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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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MANDOLINE
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OCARINA
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TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
XYLOPHONE
The Nymph
Sheetmusicplus
Non classifié
18
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7
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4
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2
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2
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1
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4
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1
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6
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3
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1
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1
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1
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1
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9
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Harpe
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4
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2
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2
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1
2 Altos (duo)
1
2 Violoncelles (duo)
1
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1
2 Violons (duo)
1
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1
Harpe, Flûte (duo)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
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GUITARE LAP ST…
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LIVRES
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MANDOLINE
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OCARINA
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ORGUE
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TROMPETTE
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Crtitères actifs :
The Nymph
SheetMusicPlus
Partitions à imprimer
185 partitions trouvées
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176
Nymph Alseid
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Meng-Hsuan Gloria Lin
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Nymph Alseid
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Meng-Hsuan Gloria Lin
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.925402 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 10 pages. Meng-Hsuan Gloria Lin #4895119. Publ...
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Concert Band - Level 5 - SKU: A0.925402 Composed by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 10 pages. Meng-Hsuan Gloria Lin #4895119. Published by Meng-Hsuan Gloria Lin (A0.925402). This is my fifth composition. This music is for concert band.This work tells a love story of Alseids. Alseids were the nymphs of groves. They have a human upper body and a deer lower body. This work has three parts. The first part describes a charming handsome Alseid taking a walk in the woods. The second part represents she meet another Alseid who elegance. The final part describes they dance and fall in love with each other.
$40.00
Tears of the Heliad for solo viola and piano
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Alto, Piano
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AVANCÉ
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David F Wainwright
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Tears of the Heliad for solo v
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D F Wainwright
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.771527 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 15 pages. D F Wainwr...
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Piano,Viola - Level 5 - SKU: A0.771527 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 15 pages. D F Wainwright #4346451. Published by D F Wainwright (A0.771527). In Greek mythology the Heliades were seven nymph daughters of the sun-god Helios. When their brother Phaethon was struck from the chariot of the sun by Zeus, they gathered around his smoky grave on the banks of the River Eridanos and in their unrelenting grief were transformed into poplar-trees and their tears fell into the river and became drops of golden amber. Having originally written a piece representing Phaethon's chaotic charge around the heavens and his destruction by Zeus as a viola solo for my daughter, Penelope, for her second year performance at University, we decided that I should follow the story to it's (rather beautiful) ending with this longer piece for her degree performance. It is a piece which is of professional performance standard, lasting around 11 minutes
$14.99
The Nymph's Reply to the Shepherd (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Carol Nicholeris
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The Nymph's Reply to the Sheph
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and flute - Medium - SKU: MQ.5115-E Composed by Carol Nicholeris. Instrument part. 12 pages. Duration 3 minutes, 12 seconds. E. C. Schirmer M...
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SATB choir and flute - Medium - SKU: MQ.5115-E Composed by Carol Nicholeris. Instrument part. 12 pages. Duration 3 minutes, 12 seconds. E. C. Schirmer Music Company - Digital #5115-E. Published by E. C. Schirmer Music Company - Digital (MQ.5115-E). English.The text is Sir Walter Raleigh's response to The Passionate Shepherd by Christopher Marlowe. The two poems are worlds apart in philosophical viewpoints. The Passionate Shepherd is all about promises, promises, and more promises of constant daily joys in the sharing of love, almost to the point of frenzy. In contrast, The Nymph’s Reply to the Shepherd is serene and philosophically realistic, yet it seems to yearn for the idealism of the shepherd’s promises. The music is written in both a lighthearted and frenzied manner so as to deliver on the moods of the text. Duration: 3:12Flute part included.
$2.65
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
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Chorale 2 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945433. Published by Vocal Works (A0.1360949). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
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Chorale 3 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages....
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945428. Published by Vocal Works (A0.1360944). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
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Chorale 2 parties
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pag...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945424. Published by Vocal Works (A0.1360939). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
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Chorale SATB
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945275. Published by Vocal Works (A0.1360780). Visit http://choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at http://choirworks.com ...Recording by Rocky Mountain Chamber Singers.
$2.49
The Passionate Shepherd & The Nymph's Reply duet with Renaissance Guitar or Ukulele
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Voix duo
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FACILE
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M
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The Passionate Shepherd &
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Vocal Works
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SheetMusicPlus
Voice Duet Medium Voice - Level 2 - SKU: A0.1360953 Composed by M. Ryan Taylor. 21st Century,Contemporary,Instructional,Jazz,Renaissance. 8 pages. Vocal...
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Voice Duet Medium Voice - Level 2 - SKU: A0.1360953 Composed by M. Ryan Taylor. 21st Century,Contemporary,Instructional,Jazz,Renaissance. 8 pages. Vocal Works #945438. Published by Vocal Works (A0.1360953). This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...
$5.99
The Nymph's Reply to the Shepherd
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Chorale 2 parties
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FACILE
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Contemporain
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David B Horn
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The Nymph's Reply to the Sheph
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David B Horn
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.960628 Composed by David B Horn. Contemporary. Octavo. 8 pages. David B Horn #10923. Published by David B Horn (A0...
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Choral Choir (SA) - Level 2 - SKU: A0.960628 Composed by David B Horn. Contemporary. Octavo. 8 pages. David B Horn #10923. Published by David B Horn (A0.960628). The Nymph's Reply is a setting for 2-part women's voices, flute and piano of the famous poem by Sir Walter Raleigh. It is quick, fun, and bouncy, a bit tongue in cheek. See if you can find a snippet of Caro Mio Ben toward the end of this charming piece. Many treble choirs could manage to do this piece!
$1.99
If music be the food of love for cor anglais and piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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If music be the food of love f
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David Warin Solomons
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.576691 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and part. 4 pages. D...
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English Horn,Piano - Level 3 - SKU: A0.576691 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and part. 4 pages. David Warin Solomons #62315. Published by David Warin Solomons (A0.576691). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words. This is my D minor arrangement of one of them. Versions are available for flute/cor anglais/viola/clarinet/low voice and piano and for flute/cor anglais/viola/clarinet/low voice and guitar For the instrument and piano versions the pdf also includes the separate instrumental part. If Music be the food of love sing on,sing on till I am fill'd with joy: For then my list'ning soul you move to pleasures that can never cloy. your eyes,your mien, your tongue declare that you are music ev'ry where Pleasures invade both eye and ear so fierce the transports are they wound, and all my senses feasted are, tho' yet the treat is only sound. Sing on, fair nymph, enchant me still; such charms may wound, they can not kill. If you would like an mp3 of the piano accompaniment it can be found by entering this reference in the search box of sheetmusicplus: S0.708695
$9.00
If music be the food of love for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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If music be the food of love f
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.576684 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classic...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.576684 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and parts. 3 pages. David Warin Solomons #62301. Published by David Warin Solomons (A0.576684). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words. This is my D minor arrangement of one of them. Versions are available for flute/cor anglais/viola/clarinet/low voice and piano and for flute/cor anglais/viola/clarinet/low voice and guitar If Music be the food of love sing on,sing on till I am fill'd with joy: For then my list'ning soul you move to pleasures that can never cloy. your eyes,your mien, your tongue declare that you are music ev'ry where Pleasures invade both eye and ear so fierce the transports are they wound, and all my senses feasted are, tho' yet the treat is only sound. Sing on, fair nymph, enchant me still; such charms may wound, they can not kill.
$9.00
If music be the food of love for cor anglais and guitar
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Cor anglais, Guitare (duo)
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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If music be the food of love f
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.576686 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,...
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Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.576686 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and parts. 3 pages. David Warin Solomons #62305. Published by David Warin Solomons (A0.576686). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words. This is my D minor arrangement of one of them. Versions are available for flute/cor anglais/viola/clarinet/low voice and piano and for flute/cor anglais/viola/clarinet/low voice and guitar If Music be the food of love sing on,sing on till I am fill'd with joy: For then my list'ning soul you move to pleasures that can never cloy. your eyes,your mien, your tongue declare that you are music ev'ry where Pleasures invade both eye and ear so fierce the transports are they wound, and all my senses feasted are, tho' yet the treat is only sound. Sing on, fair nymph, enchant me still; such charms may wound, they can not kill.
$9.00
If music be the food of love for viola and guitar
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Alto, Guitare (duo)
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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If music be the food of love f
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.576687 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classic...
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.576687 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque,Classical. Score and parts. 3 pages. David Warin Solomons #62307. Published by David Warin Solomons (A0.576687). Words by Colonel Henry Heveningham (1651-1700), using the first few words from Shakespeare's Twelfth Night as a starting point. Henry Purcell made several settings of these words. This is my D minor arrangement of one of them. Versions are available for flute/cor anglais/viola/clarinet/low voice and piano and for flute/cor anglais/viola/clarinet/low voice and guitar If Music be the food of love sing on,sing on till I am fill'd with joy: For then my list'ning soul you move to pleasures that can never cloy. your eyes,your mien, your tongue declare that you are music ev'ry where Pleasures invade both eye and ear so fierce the transports are they wound, and all my senses feasted are, tho' yet the treat is only sound. Sing on, fair nymph, enchant me still; such charms may wound, they can not kill.
$9.00
ESCLARMONDE: Introduction et Dance des Nymphes - Solo Lever Harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Jules Massenet
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Alessandro Palazzani
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ESCLARMONDE: Introduction et D
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A work by Alessandro Palazzani
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1220727 Composed by Jules Massenet. Arranged by Alessandro Palazzani. Classical,Medieval,Opera,Romantic Period,Wedding. S...
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Lever Harp - Level 4 - SKU: A0.1220727 Composed by Jules Massenet. Arranged by Alessandro Palazzani. Classical,Medieval,Opera,Romantic Period,Wedding. Score. 26 pages. A work by Alessandro Palazzani #817067. Published by A work by Alessandro Palazzani (A0.1220727). CONTENTS: Introduction and Dance of the Nymphes from the opera ESCLARMONDE by MassenetArranged for lever harp by Alessandro Palazzanithis score is part of the collection MUSIC FROM JULES MASSENET’S OPERAS which includes the most famous, captivating and evocative pieces of the Belle Epoque repertoire, arranged for lever harp and published in five volumes: I. music from: Thais – La Navarraise – Griselidis – Therese – Bacchus - II. music from: Werther – Don Cesar de Bazan – Ariane – Jerusalem –Le roy de Lahore – Amadis - III. music from: Manon – Marie Magdalene – Les Erynnies – Roma –Le Mage – Cherubin - IV. music from: Cendrillon – Le Cid – Le jongleur de Notre Dame –Cleopatre – Eve – Sapho - V. music from: Herodiade – Don Quixote – Phedre – La Vierge –Panurge – Esclarmonde.
$7.00
Op. 48, No. 2: Nymphes, mêlez vos plus vermeilles roses from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 48, No. 2: Nymphes, m&ecir
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-42E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-42E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitare
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INTERMÉDIAIRE
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Classique
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...
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Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Ah! Cruel Nymph
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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Christopher Bell
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Ah! Cruel Nymph
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Silent Home Records
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1377876 Composed by Henry Purcell. Arranged by Christopher Bell. Baroque,Classical....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1377876 Composed by Henry Purcell. Arranged by Christopher Bell. Baroque,Classical. 7 pages. Silent Home Records #962493. Published by Silent Home Records (A0.1377876). Henry Purcell's Ah! Cruel Nymph for string quartet. Violin 1 has the melody most of the time, with the cello being showcased in the middle. Level 2 to 3 piece.  Approximately 2:30 in length.Key of G Minor.Â
$9.99
Vilia, Fair Wood Nymph (Franz Lehar) for voice and classical guitar
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Voix duo
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INTERMÉDIAIRE/AVANCÉ
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Franz Lehar
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John Pinno
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Vilia, Fair Wood Nymph
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John Pinno
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SheetMusicPlus
Voice Duet Voice - Level 4 - SKU: A0.775463 Composed by Franz Lehar (1870-1948). Arranged by John Pinno. Concert,Romantic Period. 9 pages. John Pinno #3...
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Voice Duet Voice - Level 4 - SKU: A0.775463 Composed by Franz Lehar (1870-1948). Arranged by John Pinno. Concert,Romantic Period. 9 pages. John Pinno #3581341. Published by John Pinno (A0.775463). An arrangement of Vilia, Fair Wood Nymph by Franz Lehar (1870-1948) for voice (soprano or mezzo-soprano) and classical guitar, from Lehar's The Merry Widow operetta.
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Madrigal "A Water Nymph", op. 75 no. 2
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Chorale SATB
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INTERMÉDIAIRE
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Adrian Gagiu
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Madrigal "A Water Nymph&q
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1004705 Composed by Adrian Gagiu. 20th Century,A Cappella,Contemporary. Octavo. 9 pages. Adrian Gagiu #4804957. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1004705 Composed by Adrian Gagiu. 20th Century,A Cappella,Contemporary. Octavo. 9 pages. Adrian Gagiu #4804957. Published by Adrian Gagiu (A0.1004705). A madrigal in A minor for choir a cappella, with lyrics from a fragment of Dunt: a poem for a dried up river by English poet Alice Oswald, and based on three themes from ancient Romanian rituals for summoning rain. Neo-Classical and modal harmonies, delicate textures, polyphonic and heterophonic passages, and a repetitive, ritualistic coda with massive and soft divisi. Appropriate for students' choirs. Duration: 5 min. Performing Rights Organization: SOCAN.
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Pantheon for Horn, Violin and Piano
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Contemporain
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Go...
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Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
The dying nymph: Whilst endless tears
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Piano, Voix
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Classique
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John Frederick Lampe
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Early Music Scores
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The dying nymph: Whilst endles
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791788 Composed by John Frederick Lampe. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6502...
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Vocal Solo,Voice - SKU: A0.791788 Composed by John Frederick Lampe. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6502293. Published by Early Music Scores (A0.791788). Voice and continuoComposed by John Frederick Lampe (c.1703-1751). From The Musical Entertainer, London: C. Corbett, n.d. 1737-39. Baroque period. Edited by Felipe Dias. 2 pages.
$6.99
Song to the Moon
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Orgue
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FACILE
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Antonin Dvorak
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Waldemar Scholtes
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Song to the Moon
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SCHOLTES EDITIONS
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1446959 Composed by Antonin Dvorak. Arranged by Waldemar Scholtes. Opera,Romantic Period,Traditional,Wedding. Score. 7 pages. ...
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Organ - Level 2 - SKU: A0.1446959 Composed by Antonin Dvorak. Arranged by Waldemar Scholtes. Opera,Romantic Period,Traditional,Wedding. Score. 7 pages. SCHOLTES EDITIONS #1026725. Published by SCHOLTES EDITIONS (A0.1446959). In Dvořák's opera, Rusalka, a water nymph, sings a love song to a mortal prince. As such, it may be appropriate in a wedding context or other occasion. For easier accessibility, the original metre of 3/8 is replaced with 3/4 and the piece is transposed from G flat major to G major.
$5.95
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Song to the Moon from Rusulka for solo harp in F with no lever changes
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Harpe
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FACILE
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Classique
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Classique
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Antonin Dvorak
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Kim Kirkman
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Song to the Moon from Rusulka
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Kim Kirkman
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SheetMusicPlus
Harp - Level 2 - SKU: A0.779580 Composed by Antonin Dvorak. Arranged by Kim Kirkman. Concert,Opera,Romantic Period. Score. 3 pages. Kim Kirkman #5373349...
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Harp - Level 2 - SKU: A0.779580 Composed by Antonin Dvorak. Arranged by Kim Kirkman. Concert,Opera,Romantic Period. Score. 3 pages. Kim Kirkman #5373349. Published by Kim Kirkman (A0.779580). Song to the Moon from the Opera Rusulka by DvorakSung by the water nymph Rusulka.Arranged for lever harp in F (very close to the original key of Gb)Has no lever changes. To make this happen some of the harmony has been changedLovely arrangement that really suits the piece. I have studied this work a lot with my singing students.
$1.99
Song to the Moon from Rusulka for solo piano in C - no black notes needed
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Piano seul
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FACILE
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Classique
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Antonin Dvorak
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Kim Kirkman
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Song to the Moon from Rusulka
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Kim Kirkman
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.779582 Composed by Antonin Dvorak. Arranged by Kim Kirkman. 20th Century,Opera,Romantic Period. Score. 3 pages. Kim Kirkm...
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Piano Solo - Level 2 - SKU: A0.779582 Composed by Antonin Dvorak. Arranged by Kim Kirkman. 20th Century,Opera,Romantic Period. Score. 3 pages. Kim Kirkman #5373363. Published by Kim Kirkman (A0.779582). Song to the Moon from the Opera Rusulka by DvorakSung by the water nymph Rusulka.Arranged for solo piano in CHas no need for black notes. To make this happen some of the harmony has been changedLovely arrangement that really suits the piece. I have studied this work a lot with my singing students.
$1.99
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The Nymph