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The Nicene Creed
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Vous avez sélectionné:
The Nicene Creed
SheetMusicPlus
Partitions à imprimer
17 partitions trouvées
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We Believe (A Contemporary Creed)
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Lisa Waites
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We Believe
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred. Score. 2 pages...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred. Score. 2 pages. Servant Song Music and Ministry #836654. Published by Servant Song Music and Ministry (A0.1241260). We Believe gives you the opportunity to teach your congregation about the timeless truths of the Christian faith, making this contemporary creed a perfect choice for Trinity Sunday, Confirmation Sundays, Creation, Pentecost, the Baptism of Christ, Christ the King Sunday, or on any other pastoral occasion when you want to celebrate faith in Christ, the power of the Holy Spirit, and emphasize our Triune God. The simple, catchy melody of We Believe is paired with enough rhythmic interest to captivate singers of any level, while remaining highly accessible for beginners. Set in the key of D Major, the score is offered in a Piano/Vocal/Guitar format that your church musicians will appreciate. This three-verse hymn is short enough to be used as a sung congregational response after the confession of the Nicene or Apostle's Creed, or it can function liturgically as a contemporary sung creed as an alternative to the traditional, spoken creeds. Alternatively, this piece can be used as a contemporary hymn for many different pastoral occasions and scriptural themes. It also works well as part of a multi-song worship package.  Many Christians are not reading the Word regularly or attending church often enough to know the core content of the faith; this contemporary creed harnesses the power of music and rhythm to reinforce Trinitarian theology in a compelling and memorable way. Try it out with your congregants, and you'll be helping them to learn more about their faith while simultaneously lifting up their voices in praise to God!
$2.99
The Nicene Creed
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Chorale SATB
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FACILE
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Mary Rose Jensen
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The Nicene Creed
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Garden Rose Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.874144 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Easter,Sacred. Octavo. 7 pages. Garden Ro...
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Choral Choir (Mixed) - Level 2 - SKU: A0.874144 Composed by Mary Rose Jensen. Christian,Christmas,Contemporary,Easter,Sacred. Octavo. 7 pages. Garden Rose Music #3470010. Published by Garden Rose Music (A0.874144). This word-for-word setting of The Nicene Creed has been useful for solo, choir and congregational singing. A lead sheet is included in the score. Purchase of this score grants permission for unlimited reproduction of the lead sheet for purposes of congregational singing or other uses for one church. This setting of The Nicene Creed is from Songs of Joy from Garden Rose Music. The singer on the recording is Debby McElroy. There is a YouTube link below.
$5.00
The Nicene Creed
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Piano, Voix
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Gerald W
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The Nicene Creed
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Gerald W. Gabbard
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1012789 Composed by Gerald W. Gabbard. Contemporary,Sacred. Score. 8 pages. Gerald W. Gabbard #5358193. Published ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1012789 Composed by Gerald W. Gabbard. Contemporary,Sacred. Score. 8 pages. Gerald W. Gabbard #5358193. Published by Gerald W. Gabbard (A0.1012789). A setting of the Nicene Creed from the Episcopal Book of Common Prayer, 1982, for unison or solo voice and keyboard (piano, organ, electronic keyboard). The melody could be doubled by a flute or recorder. An SATB version is also available.
$4.99
The Nicene Creed (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gerald W
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The Nicene Creed
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Gerald W. Gabbard
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1012791 Composed by Gerald W. Gabbard. Sacred. Octavo. 11 pages. Gerald W. Gabbard #5358199. Published by Gerald...
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Choral Choir (SATB) - Level 3 - SKU: A0.1012791 Composed by Gerald W. Gabbard. Sacred. Octavo. 11 pages. Gerald W. Gabbard #5358199. Published by Gerald W. Gabbard (A0.1012791). A setting of the Nicene Creed from the Episcopal Book of Common Prayer, 1982, for SATB choir and keyboard (piano, organ, or electronic keyboard). The melody could be doubled by an instrument such as flute or recorder. A solo-unison voice version is also available.
$5.99
Nicene Creed
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Musique Sacrée
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Bill Hayes
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Nicene Creed
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www.HayesMusicPublishing.com
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SheetMusicPlus
Level 3 - SKU: A0.832388 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #5993523. Published ...
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Level 3 - SKU: A0.832388 Composed by Bill Hayes. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #5993523. Published by www.HayesMusicPublishing.com (A0.832388). Nicene Creed from the 3rd edition of the Roman missal.
$1.99
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
The Nicene Creed (Credo)
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Chorale Unison
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DÉBUTANT
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Christian contemporain
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Musique Sacrée
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James Gilbert
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The Nicene Creed
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James Gilbert Music
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.728156 Composed by James Gilbert. Contemporary,Sacred. Octavo. 4 pages. James Gilbert Music #44281. Published ...
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Choral Choir (Unison) - Level 1 - SKU: A0.728156 Composed by James Gilbert. Contemporary,Sacred. Octavo. 4 pages. James Gilbert Music #44281. Published by James Gilbert Music (A0.728156). Choral, Vocal
$1.99
Sing, O Sing, This Blessed Morn — SATB voices, organ
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Chorale SATB
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FACILE
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Todd Marchand
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Sing, O Sing, This Blessed Mor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
We Believe
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Ronald Owen
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Ronald Owen
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We Believe
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Ronald Owen
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1373249 Composed by Ronald Owen. Arranged by Ronald Owen. Praise & Worship,Sacred. 6 pages. Ronald Owen #...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1373249 Composed by Ronald Owen. Arranged by Ronald Owen. Praise & Worship,Sacred. 6 pages. Ronald Owen #957592. Published by Ronald Owen (A0.1373249). Strong musical affirmation of the basic tenants of the Christian faith, based on the Apostle's Creed and the Nicene Creed, in the key of B minor. Can be used as a general anthem or a congregational song. Piano and organ accompaniment.
$2.50
Credo in Unum Deum (SAB)
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Chorale TTBB
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INTERMÉDIAIRE
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Carol Troutman Wiggins
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Credo in Unum Deum
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.727352 Composed by Carol Troutman Wiggins. Classical,Contemporary,Early Music,Religious,Sacred. Octavo. 10 pages...
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Choral Choir (TTBB) - Level 3 - SKU: A0.727352 Composed by Carol Troutman Wiggins. Classical,Contemporary,Early Music,Religious,Sacred. Octavo. 10 pages. Carol Troutman Wiggins #3467682. Published by Carol Troutman Wiggins (A0.727352). CREDO IN UNUM DEUMSAB/3-Part Mixed VoicesThis Credo from the mass, also known as the Nicene Creed, includes the first part. Excellent for middle school & up, and any men's church choirVoicings mostly in tenor range, but has some baritone notesGreat for the young men's voicesEasy harmonyMinor keyDriving accompanimentLots of dynamics.
$2.50
Credo in Unum Deum (SSA)
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Chorale 3 parties
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INTERMÉDIAIRE
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Carol Troutman Wiggins
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Credo in Unum Deum
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.727351 Composed by Carol Troutman Wiggins. Classical,Contemporary,Early Music,Religious,Sacred. Octavo. 10 pages....
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Choral Choir (SSA) - Level 3 - SKU: A0.727351 Composed by Carol Troutman Wiggins. Classical,Contemporary,Early Music,Religious,Sacred. Octavo. 10 pages. Carol Troutman Wiggins #3467680. Published by Carol Troutman Wiggins (A0.727351). CREDO IN UNUM DEUMSSA/3-Part Treble VoicesThis Credo from the mass, also known as the Nicene Creed, includes the first part. Excellent for middle school & up, and any church choir.Easy harmonyMinor keyDriving accompanimentLots of dynamics
$2.50
What Language Shall I Borrow?
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Chorale SATB
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AVANCÉ
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Lee Johnson
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What Language Shall I Borrow?
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Lee Johnson Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1099118 By Lee Johnson. By Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Sacred. Octavo. 23 pa...
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Choral Choir (SATB) - Level 5 - SKU: A0.1099118 By Lee Johnson. By Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Sacred. Octavo. 23 pages. Lee Johnson Music #702986. Published by Lee Johnson Music (A0.1099118). An advanced level Chamber Choir piece with piano accompaniment using an English translation of the Nicene Creed, as well as melodic and text fragments from the third verse of O Sacred Head Now Wounded. This choral work is recommended for groups of 12-16 advanced singers that are capable of rhythmic and precise singing as well as well-blended lyrical and legato passages. This work is intended to be a concert work and may not be perceived as being appropriate for use in a religious service. For more information on the composer, please visit www.leejohnsonmusic.com.
$3.50
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The Nicene Creed
