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23
1 Piano, 4 mains
22
Piano Quatuor: piano, violon, alto, violoncelle
9
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3
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4
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1
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33
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23
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18
Voix duo
10
Voix Alto, Piano
8
Voix moyenne, Piano
6
Voix haute
5
Voix Tenor
5
Voix seule
5
Voix basse
2
Voix Baryton, Piano
1
Chorale SSAATTBB
1
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1
Voix basse, Piano
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1
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1
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1
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1
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VENTS
2 Saxophones (duo)
162
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149
Flûte traversière et Piano
126
Clarinette et Piano
124
Hautbois, Piano (duo)
104
Flûte, Hautbois, Clarinette, Basson
102
Clarinette
100
Saxophone (partie séparée)
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
97
2 Clarinettes (duo)
79
2 Flûtes traversières (duo)
76
Saxophone Alto et Piano
75
Saxophone, Clarinette (duo)
71
Flûte traversière
68
Saxophone Alto
62
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59
Hautbois (partie séparée)
53
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50
Clarinette, Violon (duo)
48
2 Hautbois (duo)
43
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41
Saxophone Tenor et Piano
41
Flûte, Clarinette (duo)
35
Hautbois, Basson (duo)
35
Hautbois, Clarinette (duo)
33
Hautbois, Flûte
28
Quatuor de Flûtes : 4 flûtes
26
Clarinette et Alto
25
Saxophone Soprano et Piano
24
Quintette de Clarinettes: 5 clarinettes
23
Flûte, Violon
23
Flûte, Alto (duo)
23
Saxophone Baryton, Piano
22
Hautbois
22
Flûte, Saxophone (duo)
22
3 Saxophones (trio)
21
Flûte, Trompette (duo)
19
3 Clarinettes (trio)
18
Clarinette (partie séparée)
16
Cor anglais, Piano
15
Flûte et Guitare
15
Quintette de Flûte : 5 flûtes
15
Ensemble de Clarinettes
14
Saxophone Soprano
14
Saxophone Tenor
14
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13
Clarinette, Guitare (duo)
13
Flûte à Bec
11
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10
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9
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8
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7
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7
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7
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7
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6
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Trompette
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70
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Cor
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55
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51
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38
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29
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28
Tuba et Piano
26
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25
Quatuor de Cuivres
23
Euphonium
18
Cor anglais, Piano
15
2 Cors (duo)
14
Cor (partie séparée)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Euphonium, Piano (duo)
11
Tuba (partie séparée)
9
Ensemble de Trompettes
8
Cor Anglais
7
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
6
Ensemble de Cors
6
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
4
Trompette, Cor (duo)
4
Trio de Cuivres
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Quatuor de cuivres: 4 trompettes
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4 Tubas
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2 Euphoniums et 2 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
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169
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149
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102
Harpe
87
Violoncelle (partie séparée)
85
2 Violons (duo)
74
Trio à Cordes: 2 violons, violoncelle
58
Trio à Cordes: violon, alto, violoncelle
57
Violon, Alto (duo)
54
Alto seul
51
2 Violoncelles (duo)
50
2 Altos (duo)
49
Violoncelle
41
Contre Basse
36
Alto (partie séparée)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Trio à cordes
18
Violon, Guitare (duo)
15
Contrebasse, Piano (duo)
13
Violon (partie séparée)
13
Trio à Cordes: 3 violoncelles
13
Piano Trio: Violon, Alto, Piano
12
Alto, Violoncelle (duo)
10
4 Violoncelles
9
Contrebasse (partie séparée)
9
Trio à cordes: 3 violins
7
2 Harpes (duo)
6
Trio à cordes: 3 altos
6
Violoncelle , Guitare (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 2 violons, alto
3
Violon, Clarinette, Piano (trio)
2
Ensemble de Violons
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
2 Altos, Piano
2
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Violoncelle, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
282
Orchestre
108
Orchestre à Cordes
83
Cloches
76
Ensemble Jazz
45
Ensemble de cuivres
40
Orchestre de chambre
27
Jazz combo
20
Fanfare
13
Ensemble de Percussions
12
Percussion (partie séparée)
11
Batterie
6
Batterie (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
1
Marimba, Piano (duo)
1
Vibraphone
1
Orchestre, Violon
1
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AUTRES
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The Origin Of Love
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9976
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
33.26 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.44 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Mevlidi Sherif Symphony ~ in English Piano Reduction
Piano seul
Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporar…
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Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
46.19 €
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Piano seul
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Taylor Kroff
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The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Listening Heart, LLC
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SheetMusicPlus
I Did Not See Temple Spires - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
1.84 €
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Chorale SATB
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Kevin G
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I Did Not See Temple Spires - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Little Town of Bethlehem - SATB and Piano
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Do…
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Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318498 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas,Holiday. 10 pages. Connie Boss #907165. Published by Connie Boss (A0.1318498). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SATB voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earth Shepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
7.38 €
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Phillips Brooks and Lewis H Redner
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Connie Boss
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O Little Town of Bethlehem - SATB and Piano
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Connie Boss
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SheetMusicPlus
Chinese National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arrange…
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Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arranged by Keith Terrett. 20th Century, Asian, Patriotic. Score, Set of Parts. 26 pages. Published by Music for all Occasions
An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese. Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram and soundcloud for frequent updates and news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.
$38.00
35.1 €
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Orchestre
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Nie Er
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Keith Terrett
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Chinese National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
O Little Town of Bethlehem - SATB a cappella
Chorale SATB
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.13…
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318619 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A Cappella,Christian,Christmas,Holiday. 9 pages. Connie Boss #907297. Published by Connie Boss (A0.1318619). This version is for SATB voices. It has the original melody with pretty harmonies added. There are solo, duet and complete choir singing the words. Humming and ahhs are used for the solo and duets. The melody is more for an alto range. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
5.53 €
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Chorale SATB
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Phillips Brooks and Lewis H Redner
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Connie Boss
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O Little Town of Bethlehem - SATB a cappella
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Connie Boss
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SheetMusicPlus
O Little Town of Bethlehem - Strings quartet and Piano
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Compo…
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Children,Christian,Holiday,Religious. 21 pages. Connie Boss #912700. Published by Connie Boss (A0.1324502). This version starts with just strings.  It is for Strings quartet and piano. Parts are included with this purchase. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. I have other arrangements of this song on sale here as well including choir pieces. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
7.38 €
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Phillips Brooks and Lewis H Redner
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Connie Boss
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O Little Town of Bethlehem - Strings quartet and Piano
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Connie Boss
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The Origin of the Harp. Canzonett
Piano, Voix
Piano and voice - Digital Download SKU: LV.17508 Supernatural beings, Courtship & l…
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Piano and voice - Digital Download SKU: LV.17508 Supernatural beings, Courtship & love, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17508). The Origin of the Harp. Canzonett. The Words by Moore. Arranged either as a Solo or Duett with an Accompanyment [sic] for the Harp or Piano Forte. Published [n.d.] by Carr's Music Store in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Supernatural beings, Courtship & love, Symbols. First line reads 'Tis believed that this Harp which I now wake thee, was a Syren.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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The Origin of the Harp. Canzonett
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Origin Of Love
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.981113 Composed by Stephen…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.981113 Composed by Stephen Trask. Arranged by Aaron Howe. Contemporary. Octavo. 12 pages. Aaron Howe #5334673. Published by Aaron Howe (A0.981113). A TTBB choral arrangement of the song The Origin Of Love from the broadway musical Hedwig and the Angry Inch. Arranged for TTBB chorus and baritone soloist with piano accompaniment. Bass/Drums/Guitar parts sold separately.
$1.99
1.84 €
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Chorale TTBB
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Stephen Trask
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Aaron Howe
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The Origin Of Love
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Aaron Howe
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.71 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Origin Of Love
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1199252 By Mika. By Mik…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1199252 By Mika. By Mika, Nicholas Littlemore, and Paul Steele. Arranged by Derek Hasted. Pop. Score and parts. 24 pages. Derek Hasted #798315. Published by Derek Hasted (A0.1199252). ORIGIN OF LOVE - 3 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I arranged this rather impressive piece by Mika at the time he was a judge on the UK TV program “The Pianoâ€. Set one note higher than the original it uses the entire range of the guitar from a tuned down bottom D up to the F# on fret 14 to make a wall of sound.It runs for nearly 5 minutes, and like so many good modern tunes there are countermelodies, subtle variations on repeats and a really satisfying sound.My arrangement for 3 guitars would sound even more impressive in a large ensemble setting.There are no fingerings - the most important thing about this piece is to find a position that works for the players.This is a large piece - the music takes up 4 sheets of paper per player...I hope you enjoy this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.61 €
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Mika
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Derek Hasted
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Origin Of Love
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Derek Hasted
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SheetMusicPlus
Miracle of Love
Chorale SATB
SATB choir - Digital Download SKU: LX.65-1881L The Birth of Christ in Glorious S…
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SATB choir - Digital Download SKU: LX.65-1881L The Birth of Christ in Glorious Song. Composed by Stan Pethel. Choral Cantatas. Christmas. 64 pages. Lorenz Publishing - Digital Sheet Music #e65/1881L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1881L). UPC: 000308041132.Two Editions: SATB and SAB Christmas The ultimate miracle of love is the Christmas story itself, celebrated here with familiar carols and original music connected by poignant, thought-provoking narratives. Miracle of Love uses a narrator as the contemporary link to Biblical times, setting the scene and asking questions The work incorporates from 7 to 22 different characters or readers - some anonymous, some named - to tell the Christmas story through the eyes of those witnessing the birth of Christ. These brief narratives, created by Mark Cabaniss, may be either spoken from a lectern or performed on a stage as vignettes, or in combination of the two. The music varies from quiet introspection to exuberant joy; from the comfortably familiar to the refreshingly original. Always tuneful and creatively set in the composerAEs well-known style, the message and the melodies of this musical carry the listener to the final exultant chorus: Miracle of Love..
Song List: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
$9.95
9.19 €
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Chorale SATB
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Stan Pethel
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Miracle of Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Miracle of Love
Chorale 3 parties
SAB choir - Digital Download SKU: LX.65-1882L The Birth of Christ in Glorious So…
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SAB choir - Digital Download SKU: LX.65-1882L The Birth of Christ in Glorious Song. Composed by Stan Pethel. Choral Cantatas. Christmas. 64 pages. Lorenz Publishing - Digital Sheet Music #e65/1882L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1882L). UPC: 000308041125.Two Editions: SATB and SAB Christmas The ultimate miracle of love is the Christmas story itself, celebrated here with familiar carols and original music connected by poignant, thought-provoking narratives. Miracle of Love uses a narrator as the contemporary link to Biblical times, setting the scene and asking questions The work incorporates from 7 to 22 different characters or readers - some anonymous, some named - to tell the Christmas story through the eyes of those witnessing the birth of Christ. These brief narratives, created by Mark Cabaniss, may be either spoken from a lectern or performed on a stage as vignettes, or in combination of the two. The music varies from quiet introspection to exuberant joy; from the comfortably familiar to the refreshingly original. Always tuneful and creatively set in the composerAEs well-known style, the message and the melodies of this musical carry the listener to the final exultant chorus: Miracle of Love..
Song List: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
$9.95
9.19 €
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Chorale 3 parties
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Stan Pethel
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Miracle of Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Cycles of Life Songbook
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sy…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
$14.95
13.81 €
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Piano, Voix et Guitare
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Sydney Stevens
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Cycles of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
OH, MY BELOVED FATHER - O mio babbino caro - String Duo, Intermediate Level for violin and cello
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521118 Composed by Giacomo Puccini. Arranged by Sherry Lewis. Concert,Romantic Period,Spiritual,Wedding,World. Score and parts. 11 pages. Sherry Lewis Publishing #3562225. Published by Sherry Lewis Publishing (A0.521118). OH, MY BELOVED FATHER - O mio babbino caro - String Duo, Intermediate Level for violin and celloScore: 2 pagesParts: 3 pages Time: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
4.16 €
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Violon, Violoncelle (duo)
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Giacomo Puccini
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Sherry Lewis
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OH, MY BELOVED FATHER - O mio babbino caro - String Duo, Intermediate Level for violin and cello
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Sherry Lewis Publishing
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SheetMusicPlus
OH, MY BELOVED FATHER - O mio babbino caro - String Trio, Intermediate Level for 2 violins and cell
Trio à Cordes: violon, alto, violoncelle
Small Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521117 Compo…
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Small Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521117 Composed by Giacomo Puccini. Arranged by Sherry Lewis. Concert,Romantic Period,Sacred,Wedding. Score and parts. 15 pages. Sherry Lewis Publishing #3562207. Published by Sherry Lewis Publishing (A0.521117). OH, MY BELOVED FATHER - O mio babbino caro - String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 4 pagesParts: 5 pages Time: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
6 €
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Trio à Cordes: violon, alto, violoncelle
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Giacomo Puccini
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Sherry Lewis
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OH, MY BELOVED FATHER - O mio babbino caro - String Trio, Intermediate Level for 2 violins and cell
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Sherry Lewis Publishing
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$7.99
7.38 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Love Story
Quatuor à cordes: 2 violons, alto, violoncelle
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.5217…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521738 By Taylor Swift. By Taylor Swift. Arranged by Sherry Lewis. Pop. 26 pages. Sherry Lewis Publishing #6414197. Published by Sherry Lewis Publishing (A0.521738). LOVE STORY - Taylor Swift, String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score:13 pages Parts: 10 pages Time: 4'00 ABOUT DEMO: Begins 2 measures of intro and then cut to the main theme for this demo MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Taylor Swift
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Sherry Lewis
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Love Story
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Sherry Lewis Publishing
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SheetMusicPlus
Love Story
Quatuor à cordes: 2 violons, alto, violoncelle
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.5217…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521739 By Taylor Swift. By Taylor Swift. Arranged by Sherry Lewis. Pop. 26 pages. Sherry Lewis Publishing #6414219. Published by Sherry Lewis Publishing (A0.521739). LOVE STORY - Taylor Swift, String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Early Intermediate Level Score:13 pages Parts: 10 pages Time: 4'00 ABOUT DEMO: Begins 2 measures of intro and then cut to the main theme for this demo MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Taylor Swift
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Sherry Lewis
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Love Story
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Sherry Lewis Publishing
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SheetMusicPlus
HOW LONG WILL I LOVE YOU String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
Trio à Cordes: 2 violons, violoncelle
Intermediate - Digital Download By Ellie Goulding. Arranged by Sherry Lewis. Score, S…
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Intermediate - Digital Download By Ellie Goulding. Arranged by Sherry Lewis. Score, Set of Parts. 15 pages. Published by Sherry Lewis Publishing
HOW LONG WILL I LOVE YOU String Trio for 2 violins and cello or violin, viola and cello<br> <br> Intermediate Level<br> <br> Score: 4 pages<br> <br> Parts: 5 pages <br> <br> Time: 2'12"<br> <br> MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts <br> <br> however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.<br> <br> Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.<br> <br> If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.<br> <br> VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.<br> <br> PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. <br> <br> AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.<br> <br> LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. <br> <br> ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.<br> <br> EXCELLENT for corporate events, weddings, social gatherings and recitals.<br> <br> APPROPRIATE for students and schools.<br> <br> CHURCH REPERTOIRE I’m always adding more titles.<br> <br> Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
12 €
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Trio à Cordes: 2 violons, violoncelle
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Ellie Goulding
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HOW LONG WILL I LOVE YOU String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
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SheetMusicPlus
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