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Vous avez sélectionné:
The Old Arm Chair
Partitions à imprimer
18 partitions trouvées
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The Old Arm Chair
Piano, Voix
Piano and voice - Digital Download SKU: LV.3013 Composed by Henry Russell. Arranged…
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Piano and voice - Digital Download SKU: LV.3013 Composed by Henry Russell. Arranged by Samuel Carusi. Portraits, Mothers & children, Death, Nostalgia. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3013). The Old Arm Chair. The Music Composed by Henry Russell. Arranged for the Guitar by Samuel Carusi. Published 1840 by Wm. H. Oakes, 13 Tremont Row in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Mothers & children, Death, Nostalgia. First line reads I love it, I love it, and who shall dare to chide me for loving that old armchair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Henry Russell
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Samuel Carusi
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The Old Arm Chair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Old Arm Chair. Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.3983 Composed by Henry Russell. Mothers …
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Piano and voice - Digital Download SKU: LV.3983 Composed by Henry Russell. Mothers & children, Keepsakes, Nostalgia, Love, Sadness, Death. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3983). The Old Arm Chair. Ballad. Composed by Henry Russell. Published 1860 by Russell & Tolman, 291 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Keepsakes, Nostalgia, Love, Sadness, Death. First line reads I love it, I love it, and who shall dare to chide me for loving that Old Arm Chair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Henry Russell
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The Old Arm Chair. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Grandma's Old Arm Chair (Known as Granny's Old Arm Chair)
Piano, Voix
Piano and voice - Digital Download SKU: LV.4775 Composed by Frank B. Carr. Fireplac…
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Piano and voice - Digital Download SKU: LV.4775 Composed by Frank B. Carr. Fireplaces, Windows, Moonlight, Kettles, Inheritances, Wealth, Money. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4775). Grandma's Old Arm Chair (Known as Granny's Old Arm Chair). Composed by Frank B. Carr, America's Motto Vocalist. Published 1880 by White, Smith & Company, 516 Washington Street in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fireplaces, Windows, Moonlight, Kettles, Inheritances, Wealth, Money. First line reads My Granny, do you see, at the age of eighty three, one day was taken ill and soon she died.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Frank B
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Grandma's Old Arm Chair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Prayer of the Absent
Piano, Voix
Piano and voice - Digital Download SKU: LV.4001 Composed by Mrs. Annie Blossom. Mot…
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Piano and voice - Digital Download SKU: LV.4001 Composed by Mrs. Annie Blossom. Mothers & children, Death, Human life cycle. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4001). The Prayer of the Absent. Second Edition. Composed by Mrs. Annie Blossom. Published 1867 by P.L. Huyett & Son in St. Joseph, MO. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Death, Human life cycle. First line reads Oh! I wish I could see my mother seated in her old arm-chair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Piano, Voix
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Mrs
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The Prayer of the Absent
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Grandfather's Old Arm Chair
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4235 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4235 Composed by Sam Lucas. Furniture, Clocks & watches, Symbols, Nostalgia, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4235). Grandfather's Old Arm Chair. By Sam Lucas, The Original Daffney. Published 1877 by White, Smith & Company, 516 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Furniture, Clocks & watches, Symbols, Nostalgia, Death. First line reads An old fashion'd chair, in our kitchen has stood, for full half a cent'ry or more..
$5.99
5.6 €
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Chorale SATB
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Sam Lucas, The Original Daffney
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Sam Lucas
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Grandfather's Old Arm Chair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Canning. Safely Rocked in Mother's Arms
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.818 Composed by E…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.818 Composed by Effie I. Canning. Portraits, Mothers & children, Lullabies, Children sleeping, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.818). Popular Songs By Effie I. Canning. Safely Rocked in Mother's Arms. Words and Music Effie I. Canning. Published 1887 by Chas. D. Blake & Co., 488 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Mothers & children, Lullabyes, Children sleeping, Love. First line reads Gently, slowly to and fro, sways the old armchair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.6 €
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Chorale SATB
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Effie I
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Effie I
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Canning. Safely Rocked in Mother's Arms
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.67 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
JAG VILL HA MER HARMONI
Instrumental Duet Accordion,Instrumental Duet,Voice - Digital Download SKU: A0.904264
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Instrumental Duet Accordion,Instrumental Duet,Voice - Digital Download SKU: A0.904264 Composed by Lars Ek. Folk,World. Score and parts. 5 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910901. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904264). Lars Ek is one of Sweden's best accordionists, and include known for its fine interpretation of Pietro Frosini, Nisse Lind and even his own more than 100 compositions! Lars Ek is from Stockholm and started playing the accordion as a 5 year old and a year later - in 1953 he made radio debut! TV debut in 1958! Lars is working as an accordionist in different contexts, including has he worked as a teacher, accompanist for numerous artists and toured a lot in Sweden and abroad. He has also toured with his popular Hot-trio and as a solo accordionist in Europe, Asia and North America! Lars has over the years recorded several records, which he actually managed to reflect the old accordion masters' compositions! Lars Ek is the initiator of Frosinisociety founded in 1985, which is to preserve the old accordion music. Lars is now as chairman of the International Frosinisociety and is one of the founders of The World Accordion Music Expo in Ransäter Sweden! The International Frosinisociety he makes through the site www.frosinisociety.org a huge fine job of promote the accordions development and popularity both in Sweden and abroad. Lars works alongside music by an artist agency Music & Underhållningsskrädderiet AB, which he runs together with the family since inception in 1980.
$3.99
3.73 €
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Lars Ek
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JAG VILL HA MER HARMONI
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
A Gift From The Bower (Revised)
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 2…
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Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99
6.54 €
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Violoncelle (partie séparée)
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
61.7 €
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Voix Tenor, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
An Avaloch Divertimento
Hautbois, Piano (duo)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
23.91 €
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Hautbois, Piano (duo)
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Despondency
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency†portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency†is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.
$2.49
2.33 €
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Chorale SATB
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Jay Dougherty
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Despondency
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Jay Dougherty
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SheetMusicPlus
Four Short Single Focus Compositions for Guitar Solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Nieba…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
4.68 €
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Guitare
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Scott A
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Four Short Single Focus Compositions for Guitar Solo
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Ponticello Music
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SheetMusicPlus
Experiencing High Volumes for piano triet
Small Ensemble Piano - Level 4 - Digital Download SKU: A0.890708 Composed by John P…
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Small Ensemble Piano - Level 4 - Digital Download SKU: A0.890708 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 24 pages. Intensely Pleasant Music #3424703. Published by Intensely Pleasant Music (A0.890708). Experiencing High Volumes (2014) triet 6 minutes Composed for the Severnside Composers Alliance’s second Three is the Magic Number concerts of contemporary piano triets at the Lantern, Colston Hall, Bristol in 2014, performed by Milena Zhivotovskaya, Rob Broomfield and John Pitts. This is pleasant, relaxing armchair music, which doesn’t actually get particularly loud. I have Francisco Tárrega (1852-1909) to thank for a motif that recurs through the piece – a short section of his Gran Vals, which you may recognise. I have omitted the last note of the original melody, which is actually an octave down from a more familiar version you may know. Before this motif made its way into this piece I had considered a title along the lines of Cycle of Thirds for harmonic reasons which may be obvious. But I put that idea permanently on hold after trying to get through to a utilities company. In retrospect, I should have ensured that the end looped neatly back to the beginning (which sadly it doesn’t quite), so that I could attempt to sell a recording of this piece to businesses for their call waiting music. https://www.youtube.com/watch?v=m4MDdZpWQNA
$6.99
6.54 €
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John Pitts
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Experiencing High Volumes for piano triet
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Intensely Pleasant Music
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SheetMusicPlus
Welcome Christmas
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1268604 Composed by Albert…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1268604 Composed by Albert Hague and Dr Seuss. Arranged by Grant Cochran. A Cappella,Christmas,Film/TV,Holiday. Octavo. 4 pages. Grant Cochran #861076. Published by Grant Cochran (A0.1268604). Voicing: SATB a cappellaDescription: From the 1966 animated TV production How the Grinch Stole Christmas, this delightful carol has a sunrise opening, a spirited middle section where the tune is shared in most parts (sorry, Altos) amidst striking harmonic shifts, and a gentle close. Duration: 2:50Arranger: Grant is Professor of Music and Chair of the Music Department at the University of Alaska Anchorage. He also conducts the Anchorage Concert Chorus who has premiered many of his arrangements. He holds a doctorate in choral conducting from the Yale University School of Music.Contact: grantcochranmusic@gmail.com.
$4.99
4.67 €
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Chorale SATB
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Albert Hague and Dr Seuss
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Grant Cochran
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Welcome Christmas
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Grant Cochran
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SheetMusicPlus
Dona Nobis Pacem for 3 octave bells, handchimes and a solo flute. (TL)
Cloches
Handbell - Level 3 - Digital Download SKU: A0.924634 Composed by Traditional. Arran…
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Handbell - Level 3 - Digital Download SKU: A0.924634 Composed by Traditional. Arranged by Robert C. Walshe (rcwalshe@gmail.com). Sacred. Score. 2 pages. Robert C Walshe #5865241. Published by Robert C Walshe (A0.924634). A straight forward arrangement of the Dona Nobis Pacem round. Hand Chimes are used for tonal variety the first time the round is played completely. The second time through more harmony notes and bass notes are added. Then, Flute adds an obligato part for the third time. And the entire piece can be played tableless standing using music stands, individual chairs to hold bells and chimes, and wearing macks and separated to safety. Safe even for this Virus Time!
$2.00
1.87 €
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Cloches
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Traditional
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Robert C
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Dona Nobis Pacem for 3 octave bells, handchimes and a solo flute.
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Robert C Walshe
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SheetMusicPlus
Concertino for Tuba (piano reduction)
Tuba et Piano
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- …
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band “Pershing’s Own” in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition – Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.71 €
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Tuba et Piano
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
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