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The Only Way Is Up
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WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.15 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.6 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.12 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.03 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
The Only Way Is Up
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.925561 By Yazz. By George Jacks…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.925561 By Yazz. By George Jackson and Johnny Henderson. Arranged by Giancarlo Galliani Pecchia. Contemporary. Score and parts. 80 pages. Giancarlo Galliani Pecchia #5749519. Published by Giancarlo Galliani Pecchia (A0.925561). Full Choir and band parts for the 80s classic! One of the piano parts can be used for rehearsing, the other for performing.
$10.00
9.03 €
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Ensemble de cuivres
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Yazz
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Giancarlo Galliani Pecchia
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The Only Way Is Up
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Giancarlo Galliani Pecchia
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SheetMusicPlus
The Only Way Is Up
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.925560 By Yazz. By George …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.925560 By Yazz. By George Jackson and Johnny Henderson. Arranged by Giancarlo Galliani Pecchia. Contemporary. Octavo. 21 pages. Giancarlo Galliani Pecchia #5749453. Published by Giancarlo Galliani Pecchia (A0.925560). A simple choir arrangement of the 80s classic! Based more on the Otis Clay version. The piano can be replaced a band and strings accompaniment if desired.
$1.99
1.8 €
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Chorale SATB
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Yazz
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Giancarlo Galliani Pecchia
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The Only Way Is Up
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Giancarlo Galliani Pecchia
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SheetMusicPlus
Mediterraneo - Score Only
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By J…
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
8.13 €
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.8 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged …
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String Quartet - Intermediate - Digital Download By The Backstreet Boys. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 18 pages. Published by Sarah Chaffee
"I Want It That Way" is one of the Backstreet Boys' biggest hits, and anyone who grew up in the 90's and early 2000's probably knows this one by heart! This version for string quartet will be perfect for pop concerts, solo & ensemble concerts, weddings, receptions, and any other occasion that needs some boy band throwback nostalgia - you're sure to get everyone singing along! Full of catchy melodies, beautiful layered harmonies, and a danceable groove held down by the viola and cello, this arrangement is just as much fun to listen to as it is to play. Rated intermediate - there's nothing very difficult in this chart (except possibly intonation when the key changes to B major at the end!), and it will definitely be playable for students and easily sightreadable for professionals.<br> <br> Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "I Want It That Way." Crowd pleasing guaranteed.<br> <br> Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:<br> http://www.cellobat.com <br> http://www.instagram.com/cellobat <br> http://www.youtube.com/c/SarahCellobatChaffee
$16.99
15.35 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Backstreet Boys
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Sarah Cellobat Chaffee
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I Want It That Way - String Quartet - Backstreet Boys arr. Cellobat - Recording Available!
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Sarah Chaffee
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.41 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Chorale 2 parties
Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sa…
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Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
1.8 €
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Chorale 2 parties
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Dan Cutchen
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Choral - "O Give Thanks to the Lord" with children's vocal part
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Dan Cutchen Music
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SheetMusicPlus
The Door
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pages. Carter Datz #997602. Published by Carter Datz (A0.1415908). The Door weaves a story of someone who feels stuck - they'd like to make a change in their life but it's easier to stay inside their comfort zone, far away from the fear monster that guards the door. Eventually they decide to stand and go through the door, but they find themselves unable to vanquish the fear monster. They realize that the only way through is by accepting their fear! The moral of the story is that true courage isn't the absence of fear - it's being scared out of your mind and making the tough decision anyway. I wrote this piece in collaboration with the Wentzville Liberty Chamber Choir - the students came up with the idea for the piece and contributed lyric and musical ideas. They wanted a roller coaster of a piece, and I did my best to deliver.
$2.99
2.7 €
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Chorale SATB
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Carter Datz
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The Door
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Carter Datz
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.32 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
The Bare Necessities
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
4.51 €
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Piano seul
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the way, there are a few bars where you hear me playing straight eighths on the recording
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.6 €
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Piano, Voix et Guitare
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.54 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
Chorale 2 parties
Choral Choir (2-Part) - Digital Download SKU: A0.844319 Composed by Dan Cutchen. Sa…
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Choral Choir (2-Part) - Digital Download SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0.844319). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment A separate Mp3 accompaniment track is available for only $1.99!Cut and past, Choral - O Give Thanks to the Lord Accompaniment Trackin the search area.This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
1.8 €
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Chorale 2 parties
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Dan Cutchen
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Choral - "O Give Thanks to the Lord" II Chronicles 20:21
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Dan Cutchen Music
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SheetMusicPlus
All I Really Want is Peace on Earth - SSA (w/piano, no soloist)
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449532 By Lyti…
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Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449532 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 5 pages. Lytingale Music #1029288. Published by Lytingale Music (A0.1449532). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
2.01 €
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Chorale 3 parties
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - SSA
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - Violin or Flute part w/vocal Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1449537 By Lytingale. By Lois J H…
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C Instrument - Level 2 - Digital Download SKU: A0.1449537 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. Lytingale Music #1029293. Published by Lytingale Music (A0.1449537). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for optional Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
2.01 €
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Instruments en Do
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - Violin or Flute part w/vocal Lead Sheet
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - SSA with Soloist(s), Lead Sheet
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449530 By Lyti…
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Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449530 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 5 pages. Lytingale Music #1029286. Published by Lytingale Music (A0.1449530). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
2.01 €
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Chorale 3 parties
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - SSA with Soloist(s), Lead Sheet
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - SSA Lead Sheet (no soloist)
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449535 By Lyti…
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Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449535 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 4 pages. Lytingale Music #1029290. Published by Lytingale Music (A0.1449535). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
2.01 €
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Chorale 3 parties
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - SSA Lead Sheet
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - SSA with soloist(s) + Piano
Chorale 3 parties
Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449529 By Lyti…
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Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1449529 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 8 pages. Lytingale Music #1029285. Published by Lytingale Music (A0.1449529). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
2.01 €
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Chorale 3 parties
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - SSA with soloist(s) + Piano
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - Solo Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1449523 By Lytingale. By Lois J H…
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C Instrument - Level 2 - Digital Download SKU: A0.1449523 By Lytingale. By Lois J Henrickson (Lytingale). Christmas,Folk,Praise & Worship,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 2 pages. Lytingale Music #1029274. Published by Lytingale Music (A0.1449523). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33
3.01 €
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Instruments en Do
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Lytingale
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All I Really Want is Peace on Earth - Solo Lead Sheet
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Lytingale Music
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SheetMusicPlus
All I Really Want is Peace on Earth - Solo with Piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale.…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Pop,Singer/Songwriter,Spiritual. Score. 4 pages. Lytingale Music #1029284. Published by Lytingale Music (A0.1449528). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33
3.01 €
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Piano, Voix et Guitare
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on Earth - Solo with Piano
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Lytingale Music
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SheetMusicPlus
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