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5441
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4207
Piano grosses notes
3782
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826
Piano, Voix et Guitare
643
Orgue
407
Accompagnement Piano
265
Instruments en Do
189
1 Piano, 4 mains
163
Piano Trio: piano, violon, violoncelle
88
Accordéon
44
2 Pianos, 4 mains
31
Piano (partie séparée)
28
Orgue, Piano (duo)
12
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9
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8
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6
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5
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345
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215
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109
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59
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55
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47
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26
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21
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21
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16
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15
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13
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7
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6
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4
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3
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1
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1
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1
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733
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192
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168
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47
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36
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14
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9
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8
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5
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4
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87
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62
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60
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59
3 Saxophones (trio)
56
Harmonica
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55
Ensemble de Clarinettes
53
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50
3 Clarinettes (trio)
47
Hautbois
47
2 Hautbois (duo)
37
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Saxophone Tenor
33
2 Flûtes traversières, Piano
28
Clarinette (partie séparée)
28
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26
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11
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9
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3
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3
Cor Anglais
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5 Flûtes à bec
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Trompette
225
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220
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144
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142
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130
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128
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111
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111
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104
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94
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78
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77
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69
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62
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55
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28
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24
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2 Euphoniums (duo)
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Cor anglais, Guitare (duo)
4
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Trompette, violon (duo)
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4 Tubas
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Cor Anglais
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Trombone, Cor (duo)
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3 Trombones (trio)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
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Trombone, Orgue
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2 Cors, Piano
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2 Trompettes, Clavier (piano ou orgue)
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Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
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3 Cors (trio)
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Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
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766
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731
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224
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216
Alto, Piano
194
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191
Alto seul
191
2 Violons (duo)
186
Violoncelle
127
Trio à Cordes: violon, alto, violoncelle
118
2 Violoncelles (duo)
101
Violon, Alto (duo)
82
Contre Basse
81
Quintette à cordes: 2 violons, alto, violoncelle, basse
77
Violon (partie séparée)
72
Contrebasse, Piano (duo)
68
Trio à Cordes: 2 violons, violoncelle
62
2 Altos (duo)
59
Alto (partie séparée)
56
Contrebasse (partie séparée)
46
2 Harpes (duo)
44
Alto, Violoncelle (duo)
33
2 Contrebasses (duo)
24
Violon, Guitare (duo)
17
Quintette à cordes : 2 violons, alto et 2 violoncelles
12
Harpe, Flûte (duo)
12
Harpe, Voix
10
Violoncelle, Contrebasse (duo)
10
4 Violoncelles
10
Violoncelle , Guitare (duo)
9
Trio à cordes: 3 violins
6
2 Violons, Piano
6
Alto, Guitare (duo)
6
Trio à Cordes: 2 violons, alto
5
Ensemble de Violoncelles
5
Flûte, Contrebasse (duo)
5
Piano Trio: Violon, Alto, Piano
4
Violon, Basson (duo)
4
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
4
Harpe, Violoncelle (duo)
3
Harpe, Trombone (duo)
3
Quatuor à cordes : 4 altos
3
Alto et Harpe
2
Ensemble de Violons
2
Ensemble d'Altos
2
3 Harpes
2
Trio à cordes: 3 altos
2
5 Harpes
2
Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
2 Altos, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Autoharp
1
4 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1524
Orchestre à Cordes
560
Ensemble Jazz
444
Cloches
408
Orchestre
387
Ensemble de cuivres
147
Orchestre de chambre
106
Batterie
88
Ensemble de Percussions
72
Jazz combo
68
Fanfare
33
Batterie (partie séparée)
27
2 Xylophones
26
Percussion (partie séparée)
20
Marimba
17
Vibraphone
16
Xylophone
15
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Ensemble d'École
7
Xylophone, Piano
4
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Percussion
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
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AUTRES
Théorie de la musique
7
Formation musicale - Solfège
4
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9976
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.35 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.35 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
88.67 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
The Godfather (main Theme)
Guitare notes et tablatures
Composed by Nino Rota (1911- 1979). Arranged by Roger Lartheau. 20th Century, Classic…
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Composed by Nino Rota (1911- 1979). Arranged by Roger Lartheau. 20th Century, Classical, Film/TV. Guitar Tab. 2 pages. Roger lartheau #861719. Published by Roger lartheau
$4.99
4.66 €
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Guitare notes et tablatures
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Nino Rota
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Roger Lartheau
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The Godfather
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Roger lartheau
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SheetMusicPlus
The Blues Scale In All Keys (4 Ways To Play)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1373049 Composed by Traditional, Danny …
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Guitar - Level 3 - Digital Download SKU: A0.1373049 Composed by Traditional, Danny Crocome. Arranged by Danny Crocome. Blues,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 16 pages. Danny Crocome Music #957377. Published by Danny Crocome Music (A0.1373049). 'The Blues Scale In All Keys' set collects together all of the '4 Ways To Play' Blues Scale sheets in all keys (including common enharmonic equivalents). Each sheet shows guitarists 4 different ways to play the same blues scale note sequence in a 2-octave ascending and descending pattern, as well as an original composition in each scale to show how to use the notes to craft melodic and musical statements on guitar. In standard notation and TAB, with note names and fingerings written into the score. An excellent resource for guitarists looking to further their knowledge of blues guitar, playing in different key signatures, and using this recognizable scale to craft their own emotive and soulful music. Also an essential tool for high school music teachers working with guitar students of all levels.
$20.00
18.67 €
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Guitare notes et tablatures
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Traditional, Danny Crocome
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Danny Crocome
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The Blues Scale In All Keys
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Danny Crocome Music
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SheetMusicPlus
Selections from Notebook for Anna Magdalena Bach (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Classical Guitar, Fingerstyle Guitar - Early Intermediate - Digital Down…
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Guitar Tab, Classical Guitar, Fingerstyle Guitar - Early Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 31 pages. Published by Kenneth Pasciak
Selections from Notebook for Anna Magdalena Bach for Guitar features 10 pieces from Bach's famous notebook arranged for guitar. The Notebook itself provides a glimpse of German music of the 18th century and provides a glimpse into the traditions of Baroque style. The selected pieces engage the beginner/intermediate guitarist in the art of two-voice counterpoint and develop a foundation for effectively interpreting the music of J.S. Bach. Includes 17-page score with tablature, plus 10-page guitar part without tab.<br> <br> Contents<br> <br> Menuet, BWV Anh. 114<br> Menuet, BWV Anh. 115<br> Menuet, BWV Anh. 118<br> Polonaise, BWV Anh. 119<br> Menuet, BWV Anh. 120<br> Menuet, BWV Anh. 121<br> Marche, BWV Anh. 122<br> Menuet, BWV Anh. 132<br> Menuet fait par Mons. Böhm<br> Aria, So oft ich meine Tobackspfeife, BWV 515a
$4.99
4.66 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Selections from Notebook for Anna Magdalena Bach
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Kenneth Pasciak
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SheetMusicPlus
Chromatic Picking Exercise (Ascending the Circle of Fifths)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arra…
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Guitar - Level 3 - Digital Download SKU: A0.1295107 Composed by Danny Crocome. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 5 pages. Danny Crocome Music #885427. Published by Danny Crocome Music (A0.1295107). This 5-page composition has been written specifically for guitarists to work on the following key components of music and guitar playing:1. Finger strengthening across all fretting hand fingers2. Finger-per-fret/position-based playing3. Alternate picking4. Palm-muting5. Synchronizing picking and fretting hands6. Smoothly navigating position shifts across the fretboard7. Building knowledge of the Circle of FifthsThe composition takes a chromatic-based guitar line and runs the passage up and down in one position on the neck (starting from the note C), before shifting the whole thing to begin on G (the next note in the circle of fifths). When played in its entirety, the player will have navigated the melody starting on all 12 notes used in Western music. An excellent warm-up exercise, or something to work on daily to develop key areas of ones musicianship and technical ability on the guitar.
$6.99
6.52 €
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Guitare notes et tablatures
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Danny Crocome
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Danny Crocome
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Chromatic Picking Exercise
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Danny Crocome Music
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SheetMusicPlus
Under The Bridge
Guitare notes et tablatures
By The Red Hot Chili Peppers. By Anthony Kiedis, John Frusciante, Flea, and Chad Smi…
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By The Red Hot Chili Peppers. By Anthony Kiedis, John Frusciante, Flea, and Chad Smith. Arranged by Max Gise. Classical, Pop, Rock, Wedding. Individual part. 7 pages. Nylon & Leather #584478. Published by Nylon & Leather
This is my fingerstyle arrangement of the classic Red Hot Chili Peppers song “Under the Bridge”. I left out the intro on purpose to get right into the verse. There are some flamenco elements in the last bit. It’s a great arrangement for cocktail hours, wedding dinners, and concerts.
$6.00
5.6 €
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Guitare notes et tablatures
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The Red Hot Chili Peppers
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Max Gise
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Leather #584478
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Under The Bridge
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Nylon & Leather
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SheetMusicPlus
The First Vision TAB
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Ch…
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Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
3.72 €
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Guitare notes et tablatures
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Steven H
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The First Vision TAB
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Boothe Publishing
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SheetMusicPlus
The Moon Of Wintertime (The Huron Carol)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by P…
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Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by Perry Brooks Nichols. Romantic Period, Classical Period, Folk, Recital, Americana. Score, Tablature. 18 pages. Published by Perry Brooks Nichols
“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.
$5.00
4.67 €
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Guitare notes et tablatures
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Henry Worrall
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Perry Brooks Nichols
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The Moon Of Wintertime
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SheetMusicPlus
The Moon Song
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1232995 Composed by Johnny Mandel. Arra…
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Guitar - Level 4 - Digital Download SKU: A0.1232995 Composed by Johnny Mandel. Arranged by Roger Lartheau. 20th Century,Jazz. Guitar Tab. 3 pages. Roger lartheau #828627. Published by Roger lartheau (A0.1232995). My rendition for solo guitar of this beautiful tune written by Johnny Mandel.Inspired by the Metheny-Haden version from the Beyond the missouri sky album.
$5.99
5.59 €
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Guitare notes et tablatures
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Johnny Mandel
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Roger Lartheau
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The Moon Song
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Roger lartheau
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SheetMusicPlus
Twelve More Classic Hymns (for 8-note Bells and Boomwhackers with Color Coded Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565377 By Sharon Wilson. By Dorothy A. Thrupp, Franklin L. Sheppard, George Frederick Root, Isaac Watts, John Hatton, Judson W. Van DeVenter, Lowell Mason, Maltbie D. Babcock, Ray Palmer, Robert Lowry, Robert Robinson, Various, William B. Bradbury, Winfield S. Weeden, and etc. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Folk,Instructional,Sacred,Traditional. 111 pages. Sharon Wilson #4281841. Published by Sharon Wilson (A0.565377). This collection contains 12 hymns arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for Handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Several of these arrangements include two verses with a first easy verse followed by an intermediate second verse. For the songs with two verses, an optional ending is provided for the first verse or it can be skipped to perform the two verses together. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers®* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, or children's ministriesEach of the 12 hymn arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:All Creatures of Our God and KingCome, Thou Fount of Every BlessingFather, Lead Me Day by DayGod Leads Us AlongHow Can I Keep from Singing?I Surrender AllJesus Shall ReignMorning PraiseMy Faith Looks Up to TheeSavior, Like a Shepherd Lead UsThis Is My Father's WorldWhen He Cometh Boomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
18.66 €
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Sharon Wilson
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Twelve More Classic Hymns
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Sharon Wilson
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.2 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.2 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Over The Rainbow
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.1268237 By Judy Garland. By E.Y. Yip Ha…
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Guitar - Level 4 - Digital Download SKU: A0.1268237 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Roger Lartheau. 20th Century,Jazz,Standards. Guitar Tab. 2 pages. Roger lartheau #860801. Published by Roger lartheau (A0.1268237). Another great standard from The Wizard of Oz arranged here for solo guitar.
$5.99
5.59 €
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Guitare notes et tablatures
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Judy Garland
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Roger Lartheau
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Over The Rainbow
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Roger lartheau
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SheetMusicPlus
3-Note Power Chords (Chord names and location on fretboard)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1332066 Composed by Traditional. Arrang…
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Guitar - Level 3 - Digital Download SKU: A0.1332066 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Grunge,Instructional,Rock. Guitar Tab. 2 pages. Danny Crocome Music #918843. Published by Danny Crocome Music (A0.1332066). These info sheets show guitarists the names and locations of a variety of 3-note power chords (the most commonly used chord type in rock music). An excellent resource for guitarists wishing to learn their note/chord names, and a great technique builder for those new to playing rock music. Don't forget the distortion!
$3.99
3.72 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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3-Note Power Chords
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Danny Crocome Music
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SheetMusicPlus
Weird Ways to Play The C Major Scale
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1335754 Composed by Traditional. Arrang…
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Guitar - Level 3 - Digital Download SKU: A0.1335754 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #921579. Published by Danny Crocome Music (A0.1335754). This info sheet shows guitarists 4 weird ways to play the notes of a 2-octave C Major Scale:1. Blending higher fretted notes with open strings2. 3-notes-per-string legato (sequences of hammer-ons and pull-offs)3. Repeating pattern across string sets4. Each scale note on a different string.These unusual ways of playing an ascending and descending major scale give that familiar sound a wholly unfamiliar feel. These patterns also function well as warmup exercises, as they require a different level of left and right hand synchronization than the standard major scale patterns.
$3.99
3.72 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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Weird Ways to Play The C Major Scale
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Danny Crocome Music
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SheetMusicPlus
Weird Ways to Play The G Major Scale
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1335171 Composed by Traditional. Arrang…
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Guitar - Level 3 - Digital Download SKU: A0.1335171 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Country,Instructional,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #921018. Published by Danny Crocome Music (A0.1335171). This info sheet shows guitarists 4 weird ways to play the notes of a 2-octave G Major Scale:1. Blending higher fretted notes with open strings2. 3-notes-per-string legato (sequences of hammer-ons and pull-offs)3. Repeating pattern across string sets4. Each scale note on a different string.These unusual ways of playing an ascending and descending major scale give that familiar sound a wholly unfamiliar feel. These patterns also function well as warmup exercises, as they require a different level of left and right hand synchronization than the standard major scale patterns.
$3.99
3.72 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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Weird Ways to Play The G Major Scale
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Danny Crocome Music
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SheetMusicPlus
The Stars and Stripes Forever
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.1258616 Composed by John …
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.1258616 Composed by John Philip Sousa. Arranged by Marc Paquette. Holiday,March,Patriotic. Score. 9 pages. The Note Shed #851875. Published by The Note Shed (A0.1258616). Whether you're a trumpet enthusiast, a fan of Sousa's iconic marches, or simply love the spirit of America, this captivating duo is a must-have addition to any patriotic event, concert, or performance.
$5.00
4.67 €
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2 Trompettes (duo)
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John Philip Sousa
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Marc Paquette
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The Stars and Stripes Forever
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The Note Shed
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SheetMusicPlus
The Stars and Stripes Forever
2 Saxophones (duo)
Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1257235 Comp…
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Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1257235 Composed by John Philip Sousa. Arranged by Marc Paquette. March,Patriotic. Saxophone Duet. 9 pages. The Note Shed #850431. Published by The Note Shed (A0.1257235). Whether you're a saxophone enthusiast, a fan of Sousa's iconic marches, or simply love the spirit of America, this captivating duo is a must-have addition to any patriotic event, concert, or performance.
$5.00
4.67 €
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2 Saxophones (duo)
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John Philip Sousa
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Marc Paquette
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The Stars and Stripes Forever
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The Note Shed
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SheetMusicPlus
2-Note Power Chords (Chord names and location on fretboard)
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1332063 Composed by Traditional. Arrang…
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Guitar - Level 2 - Digital Download SKU: A0.1332063 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Grunge,Instructional,Rock. Guitar Tab. 2 pages. Danny Crocome Music #918839. Published by Danny Crocome Music (A0.1332063). These info sheets show guitarists the names and locations of a variety of power chords (the most commonly used chord type in rock music). An excellent resource for guitarists wishing to learn their note/chord names, and a great technique builder for those new to playing rock music. Don't forget the distortion!
$3.99
3.72 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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2-Note Power Chords
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Danny Crocome Music
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SheetMusicPlus
America (My Country ‘Tis of Thee)
Guitare notes et tablatures
Guitar,Voice - Level 2 - Digital Download SKU: A0.1042566 By The Candlelight Guitar…
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1042566 By The Candlelight Guitarist. By Words by Samuel Francis Smith, Music: traditional. Arranged by Bradley Powell. Patriotic,Sacred,Traditional. Guitar Tab with Voice. 2 pages. Geofonica Artistworks #647335. Published by Geofonica Artistworks (A0.1042566). Beloved American patriotic hymn arranged for Guitar solo, in both standard notation an TAB (instrumental finger-style, also suitable for accompanying singers, with lyrics included), arranged by Bradley Powell, who has recorded many albums as The Candlelight Guitarist. Level: beginning to Intermediate classical guitar, written in standard notation. (NOTE: This same arrangement in standard notation only, without TAB, is also available.) Arrangement features a short serene introduction, which serves as a transition motif within arrangement. Harmony is a subtle blend of traditional, folk-jazz and classical. Suitable for patriotic occasions, memorials, celebrations and religious services. ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$2.99
2.79 €
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Guitare notes et tablatures
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The Candlelight Guitarist
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Bradley Powell
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America
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Geofonica Artistworks
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SheetMusicPlus
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