Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Meters
Non classifié
96
Piano & claviers
Piano seul
80
Piano, Voix et Guitare
5
Piano Facile
5
Piano, Voix
3
Orgue
3
1 Piano, 4 mains
2
Clavecin
2
Piano grosses notes
1
Orgue, Piano (duo)
1
Instruments en Do
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Basse electrique
13
Guitare notes et tablatures
13
Guitare
12
Ligne De Mélodie, (Paroles) et Accords
3
Ensemble de guitares
2
Ensemble de Ukulélés
1
Mandoline
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
47
Chorale 3 parties
20
Chorale 2 parties
11
Chorale Unison
8
Chorale TTBB
3
Chorale SSAA
3
Chorale SSATB
2
Voix seule
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Clarinette et Piano
13
Flûte traversière et Piano
12
Saxophone Alto et Piano
7
2 Saxophones (duo)
7
Clarinette Basse, Piano
5
Clarinette
5
Saxophone Baryton, Piano
4
2 Flûtes traversières (duo)
4
Saxophone Tenor et Piano
4
Saxophone Alto
4
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
4
Hautbois, Piano (duo)
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette, Basson
3
Clarinette (partie séparée)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Clarinettes (duo)
2
Hautbois (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute (partie séparée)
1
3 Clarinettes (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Harpe (duo)
1
Ensemble de Flûtes
1
Flûte à bec Soprano
1
Saxophone et Harpe
1
2 Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Hautbois, Flûte
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
+ 36 instrumentations
Retracter
Cuivres
Trompette, Piano
7
Cor et Piano
6
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba et Piano
4
Trombone et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Euphonium, Piano (duo)
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone (partie séparée)
2
Trompette
2
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Trompette, Tuba (duo)
1
Tuba (partie séparée)
1
Euphonium
1
Cor
1
Cor et Harpe
1
Trombone
1
Trombone basse et Piano
1
Cor (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon (partie séparée)
7
Violon et Piano
6
Alto, Piano
5
Violon
5
Violoncelle
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
Violoncelle, Piano
3
2 Violons (duo)
2
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Alto et Harpe
1
2 Violoncelles (duo)
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Harpe
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
271
Orchestre
22
Orchestre à Cordes
21
Cloches
13
Ensemble Jazz
10
Batterie
9
Orchestre de chambre
7
Ensemble de cuivres
7
Jazz combo
3
Xylophone, Piano
2
Ensemble de Percussions
2
Percussion (partie séparée)
1
Fanfare
1
Batterie (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
25
Partitions Numériques
954
Librairie Musicale
1 057
Matériel de Musique
350
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Meters
Partitions à imprimer
954 partitions trouvées
<
1
26
51
....
951
CONJUNCTION: The Christmas Star of 2020
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Robert Myers
#
He will show His favor again
#
CONJUNCTION: The Christmas Sta
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
(+)
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Time for the Future
#
Théorie de la musique
#
INTERMÉDIAIRE
#
#
Bret Willmott
#
Time for the Future
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony. Composed by Bret Willmott. Guitar: Classical and Lute. E- book....
(+)
Theory and reference - guitar - Intermediate - Digital Download Polyrhythm in Harmony. Composed by Bret Willmott. Guitar: Classical and Lute. E- book. Mel Bay Publications - Digital Sheet Music #97884EB. Published by Mel Bay Publications - Digital Sheet Music
Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.
$27.99
Haiku by The Khromatiks, for Electric Violin & Loop Station
#
Kayleigh Moyer, Kyle Pudenz, a
#
improvised
#
Haiku by The Khromatiks, for E
#
ViolinVagabond Music
#
SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz...
(+)
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 2 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
(+)
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Methodes
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 1 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Northern Lights
#
Piano seul
#
Kevin Olson
#
Northern Lights
#
The FJH Music Company - Digital
#
SheetMusicPlus
Piano - Late Intermediate - SKU: F0.W9407 Composed by Kevin Olson. Sheet Music. Written For You. Solo Sheet. 6 pages. The FJH Music Company - Digital #W...
(+)
Piano - Late Intermediate - SKU: F0.W9407 Composed by Kevin Olson. Sheet Music. Written For You. Solo Sheet. 6 pages. The FJH Music Company - Digital #W9407. Published by The FJH Music Company - Digital (F0.W9407). UPC: 674398230983.This toccata creates a vivid impression of the extraordinary beauty of the northern lights. Performers develop technical fluidity, artistic use of pedal, delicate touch, and left-hand voicing with right-hand coloration. The piece begins in the key of F# Major then modulates to G, and uses 6/8, 3/4 and 4/4 meters. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$3.50
The Four Seasons in the Basque Country
#
Orchestre d'harmonie
#
Gregory Fritze
#
The Four Seasons in the Basque
#
Musica Nova USA
#
SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
(+)
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
The Volcano`s Lake
#
Harpe
#
FACILE
#
Luis Anjos Teixeira
#
The Volcano`s Lake
#
Luis Anjos Teixeira
#
SheetMusicPlus
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665....
(+)
Harp - Level 2 - SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
Enjoy the Modes: How to Identify and Use the Modes in your Music
#
Instruments en Do
#
FACILE
#
Karen Peterson, CMP
#
Karen Peterson, CMP
#
Enjoy the Modes: How to Identi
#
Karen Peterson
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Historic,Instructi...
(+)
C Instrument - Level 2 - SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Historic,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 170 pages. Karen Peterson #704871. Published by Karen Peterson (A0.1101496). What makes modes different? When do you use them? How do you use them? Is this song in a mode? This book is for everyone who has heard of modes and doesn’t know what to do next. Take advantage of how harpers use the same hand position for major and minor chords: change your levers or pedals to hear the differences between Lydian, Ionian, Mixolydian, Dorian, Aeolian, and Phrygian on the same strings. * Learn the two or three essential chords at the foundation of each mode. * Understand how to identify the mode or modes a piece is in. * Experiment with exercises for improvising, composing, and arranging in each mode. * Compare 40 color-coded pairs of scores in contrasting modes. * Get lead sheets for 29 modal pieces from over a dozen nations. * Add your own harmonies to 15 additional melodies. * Find key signatures, scales, and chords for all the modes on a fully levered harp tuned in flats. * Use simple graphics to visualize the music theory behind the modes. * Practice segueing between modes and meters. This book contains practical information for all musicians and is written especially for harpers. The scores are in keys from two sharps to three flats. They fall within the range of a 22-string harp starting with the lowest note of G below middle C. 161 pages. Spiral-bound copy available here, as well as the first chapter and example pages: https://www.enjoytheharp.com/publications/enjoy-the-modes-instruction-book-hardcopy
$39.95
Bulgaria - The Rodopi Mountains
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
T
#
Bulgaria - The Rodopi Mountain
#
T. A. Roncevic
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1488151 Composed by T. A. Roncevic. Folk,Multicultural,World. 26 pages. T. A. Ronce...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1488151 Composed by T. A. Roncevic. Folk,Multicultural,World. 26 pages. T. A. Roncevic #1065027. Published by T. A. Roncevic (A0.1488151). This is one of six Bulgarian pieces for a string quartet (Violins 1 & 2, Viola and Cello). It is from the Rodopi Mountain region. The meters are 9/8 (2,2,2,3), 7/8 (2,2,3) and 6/8 (3,3). The first 28 measures the cello player plays a pizzicato half note, taps the tip of his/her toe for a quater note and a dotted quarter note, then stomps his/her heel for a half note length, then he/she again similarly taps the tip of his/her toe.
$5.00
Mothers and Daughters
#
Kathleen M
#
Mothers and Daughters
#
Kathleen M. Basi
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1106749 Composed by Kathleen M. Basi. Chamber. 19 pages. Kathleen M. Basi #709661. Published by Kathleen M. ...
(+)
Woodwind Ensemble Flute - Level 3 - SKU: A0.1106749 Composed by Kathleen M. Basi. Chamber. 19 pages. Kathleen M. Basi #709661. Published by Kathleen M. Basi (A0.1106749). Mothers and Daughters presents a flute duet in which the two parts are largely similar in difficulty and interest. Includes two movements: a lullaby in G minor and a technically challenging up-tempo movement that explores the shifting relationship between a mother and daughter as they grow, rebel, struggle, and ultimately find a new balance, illustrated by a shift from minor to major key. Grade 3.5 as measured by Flute World https://www.fluteworld.com/sheet-music-grading/?fbclid=IwAR3tvNX0V7z-Kbe-vTkKGltZFmuVtuv_Hjw9ay_fQvKO73jMMBcXByfxhd8 • Baby Mine: Meter: 3/4, 4/4 Key: G minor Level: 2 Range: Part 1 – G1-Eb3; Part 2 – D1-3B3 • Follow the Leader: Meter: 2/4, 5/8, 7/8, 3/8, 6/8 Shifting meters illustrate the tug of war as child seeks her independence Key: C minor/Eb major Level: 3.5 Range of student part: D1-F3. Mothers & Daughters was commissioned by Wendy Kvam as a graduation gift for her daughter.
$6.99
Bulgaria - The Pirin Mountains
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
AVANCÉ
#
T
#
Bulgaria - The Pirin Mountains
#
T. A. Roncevic
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1488154 Composed by T. A. Roncevic. Folk,Multicultural,World. 19 pages. T. A. Ronce...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1488154 Composed by T. A. Roncevic. Folk,Multicultural,World. 19 pages. T. A. Roncevic #1065035. Published by T. A. Roncevic (A0.1488154). This is one of six pieces for a string quartet (Violins 1 & 2, Viola, Cello). It is from the Pirin Mountain region (Bulgarian Macedonia). The meters are 7/8 (3,2,2), 2/4 and 8/8 (2,3,3). The cello player stomps his/her heel on the first beat of measure 165, and then taps his/her toe on the first beat of measure 166.
$5.00
The First Unafraid Book, Op. 195
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Samuel Wellman
#
The First Unafraid Book, Op. 1
#
Samuel Wellman
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882057 Composed by Samuel Wellman. Contemporary. Score. 38 pages. Samuel Wellman #11849. Published by Samuel Wellman (A0....
(+)
Piano Solo - Level 5 - SKU: A0.882057 Composed by Samuel Wellman. Contemporary. Score. 38 pages. Samuel Wellman #11849. Published by Samuel Wellman (A0.882057). The muse of parody strikes again! These 42 pieces are creative arrangements of a certain well-known volume with a red cover, 'unafraid' rhyming with another word in the original title. You are unafraid if you take these pieces and bravely try them out on the piano. Original titles have been changed to nonsensical phonetic equivalents (Music Land = Music Gland; Swans on the Lake = Lawns on the Cake). Twisted tonalities, atonality, rare and unheard of meters, rhythmic highjinks---they're all here for your delight.
$28.00
Old Father Christmas for Unison Choir with Chords for Guitar/Ukulele/Etc. (opt. minus track availabl
#
Chorale SATB
#
Noël
#
M
#
3&
#
Old Father Christmas for Uniso
#
Vocal Works
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.742005 Composed by M. Ryan Taylor. 20th Century,Children,Christmas,Contemporary. Octavo. 2 pages. Vocal Works #3594403. Pu...
(+)
Choral Choir (SATB) - SKU: A0.742005 Composed by M. Ryan Taylor. 20th Century,Children,Christmas,Contemporary. Octavo. 2 pages. Vocal Works #3594403. Published by Vocal Works (A0.742005). A fun celebration of Old Father Christmas in multiple mixed meters. Note: If using the optional minus track (available on this site), there are 5 introductory measures of rest in 9/8 before the choral part begins. These are most easily counted 1&a 2& 3& 4& (with the subdivisions the way they are divided)).
$1.99
Has the Rain a Father? [Piano OR Guitar]
#
Contemporain
#
Juan MarÃa Solare
#
Has the Rain a Father? [Piano
#
Juan Maria Solare
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts...
(+)
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
#
Chorale SATB
#
DÉBUTANT
#
Nicholas Palmer
#
Sight-singing exercises for tw
#
Nicholas D Palmer
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
(+)
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
Breathe Low
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Cody Weinmann
#
Breathe Low
#
Cody Weinmann
#
SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
(+)
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
Of the Father's Love Begotten
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Medieval Plainchant Divinum My
#
Cathie Lowmiller
#
Of the Father's Love Begotten
#
Cathie Lowmiller
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1102754 Composed by Medieval Plainchant Divinum Mysterium. Arranged by Cathie Lowmi...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1102754 Composed by Medieval Plainchant Divinum Mysterium. Arranged by Cathie Lowmiller. Christmas,Early Music. 9 pages. Cathie Lowmiller #706115. Published by Cathie Lowmiller (A0.1102754). This beautiful plainchant is arranged for string quartet, with introduction, harmony, countermelodies, and interludes. While the shifting meters make it challenging, it is otherwise very playable. It is suitable for church or other Christmas event.
$7.99
Another Year is Dawning
#
Piano seul
#
FACILE
#
Stephen R Dalrymple
#
Another Year is Dawning
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1373531 By Stephen R Dalrymple. By Frances Havergal, Samuel Sebastian Wesley, Daniel Silvan Evans. Arranged by Stephen R ...
(+)
Piano Solo - Level 2 - SKU: A0.1373531 By Stephen R Dalrymple. By Frances Havergal, Samuel Sebastian Wesley, Daniel Silvan Evans. Arranged by Stephen R Dalrymple (Dalrymple Designs). Advent,Christian,Sacred. Score. 5 pages. Stephen R Dalrymple #934411. Published by Stephen R Dalrymple (A0.1373531). Another Year is Dawning♫ by Frances Havergal (1874), Samuel Sebastian Wesley (Aurelia, 1864) & Daniel Silvan Evans (Llangloffan 1865)♫ arranged for piano solo by Stephen R Dalrymple♫ music © 2024 Stephen R Dalrymple♫ recording ℗ 2024 Stephen R Dalrymple ♫ presentation © 2024 Stephen R Dalrymple ♫ performed by the arranger♫ One of the advantages of hymn singing is being able to substitute a different melody to fit the lyrics. Hymnals normally have a metrical index of hymn meters based on the syllabic pattern and stress of the poem. Currently AURELIA is most often paired with The Church’s One Foundation.  However, it works beautifully with Another Year is Dawning. The second verse is paired here with a Welsh melody LLANGLOFFAN.♫ Frances R Havergal wrote the lyrics for 89 hymns including Take My Life and Let it Be, I Gave My Life for Thee, and Like a River Glorious. Another Year is Dawning was written as a poem for her New Years greeting cards.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$4.50
Carol of the Bells
#
Chorale SATB
#
INTERMÉDIAIRE
#
Noël
#
Beth Hanson
#
Carol of the Bells
#
Beth Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.944570 Arranged by Beth Hanson. Christmas. Octavo. 13 pages. Beth Hanson #4968313. Published by Beth Hanson (A0....
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.944570 Arranged by Beth Hanson. Christmas. Octavo. 13 pages. Beth Hanson #4968313. Published by Beth Hanson (A0.944570). This SATB arrangement has a celtic/jazzy flavour to it. The meters of 12/8 in the piano accompaniment and 6/4 in the vocals combine for an appealing 2 against 3 feel. Solid piano skills are recommended.
$3.00
Old Father Christmas for Unison Choir : MINUS TRACK / ACCOMPANIMENT
#
Chorale Unison
#
M
#
3&
#
Old Father Christmas for Uniso
#
Vocal Works
#
SheetMusicPlus
Alto Voice,Baritone Horn TC,Choir,Soprano voice,Tenor Voice - SKU: A0.1071109 Composed by M. Ryan Taylor. Children,Christmas,Contemporary. Accompaniment...
(+)
Alto Voice,Baritone Horn TC,Choir,Soprano voice,Tenor Voice - SKU: A0.1071109 Composed by M. Ryan Taylor. Children,Christmas,Contemporary. Accompaniment. Duration 94. Vocal Works #3594405. Published by Vocal Works (A0.1071109). A fun celebration of Old Father Christmas in multiple mixed meters. Note: This minus track contains 5 introductory measures of rest in 9/8 before the choral part (available separately on this site) begins. These measures are most easily counted as 1&a 2& 3& 4& (following the subdivisions the way they are divided).
$3.99
The Angels Announcing
#
Chorale SATB
#
FACILE
#
Musique Sacrée
#
Phil Lambert
#
The Angels Announcing
#
SonServices, Ink.
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1009727 Composed by Phil Lambert. Sacred. Octavo. 7 pages. SonServices, Ink. #2023547. Published by SonServices,...
(+)
Choral Choir (SATB) - Level 2 - SKU: A0.1009727 Composed by Phil Lambert. Sacred. Octavo. 7 pages. SonServices, Ink. #2023547. Published by SonServices, Ink. (A0.1009727). The interesting and easy play on the word gloria between triple and duple meters lends a feeling of a multiple angelic host. The final section of the piece moves from F minor to F major and closes with a 3 against 2 (hemiola) ending. The Angels announcing the birth of a King sang Gloria, sang Gloria. Then let us rejoice with the Angels and sing Gloria, gloria, gloria. The Shepherds then keeping their flocks in the night, heard Gloria, heard Gloria. An Angel then spoke of the wondrous birth, sang Gloria, gloria, gloria. The Angels saw Him robed in flesh,this Prince of Peace and Righteousness. Upon the manger they did see our Lord the Incarnate Deity. The Angels announcing the Lord of the Earth sang Gloria. sang Gloria. Then let us now sing of His wonderful birth, sing Gloria, gloria, gloria. sing Gloria..
$1.99
Everything That Breathes
#
Chorale SATB
#
Musique Sacrée
#
Roger Summers
#
Everything That Breathes
#
Laurel Press
#
SheetMusicPlus
SATB choir, Piano - SKU: LX.10-3421LA Composed by Roger Summers. Sacred Anthem. Octavo. 7 pages. Laurel Press #e10/3421LA. Published by Laurel Press (LX...
(+)
SATB choir, Piano - SKU: LX.10-3421LA Composed by Roger Summers. Sacred Anthem. Octavo. 7 pages. Laurel Press #e10/3421LA. Published by Laurel Press (LX.10-3421LA). UPC: 000308199628.Although the mixed meters may present a challenge for the conductor, this exultant anthem bursts with energy and sings easily to its jubilant conclusion.
$2.40
Peace And Courage Through the Storm
#
Piano Facile
#
DÉBUTANT
#
Cody Weinmann
#
Peace And Courage Through the
#
Cody Weinmann
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.835165 Composed by Cody Weinmann. Concert,Instructional,Standards. Score. 1 pages. Cody Weinmann #6136261. Published by C...
(+)
Easy Piano - Level 1 - SKU: A0.835165 Composed by Cody Weinmann. Concert,Instructional,Standards. Score. 1 pages. Cody Weinmann #6136261. Published by Cody Weinmann (A0.835165). This piece is a short piece for Easy piano that introduces students to mixed meters. I know that this may be a bit early in the game for students to learn this, but I believe it's good to have them take these things to mind a bit earlier. The goal is to get them to memorize reading the notes (the note names are included in the note heads), rhythms, and changes in the time and melody. It could be a good repertoire piece presenting a bit of a challenge for beginners, but they can do it!
$1.99
Celebrate the Good News
#
Chorale 2 parties
#
Musique Sacrée
#
Tom Mitchell
#
Celebrate the Good News
#
Chorister's Guild - Digital
#
SheetMusicPlus
Two-part chorus - SKU: C7.CGA381 Composed by Tom Mitchell. Easter. With Handbells, bass. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #C...
(+)
Two-part chorus - SKU: C7.CGA381 Composed by Tom Mitchell. Easter. With Handbells, bass. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA381. Published by Chorister's Guild - Digital (C7.CGA381). UPC: 749193004425.Taking for her inspiration the refrain used by Helen Kemp in her presentation on children's choir methods, Sue Ellen Page has composed an effective setting with additional text by her husband, Eric. This is one of four anthems commissioned by Westminster Choir College for the second Festival of Singing Children to be premiered in May 1987 in Princeton, New Jersey. The addition of percussion instruments and flute give a colorful spirit to the anthem. The changing meters should not be difficult to teach, and the changing keys help build to a stunning climax. Composer: Page, Sue Ellen Text Author: Johnson, Eric D. and Kemp, Helen.
$2.10
<
1
26
51
....
951
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Meters
