ISBN 9781619117747.

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the authoras new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

45 New Classical Guitar Arrangements in Open D Tuning

Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.

Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings.

There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O?Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi.

I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online.

Look for the audio tracks on my website in the guitar bookssection:

https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/

or,

https://brentrobitaille.com/product-category/guitar-books/

or,

https://brentrobitaille.com/

ISBN 9781513459714. 8.75x11.75 inches.

For many guitarists open tunings are a source of inspiration and an expansion of their creative possibilities. From Open D to fourth tunings - this book presents over 20 of the most common open tunings. Voice diagrams, chords and scales for each tuning allow immediate use in practice. The appendix also contains a transposition table, a chord symbol overview, the basic chords in standard tuning and a chord scale table.

ISBN 9781609742478. This book presents a comprehensive guide to guitar chords and scales in the popular G,D,E,A, and D minor tuning. In addition to their application as elementary accompaniment, there is sufficient material here for soloing and improvisation.

Item Number: S0.952777

Master the Blues in Open D Guitar Tuning

Take your Open D guitar playing to the next level with 101Blues Riffs & Solos in Open D Guitar Tuning. The most complete instructional book everwritten exclusively for DADF#AD tuning. This book is great for beginners and excellentfor intermediate and advanced guitarists looking to enrich their creative, opentuning knowledge.

A complete course on its own, the book covers a wide rangeof essential lessons to play blues in multiple styles, including traditional, Delta,rock, funk and jazz blues. Begin by studyingthe 40 stylistic riffs in several keys, then move on to the 25 practical oneand two bar riffs. Next, you can learnthe rhythm guitar riffs, the fingerstyle patterns, and finish with the longerriffs and solos.

Using a combination of slide, fingerstyle and pick playing,you will cover all the bases needed to develop a solid technique in open Dguitar. The extensive scale charts showthe blues, major, minor, modal and pentatonic scales with useful diagrams. Chords and arpeggios are also covered with theessential blues chords and variations on blues chord progressions presented inall keys.

If you want to explore the world of open D, then you are inthe right place. Everything you need tomaster the blues with essential lessons for DADF#AD guitar tuning!

Audio tracks are available on the author's website: brentrobitaille.com. 185 pgs

ISBN 9781513459950. 8.75x11.75 inches.

This fingerstyle guitar collection features 20 engaging lyrical tunes from England, Ireland, Scotland, and Wales plus three original pieces by accomplished guitarist, trumpeter and composer William A. Bay, president, and editor-in-chief at Mel Bay Publications. Tasked with writing intermediate-level arrangements in either standard or dropped-D tuning, guitarist/arranger Raymond Gonzalez displays uncommon music rethinking skills while preserving the plaintive and lilting nature of these enduring melodies. Unique to these settings, you will find sparse, open-chord harmonies accentuated by double hammer-ons and pull-offs, and the odd harmonic mixed with normal tones within a melodic line all reminiscent of gentle waves washing up against a rocky island shore. Conceived to be played on either steel or nylon-string guitar, these pieces are written in both standard notation and tablature. Includes online access to the authors own audio recordings.

ISBN 9781619115286. 8.5 X 11 inches.

This book features 22 gems of gospel and hymn music, arranged in various keys in dropped D tuning (DADGBE - 6th to 1st string) for the intermediate and advanced guitarist. The arrangements provide compelling evidence that dropped D tuning has been liberated from its usual position as simply a variant of standard tuning. In this book, it takes on an exciting open-tuning character. Innovative string choices and guitar voicings are employed to evoke different textures for the various melodies. The music ranges from the single-note treatment reminiscent of the solo singer, to the flowing, arpeggiated approach of the harper, to the chordal power of the organist. The pace can be slow and meditative, or up-tempo and celebratory. The presentation is in tablature and standard notation.

?Sebastopol, A Descriptive Fantaisie For The Guitar? or ?The Siege of Sebastopol? by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e ?Vestapol? or ?tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. ?Sebastopol? was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; ?The Siege Of Sevastopol? of the Crimean War was this breakthrough. The ?descriptive fantaisie? aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the ?Drumming? technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the ?percussive guitar? genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.

ISBN 9781619117488.

The word DADGAD refers to the names of the notes on the open strings of one of many alternate tunings for the guitar, one that is very popular with acoustic guitar players. It has a wonderfully warm resonance, allowing you to play simple single-note melodies, yet still fill out the sound of the instrument.The twenty Christmas carols presented here form a perfect introduction to playing guitar in DADGAD tuning. The melodies are presented without added bass notes or chords - just those great melodies, once heard, never forgotten. This means you already know what the tune is supposed to sound like, leaving you to concentrate on playing the notes on the right string and fret, and for the right length of time.This book is the easiest of Rob Mackillop's DADGAD books. It assumes you know how to hold and tune the guitar, and play some notes and a few simple chords. The book includes a Technique Primer to help get you up and running, plus the essential chord diagrams for playing in DADGAD tuning. Book includes access to online audio featuring Rob MacKillop's performance of each piece.

ISBN 9781619119253.

The ten-hymn selection (including among others Come, Thou Fount of Every Blessing and How Firm a Foundation) largely avoids chordal style harmonization, but rather employs the open strings of the instrument in a creative way to make the melody and accompaniment sound rich, vibrant and easier to play. Most arrangements are in standard tuning (with occasional dropped D tuning) and include extensive fingerings.

ISBN 9781619117242.

Anyone who is serious about learning Irish traditional music will eventually come across O'Neill's Music of Ireland, a collection of well over 1000 tunes. This book contains a selection of one hundred tunes from this collection, arranged into sets for mandolin which can be used at sessions, and for dancing. The book includes hints, tips and comments for playing the tunes and some of the tunes also have alternative melodies and harmonies for added variety and interest. At the back of the book, there are guitar chords with standard and open D tuning, and a mandolin fretboard chart that you might find useful.

ISBN 9781619117136.

Make your old-time and bluegrass music sing through the warm open-string sound of DADGAD tuning! This book includes twenty classic old-time and bluegrass tunes, arranged and recorded by Rob MacKillop. The material is ideal for players of easy to intermediate levels and is designed for flatpicking, but can also be played fingerstyle. Repertoire includes Angeline the Baker, Blackberry Blossom, Fire on the Mountain, Old Joe Clark, Whiskey Before Breakfast, Wildwood Flower and much more. Additional content includes DADGAD chord diagrams, instructions and a technique primer. Includes access to online audio.

ISBN 9781610653220. Understanding DADGAD is a complete introduction to usingthe DADGAD tuning for fingerstyle acoustic guitar. The book systematically explores the tuning, starting with simple chords and scale patterns, ultimately showing how DADGAD can be used to play in nearly any key and in many different musical styles. Topics include moveable and open-string chords and scales, intervals, the harp-effect, common chord progressions in DADGAD and more, all in the context of either short musical examples or complete tunes.Rather than just providing scales, chords, or tunes, this book guides the reader through the process of understanding the guitar from the perspective of DADGAD tuning. Topics are organized as a series of small self-contained sections ideal for a single study session or lesson. After exploring extremely easy ways to get started with DADGAD, involving as little as a single finger on the fretting hand, the book progresses to examples that will interest even more advanced players. 200 musical examples, including several full performance-quality pieces, demonstrate each concept. The online audio features the author playing many of the examples.A complete introduction to DADGAD tuning for fingerstyle acoustic guitar.Begins with simple chords and scale patterns and progresses to more complex musical examples in many different keys.Topics include moveable and open-string chords and scales, the harp-effect, intervals, common chord progressions in DADGAD and more. Audio available online for download.

FORMATTED FOR TWO-SIDED PRINTING: Internationally acclaimed acoustic guitarist Ellsworth ("El") McMeen has been arranging hymns and other spiritual music for guitar for over 30 years. He started in standard guitar tuning, but moved away from that tuning into various so-called "open" tunings. He has been called the "King of CGDGAD tuning," in light of his prolific arrangements and compositions in that lush and evocative tuning. This major work of spiritual music contains 26 guitar settings of hymns, spirituals, and gospel songs, all lovingly arranged for solo fingerstyle guitar in the CGDGAD tuning. This book contains a chord chart for the aid of the reader. El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen

The audio sampler contains excerpts from these 10 songs, all in CGDGAD tuning:

1. Alleluia, Sing to Jesus
2. In Christ There is No East or West
3. Jacob's Ladder
4. Joshua Fit the Battle of Jericho
5. Kingsfold (Tune: "Star of the County Down")
6. Poor Wayfaring Stranger
7. Praise to the Lord
8. Simple Gifts
9. This Is My Father's World
10. When I Survey the Wondrous Cross (Tune:
"Water is Wide")

El's double-length recording called "Gospel Guitar Treasures" can be found here: https://store.cdbaby.com/cd/elmcmeen7

ISBN 9781619113497. This book is designed for ukulele players who wish to expand their sound. Featuring twenty-eight different tunings, the material offers an incredibly wide range of approaches to the instrument. Each chapter focuses on a particular tuning and explains how to retune the instrument. Useful scales and chords across the fretboard will also be presented for each tuning. Songs are included in each chapter, and are presented in both standard notation and tablature.

ISBN 9781619117488.

The word DADGAD refers to the names of the notes on the open strings of one of many alternate tunings for the guitar, one that is very popular with acoustic guitar players. It has a wonderfully warm resonance, allowing you to play simple single-note melodies, yet still fill out the sound of the instrument.The twenty Christmas carols presented here form a perfect introduction to playing guitar in DADGAD tuning. The melodies are presented without added bass notes or chords - just those great melodies, once heard, never forgotten. This means you already know what the tune is supposed to sound like, leaving you to concentrate on playing the notes on the right string and fret, and for the right length of time.This book is the easiest of Rob Mackillop's DADGAD books. It assumes you know how to hold and tune the guitar, and play some notes and a few simple chords. The book includes a Technique Primer to help get you up and running, plus the essential chord diagrams for playing in DADGAD tuning. Book includes access to online audio featuring Rob MacKillop's performance of each piece.

ISBN 9781610658416. Whether guitarists are new to open-tunings or already working with them, fingerstyle specialist Jim Goodin offers a progressive look at the popular D-based harp-like tuning. Classical, Celtic, blues, folk, gospel and several original compositions are represented in the 15 notation/tablature arrangements each arranged proportionately to offer beginning, intermediate and advanced fingerstyle players opportunities to grow their technique. Interspersed with the song arrangements are sections featuring major and minor scale studies and popular folk and jazz style chords. Includes a 15-track audio produced at Will Ackerman's Imaginary Road Studio where the book's arrangements were recorded. To round out this robust offering Jim includes thoughts about the origin of DADGAD, the songs, his technique with special how-to features such as one on playing natural and harp style harmonics and recommended listening audio to expand listening knowledge on this tuning. Includes access to online audio.