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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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Non classifié
601
PIANO & CLAVIERS
Piano seul
4057
Piano, Voix
2288
1 Piano, 4 mains
40
Piano, Voix et Guitare
37
Piano Facile
35
Orgue
22
Instruments en Do
6
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Accordéon
2
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Piano (partie séparée)
1
Accompagnement Piano
1
Clavier
1
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GUITARES
Guitare notes et tablatures
9
Guitare
9
Paroles et Accords
6
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
5
2 Guitares (duo)
3
4 Guitares (Quatuor)
3
Basse electrique
2
Piano, Guitare (duo)
2
Mandoline
2
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
962
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31
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17
Chorale 2 parties
17
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14
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6
Chorale SSAA
5
Voix Alto, Piano
3
Voix Tenor, Piano
2
Voix haute
2
Voix duo
2
Voix basse, Piano
1
Voix duo, Piano
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix seule
1
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VENTS
Saxophone (partie séparée)
16
Clarinette (partie séparée)
16
2 Saxophones (duo)
15
Flûte traversière
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Tenor
10
Saxophone Alto
10
Flute (partie séparée)
10
3 Saxophones (trio)
9
Hautbois (partie séparée)
9
Saxophone Alto et Piano
8
Flûte traversière et Piano
8
2 Clarinettes (duo)
6
Hautbois, Piano (duo)
6
Clarinette et Piano
5
Ensemble de Flûtes
5
Flûte, Clarinette (duo)
4
Ensemble de saxophones
4
3 Clarinettes (trio)
4
Saxophone, Clarinette (duo)
3
Saxophone Tenor et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
2 Flûtes traversières (duo)
3
Flûte et Guitare
3
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Hautbois, Flûte
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Ensemble de Clarinettes
2
Hautbois, Basson (duo)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone Soprano
1
Flûte, Violon et Violoncelle
1
Hautbois, Violoncelle et Piano
1
2 Hautbois et Cor anglais
1
Saxophone Baryton
1
Clarinette et Alto
1
Saxophone et Orgue
1
Ocarina
1
2 Flûte à bec (duo)
1
3 Hautbois
1
Hautbois
1
Saxophone
1
Hautbois, Clarinette (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Violon
1
Flute, Cor (duo)
1
Flûte, Hautbois, Basson
1
Ensemble De Flûte à bec
1
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Piccolo
1
Clarinette, Guitare (duo)
1
Saxophone Soprano et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
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CUIVRES
Trompette
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette (partie séparée)
9
Trombone
9
Cor
7
Trompette, Piano
4
Quatuor de cuivres: 4 trombones
4
Tuba (partie séparée)
4
Trompette, Trombone (duo)
4
Trombone et Piano
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
4
2 Trombones (duo)
3
Cor et Piano
3
Trompette, Saxophone (duo)
2
4 Tubas
2
2 Cors (duo)
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
2
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Tuba et Piano
1
Trompette, Cor (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
Euphonium, Piano (duo)
1
Clarinette, Cor (duo)
1
2 Trompettes (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon
27
Violon, Violoncelle (duo)
16
Violoncelle
14
Harpe
12
Violoncelle, Piano
11
Violon (partie séparée)
11
Alto seul
11
Violon et Piano
7
Violoncelle (partie séparée)
5
Violon, Alto (duo)
5
Alto, Piano
4
Contrebasse (partie séparée)
4
2 Violoncelles (duo)
4
Alto (partie séparée)
3
Trio à Cordes: violon, alto, violoncelle
3
Contre Basse
3
2 Altos (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
2
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Alto, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
111
Orchestre
78
Ensemble Jazz
19
Ensemble de cuivres
16
Orchestre à Cordes
14
Fanfare
11
Percussion (partie séparée)
8
Batterie
7
Orchestre de chambre
6
Cloches
5
Jazz combo
3
Marimba
2
Quintette à Vent
1
Timbales
1
Xylophone
1
Orchestre, Violon
1
Percussion
1
Vibraphone
1
Caisse Claire
1
Ensemble de Percussions
1
Big band
1
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AUTRES
Vous avez sélectionné:
The Mission
SheetMusicPlus
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9126
The Promise PVG
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$3.99
3.62 €
#
Piano, Voix
#
going on a mission I was put in a situation where I could testify of God's gospel truths
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Steven H
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Ashley Ivers
#
The Promise PVG
#
Boothe Publishing
#
SheetMusicPlus
The Promise Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069993 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 255. Boothe Publishing #4737123. Published by Boothe Publishing (A0.1069993). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$1.99
1.8 €
#
Piano seul
#
going on a mission I was put in a situation where I could testify of God's gospel truths
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Steven H
#
Ashley Ivers
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The Promise Piano Minus Vocal
#
Boothe Publishing
#
SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.59 €
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Orchestre
#
Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
#
SheetMusicPlus
Through the Power
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1095334 By Thea Wray.…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1095334 By Thea Wray. By Althea Wray. Arranged by Althea Wray. Christian,Multicultural,Praise & Worship,World. Score. 4 pages. Water II Wine Publishing #699351. Published by Water II Wine Publishing (A0.1095334). We celebrate 200 years at Rye Lane Chapel with a hymn which remembers the fortitude and the forward thinking of the gathered Saints who were committed to their mission for leading souls to Christ and to prayer. Suitable for an ensemble or worship team.
$6.00
5.44 €
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Piano, Voix et Guitare
#
Thea Wray
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Althea Wray
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Through the Power
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Water II Wine Publishing
#
SheetMusicPlus
A Mission for Every One
Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken…
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Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompaniment. Duration 140. Artist of Note, Inc. #1078881. Published by Artist of Note, Inc. (A0.1503432). A Mission for Every OneAudio accompaniment/demo MP3A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testifyAvailable where you go for the best in downloadable resources, including:Sheet Music PlusSheet Music DirectAnd via your local Hal Leonard InStore music dealerAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$2.99
2.71 €
#
Ken Litton
#
Ken Litton
#
and shall deceive many
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A Mission for Every One
#
Artist of Note, Inc.
#
SheetMusicPlus
A Mission for Every One
Chorale Unison
Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1503195 Comp…
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Choral Choir,Choral,Unison Chorus - Level 2 - Digital Download SKU: A0.1503195 Composed by Ken Litton. Arranged by Ken Litton. Christian,Contemporary,Praise & Worship,Religious. 4 pages. Artist of Note, Inc. #1078723. Published by Artist of Note, Inc. (A0.1503195). A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testify.
$2.99
2.71 €
#
Chorale Unison
#
Ken Litton
#
Ken Litton
#
and shall deceive many
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A Mission for Every One
#
Artist of Note, Inc.
#
SheetMusicPlus
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ. Â Music by Kevin G. Pace. Â Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
$3.99
3.62 €
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Piano, Voix
#
Kevin G
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Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
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Kevin G. Pace
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SheetMusicPlus
Hatikva (The Hope), Israeli National Anthem
Clarinette, Violoncelle (duo)
Instrumental Duet Cello,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Cello,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.723176 Composed by Shmuel Cohen. Arranged by Joel Jacklich (ASCAP). Jewish,Patriotic,World. Score and parts. 4 pages. Joel Jacklich #6626055. Published by Joel Jacklich (A0.723176). I was asked by two musicians friends, who had previously commissioned several Klezmer pieces from me, to write an arrangement of Hatikva (The Hope), the Israeli National Anthem for a visual visit to the Wailing Wall in Jerusalem to take place later this year. Naphtali Herz Imber (1856-1909) wrote the poem in 1878. Shmuel (Samuel) Cohen (1870-1940) first set Imber's poem to music in 1887, basing the melody for Hatikvah on La Mantovana, a 16th-century Italian song, composed by Giuseppe Cenci (Giuseppino del Biado) ca. 1600. In 1933, the 18th International Zionist Congress in Prague adopted Hatikva as the anthem of the Zionist movement. With there establishment of the state of Israel in 1948, it was adopted unofficially as then national anthem of Israel, becoming finalized officially by the Knesset in 2004. This arrangement for clarinet and cello shares the melody diplomatically between the two instruments. The clarinet occasionally switches octaves for a slight Klezmer feeling (as was requested by the commissioner) while still maintaining the piece in a serious mode.
$4.99
4.52 €
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Clarinette, Violoncelle (duo)
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Shmuel Cohen
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Joel Jacklich (ASCAP)
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Hatikva
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Joel Jacklich
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.39 €
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
8.15 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed Euridice for Brass Quintet
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Keith Terrett
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SheetMusicPlus
March of the Kings
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. B…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
1.8 €
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Chorale 3 parties
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
The National Game for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722778
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722778 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 11 pages. JV MUSIC #4363331. Published by JV MUSIC (A0.722778). The National Game for Brass Quintet by John Philip SousaArranged by Jari Villanuevahttps://youtu.be/LweuvxbTtOYA great baseball piece of music! John Philip Sousa was a great fan of baseball. He played the game and even wrote article about America’s Pastime. Sousa wrote the march THE NATIONAL GAME at the behest of Kenesaw Mountain Landis, the Commissioner of Baseball. For music and sports scholars and aficionados the years 1900-1920 are considered the golden age of the John Philip Sousa Band and baseball in America. The 1908 World Series is considered the greatest and most controversial baseball series of the twentieth century and the Sousa Band’s World Tour of 1910-1911 is undoubtedly one of the most unique music public relations efforts by a single individual to introduce the early twentieth-century world to American music, culture and baseball. John Philip Sousa’s band also served as his baseball team whenever they had a chance to play a game of baseball against another team from a community in which they were performing a concert.
$14.99
13.59 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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John Philip Sousa
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Jari A
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The National Game for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Give This To Mother
Piano, Voix
Piano and voice - Digital Download SKU: LV.20387 Composed by Stephen Foster. Battle…
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Piano and voice - Digital Download SKU: LV.20387 Composed by Stephen Foster. Battlefields, Soldiers, War casualties, Bayonets, Drums, Mothers & children, Gifts, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20387). Give This To Mother. Written and Composed Stephen C. Foster. Published 1864 by H. Waters, 481 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Battlefields, Soldiers, War casualties, Bayonets, Drums, Mothers & children, Gifts, Religion. First line reads Take I pray thee this small locket, Brother soldier ere I die.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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Stephen Foster
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Give This To Mother
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
In the Secret of His Presence
Piano seul
Piano Solo - Digital Download SKU: A0.818267 By Stephen R Dalrymple. By George C St…
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Piano Solo - Digital Download SKU: A0.818267 By Stephen R Dalrymple. By George C Stebbins and Ellen L Goreh. Arranged by Stephen R Dalrymple. Sacred. Score. 9 pages. Stephen R Dalrymple #3884109. Published by Stephen R Dalrymple (A0.818267). ♫ piano solo arrangement of a public domain hymn ♫lyrics by Ellen L Goreh 1853-1937 ♫ melody by George C Stebbins 1846-1945♫ The author of the text was a native of India. She spent many years in mission work among the women of India, held in high esteem by missionaries of all denominations. Ira D Sankey writes “The hymn was first sung by [George StebÂbins] as an offertory in one of the churches in Brooklyn, New York. It was often repeated as an offertory, and on occasions was sung in evangelistic services. But it had its larger introduction to the public during the All-Winter Mission conducted by Mr. Moody and myself in London in the winter of 1883–84, when I sang it frequently, as did Mr. Stebbins, who spent several months assisting in the mission.†The hymn spread all over the world. Hudson Taylor reported that it was a favorite of the missionaries in China.♫ piano arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 1999 (copyright registered in 'Great God of Wonders: Sacred Piano Arrangements' © 1999 Stephen R. Dalrymple)♫ recording â„— 2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.45
4.03 €
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Piano seul
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Stephen R Dalrymple
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Stephen R Dalrymple
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In the Secret of His Presence
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Stephen R Dalrymple
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SheetMusicPlus
Mother is the Battle Over, or, Will My Father Come Again? Song with Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.22253 Arranged by Henry Werner. Civil Wa…
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Piano and voice - Digital Download SKU: LV.22253 Arranged by Henry Werner. Civil War--Union, Fathers & children, War casualties, Victories, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22253). Mother is the Battle Over, or, Will My Father Come Again? Song with Chorus. Correct Edition. Arranged by Henry Werner. Published 1863 by Balmer & Weber, 56 Fourth St. in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Fathers & children, War casualties, Victories, Patriotism. First line reads Mother, is the battle over? Thousands have been slain, they say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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Henry Werner
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Mother is the Battle Over, or, Will My Father Come Again? Song with Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Volunteers
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0…
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1401987 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 30 pages. Matthew Nunes Music #985185. Published by Matthew Nunes Music (A0.1401987). A curious march, where the commissioner requested “sounds characteristic of a shipyardâ€, including sirens, an electric rivet machine, and anvils.  This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Volunteers was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 88.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
1.8 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Matthew Nunes
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The Volunteers
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Matthew Nunes Music
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SheetMusicPlus
Carry Me Father
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.576 Composed by B…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.576 Composed by Bethel Thorn. Parlors, Families, Mothers & children, Fireplaces, Cats, Toys, Chimneypieces, Love, Religion, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.576). Carry Me Father. Words & Music By Bethel Thorn. Published 1874 by F.A. North & Co., 1308 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Families, Mothers & children, Fireplaces, Cats, Toys, Chimneypieces, Love, Religion, Prayer. First line reads Carry me, father, tenderly, Carry your child tonight.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Chorale SATB
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Bethel Thorn
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Bethel Thorn
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Carry Me Father
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Yes My Child the Battle's Over. Reply to "Mother is the Battle Over." Song & Chorus
Piano, Voix
Piano and voice - Digital Download SKU: LV.23253 Composed by B. A. Whaples. Civil W…
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Piano and voice - Digital Download SKU: LV.23253 Composed by B. A. Whaples. Civil War--Union, Fathers & children, Mothers & children, Widows, War casualties, Death, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23253). Yes My Child the Battle's Over. Reply to Mother is the Battle Over. Song & Chorus. By B.A. Whaples. Published 1864 by Blelock & Co., 410 William St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Fathers & children, Mothers & children, Widows, War casualties, Death, Patriotism. First line reads yes, my child, the battle's over, and the bloody work is done.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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B
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B
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Yes My Child the Battle's Over. Reply to "Mother is the Battle Over." Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Say Goodbye to Mother, or, I'll Remember the Maine and Brother Jack. A Thrilling Ballad of the War
Piano, Voix
Piano and voice - Digital Download SKU: LV.21449 Composed by M.B. Lawry. Portraits,…
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Piano and voice - Digital Download SKU: LV.21449 Composed by M.B. Lawry. Portraits, Flags, Farewell, Shaking hands, Soldiers, Mothers & children, Grief, Explosions, Naval warfare, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21449). Say Goodbye to Mother, or, I'll Remember the Maine and Brother Jack. A Thrilling Ballad of the War. Words by Jere O'Halloran. Music by M.B. Lawry. Published 1898 by The Vivian Music Pub. Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Flags, Farewell, Shaking hands, Soldiers, Mothers & children, Grief, Explosions, Naval warfare, Patriotism. First line reads Down in old, Havana bay lie the heroes of the day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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M
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Say Goodbye to Mother, or, I'll Remember the Maine and Brother Jack. A Thrilling Ballad of the War
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.32 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Mission: Impossible Theme
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1329406 By Adam Clayton And Larry…
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Concert Band - Level 3 - Digital Download SKU: A0.1329406 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Lorenzo Bocci. Film/TV. 82 pages. Lorenzo Bocci #917367. Published by Lorenzo Bocci (A0.1329406). MISSION: IMPOSSIBLE THEME from The Paramount Television Series Mission: Impossiblefrom The Paramount Motion Picture Mission: Impossiblefor Concert Band - Grade 3 - Digital Download Composed by Lalo Schifrin. Arranged by Lorenzo Bocci. Film/Movie/Soundtrack. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'02''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium 1, 2, Bass, Electric Bass, Mallet Percussion (Xilophone), Timpani, Drum Set, Percussion (Triangle, Claves, Bongos).Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C., Electric Guitar (does not appear on score), Piano (does not appear on score).Theme from Mission: Impossible is the theme tune of the TV series Mission: Impossible (1966–1973). The theme was written and composed by Argentine composer Lalo Schifrin and has since gone on to appear in several other works of the Mission: Impossible franchise, including the 1988 TV series, the film series, and the video game series. The theme won for the Best Instrumental Theme at the 10th Grammy Awards held on February 29, 1968. Schifrin also won the Grammy for Best Original Score Written For A Motion Picture Or A Television Show. In 2017, the 1967 recording of the Theme from Mission: Impossible by Lalo Schifrin on Dot Records was inducted into the Grammy Hall of Fame.
$89.00
80.7 €
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Orchestre d'harmonie
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Adam Clayton And Larry Mullen
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Lalo Schifrin
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Lorenzo Bocci
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Mission: Impossible Theme
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Lorenzo Bocci
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SheetMusicPlus
Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
Piano, Voix
Piano and voice - Digital Download SKU: LV.23875 Composed by Archie Gottler. Portra…
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Piano and voice - Digital Download SKU: LV.23875 Composed by Archie Gottler. Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23875). Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee. Words by Sidney D. Mitchell. Music by Archie Gottler. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & sons, Soldiers, Courtship, Love, World War I. First line reads Once I heard a father ask his soldier son, Why can't you advance like other boys have done?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano, Voix
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Archie Gottler
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Would You Rather Be a Colonel With an Eagle on Your Shoulder, or a Private With a Chicken on Your Knee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE
Quatuor de cuivres: 4 cors
French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.512900 By Adam Clayto…
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French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.512900 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 16 pages. Roger Wallace #5302547. Published by Roger Wallace (A0.512900). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Horn Quartet. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. The 4th horn part has a bass clef version as well as treble clef.Includes optional Percussion parts (Bongo Drums and Claves) joining for the Mission: Impossible theme.NOTE: Audio sample clip begins 3 measures before Letter B.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
11.78 €
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Quatuor de cuivres: 4 cors
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE
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Roger Wallace
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SheetMusicPlus
Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE
B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 4 - Di…
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B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 4 - Digital Download SKU: A0.512878 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 43 pages. Roger Wallace #4847815. Published by Roger Wallace (A0.512878). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Christmas Quartet with Multiple Part Options. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. Includes optional Percussion parts (Bongo Drums and Claves). NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video. The audio sample represents a String Quartet (2 Violins, Viola, Cello) with Percussion (Bongo Drums and Claves) joining for the Mission: Impossible theme.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$12.99
11.78 €
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE
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Roger Wallace
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SheetMusicPlus
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