizzard.
$3.99
By Bethesda's Pool, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Bethesda’s special pool
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Kevin G
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healing was the goal
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By Bethesda's Pool, sacred mus
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1208296 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #806402. Published by Kevin G. Pace (A0.1208296). A stunningly beautiful, sacred composition for SATB choir.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.  Depicting the miracle of Jesus curing the man by the Pool of Bethesda.Text:By Bethesda’s special pool, each day they did wait.Blind and halt and withered there, each to not be late.By the pool the crippled lay; healing was the goal.Ere an angel’s touch was stirred, not one would be whole.Years and years a man stayed near, but with none to aid.Then the Savior came, unknown, to surround and stay.Wilt thou be made whole? was asked by the Healer there.I can’t reach the pool myself. These pains I must bear.Wilt thou be made whole? I can ease thy load.Can I heal thy sun-parched soul? May I make thee whole?Rise, and take thy bed and walk. These words Jesus spoke.Soon the man was cleansed and healed, as if he awoke.Had full faith been shown that day from this aged man?Can we also trust our Lord? Will we take his hand?By our own Bethesda pools in a sacred space,He can clearly mend our cares through (by) his wondrous grace.We can also rise like him o’er our doubts and fearsAs we linger, patiently, listening to hear.We can be made whole when his hand we hold.He can heal our holy souls; He will make us whole.
$1.99
Wild Animals of the World- II.)The Lazy Lion & The Energetic Mouse
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noel Milburn
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Wild Animals of the World- II.
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Noel Milburn
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1024792 Composed by Noel Milburn. Children,Contemporary. Score. 27 pages. Noel Milburn #3687393. Publishe...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1024792 Composed by Noel Milburn. Children,Contemporary. Score. 27 pages. Noel Milburn #3687393. Published by Noel Milburn (A0.1024792). Composed by Noel Milburn, Published by Burning Mill Press. Wild Animals of the World, suite written for 4-hand Piano:II. The Lazy Lion and the Energetic MouseDuration: 4'20Piece #2 in the Wild Animals of the World suite for 4-hand piano. Children of all ages will enjoy listening to the roar of the lion, which can be heard throughout the composition, as well as the mouse as it tries to run away from the lion. They also start playing together at one point, but lets just say it doesn't end very well for the mouse! Included are the full score as well as parts for Piano I and Piano II in a layout which is such so that the Piano II pages are on the left and the Piano I pages are on the right to ease in playing 4 hands on the same piano.
$3.99
Family Gathering
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Piano seul
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FACILE
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Kim S
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Family Gathering
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.961666 Composed by Kim S. Bean. Contemporary,Holiday,Standards. Score. 1 pages. Kim S. Bean #6027707. Published by Kim S....
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Piano Solo - Level 2 - SKU: A0.961666 Composed by Kim S. Bean. Contemporary,Holiday,Standards. Score. 1 pages. Kim S. Bean #6027707. Published by Kim S. Bean (A0.961666). Family Gathering, a 1 page piece in the key of C major, at the intermediate level, is the 8th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Family Gathering, with lyrics, for the fall season, is in 4/4 time, uses finger shifts, octave position changes, ledger notes, fermatas, root-fifth-root left hand 8th note figures, damper pedal and a rolled chord at the end. Great for Thanksgiving time!Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Crunchy Leaves, Winter Fun Suite, The Glistening Woodland Waltz and The Blizzard.
$3.99
Of the Father's Love Begotten
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Cloches
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Musique Sacrée
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Anna Laura Page
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Performance Music Ensemble
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Of the Father's Love Begotten
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Jubilate Music Group - Digital
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SheetMusicPlus
Handbell - Grade 2 - SKU: JX.00-21864 Arranged by Anna Laura Page. Handbell Music; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Sa...
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Handbell - Grade 2 - SKU: JX.00-21864 Arranged by Anna Laura Page. Handbell Music; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Sacred. Sheet. 8 pages. Jubilate Music Group - Digital #00-21864. Published by Jubilate Music Group - Digital (JX.00-21864). English.A quiet, beautiful setting of the 13th century plainsong. An opportunity for developing ringers to learn control in ringing quietly and listening for melody.
$3.50
Mote of Dust Suspended in a Sunbeam [piano 4 hands]
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Mote of Dust Suspended in a Su
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.596572 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Spiritual...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.596572 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Spiritual. Score and parts. 8 pages. Juan Maria Solare #4794205. Published by Juan Maria Solare (A0.596572). Mote of dust suspended in a sunbeam was composed in Bremen (Germany) on 30th January 2017, shortly after knowing about the death of Uwe Kolkmeyer, musician and caricaturist to whom it is dedicated in memoriam. The title refers to a thought by Carl Sagan: planet earth is a mote of dust suspended in a sunbeam. An old idea that, of course, was not expressed by him for the first and only time. In Sufism exists an allegory (attributed to Muhyiddin Ibn Arabi) according to which the essences of the possible beings do exist in the darkness before being manifested by the divine light, as the motes of dust suspended in the air in a darken room don't become visible until they are lit by a light ray. A certain optimistic atmosphere in this work may surprise, the opposite of what is usually associated with death. In my works the tonality of A major often expresses consolation. Selma Hande Gade (a Turkish pianist that lives in Denmark), with whom we had discussed possible titles for this work, recorded a home video in March 2017: https://www.youtube.com/watch?v=ZtzhHqB_Nb4 After listening to this recording, Luis Alberto Vittor wrote a report on this work for the blog Analecta Literaria (https://actaliteraria.blogspot.com), it will be published soon. The composer made a commercial recording for the label Janus Music & Sound (JMS-999), which is available on iTunes, Spotify (and similar platforms). Release day: 26th July 2017 (birthday of both the dedicatee, Uwe Kolkmeyer and of Ibn Arabi).
$3.60
The Blizzard
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Piano seul
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INTERMÉDIAIRE
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Kim S
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The Blizzard
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.961671 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #6027749. Published by ...
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Piano Solo - Level 3 - SKU: A0.961671 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #6027749. Published by Kim S. Bean (A0.961671). The Blizzard a 2 page piece in the key of D minor at the ntermediate level, is the 12th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. The Blizzard, for the winter season, is an exciting piece in 6/8 time, with a complex rhythm that uses 8th, 16th and 32nd notes. This piece also has fast scale passages and accented chords in many positions alternating between hands, as well as finger shifts.Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Family Gathering, Crunchy Leaves, Winter Fun Suite, and The Glistening Woodland Waltz.
$3.99
Round for All-handbell arrangement for Level 1 (beginner) for 2 or 3 octave handbells arranged by Li
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Cloches
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DÉBUTANT
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Linda Mckechnie
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Round for All-handbell arrange
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Linda McKechnie
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SheetMusicPlus
Handbell - Level 1 - SKU: A0.938845 Composed by Linda Mckechnie. Standards. Score. 2 pages. Linda McKechnie #6103589. Published by Linda McKechnie (A0.9...
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Handbell - Level 1 - SKU: A0.938845 Composed by Linda Mckechnie. Standards. Score. 2 pages. Linda McKechnie #6103589. Published by Linda McKechnie (A0.938845). Pricing- @$10 to download 15 copies - for the same choir.Includes whole notes, half notes and quarter notes. No accidentals. 4 different entries of 6 measures each-cumulating in a full blend of notes. An exercise in listening to each other as additional notes enter and successfully conclude.
$10.00
The Gladiator
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Matt Arnett
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The Gladiator
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Matt Arnett Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1080623 Composed by Matt Arnett. Classical,Contemporary. Score and parts. 8 pages. Matt Arnett Music #684841. Publi...
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String Orchestra - Level 1 - SKU: A0.1080623 Composed by Matt Arnett. Classical,Contemporary. Score and parts. 8 pages. Matt Arnett Music #684841. Published by Matt Arnett Music (A0.1080623). This is a really fun piece that will challenge but be achievable at the end of the first year. Everything stays in standard 1st position fingerings with mostly stepwise motion with skips to open strings, though there are a few quicker notes to challenge the left hand. There's a lot of interplay between the high and low voices, which gives each section the opportunity to work on listening to the whole ensemble and counting through rests. Rhythms will be mostly straightforward for this level, with one syncopated example at 24 - I like to teach this rhythm with the text Pass the tasty chocolate chip cookie. Last, there's some fun unusual techniques, including a glissando in the cello/bass and the instructions to Start high on the (E/A/D) string and play 8 notes, each lower than the last for upper strings. These should be kept random, chaotic, and fun. I hope your students enjoy The Gladiator!
$29.99
Over The Rainbow
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicu...
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Solo Guitar - Level 4 - SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
THE BLACK CAT WALTZ (One Piano / Four Hands) By Robert Van Horne
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE BLACK CAT WALTZ
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,In...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.914984 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Children,Classical,Holiday,Instructional,Jazz. Score and parts. 7 pages. White Piano International Publishing #6720309. Published by White Piano International Publishing (A0.914984). THE BLACK CAT WALTZ (Piano Duet) One Piano / Four HandsAdvanced Intermediate Approx. Performance TIme: 2:306 PagesOriginally composed in 2002 as a piano solo, THE BLACK CAT WALTZ was arranged years later as a One Piano, Four Hands Duet in 2010.The sheet music is clearly notated with dynamic and articulation marks, phrasing, suggested fingerings and appropriate musical terms for playing.Both Primo and Secondo players each have numbered measures and sections with easy to locate corresponding bars.The piece is written in the key of D minor. It then changes to G minor at measure 76 giving a refreshing color to the melody.THE BLACK CAT WALTZ (Duet) makes a wonderful piano selection for two advanced intermediate students - great for teaching ensemble techniques. It is an appropriate piece for Halloween, recitals and school musical events...a delightful listening treat for audiences.The sample music is a March 13, 2011 premier live performance at the KPMF Piano Ensemble Club Spring Concert performed by Hiro Nakae and Ryota Watanabe, both students of Yoko Kurosawa. Here is their video: http://www.youtube.com/watch?v=8rDI5JwiLOYA Youtube video of Robert's original solo performance of THE BLACK CAT WALTZ in 2009 is available at: http://www.youtube.com/watch?v=qGtzxCdSlrQRobert's Official Website: www.robertvanhorne.comASCAP AffiliationWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
Two Impressions of the Sky, for carillon
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Cloches
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INTERMÉDIAIRE
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Contemporain
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Scott R
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Two Impressions of the Sky, fo
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Scott R. Hummel Music
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.944197 Composed by Scott R. Hummel. Classical,Contemporary. Individual part. 7 pages. Scott R. Hummel Mus...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.944197 Composed by Scott R. Hummel. Classical,Contemporary. Individual part. 7 pages. Scott R. Hummel Music #6873653. Published by Scott R. Hummel Music (A0.944197). Two Impressions of the Sky presents contrasting movements, Twilight and Storm. With cascading seventh chords and a hymn-like melody, Twilight reflects a peaceful evening as the last sunlight fades into a star-studded night sky. Storm opens with swirling fourths and a dramatic melody in the bass. The whirling winds of the trebles are frequently broken by musical thunder in the bass and an ascending lightning motif-the storm lulls and surges, reaching a rapid and dramatic finale. Scott R. Hummel is a composer and musician from Lancaster County, Pennsylvania. Scott holds a Bachelor of Arts in Music and a Bachelor of Music in Audio and Music Production from Lebanon Valley College in Annville, Pennsylvania. He has performance experience in keyboard instruments, choral music, and percussion. His introduction to the carillon came through listening to the 62-bell instrument housed in the Chimes Tower at Longwood Gardens, Kennett Square, Pennsylvania. Scott also serves as an instructor for the North American Carillon School where he teaches music theory. In addition to carillon, Scott has written for various other mediums, including choir, pipe organ, and percussion. His involvement in the music industry extends beyond composition and performance to audio engineering and lighting design. Scott continues to compose and arrange new works for carillon. Visit him online at www.scottrhummel.com.
$6.99
The Whisper of the Meaning
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rebecca Oswald
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The Whisper of the Meaning
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Rebecca Oswald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1176033 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 5 pages. Rebecca Oswald #776159....
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Piano Solo - Level 4 - SKU: A0.1176033 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 5 pages. Rebecca Oswald #776159. Published by Rebecca Oswald (A0.1176033). Sheet music single for intermediate-advanced solo piano. Introspective, contemplative, and tranquil throughout, this piece modulates often, with the sections migrating freely between major and minor tonality. The left hand plays the melody at the beginning and at a few other times. The constant mixed meter pattern (5/8, 5/8, 3/8) has frequent hemiolas. There are two brief instances of sostenuto pedal. From composer/pianist Rebecca Oswald's album Whereas, you can find this song on Spotify, Apple Music, Tidal, Pandora, Amazon Music, YouTube Music, Qobuz, or wherever you enjoy listening to music.Find out more about Rebecca Oswald at her website, RebeccaOswald.com
$4.99
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51
....
326
The Listening Hand