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TRI ET FILTRES
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Tri et filtres :
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.24 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The New Museum
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.999304 Composed by Joshua A. Idio. 20th Century,Contemporary,Standards. 47 pages. Joshua A Idio #6362673. Published by Joshua A Idio (A0.999304). Composed by Joshua A. Idio. (ASCAP Licensed) Chamber Music. Saxophone Quartet music. Full score and parts.The New Museum was written in 2021 as part of my continuing exploration into chamber music writing. The rhythmic and melodic material found at the beginning of the piece can be heard recurring throughout the piece, complimenting each new subject which, in turn, also adds more color to the next in a different way. The composition was inspired by the beauty and creativity found in today's modern and contemporary art museums.
$45.99
42.13 €
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Quatuor de Saxophones: 4 saxophones
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Joshua A
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The New Museum
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Joshua A Idio
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.49 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Washington Post, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835877 Composed by John Philip …
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Small Ensemble - Level 3 - Digital Download SKU: A0.835877 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk,Romantic Period. Score and parts. 21 pages. Paul Burnell #6458719. Published by Paul Burnell (A0.835877). The Washington Post, John Philip Sousa, arranged by Paul Burnell for instruments in four parts.Download comprises both score and parts.Duration 2:30Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play notes in brackets if the main notes are out of range.Programme note:‘The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
$3.99
3.66 €
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John Philip Sousa
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Paul Burnell
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The Washington Post, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
The Washington Post, - duet: instruments in Eb and Bb
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - Digital Download SK…
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 3 - Digital Download SKU: A0.835879 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk. Score and parts. 6 pages. Paul Burnell #6458721. Published by Paul Burnell (A0.835879). The Washington Post, John Philip Sousa, arranged by Paul Burnell for duet - instrument in Eb, instrument in BbDownload comprises both score and parts.Duration 2:30Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.Play notes in brackets if the main notes are out of range or inconvenient.Programme note:‘The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
$1.99
1.82 €
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John Philip Sousa
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Paul Burnell
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The Washington Post, - duet: instruments in Eb and Bb
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Paul Burnell
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SheetMusicPlus
The Washington Post, - duet: Alto and Tenor Recorder
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.835878 Composed by John Phil…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.835878 Composed by John Philip Sousa. Arranged by Paul Burnell. Folk. 6 pages. Paul Burnell #6458723. Published by Paul Burnell (A0.835878). The Washington Post, John Philip Sousa, arranged by Paul Burnell for Duet - Alto Recorder, Tenor Recorder.Download comprises both score and parts.Duration 2:30Play notes in brackets if the main notes are out of range or inconvenient.Programme note: ‘The Washington Post’ (often called ‘The Washington Post March’) is a march by American composer John Philip Sousa (1854 - 1932). In 1889, the recent purchasers of The Washington Post newspaper asked that Sousa, the leader of the United States Marine Band, compose a march for the newspaper's essay contest awards ceremony, in conjunction with a campaign to promote the new ownership of the newspaper. ‘The Washington Post’ was performed at a ceremony on the grounds of the Smithsonian Museum with President Benjamin Harrison in attendance.
$1.99
1.82 €
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John Philip Sousa
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Paul Burnell
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The Washington Post, - duet: Alto and Tenor Recorder
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Paul Burnell
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SheetMusicPlus
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
Voix haute
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
3.62 €
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Voix haute
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James Nathaniel Holland
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Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
The Mountain Goat - Vocal Duet
Voix duo
Voice Duet Voice - Digital Download SKU: A0.939251 Composed by Margaret Brandman. 2…
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Voice Duet Voice - Digital Download SKU: A0.939251 Composed by Margaret Brandman. 20th Century,Contemporary,Holiday,New Age. 5 pages. Jazzem Enterprises #4337699. Published by Jazzem Enterprises (A0.939251). The Mountain Goat (Capricorn song) This vocal duet arrangement of Margaret Brandman’s contemporary art song is set for Mezzo-Soprano voice and Baritone voice. It is the tenth song in Margaret Brandman's 'Cosmic Wheel of the Zodiac' Song Cycle. The lyrics are by astrologer and poet Benita Rainer who has artfully distilled the individual characteristics of this star sign in her text thereby making this song ideal birthday song for those born under the Capricorn star sign. Duration 1'38'' Suitable for concert performances. The duet was premiered in a concert in the concert hall at the Czech Museum of Music in September 2017. The performers were Mezzo Soprano Barbora Polâšková and Baritone Matěj Chadima with piano associate Petr Ožana. Registered with A.P.R.A (Australian Performing Rights Association). A DVD of the Prague Mixed Chamber Choir’s concert performance of the complete song cycle is available from the composer's website. www.margaretbrandman.com. http://bit.ly/mb5music www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman-2a435a1 https://twitter.com/margbrandmusic5
$5.95
5.45 €
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Voix duo
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Margaret Brandman
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The Mountain Goat - Vocal Duet
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Jazzem Enterprises
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SheetMusicPlus
Coloratura and Baritone Duet in English from the 21st century opera "Menkaure"
Voix duo
Voice Duet Voice - Level 5 - Digital Download SKU: A0.730218 Composed by James Nath…
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Voice Duet Voice - Level 5 - Digital Download SKU: A0.730218 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 13 pages. James Nathaniel Holland #62137. Published by James Nathaniel Holland (A0.730218). Someone Tell Me Where My Daughter Is Duet for Soprano (Coloratura range: Eb4 to F6) and Baritone (range: C#3 to F4) from the American opera (in English) MENKAURE Piano Vocal Arrangement by new classical music composer James Nathaniel Holland Opera website: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Orchestration sample on YouTube at: https://www.youtube.com/watch?v=vVKCAuSz0RQ Brief Synopsis: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this scene and duet, Trista has suddenly gone missing. Her mother, Delphi, and her younger boyfriend, Erik, contemplate calling the police. Available with orchestra and parts.
$6.95
6.37 €
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Voix duo
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James Nathaniel Holland
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Coloratura and Baritone Duet in English from the 21st century opera "Menkaure"
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James Nathaniel Holland
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SheetMusicPlus
The toy museum
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.980355 Composed by Rob Colley. 20th…
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Piano Solo - Level 5 - Digital Download SKU: A0.980355 Composed by Rob Colley. 20th Century,Contemporary,Jazz,New Age,World. Score. 4 pages. Rob Colley #3113659. Published by Rob Colley (A0.980355). Inspired by a visit to a toy museum, where memories flooded back at seeing objects from a distant childhood. A bitter-sweet mood underpinned by quintuple rhythms and mounting virtuosity.
$3.99
3.66 €
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Piano seul
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Rob Colley
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The toy museum
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Rob Colley
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SheetMusicPlus
Antonin Dvorak - Symphony no 9, op.95, "From the New World" - Largo - lead sheet
Ligne De Mélodie, (Paroles) et Accords
Large Ensemble C Instrument - Digital Download SKU: A0.601853 Composed by Antonin D…
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Large Ensemble C Instrument - Digital Download SKU: A0.601853 Composed by Antonin Dvorak. Arranged by Andre Maaker. Romantic Period,Standards. Lead Sheet / Fake Book. 5 pages. SheetMusicHub #6690843. Published by SheetMusicHub (A0.601853). This is a lead sheet style (melody + chords) notation of Antonin Dvorak's symphony no. 9, pt. II - Largo. The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered in New York City on 16 December 1893. It has been described as one of the most popular of all symphonies. In older literature and recordings, this symphony was – as for its first publication – numbered as Symphony No. 5. Astronaut Neil Armstrong took a tape recording of the New World Symphony along during the Apollo 11 mission, the first Moon landing, in 1969. The symphony was completed in the building that now houses the Bily Clocks Museum. Sample video performed by Berliner Philharmoniker, (cond. Claudio Abbado).
$8.00
7.33 €
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Ligne De Mélodie, (Paroles) et Accords
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Antonin Dvorak
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Andre Maaker
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Antonin Dvorak - Symphony no 9, op.95, "From the New World" - Largo - lead sheet
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SheetMusicHub
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SheetMusicPlus
Bass Aria in English, "Hatred Lives in Joondor" from the Contemporary Opera, Menkaure
Voix basse, Piano
Bass Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730220 Composed by James…
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Bass Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730220 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. 10 pages. James Nathaniel Holland #62141. Published by James Nathaniel Holland (A0.730220). Hatred Lives in Joondor Bass Aria from the American Contemporary Opera, Menkaure (Range: C#2 to D4) by James Nathaniel Holland Arranged for Piano and Voice with special ending. Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Opera webpage: http://www.lacoronadelossantos.net/menkaureopera.html YouTube Orchestrated version presentation: https://www.youtube.com/watch?v=YwEAbryIDtQ BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. In this scene, Trista has just run away from New York to the third world country of Joondor. She meets Consaladas, a benevolent guide, who needs work and offers his services in this very dangerous environment for her. Aria is also available with orchestration and parts.
$4.25
3.89 €
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Voix basse, Piano
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James Nathaniel Holland
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Bass Aria in English, "Hatred Lives in Joondor" from the Contemporary Opera, Menkaure
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James Nathaniel Holland
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.9 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Waking the Ancient Dragon
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.940723 Composed by Julia Muench. Co…
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Piano Solo - Level 2 - Digital Download SKU: A0.940723 Composed by Julia Muench. Contemporary. Score. 2 pages. NJ Original Music #3415599. Published by NJ Original Music (A0.940723). Great for waking interest in that particular piano student and a really fun way to explore the pentatonic scale and 9th chords on the piano. Cross overs abound! I wrote this descriptive piece in particular for a student I was teaching, Elsa S., who ended up performing it on her Spring recital. Julia Muench currently resides on the piano faculty at the Monmouth Conservatory of Music (now under the Count Basie Theatre umbrella) in Red Bank, New Jersey, with a large student class.Her more recent musical activities besides composing, involve extensive piano teaching and giving piano recitals. The past two years, she has spent a good deal of time traveling in and out of the country. Italy and Chile have been among her destinations abroad. She performed a piano concert including her own composition, Nautilus Dances, as part of the Utopia Exhibit ( focusing on German Emigration to the US in the 1830's) in Washington DC's German Museum and at the Missouri history Museum in St. Louis, MO.Her latest piano concert in Red Bank, NJ featured composers Chopin, Debussy and Khatchaturian. Many of her performances may be viewed on youtube under Julia Muench. She has her own musical article blog on Wordpress under musicflower.She is a long time ASCAP member, where she was recently awarded and ASCAP writer's award for 2009/10. Julia has a MMA Degree from the University of Miami and has been composing since she was in her teens. She works regularly with ballet dancers at the Academy of Dance Arts in Tinton Falls, NJ.
$3.99
3.66 €
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Piano seul
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Julia Muench
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Waking the Ancient Dragon
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NJ Original Music
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SheetMusicPlus
New York Minute: The Cloisters
Piano seul
Piano Solo - Digital Download SKU: A0.940259 Composed by Kenneth LaFave. 20th Centu…
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Piano Solo - Digital Download SKU: A0.940259 Composed by Kenneth LaFave. 20th Century,Contemporary. Score. 2 pages. Exploding Dreams Music (ASCAP) #3378033. Published by Exploding Dreams Music (ASCAP) (A0.940259). One in a series of pieces under the umbrella title, New York Minutes, this work suggests the quiet and calm amid the bustle of New York, to be found at the famous Medieval museum at Manhattan's northern tip.
$1.99
1.82 €
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Piano seul
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Kenneth LaFave
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New York Minute: The Cloisters
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Exploding Dreams Music
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SheetMusicPlus
My Old New Jersey Home
Piano, Voix
Piano/vocal - Digital Download SKU: S8.AC0300-1000361 Mock Ballad. Composed …
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Piano/vocal - Digital Download SKU: S8.AC0300-1000361 Mock Ballad. Composed by Nat. Vincent. Music from or about New Jersey. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.33: Geography - New Jersey, Box 30, Folder A, Archives Center, National Museum of American History, Smithsonian Institution. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000361). Sheet music published in 1921 by Shapiro, Bernstein & Co., IncLyrics by Ballard MacDonald. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
$5.99
5.49 €
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Piano, Voix
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Nat
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My Old New Jersey Home
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Smithsonian Institution
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SheetMusicPlus
I Left Her In New Hampshire
Piano, Voix
Piano/vocal - Digital Download SKU: S8.AC0300-1000357 Composed by Lew Brown, Lewis …
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Piano/vocal - Digital Download SKU: S8.AC0300-1000357 Composed by Lew Brown, Lewis F. Muir. Music from or about New Hampshire. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.32: Geography - New Hampshire, Box 30, Folder B, Archives Center, National Museum of American History, Smithsonian Institution. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000357). Sheet music published in 1915. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
$5.99
5.49 €
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Piano, Voix
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Lew Brown, Lewis F
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I Left Her In New Hampshire
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Smithsonian Institution
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SheetMusicPlus
Across The Universe
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1444295 By The Beatles. By John Le…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444295 By The Beatles. By John Lennon and Paul McCartney. Arranged by Steven Thachuk. New Age,Pop,Rock. Individual part. 6 pages. Gravel Museum Music #1024208. Published by Gravel Museum Music (A0.1444295). Across the Universe by The Beatles for solo guitarArranged for Solo Guitar by Steven ThachukNotation in Drop D tuning and TabFormatted for 8 1/2 by 11.
$10.00
9.16 €
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Guitare
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The Beatles
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Steven Thachuk
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Across The Universe
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Gravel Museum Music
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SheetMusicPlus
After Dark
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1112682 Composed by Forrest Avery C…
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Easy Piano - Level 2 - Digital Download SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99
5.49 €
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Piano Facile
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Forrest Avery Carney and Mohamad Indra Gerson
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Nicole Elyse DiPaolo
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After Dark
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Nicole Elyse DiPaolo
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.3 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.66 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Communio “Jesus, Jesus, Come to Me” by Juozas Naujalis (1869–1934)
Orgue
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1250976 By Audra …
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Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1250976 By Audra TelksnytÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 4 pages. Nacionaline vargonininku asociacija #845268. Published by Nacionaline vargonininku asociacija (A0.1250976). In July 2019, Lithuanian organist Paulius Grigonis discovered a previously unpublished composition by Juozas Naujalis, entitled Communio “Jesus, Jesus, Come to Meâ€, which was preserved at the Lithuanian Theater, Music and Film Museum. The very end of the manuscript bears the inscription of the place and time of its creation: Å venÄionÄ—liai, October 30, 1914. The newly discovered piece was premiered on August 22, 2019, at the Vilnius Cathedral.Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929. A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.
$8.99
8.24 €
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Orgue
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Audra TelksnytÄ—
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Balys Vaitkus
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Communio “Jesus, Jesus, Come to Me” by Juozas Naujalis
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Nacionaline vargonininku asociacija
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SheetMusicPlus
Three Painters (score)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
9.15 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Three Painters (parts)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
9.15 €
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Waltz for Martha for Violin (with optional Clarinet)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Butt…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
10.03 €
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Violon et Piano
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
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