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Tri et filtres :
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The New 23rd
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Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.09 €
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Various Writers
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Everything for the Church Soloist-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
The New 23rd
Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trumpet,Voice - Level …
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Small Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe,Trumpet,Voice - Level 2 - Digital Download SKU: A0.828656 Composed by Ralph Carmichael. Arranged by Ted Samuels. 20th Century,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 17 pages. Theodore A. Samuels #5712635. Published by Theodore A. Samuels (A0.828656). 2020 SMP Press Composition Contest Entry for both the Popular and Sacred instrumental ensemble categories: This is a flexible wind ensemble arrangement of a hymn based on Psalm 23 and written by Ralph Carmichael in 1969. It may be performed with either a vocal or instrumental soloist in C. Otherwise, the melody may also be performed by a Bb instrument such as a clarinet or trumpet, accompanied by the rest of the ensemble consisting of: * 2 soprano C instruments such as 2 flutes or a flute and an oboe, * an Eb alto saxophone or a horn in F, and * a Bb bass clarinet or a bass C instrument like a bassoon.The duration is approximately 2 minutes. NOTE: The YouTube video link goes to a rendition which uses a wind quintet of flute, oboe, clarinet, horn and bassoon.
$15.00
13.71 €
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Ralph Carmichael
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Ted Samuels
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The New 23rd
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Theodore A. Samuels
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SheetMusicPlus
The New 23rd
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.809549 Composed by Ralph Carmichael…
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Piano Solo - Level 4 - Digital Download SKU: A0.809549 Composed by Ralph Carmichael. Arranged by Marilyn Thompson. Contemporary. Score. 6 pages. Marilyn Thompson #6195955. Published by Marilyn Thompson (A0.809549). A creative setting of the Ralph Carmichael’s more contemporary composition inspired by the Twenty Third Psalm. For further information, please contact marilyn@www.mtmusicministries.com. ASCAP .
$4.99
4.56 €
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Piano seul
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Ralph Carmichael
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Marilyn Thompson
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The New 23rd
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Marilyn Thompson
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SheetMusicPlus
The New 23rd
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.562398 Composed by Ralph Carmichael…
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Easy Piano - Level 1 - Digital Download SKU: A0.562398 Composed by Ralph Carmichael. Arranged by Samuel Stokes. Contemporary. Score. 3 pages. SamuelStokesMusic.com #5724953. Published by SamuelStokesMusic.com (A0.562398). This is an arrangement of The New 23rd for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$4.99
4.56 €
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Piano Facile
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Ralph Carmichael
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Samuel Stokes
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The New 23rd
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SamuelStokesMusic.com
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SheetMusicPlus
The Flatiron (The Fuller). March and Two-Step
Piano seul
Piano - Digital Download SKU: LV.10704 Composed by J. W. Lerman. Skyscrapers, City …
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Piano - Digital Download SKU: LV.10704 Composed by J. W. Lerman. Skyscrapers, City & town life, Architectural elements, Carriages & coaches. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10704). The Flatiron (The Fuller). March and Two-Step. by J.W. Lerman. Published 1903 by N. Weinstein, Fuller Building (The Flatiron), 23rd St. & Broadway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Skycrapers, City & town life, Architectural elements, Carriages & coaches. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano seul
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J
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The Flatiron
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Flatiron (The Fuller). March and Two-Step
Piano seul
Piano - Digital Download SKU: LV.10551 Composed by J. W. Lerman. Skyscrapers, City …
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Piano - Digital Download SKU: LV.10551 Composed by J. W. Lerman. Skyscrapers, City & town life, Architectural elements, Carriages & coaches. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10551). The Flatiron (The Fuller). March and Two-Step. by J.W. Lerman. Published 1903 by N. Weinstein, Fuller Building (The Flatiron), 23rd St. & Broadway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Skycrapers, City & town life, Architectural elements, Carriages & coaches. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano seul
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J
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The Flatiron
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCor…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
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Voix haute
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Pastures of Green (23rd Psalm) (David) from "The Kings" - ACT 1:Song 11
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCo…
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784824 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Pop. 10 pages. DF McCorkle Music and eBook Publications #11737. Published by DF McCorkle Music and eBook Publications (A0.784824). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’] [Psalm 23 Sacred Melody of David. YAHWEH is My Shepherd I shall not want] SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
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Voix Tenor, Piano
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McCorkle, Dennis F
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Pastures of Green
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Lord Is My Shepherd - 23rd Psalm
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.954427 Composed by Robert Ashford. C…
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Choral Choir (SATB) - Digital Download SKU: A0.954427 Composed by Robert Ashford. Contemporary,Sacred. Octavo. 4 pages. Robert Ashford #3022579. Published by Robert Ashford (A0.954427). Also available as part of Sacred Suite.Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who lovesbeautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
4.56 €
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Chorale SATB
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Robert Ashford
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The Lord Is My Shepherd - 23rd Psalm
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Robert Ashford
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.93 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Lord is My Shepherd (ì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìž)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349636 By Karl Kan…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349636 By Karl Kang. By Karl Kang. Arranged by Karl Kang. Christian,Praise & Worship,Religious,Sacred,Spiritual. 6 pages. Karl kang #934401. Published by karl kang (A0.1349636). The Lord is My Shepherd(in Korean â€œì£¼ë‹˜ì€ ë‚˜ì˜ ëª©ìžâ€)“ is a hymn with lyrics based on Psalm 23. This song was first introduced to the public through a performance by the Seoul Catholic Singers at the 23rd New Sacred Music Concert hosted by the Catholic Composers Association of Korea, which took place at Jongno Cathedral in Seoul on November 18, 2023. The composer of this song, Karl Kang, is one of the prominent composers representing the Catholic Church in Korea.Looking back, my life so far feels like a miracle. Even when traversing the dark valleys of life, I believe I am where I am today because the Lord has always guided me on the right path. That's why I've always harbored the hope of creating a piece with the lyrics based on Psalm 23. This is a scripture that has consistently provided me with great strength, especially in difficult times. After pondering the words and melodies for a long time, I finally completed the composition. I express my gratitude to the Vox Coeli Youth Choir of Dogok-dong Cathedral, who first performed this song. Without the voices of Vox Coeli, this song might never have come into existence. I hope that through 'The Lord is My Shepherd,' many people will find the strength to take a step forward in a life that feels like a miraculous journey led by the Lord..
$2.99
2.73 €
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Chorale SATB
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Karl Kang
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Karl Kang
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The Lord is My Shepherd
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karl kang
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SheetMusicPlus
Star Trek (r) The Motion Picture for Concert Band
Orchestre d'harmonie
Concert Band - Advanced Intermediate - Digital Download Arranged by Javier Mart&iacut…
(+)
Concert Band - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 62 pages. Published by Arte Nova Music Lab
Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Hornblower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Hornblower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.
$60.00
54.85 €
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Orchestre d'harmonie
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Javier Martínez Maya
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Star Trek
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Arte Nova Music Lab
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SheetMusicPlus
Star Trek (r) The Motion Picture for Orchestra
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Mart&iac…
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 90 pages. Published by Arte Nova Music Lab
Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Horn blower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.<br> <br> Taken from https://en.wikipedia.org/wiki/Star_TrekStar Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Horn blower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.<br> <br> The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.<br> <br> Taken from https://en.wikipedia.org/wiki/Star_Trek
$60.00
54.85 €
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Orchestre
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Javier Martínez Maya
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Star Trek
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Arte Nova Music Lab
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SheetMusicPlus
Easy Gospel Piano-Digital Download
Piano seul
Twelve contemporary songs Contemporary songs include: Cornerstone; El-Shaddai; Flyin' …
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Twelve contemporary songs Contemporary songs include: Cornerstone; El-Shaddai; Flyin' Like an Eagle; Go, Tell It on the Mountain; He Was There All the Time; I Just Came to Praise the Lord; Into My Heart; Lord, Listen to Your Children; The Fire; The New 23rd, and Unfailing Love
Song List: Cornerstone El-Shaddai Flyin' Like an Eagle Go,Tell It on the Mountain He Was There All The Time I Just Came To Praise The Lord Into My Heart Lord, Listen to Your Children The Fire Thank You, Lord The New 23rd Unfailing Love
Song List
: Cornerstone El-Shaddai Flyin' Like an Eagle Go,Tell It on the Mountain He Was There All The Time I Just Came To Praise The Lord Into My Heart Lord, Listen to Your Children The Fire Thank You, Lord The New 23rd Unfailing Love
$20.95
19.15 €
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Piano seul
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El-Shaddai
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Easy Gospel Piano-Digital Download
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SheetMusicPlus
Our Flirtation. Waltzes for the Piano
Piano seul
Piano - Digital Download SKU: LV.20721 Composed by John Philip Sousa. Flowers. Lest…
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Piano - Digital Download SKU: LV.20721 Composed by John Philip Sousa. Flowers. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20721). Our Flirtation. Waltzes for the Piano. Composed by John Philip Sousa. Published 1880 by B.W. Hitchcock, Publisher, 385 Sixth Avenue, above 23rd Street in New York. Composition of four sectional waltzes and introduction and finale with piano instrumentation. Subject headings for this piece include Flowers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano seul
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John Philip Sousa
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Our Flirtation. Waltzes for the Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The New 23rd
(Full Performance) - Digital Download SKU: HX.411951 Composed by Ralph Carmichael. …
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(Full Performance) - Digital Download SKU: HX.411951 Composed by Ralph Carmichael. Arranged by John Purifoy. Sacred. Choral. Duration 196. Published by Hal Leonard - Digital (HX.411951).
$1.99
1.82 €
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Ralph Carmichael
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John Purifoy
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The New 23rd
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Hal Leonard - Digital
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SheetMusicPlus
The New 23rd
(Accompaniment Only) - Digital Download SKU: HX.411952 Composed by Ralph Carmichael…
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(Accompaniment Only) - Digital Download SKU: HX.411952 Composed by Ralph Carmichael. Arranged by John Purifoy. Sacred. Choral. Duration 196. Published by Hal Leonard - Digital (HX.411952).
$9.99
9.13 €
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Ralph Carmichael
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John Purifoy
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The New 23rd
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Hal Leonard - Digital
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SheetMusicPlus
Rhythm of the Rain
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.546151 By Danny Vye. By Danny Vye. …
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Piano Solo - Level 3 - Digital Download SKU: A0.546151 By Danny Vye. By Danny Vye. Contemporary,New Age. Score. 5 pages. Danny Vye #156248. Published by Danny Vye (A0.546151). Danny Vye's contemporary solo piano single Rhythm of the Rain was released on the 23rd July 2021. The music aims to be relaxing and engaging.
$2.00
1.83 €
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Piano seul
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Danny Vye
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Rhythm of the Rain
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Danny Vye
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SheetMusicPlus
Psalm 23
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1003855 Composed by Larry …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1003855 Composed by Larry A. Schacher. Christian,Jazz,Latin,Praise & Worship,Sacred. Octavo. 15 pages. Larry A. Schacher #3106833. Published by Larry A. Schacher (A0.1003855). 2017 Choral Contest Entry.Psalm 23 is a jazz setting to the famous 23rd Psalm. The interplay between the instruments and the vocal harmony is exquisite. Psalm 23 would fit into many church services. Performing rights by August Wine Publishing, B.M.I. Larry Schacher on Facebook. The recorded lyrics are available on Psalm 23 baritone solo. The voices on this recording are synths. Larry Schacher is a multi-instrumentalist, vocalist, arranger and composer. Larry is fluent on piano, sax, clarinet, flute, guitar and bass. While in college, Larry also learned the violin, viola, trumpet, trombone, and bassoon.Larry taught public school music, and gifted classes in music for high schoolers at Eastern Oregon University, and Montana State; Larry also taught adult classical and folk guitar classes at Mt. Hood Community College. Larry also developed a rock and roll boot camp for middle schoolers that ran for several years during spring breaks at the Overlake School in Redmond, Wa. Larry was commissioned to to write the Overlake School anthem. Larry’s students have earned scholarships to the Berkeley School of music; attended the Thornton School of music; New York University and many others. Larry is a recording studio musician and besides the 5 albums he has published on CDbaby, he has appeared on many other albums, produced jingles for commercials that received air play in the Seattle market, and was the pianist for a syndicated gospel TV show. Larry has performed from Hawaii to New York city. One of Larry’s fondest memories is writing and conducting an arrangement of our national anthem that was sung by Seattle Opera at a Sonics/Sun basketball game. https://store.cdbaby.com/cd/larryschacher2http://fandalism.com/mystro1020
$5.00
4.57 €
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Chorale SATB
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Larry A
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Psalm 23
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Larry A. Schacher
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SheetMusicPlus
He Leadeth Me with I Have Decided to Follow Jesus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R …
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.11 €
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Stephen R Dalrymple
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He Leadeth Me with I Have Decided to Follow Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Departure
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.761857 Composed by Louis Landon. Ne…
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Piano Solo - Level 3 - Digital Download SKU: A0.761857 Composed by Louis Landon. New Age,Pop. Score. 3 pages. Landon Creative, Inc. #3135501. Published by Landon Creative, Inc. (A0.761857). Departure - solo piano, the album/CD, is Louis Landon's 23rd album and 16th solo piano album. The song Departure, is the title track. Louis Landon is a Steinway Artist All music produced, arranged, written & performed by Louis Landon All music published by Landon Creative, Inc. BMILouis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with Pucho and his Latin Soul Brothers; pop music with Rupert Pina Colada Song Holmes; and rock & roll with John Hall, opening for Little Feat.Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.Louis Landon mission:To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.Reviews:While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors. Michaeldiamondmusic.comHe has a gift for composition that is second to none. Zone Music Reporter.
$5.25
4.8 €
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Piano seul
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Louis Landon
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Departure
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Landon Creative, Inc.
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SheetMusicPlus
He Leadeth Me
Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Ste…
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Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 59 pages. Stephen R Dalrymple #6359211. Published by Stephen R Dalrymple (A0.818349). He Leadeth Me – arranged for French Horn & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ arranged for French Horn solo by Stephen R Dalrymple ♫ transcribed for flute, clarinet, trumpet, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … ♫ This arrangement was written for my youngest daughter, Willa. ♫ This .pdf file includes 16 score choices • Full Score for French Horn and Piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.11 €
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Stephen R Dalrymple
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He Leadeth Me
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Stephen R Dalrymple
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SheetMusicPlus
Heavenly Hymns Varied Harmonies Volume 4
Orgue
Organ - Level 3 - Digital Download SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. …
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Organ - Level 3 - Digital Download SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. G. Ouseley, W.B. Gilbert, J.A. Stevenson etc. Arranged by Enoch Kwasi Boahen. Sacred. Score. 93 pages. Enoch Kwasi Boahen #644686. Published by Enoch Kwasi Boahen (A0.1039842). TUNES & APPROPRIATE HYMNS Pater Omnium O God, what offering shall I give, Contemplation When all Thy mercies, O my God, Maidstone Pleasant are Thy court above, Dublin See Israel's gentle Shepherd stand, St Luke O Thou, whom once they flocked to hear, Abridge O for heart to praise my God, Celeste This is the God we adore, Everton They who tread the path of labour, All souls Lead us, O Father, in the paths of peace, Beautitudo Fill Thou my life, O Lord my God, Antwerp Forth in Thy name, O Lord, I go, Something for Thee Saviour, Thy dying love, Dundee(French) I to the hills will lift my eyes, St. Cyril O King of mercy, from Thy throne on high, Ruth Summer sure are glowing, Wiltshire Through all the changing scenes of life, Darwall's 148th Lord of the worlds above, Morecambe O God of our Father, who dost make us one, Vigilate Christian, seek not yet repose, Northampton Hark, my soul! It is the Lord, My Jesus, I love Thee My Jesus, I love Thee, Kensington new Lead us, heavenly Father, lead us, Ramsey Lord, it belongs not my care, Warrington Now that the day light fills the sky, Hopeville Give me the wings of faith to rise, Wonderful love Come let sing of the wonderful love, Prince of peace Come, Holy Ghost, our hearts inspire, Harrow All people that on earth do well, Franconia Our day of praise is done, Aurelia The Church's one foundation, Ellers Saviour, again Thy dear name we raise, Cloisters Lord of our life and God of our salvation Barton Light of the world, Ely Lord, I was blind! I could not see, Gainsworth Just as I am, Misericordia Just as l am, Monks gate Who would true valour see, Old 23rd Where shall my wondering soul begin?, Spetisbury Be gone, unbelief; Stamford Father of everlasting grace.
$42.00
38.4 €
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Orgue
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H
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Enoch Kwasi Boahen
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Heavenly Hymns Varied Harmonies Volume 4
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Enoch Kwasi Boahen
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SheetMusicPlus
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